Category: SHOWS

Rubblebucket & Vacationer join the circus at The Echoplex

Taylor Wong March 25, 2015

It’s a Tuesday night and I found myself waiting for the doors of the Echoplex to open. I’m a bit out of it from working non-stop all week and packing as I am in the midst of moving. All of a sudden I hear a loud thud and some one scream. Someone just hit a person with their car under the bridge right next to the Echoplex. I walk over to the scene where the driver had stopped to call 911. I looked for a while and walked back to the line a little shaken up but knowing that some one had already taken the responsibility of calling for an ambulance. There was nothing in my power that I could do to help this person at this point. No one else in line even knew what had just happened. I didn’t lose my appetite. I walked in and ordered a couple of slices of pizza and a Red Bull. I was unable to drink to drink due to antibiotics, so you know I am not making any of this up. The bill for the night was a co-headlined show by Vacationer and Rubblebucket, with opening band SWIMM. SWIMM took the stage around 20

Don’t Think, Just Drive: Deap Vally Always Worth The Trip

Danny Baraz March 25, 2015

For the past few weeks, Moon Block Monday’s has been a recurring event at the Continental Room in Fullerton. Week after week, the lineups have intrigued me but I have been unable to muster the energy for the drive from LA to Orange County at the end of a weekend of covering shows. Luckily, Moon Block’s last show at The Continental Room fell on a Sunday. Even luckier than that, Deap Vally was the headliner. The show also featured L.A. Witch and Summer Twins. I didn’t make it in time to see Globelamp. After interviewing Julie, Lindsey and Phil Pirrone of Moon Block/Desert Daze a couple of weekends ago, I realized that not only are these people talented musicians and relatable song writers but I found out that they are also genuinely nice and hospitable people. It makes it easy to be a loyal fan. There is nothing worse than meeting artists you respect and finding out they are douchebags. I made my way down to Fullerton California on Sunday evening. I got to the venue and ordered a beverage. The trio of women that call themselves L.A. Witch took the stage quietly but that quiet didn’t last long. The battery of

Tijuana Panthers Rock Teens and Their Parents at The Echo

Danny Baraz March 23, 2015

Teens and parents alike congregated to see Tijuana Panthers at The Echo for a pseudo-matinee show courtesy of KXLU 88.9. With the sun still shining outside, I nestled into the cave-like venue around 6:30 PM, which felt a little strange. The bar tenders were drinking coffee, the patio atmosphere seemed abnormally void of booze, and my pizza order was, for the first time, a sober and conscious decision. The vibes were surely a bit off but a promise to see Tijuana Panthers for my first time kept my spirits high. I arrived just in time to see openers Wounded Lion. While it was merely 7 PM, Wound Lion seemed to pay it no mind and ripped right through their quick set, which the lead singer boasted/cautioned would only last 27 minutes. After each song, the band members would rotate instruments, while their resident hype man screamed along and persisted the white man can’t dance theory. Taking the stage at 8 PM was Tijuana Panthers. Before I even heard their music I loved them strictly because of their name. Tijuana is a bat shit crazy place I frequented as a teenager where morals are extremely low and the price of a

Trash Talk, Ratking and Pangea: Slam Dance 101 at The Echoplex

Danny Baraz March 23, 2015

“Everyone say Fuck You to my friends on the side of the stage here”. The Echoplex crowd was eager to oblige the demands made by Lee Spielman of Trash Talk on Friday night. “You ain’t special just because we drink beers together, and shit. Get your ass out there.” Friday night at the Echoplex brought us another installment of Check Yo Ponytail and the conclusion of a month on the road for Trash Talk, Ratking and junglist, Lee Bannon. Spielman and Wiki from Ratking seemed exhausted as they both mentioned separately during their sets how long the last 30 days of their life seemed. In between songs, Wiki seemed tilted like a half chopped down tree. I was ready to hear someone shout “Timber!” at any moment but every time a new song started, Wiki was in full control, crushing all verses without so much as a slur. Lee Spielman has become a master at putting together non-obvious, genre bending shows. He connects the best bands, MC’s and DJ’s and let’s the chips fall where they may. Even though Trash Talk is one of the only REAL thrash bands around right now, I’ve hardly ever seen them play with any

A Place to Bury Strangers Makes Eardrums Bleed at The Echoplex

JustinThomas March 16, 2015

Last night The Echoplex played host to a union of reverberate noise courtesy of A Place To Bury Strangers, Creepoid, and Tennis System. I arrived around 10pm, just in time to catch the Los Angeles transplanted three-piece, Tennis System. Like the other bands billed, Tennis System produced no shortage of noise, setting the stage perfectly with their stony jams for the rest of the acts to follow. Next up were the Philadelphia bred four-piece, Creepoid. Lead by guitarist Sean Miller and bassist Anna Troxell, Creepoid had a dark, shoegazey sound that translated extremely well live. Much like A Place To Bury Strangers, their songs seemed to deviate from their recorded structure, instead, leading into reverb filled bridges and bass driven breakdowns. Last night was their last stop on the tour supporting APTBS, and they made it known. Before Anna Troxell led into “Tired Eyes”, she dedicated the melancholy track to ABTBS letting them know how much she would miss them. To wake the sleepy Sunday night crowd at 11:30 PM was A Place To Bury Strangers and wake them they did. Never in my life have I experienced a band that produces the amount of noise that A Place to

No Barrier Between Thee Oh Sees and Audience at Human Resources

JustinThomas March 13, 2015

Last night I found myself on a mission on the streets of Chinatown, iPhone GPS in hand, searching for Human Resources. I love Chinatown, it’s an eccentric place to wander around and explore. Last night however, was not one of those nights. I was on a mission to find Human Resources because it was there that Thee Oh Sees were billed to melt faces. Tucked away on a little side street, I saw a bunch of grimy kids smoking cigarettes, huddling around 32 racks of beer on the street; I had found the spot. Human Resources is a DIY-style venue, with bare white walls, lofty vaulted ceilings, and no stage. Looking around, I couldn’t help but notice that everybody was getting fucked up drinking beers and smoking weed. With a five-dollar cover, no security in sight, and a room full of rowdy kids, the evening was sure to be mayhem. Taking the stage around 9 PM was the Los Angeles duo, Caldwell/Tester. To put it bluntly, Caldwell/Tester made a shit-load of noise. With their ominous, and sometimes even celestial, beaming sounds, the duo played what I thought was a total of two songs over the course of their 45-minute set.

Retox at Los Globos are in a League of Their Own

Danny Baraz March 12, 2015

A lot of good thrash and speed metal bands played Tuesday night at Los Globos but when you see a band like Retox play, the distance between them and everyone else becomes monumentally apparent. Retox are just one of those bands that stand out from the rest of the lineup of any bill they are playing on. They have that “thing” that transcends being labeled. That being said, you won’t be seeing Retox play any psych fests anytime soon. They are most definitely a hardcore thrash/noise band. Last night was the last date of a month long tour supporting their latest album, Beneath California, released by Epitaph. Retox’s third full length album is a powerful statement of the band’s commitment to it’s overall sound. While other bands at the middle tiers of popularity seem to change course after a couple of releases, Retox has assured their base of fans that any added popularity they might experience in the future will solely be based on the merits of what attracted fans to them in the first place. At 11pm, Retox took the stage and jumped right into their set with their distinct sound. The purposely raw sounding but finely tuned guitar

Mike Watt and Secondmen at Harvard and Stone

Mike Watt and The Lesbians wearing New Wigs

Taylor Wong March 7, 2015

Thursday nights in LA are like nowhere else in the world. I knew my Thursday night was on the right track when at 8pm, I drove by a couch that had caught fire along with the car next to it. Nothing like a good ol’ hood bonfire to kick off the evening. After all the excitement I made my way over to Havard & Stone for Dirty Laundry TV’s monthly residency. The lineup was Mike Watt And The Secondmen, Kera And The Lesbians, and Small Wigs. I couldn’t have asked for a better show, not only because of the line up but also because Harvard & Stone is one of my top 3 favorite bars in LA. Small Wigs kicked off the night at around 10:15. The band is made up of Elvis and Max Kuehn of FIDLAR, Matt Zuk of Isaac Rother and the Phantoms, and Mikki Itzigsohn now, formerly of Isaac Rother and the Phantoms. I jokingly told Elvis that I feel like I have become an unintentional stalker of the Kuehn brothers, going all the way back to the days they did white boy rap in a group called The Headhunters. These siblings are some seriously talented musicians. Every

Caribou Does NOT Push Play at The Fonda Theater

Danny Baraz March 2, 2015

There is a difference between pushing “set” and pushing “play” and Dan Snaith of Caribou don’t push play. With all the fans of electronic music paying top dollar to dance to pre recorded tracks these days, Caribou comes armed with a show that is a digital jam session and a powerful arsenal of songs that possess an incredible amount of depth, sadness and redemption. Caribou and particularly the album Swim, go into that rare classification of music that has brought tears to my eyes. There is so much creativity in the musical arrangements and the level of intimacy in the lyrical content is rare. Prior to the 3 sold out dates at The Fonda Theater this past week in Hollywood, I had never seen Caribou live. FYF 2014 was going to be my first time and logistical issues on the first day of the festival’s first year at Exposition Park caused issues with getting into the Sports Arena for my first Caribou show. Between missing Caribou and yet another Death Grips no show, it almost ruined L.A’s best festival for me. Thank god for Run The Jewels. FYF Presents made up for it in spades on day 2 of the

Warpaint and The Garden Mesmerize at YAAAASS! benefit show

Danny Baraz March 1, 2015

Brett Boyd is a music teacher at John Marshall High School who has taken a simple guitar class and turned it into a program that not only teaches students the basics in music, but the ins and outs of production, sound, and the business itself. The “Youth in Rock” program not only gives students a head start in various music careers, but provides the extra motivation that so many of us needed in our high school years. Unfortunately, California’s never ending education budget crisis threatens to put an end to this because for some reason (without making this review too political) lawmakers believe arts and education should be the first thing to go amidst financial shortage. With that being said, Boyd reached out to friend Theresa Wayman of Warpaint to see what could be done to save his class. The result was the first ever “Warpaint Presents” event at Fais Do-Do Saturday night that featured local heros like L.A. Witch, The Garden, and Warpaint themselves. The sold out fundraiser reflected the sheer magnitude of the importance of music to the Los Angeles youth and was an impressive rebuttal to those who believe music education is unnecessary. The night began with

How To Dress Well in Gym Shorts and a Tank Top at The Sayers Club

Danny Baraz February 27, 2015

On Wednesday night, Red Bull Sound Select returned to the Sayers Club for a night of music with How To Dress Well. This is not the type of show Janky Smooth would usually cover but we are always interested in what Red Bull is doing on the music scene. Their 30 Days in LA impressed us so much that we make a concerted effort to check out what they are pushing and in this case, they booked How To Dress Well so they could show off their band SWIMM. About half the bands on the Red Bull label and designated, “Sound Select” artists are worth paying attention to so I figured there would be about a 50/50 chance that I would see something good if I showed up for the opening band. I can’t say that I’m a huge fan of How to Dress Well but at the same time, the namesake of singer/songwriter Tom Krell doesn’t necessarily offend me either. All modern R & B should be held to the Frank Ocean litmus test and Tom Krell certainly is no Frank Ocean. I’m not a fan of Chris Brown R & B so as long as the How To

Friends & Fans Pack Isaac Rother Release Party at Cretin Hop

Taylor Wong February 25, 2015

There are very few respectable Rock N’ Roll nights in LA these days. I’m not talking about just booked bands, playing around town but a nightly, weekly or monthly party dedicated to the devils music. One of the few good nights out there goes by the name of Cretin Hop at Footsie’s in Highland Park. The night is thrown by Roger Mars on the third Saturday of every month. Roger Mars DJ’s the night along with his partner in crime, Telegram Sam. They spin tunes from Del Shannon, Nancy Sinatra, The cramps, and The Ramones, to name just a few. You get the picture. Pretty much any Rock N’ Roll from the 60s and 70s is fair game. The party is filled with greasers and pin up type women as well as punks and mods. From time to time, Roger will book a band to play out back in the parking lot but due to recent noise complaints from neighbors, it has become more and more difficult to get away with live music. Lucky for us Isaac Rother and The Phantoms were approved to play their record release party at Cretin Hop. Footsies was a full house inside and

Category: SHOWS

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