Tag: featured
Take This: Win 2 Tix & Goodie Bag to Dirty Penni Fest 2 at Echo+Plex
Janky Smooth Central Command
June 14, 2017
Last year, Janky Smooth was smart enough to send a team over to the first installment of Dirty Penni Fest. We had Paige Vreede out to review the fledgling festival, Josh Allen out to shoot the bands and the people and Danny Baraz threw down a DJ set outside on patio of The Echo. But it’s not about us- it’s about the bands that played the fest which was a collaboration between the laundro-maniacs over at Dirty Laundry TV and the whiz kids at Penniback Records. Bands like Sloppy Jane, No Parents, Guantanamo Baywatch, Cherry Glazerr, our boys in Death Hymn… and of course, no event involving Dirty Laundry TV would be complete without the presence of the great Mike Watt and whatever battery of musicians accompany him- whether it be the “Secondmen” or in this case, the “Jom and Terry Show.” related content: Dirty Penni Fest- A Rock n Roll Romper Room for Young & Old “So whether you’re 14, 26, or 60 I think it’s safe to say we all found ‘home’ this past weekend. So let’s keep the DIY scene alive. These kids are our future.” – Paige Vreede This year, Dirty Penni Fest returns for
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The Primitives: Yet Another Rare Score for Part Time Punks 12th Anniversary
Rob Shepyer
June 12, 2017
At this point, the musical muscle memory I’ve developed as a contributor for Janky Smooth has revealed at LEAST one thing- I know how to spot a good show from a mile away. So, when Part Time Punks announced that The Primitives were playing Los Angeles for the first time in twenty-three years aaaaand on top of that, it was the 12th anniversary of Part Time Punks, well I knew there was no earthly way I was going to miss it. The last few months of the weekly club alone have bestowed upon us Gene Loves Jezebel, James Chance and the Contortions and the first ever L.A. gig of British sensations, Sleaford Mods. Along with marquee headliners, Part Time Punks have excelled at booking complimentary opening acts, as well- and this past Sunday was no exception. related content: Part Time Punk Past… The openers for The Primitives gig on Sunday were Susan– a band made up of three women, none of them named Susan, playing alternative pop rock. Jessica O, the band’s guitarist plucked her six string with punchy sounding notes and soloed with impressive chops. Combined with bassist Bobby B. and drummer Katie Fern, the three would harmonize with
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Punk Rock Bowling 2017: You Can’t Be What You Were…
Danny Baraz
June 9, 2017
Looking out into the sea of people in the expanses that sprawl out from the upgraded festival stage at Punk Rock Bowling’s virgin location in the booming district of Downtown Las Vegas was a seismic life experience. Not just because of how fucking rad Punk Rock Bowling was this year but because all the events of the weekend set to the music of the festival served as a soundtrack to life’s highlight reel in my head. A series of events culminated into the bitter-sweetest regression of lonerism one could ever celebrate, as I stood alone, backstage, watching The Adicts play the best set I’d ever seen from them. Being 2 months out of knee surgery, that familiar human turbine engine of 7,k people dancing and swirling in front of the stage like a pack of bats taking flight at sun down or a school of fish changing direction in unison was unfamiliar from this vantage point- I’ve always preferred being IN the engine instead of being a spectator. Because when you’re in the pit, you’re dealing directly with any physical manifestation of frustration or anger that might have built up through the grind of life and you aren’t really thinking
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Punk Rock Bowling 2017 Kicks Off w/ The Sonics, Throw Rag & Moore
Vanessa Burgundy
June 7, 2017
There was a handful of early-bird punks and a few scattered tourists as we approached a surprisingly sleepy version of downtown Fremont Street but with a line-up including Dr. Madd Vibe (feat. Angelo Moore from Fishbone), Throw Rag, the Mutants, Chicken Hawk All Stars, and OG (that’s original garage) rockers The Sonics at Fremont Country Club– we were about to get woke the fuck up. related content: The Sonics Teach Garage Rock History 101 at The Observatory It was the unofficial opening night of Punk Rock Bowling and Music Festival 2017, now in it’s 19th year (how old are we?!), and the Stern brothers have yet to disappoint- although it was now 9:30pm and the doors were not yet open. Of course we overlooked the first day sluggishness as we got a sweet and smooth welcome from our Hollywood homeboy and star of the night, Chicken Hawk All Stars lead singer/Fremont Country Club venue owner, Big Daddy Carlos. It was at least 10:15 before the curtain came up with Dr. Madd Vibe’s blaring instruments and dueling vocals as loud as Angelo’s hand-painted, psychedelic suit. Always a showman and masterful musician, the energy was there but the crowd had not yet caught
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The Transcendental Jams of Kikagaku Moyo at Austin’s Scottish Rite Theater
Lindsay Krause
June 5, 2017
A Masonic double-headed eagle emblem keeps a watchful eye on top of the glowing sign for Austin’s Historic Scottish Rite Theatre. Over the weekend, this former German opera house transformed into an enchanting lair to host rising experimental Japanese group Kikagaku Moyo. It’s not often that one gets to experience a touring act in a location outside of the typical bar scenario, and the spooky elegance of Austin’s oldest theatre (it was built in the late 1800s!) played a role in elevating the evening, thanks to event producers Perfect Life Presents. Austin acts Hidden Ritual and Soft Healer provided opening support at the theatre that evening. Hidden Ritual’s brand of post-punk exuded the eeriness of a western-noir film, complementing the ominous air in Scottish Rite. Local lighting crews Etherwave and ACID Light Show collaborated on a curious visual backdrop which intertwined black and white vintage 16mm film clips and vivid liquid lights. Overhead the theatre ceiling glowed softly in replicated patterns of celestial bodies in the night sky, prompting Soft Healer’s singer to remark “the sky looks great this evening”. Formed as a busking collective in Tokyo during 2012, Kikagaku Moyo have released 3 full length albums and are currently
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Television Performing “Venus” at Bunkhouse Saloon for PRB Club Show
Janky Smooth Central Command
June 1, 2017
It’s hard to believe that yet another Punk Rock Bowling is in the books but the week long hangover proves it. The Stern brothers book yet another legendary gig with Television headlining the Bunkhouse Saloon along with The Weirdos, Alice Bag and The Avengers. Tom Verlaine and company were water tight at their PRB 2017 club show. This isn’t the first time Janky Smooth is covering the pioneers of punk and art rock but it was certainly one of the most memorable. The club shows at Punk Rock Bowling always seem to produce some of the best performances in the most intimate settings. Other notable club gigs at PRB 2017 that we attended were Cocksparrer at Backstage Bar, Municipal Waste at Fremont Country Club, Hepcat at Bunkhouse Saloon and The Vandals, also at Fremont CC. related content: Patti Smith “Horsin’ Around” at The Teragram Ballroom Television Set List- Bunkhouse Saloon Prove It Little Johnny Jewel Venus 1880 or So Persia I’m Gonna Find You Marquee Moon For those of you attending Punk Rock Bowling installments in Denver and/or Asbury Park, have a great time. Janky Smooth will see you next year in Vegas. Full recap of Punk Rock
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Pallbearer & Gatecreeper Stop at Echoplex Reminds Us- Guitar Solos Matter
Rob Shepyer
May 27, 2017
Pallbearer’s tour brought them to the Echoplex on May 18th with support from Arizona death metal savages Gatecreeper and local avante-garde-post-experimental-jazz-metal-poets Grand Lord High Master. Doom metal is back in style because sorrow and surrender and being in touch with your feelings are back in style. Maybe “being in touch with your feelings” is overstating things just a little. At the very least it’s being in touch with the fact that you have feelings. Emo might have had its resurgence for the same reason and in times like these, you have to understand why. If not, you might just join in the mourning process yourself. Pallbearer is one of the leading bands in the new wave of doom metal. What they do is an original spin on an old style that sounds both new and familiar to the ear. Combining elements of classic hard rock, prog rock, and even shoegaze, the band’s latest album Heartless is a tour-de-force. Listening to Heartless, I hear just as much Guns n’ Roses or Metallica as I do classic doom like Candlemass or Cathedral. The band is not afraid to flaunt their talent their virtuosity, they stretch notes and solo often and in a
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Redd Kross & The Side Eyes: A Great Case For Nepotism at The Echo
Janky Smooth Central Command
May 24, 2017
It was a packed house last Tuesday night at The Echo, as Redd Kross played the last show of a month long tour in their home base of Los Angeles, CA. They have been traveling the nation on their “Beneath the Valley of the Teen Babes of Monsanto” tour. related content: Redd Kross, Melvins & OFF! Commemorate Teen Babes From Monsanto Before Red Kross took the stage, the audience was treated to the high-energy tunes of local band The Side Eyes. They have been gaining much popularity with their punk sound that is somehow peppy and aggressive, catchy and beefy, all at the same time. They drew their own crowd of enthusiastic fans who were rocking out and showing the band tons of support. The band features lead singer, Astrid McDonald- a beautifully fierce front woman with dynamic vocals and an imposing stage presence. If you have yet to hear them, you’re missing out on something special. After powering through an upbeat set, they ended with “Don’t Talk to Me,” a cover from Astrid’s mother and Go-Go’s bassist, Charlotte Caffey’s OTHER band, the Eyes and the subject of a split single with her dad Jeff McDonald’s band, Redd Kross, released by In The Red
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Me First & The Gimme Gimmes Inter-Review At The Fonda Theater
Dave Unbuckled
May 23, 2017
Me First and The Gimme Gimmes made their welcome return to Los Angeles at the Fonda Theater on May 13th to a sold out crowd that was comprised of every demographic one could think of. After all, the band has been celebrating their 20th anniversary for the past two years, and were prepared to perform their greatest hits, both of which incentivized longtime fans in their forties and your typical Los Angeles punk teenagers. The band was joined by openers Kid Congo Powers and Together Pangea, both who were warmly received, and both who stood out from the typical Fat-Wreck bands that usually get put on these bills. Perhaps it was the absence of Fat Mike on this tour that separated this from your standard Gimme Gimmes appearance, though the band did have suitable substitutes in tow, including Chris Cheney of The Living End. Some in the crowd seemed disappointed that their punk rock idol wasn’t performing, but most got over it as soon as the band opened their set with “Summetime,” off of Are a Drag. But for both Janky Smooth and myself, this was a special show since I was interviewing Spike Slawson in the hours before fans would even
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Isaac Rother & The Phantoms Are Back With 5 Hits From Hell…
DM Collins
May 23, 2017
Isaac Rother & the Phantoms and their soul-laden stew of R&B horror rock and off-the-charts live show bring a seminal but sometimes forgotten era of rock from the 50s and early 60s back to life. But Isaac and his Phantoms also evoke a time just a few decades past, at the cusp of our Modern Garage Era of Rocken’ at Large (or ”MONGEReL” for short), when bands such as the Mummies, the Trashwomen, the Gories, the Bomboras, and the Makers (just to name a few) rooted through not only the record collections of their rock forefathers, but also the backs of their closets, churning out live shows as loaded with sequins and monster masks as they were with broken drumsticks and blown out Fender amps. Unlike many of their successors, these bands also weren’t afraid of adding a little roll to their rock, or exploring those sections of rock’s lemon that still needed lemonade squeezed from them, be it surf music, garage, bubblegum, or glam. Like a breath of fresh tomb air, Mr. Rother and his army of the undead have “dug up” this full-immersion concept anew for the current generation of garage, soul, and just plain rock
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Com Truise & Clark At Forefront of Breaking Stigma of Electronic Music
Aria Silva-Espinosa
May 22, 2017
Electronic music often carries a heavy stigma for being repetitive or unoriginal. Unfortunately, many artists get lumped into the broad category of ‘EDM’ thus rendering their art unpalatable or unapproachable for a significant portion of music enthusiasts. What people fail to recognize is that, just as electric guitar is central to many genres of music, so is the overarching use of ‘electronic’ sound manipulation equipment in music. The Regent in the heart of Downtown L.A. hosted Clark and Com Truise on a Thursday night and the turnout was an impressive mix of people, a relatively diverse sample of audience members. As was expected, there was a significant number of visibly and obviously people under the influence of party drugs. Wide-eyed, they passed through the space respectfully and amicably. English electronic musician Chris Clark performs under the abridged moniker Clark. Although he was an opener for Com Truise’s headlining show, Clark absolutely blew it out of the water. He’s been in the scene since 2001, when his first album Clarence Park debuted on Warp Records. His set was about as dynamic as electronic music can be, ranging from deep house to an almost noise-rock sound. The experience is heightened by the
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Me First & The Gimme Gimmes Janky Smooth Sessions w/ Spike Slawson
Dave Unbuckled
May 20, 2017
7 days until day 1 of Punk Rock Bowling 2017… Last Saturday, May 13th, I sat down with the not-so-soft-spoken Spike Slawson, of Me First & the Gimme Gimmes, at the Fonda Theater before their Los Angeles appearance of their Greatest Hits Tour. We discussed his punk rock super hero origin story, eating ass on tour, and how the Gimme Gimmes choose the songs that make it onto their album. He also shared intimate stories of the late Glen Frye and Co.’s opinions of Desperado’s punk makeover, fronting a band called Ukehunt, his favorite Judy Garland songs to sing live, and what it really feels like to watch Leonardo Dicaprio do a lot of cocaine while hearing your voice in the background. Read the Full Review From The Gimme Gimmes Show at The Fonda Photo: BodhiFox Photography
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