Tag: featured
Punk Rock Bowling 2017 Kicks Off w/ The Sonics, Throw Rag & Moore
Vanessa Burgundy
June 7, 2017
There was a handful of early-bird punks and a few scattered tourists as we approached a surprisingly sleepy version of downtown Fremont Street but with a line-up including Dr. Madd Vibe (feat. Angelo Moore from Fishbone), Throw Rag, the Mutants, Chicken Hawk All Stars, and OG (that’s original garage) rockers The Sonics at Fremont Country Club– we were about to get woke the fuck up. related content: The Sonics Teach Garage Rock History 101 at The Observatory It was the unofficial opening night of Punk Rock Bowling and Music Festival 2017, now in it’s 19th year (how old are we?!), and the Stern brothers have yet to disappoint- although it was now 9:30pm and the doors were not yet open. Of course we overlooked the first day sluggishness as we got a sweet and smooth welcome from our Hollywood homeboy and star of the night, Chicken Hawk All Stars lead singer/Fremont Country Club venue owner, Big Daddy Carlos. It was at least 10:15 before the curtain came up with Dr. Madd Vibe’s blaring instruments and dueling vocals as loud as Angelo’s hand-painted, psychedelic suit. Always a showman and masterful musician, the energy was there but the crowd had not yet caught
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The Transcendental Jams of Kikagaku Moyo at Austin’s Scottish Rite Theater
Lindsay Krause
June 5, 2017
A Masonic double-headed eagle emblem keeps a watchful eye on top of the glowing sign for Austin’s Historic Scottish Rite Theatre. Over the weekend, this former German opera house transformed into an enchanting lair to host rising experimental Japanese group Kikagaku Moyo. It’s not often that one gets to experience a touring act in a location outside of the typical bar scenario, and the spooky elegance of Austin’s oldest theatre (it was built in the late 1800s!) played a role in elevating the evening, thanks to event producers Perfect Life Presents. Austin acts Hidden Ritual and Soft Healer provided opening support at the theatre that evening. Hidden Ritual’s brand of post-punk exuded the eeriness of a western-noir film, complementing the ominous air in Scottish Rite. Local lighting crews Etherwave and ACID Light Show collaborated on a curious visual backdrop which intertwined black and white vintage 16mm film clips and vivid liquid lights. Overhead the theatre ceiling glowed softly in replicated patterns of celestial bodies in the night sky, prompting Soft Healer’s singer to remark “the sky looks great this evening”. Formed as a busking collective in Tokyo during 2012, Kikagaku Moyo have released 3 full length albums and are currently
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Television Performing “Venus” at Bunkhouse Saloon for PRB Club Show
Janky Smooth Central Command
June 1, 2017
It’s hard to believe that yet another Punk Rock Bowling is in the books but the week long hangover proves it. The Stern brothers book yet another legendary gig with Television headlining the Bunkhouse Saloon along with The Weirdos, Alice Bag and The Avengers. Tom Verlaine and company were water tight at their PRB 2017 club show. This isn’t the first time Janky Smooth is covering the pioneers of punk and art rock but it was certainly one of the most memorable. The club shows at Punk Rock Bowling always seem to produce some of the best performances in the most intimate settings. Other notable club gigs at PRB 2017 that we attended were Cocksparrer at Backstage Bar, Municipal Waste at Fremont Country Club, Hepcat at Bunkhouse Saloon and The Vandals, also at Fremont CC. related content: Patti Smith “Horsin’ Around” at The Teragram Ballroom Television Set List- Bunkhouse Saloon Prove It Little Johnny Jewel Venus 1880 or So Persia I’m Gonna Find You Marquee Moon For those of you attending Punk Rock Bowling installments in Denver and/or Asbury Park, have a great time. Janky Smooth will see you next year in Vegas. Full recap of Punk Rock
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Pallbearer & Gatecreeper Stop at Echoplex Reminds Us- Guitar Solos Matter
Rob Shepyer
May 27, 2017
Pallbearer’s tour brought them to the Echoplex on May 18th with support from Arizona death metal savages Gatecreeper and local avante-garde-post-experimental-jazz-metal-poets Grand Lord High Master. Doom metal is back in style because sorrow and surrender and being in touch with your feelings are back in style. Maybe “being in touch with your feelings” is overstating things just a little. At the very least it’s being in touch with the fact that you have feelings. Emo might have had its resurgence for the same reason and in times like these, you have to understand why. If not, you might just join in the mourning process yourself. Pallbearer is one of the leading bands in the new wave of doom metal. What they do is an original spin on an old style that sounds both new and familiar to the ear. Combining elements of classic hard rock, prog rock, and even shoegaze, the band’s latest album Heartless is a tour-de-force. Listening to Heartless, I hear just as much Guns n’ Roses or Metallica as I do classic doom like Candlemass or Cathedral. The band is not afraid to flaunt their talent their virtuosity, they stretch notes and solo often and in a
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Redd Kross & The Side Eyes: A Great Case For Nepotism at The Echo
Janky Smooth Central Command
May 24, 2017
It was a packed house last Tuesday night at The Echo, as Redd Kross played the last show of a month long tour in their home base of Los Angeles, CA. They have been traveling the nation on their “Beneath the Valley of the Teen Babes of Monsanto” tour. related content: Redd Kross, Melvins & OFF! Commemorate Teen Babes From Monsanto Before Red Kross took the stage, the audience was treated to the high-energy tunes of local band The Side Eyes. They have been gaining much popularity with their punk sound that is somehow peppy and aggressive, catchy and beefy, all at the same time. They drew their own crowd of enthusiastic fans who were rocking out and showing the band tons of support. The band features lead singer, Astrid McDonald- a beautifully fierce front woman with dynamic vocals and an imposing stage presence. If you have yet to hear them, you’re missing out on something special. After powering through an upbeat set, they ended with “Don’t Talk to Me,” a cover from Astrid’s mother and Go-Go’s bassist, Charlotte Caffey’s OTHER band, the Eyes and the subject of a split single with her dad Jeff McDonald’s band, Redd Kross, released by In The Red
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Me First & The Gimme Gimmes Inter-Review At The Fonda Theater
Dave Unbuckled
May 23, 2017
Me First and The Gimme Gimmes made their welcome return to Los Angeles at the Fonda Theater on May 13th to a sold out crowd that was comprised of every demographic one could think of. After all, the band has been celebrating their 20th anniversary for the past two years, and were prepared to perform their greatest hits, both of which incentivized longtime fans in their forties and your typical Los Angeles punk teenagers. The band was joined by openers Kid Congo Powers and Together Pangea, both who were warmly received, and both who stood out from the typical Fat-Wreck bands that usually get put on these bills. Perhaps it was the absence of Fat Mike on this tour that separated this from your standard Gimme Gimmes appearance, though the band did have suitable substitutes in tow, including Chris Cheney of The Living End. Some in the crowd seemed disappointed that their punk rock idol wasn’t performing, but most got over it as soon as the band opened their set with “Summetime,” off of Are a Drag. But for both Janky Smooth and myself, this was a special show since I was interviewing Spike Slawson in the hours before fans would even
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Isaac Rother & The Phantoms Are Back With 5 Hits From Hell…
DM Collins
May 23, 2017
Isaac Rother & the Phantoms and their soul-laden stew of R&B horror rock and off-the-charts live show bring a seminal but sometimes forgotten era of rock from the 50s and early 60s back to life. But Isaac and his Phantoms also evoke a time just a few decades past, at the cusp of our Modern Garage Era of Rocken’ at Large (or ”MONGEReL” for short), when bands such as the Mummies, the Trashwomen, the Gories, the Bomboras, and the Makers (just to name a few) rooted through not only the record collections of their rock forefathers, but also the backs of their closets, churning out live shows as loaded with sequins and monster masks as they were with broken drumsticks and blown out Fender amps. Unlike many of their successors, these bands also weren’t afraid of adding a little roll to their rock, or exploring those sections of rock’s lemon that still needed lemonade squeezed from them, be it surf music, garage, bubblegum, or glam. Like a breath of fresh tomb air, Mr. Rother and his army of the undead have “dug up” this full-immersion concept anew for the current generation of garage, soul, and just plain rock
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Com Truise & Clark At Forefront of Breaking Stigma of Electronic Music
Aria Silva-Espinosa
May 22, 2017
Electronic music often carries a heavy stigma for being repetitive or unoriginal. Unfortunately, many artists get lumped into the broad category of ‘EDM’ thus rendering their art unpalatable or unapproachable for a significant portion of music enthusiasts. What people fail to recognize is that, just as electric guitar is central to many genres of music, so is the overarching use of ‘electronic’ sound manipulation equipment in music. The Regent in the heart of Downtown L.A. hosted Clark and Com Truise on a Thursday night and the turnout was an impressive mix of people, a relatively diverse sample of audience members. As was expected, there was a significant number of visibly and obviously people under the influence of party drugs. Wide-eyed, they passed through the space respectfully and amicably. English electronic musician Chris Clark performs under the abridged moniker Clark. Although he was an opener for Com Truise’s headlining show, Clark absolutely blew it out of the water. He’s been in the scene since 2001, when his first album Clarence Park debuted on Warp Records. His set was about as dynamic as electronic music can be, ranging from deep house to an almost noise-rock sound. The experience is heightened by the
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Me First & The Gimme Gimmes Janky Smooth Sessions w/ Spike Slawson
Dave Unbuckled
May 20, 2017
7 days until day 1 of Punk Rock Bowling 2017… Last Saturday, May 13th, I sat down with the not-so-soft-spoken Spike Slawson, of Me First & the Gimme Gimmes, at the Fonda Theater before their Los Angeles appearance of their Greatest Hits Tour. We discussed his punk rock super hero origin story, eating ass on tour, and how the Gimme Gimmes choose the songs that make it onto their album. He also shared intimate stories of the late Glen Frye and Co.’s opinions of Desperado’s punk makeover, fronting a band called Ukehunt, his favorite Judy Garland songs to sing live, and what it really feels like to watch Leonardo Dicaprio do a lot of cocaine while hearing your voice in the background. Read the Full Review From The Gimme Gimmes Show at The Fonda Photo: BodhiFox Photography
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Fishbone at The Echoplex: The Royal Treatment for Chim Chim
Janky Smooth Central Command
May 19, 2017
Saturday night at the Echoplex started off with the Uber driver dropping us off in front of The Echo, where we waited outside for 2 minutes before we realized it was the wrong place. So we run across the street down some filthy stairs around a corner and now we are at what appeared to be a back parking lot. A simple barricade across the front of the drive-way and a few security staff in black shirts greet us and conduct a cursory cavity search and inspection of our immediate threat level. My friend has her trusted ass-pocket flask, (empty by now) confiscated with the promise it will be returned at the end of the night. We are ushered passed a mountain of trash bags and assorted garbage piled high along the side of the building. Just another by-product of the glamour and the glitz of Los Angeles nightlife and moments away from yet another Fishbone show under my belt. Once inside, the show was already in full swing with the latest offering from drummer Stephen Perkins (Janes Addiction/Porno for Pyros) entitled Tabitha– a powerhouse trio consisting of Perkins and the Okai Sisters (originally from Tokyo) on Guitar and Bass. They
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Le Butcherettes Leave A Pint of Blood On Stage at Alex’s Bar in Long Beach
Aria Silva-Espinosa
May 18, 2017
Mex-American punk trio Le Butcherettes are sheer intensity personified onstage. On a Wednesday night at Alex’s Bar in Long Beach, the crowd sizzled anxiously under the ominous glow of the shadow-casting red lights.The entire venue has been arranged to allow for maximum capacity, standing room only. Photographers clamored on top of the scattered bar furniture, desperate for a clear shot at the stage which is only elevated slightly from the floor at the very front of the venue space. The enlivened crowd is thick, anxiously buzzing and seemingly impenetrable. Everyone wants to get in on the action and Le Butcherettes come with a satisfaction guarantee for punk music lovers. Alex’s Bar is tactfully decorated with skeletons, Lucha Libre masks and religious iconography. It is a perfect setting for the evening’s headliners to tear it up- Mexican garage punk-style. Draped in red, Teri Gender Bender took her position onstage and delivered a rallying cry of a performance. Teri is accompanied onstage by her bandmates Riko Rodríguez-López and Alejandra Robles Luna. Le Butcherettes opened their set with a song called ‘La Uva’, which was recorded with help from Iggy Pop and is featured on the newest album A RAW YOUTH. Teri displays
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Take This: Win 2 Tix To See Pallbearer at The Echoplex on 5/18
Danny Baraz
May 16, 2017
Pallbearer dropped a MASSIVE 3rd doom metal album this past March and they are showing why it’s perfect timing for Metal to make a comeback- right here, right now. With the hard rock resurgence the past couple years, the endless stream of pop punk and garage rock proliferating out of every shitty amp in America are being incinerated. It’s perfect timing for Pallbearer to throwdown like they have with their album Heartless released by Profound Lore records and catch them while in the midst of their current tour.. Janky Smooth is giving away 2 Tickets to see Pallbearer this Thursday, May 18th at The Echoplex in Los Angeles. You can BUY TICKETS NOW or Complete These Two Steps to Enter to Win Join our Newsletter. A subscription box pops up anytime you visit our site. Fill out three fields and hit submit. If you subscribe and the box disappears you are entered to win. No newsletter confirmation will be sent. Share or Retweet the Pallbearer Ticket giveaway post on either FB or Twitter. Tag a friend in our ticket giveaway post on Instagram. That’s it. Winner will be announced on Thursday morning, 11am pacific time. Winner will be contacted
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