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Zig Zags, The Birth Defects and Mind Meld Murder The Smell
Brent Smith
March 15, 2016
The Smell, a non-profit, volunteer-driven, all-ages back alley venue is a diamond in downtown’s gentrified rough. In the wake of some electric rainfall, it played host to a bill of heavy rock psychsters whose blown out amplifiers literally have my ears still ringing. The rare rainfall we get has the ability to dispel the sun’s enchantment, it reveals the hololand that L.A. actually is—reeling in that weird interzone between paradise and dystopia. Or, more simply, the rare rainfall we get makes us feel like Roy Batty at the end of Blade Runner—The moments in our lives are just teeears in the raaain, man! (And yes, only in L.A. can Deckard’s dingy, smoke-filled apartment actually be a Frank Lloyd Wright work of Mayan-inspired art that you can never own, or even rent). No better way to quell (or magnify?) such fleeting existential funks than by seeing Zig Zags and The Birth Defects shake the walls of this defunct coffee shop, or fitness chain, or whatever stupid shit our crypto-fascist social engineers fancy as bankable retail prospects (the legal world calls ‘em “developers”). The opening acts were on fucking point. I love when that happens. If you’ve never heard of Rearranged Face
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Rock N Roll Prom At The Smell w/ Them Howling Bones and Isaac Rother
Taylor Wong
March 11, 2016
Growing up, I never got to go to prom. It’s not like I didn’t have the opportunity. I just didn’t go. To me prom was for the jocks and cheerleaders. I was too busy getting stoned with my friends to give a shit about a stupid prom. Lucky for me Them Howling Bones threw the prom I always imagined I missed. This prom was set inside The Smell, a good venue for such an event seeing as how no booze is allowed. This added to that age old act of “flasking it” to the prom. I showed up pretty buzzed already, wearing my finest, cheapest suit. I was glad to see that the majority of people in attendance were also dressed to the theme. I took a few people’s prom photo right in front of the dumpster just to the right of the venue’s entrance. When you made your way in through the balloon tunnel, you were greeted by Sad Girl on the 1’s and 2’s playing all your favorite old school prom songs. The Smell was decked out in prom gear. From streamers to balloons, they even had a 50’s car photo booth. They served snacks and refreshments (I
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Animal Collective Drip Sound and Color On The Fonda Theater
Danny Baraz
March 11, 2016
Night 1 of the Animal Collective 2 night stand at The Fonda Theater in Hollywood revealed one thing; Animal Collective are the most talented sound designers to ever write, arrange and perform an electronic song live. There is no one out there right now that can emit such auditory bliss from the push of a key and the twist of a knob. If you strip the dripping colors and backdrops away from the spectacle of their live performance, what you have left is a group of cutting edge song writers that use cold hardware and technology to express the warmth in their souls. I arrived at The Fonda just as Ratking was taking the stage. Ratking’s MC, Wiki was already wildly swinging his arms in an attempt to conjure some enthusiasm from the opening band audience. In a less jaded city, Ratking would’ve had the crowd moving with their next level beats and downplayed but impressive stage presence. While I understand the huge difference between a hardcore Animal Collective fan and a hardcore Ratking fan, there is a musical energy that transcends genre and style and it still amazes me that people can stand still during a performance that is
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The Gaslamp Killer Leaves Blood on Questlove’s Stage at The Globe
Danny Baraz
February 25, 2016
On Saturday night, music and cultural icon Questlove was slated to headline the Globe Theatre in Downtown L.A. Ticket sales were surely based on his name and legacy but when everything was said and done, opening DJ, Low End Theory resident and beat ambassador The Gaslamp Killer left a pool of his own blood on stage. Attendees were splattered with digital plasma and the image of the Killer’s wild mane flopping around his face in wild, rhythmic spasms and gesticulations was something to behold. Sound issues plagued the end of The Gaslamp Killer’s time and delayed and shortened Questlove’s set to the point of being anti climatic. Questlove was able to recover with most of the audience in tact. During GLK I just thought to myself maybe this wasn’t a dancing crowd but the dancing during Questlove’s set showed me it just wasn’t an experimental crowd. I have always been resistant to the idea of putting a DJ on a big stage with a big spotlight shining on him/her. In a perfect world, DJ’s would be in a dark corner and we would be looking at each other or closing our eyes during their set. As I looked up into
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Black Sabbath And A Weeping Manboy at The Forum in L.A.
Danny Baraz
February 23, 2016
At a time when hippie kids were forming bands to sing about peace, love and flower power, Black Sabbath explored the occult, addiction and delivered the antithesis of popular culture. In the process, they gave so many marginalized outcasts of society a voice that spoke to their own disenfranchised existence. Freaks and misfits united under a common flag and scared the shit out of those who had always fit in. Can you imagine the bravery and despair required to write about the devil in a firmly Judeo-Christian world? Well before Kardashians wore Slayer t-shirts, skulls and black magic were a taboo topic amongst the proletariat. In the moments before Black Sabbath took the stage at The Forum in Los Angeles, I found myself fantasizing about being in my early 20’s in Birmingham in the late 60’s, resigned to a life in a factory for the next 40 years, going to a bar to drink my weight one pint at a time and seeing those neighborhood blokes Tony, Ozzy, Bill and Geezer playing a kind of music I had never heard before. Music NO ONE had heard before. Of course, once the music broke it REALLY broke and their seemingly nefarious
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Lolipop Your Heart Out Festival Was Like Sex and Pizza
Paige Vreede
February 10, 2016
Ever have sex with someone and after about ten minutes in you realize both parties are only continuing the sexual activity purely based on the hope that the other person might find slight enjoyment out of it? Realistically, you both want to just high five and call it a good attempt but you go through the motions in hopes that one of you MIGHT climax? Yeah, that’s sort of how Lolipop Your Heart Out went at The Teragram Ballroom. I’m still unsure as to whether the energy and outcome was so low due to the 5pm start time- primetime to still be recovering from Friday nights hangover. Or perhaps it was because the entrance price was $26, which can be a lot for a starving artist who’s living in a city that is gentrifying and going up in rental price at an absurdly rapid rate. Maybe it could’ve even been because the One Oh freakin’ One was closed on a Saturday afternoon (I call shenanigans!). Whatever the reason for the small crowd, it was mildly disappointing to see such a small turn out for what should’ve been an epic evening brought to you by Lolipop Records. Janky Smooth did a series
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The First Friday of First Fridays 2016 at Natural History Museum
Danny Baraz
February 9, 2016
It’s baaaaack. First Friday’s at The Natural History Museum returned this week for it’s first installment of the season. I’ve been wanting to go the past few years but had yet to make it to Exposition Park to check out one of the events that test the conventional wisdom that Los Angeles is devoid of culture in the mainstream. And yes, even though independent entities such as KCRW, LA Weekly and Spaceland Presents are at the helm, you could hardly call those established institutions alternative, anymore. Those institutions are still tastemakers but more geared towards well rounded, functioning adults than they are towards angsty teens lost in a drug psychosis. There is always an educational aspect to First Friday musical lineups. Not sure if the education compliments the entertainment or vice versa. This week, the Natural History Museum hosted a spotlight on science in movies with a tour led by Lisa Gonzales, Assistant Collections Manager of Entomology. The musical itinerary was highlighted by headliners, The Hood Internet, along with funk band, Boulevards and electro producer, Spazzkid. The side room DJ’s Aaron Byrd and Anthony Valadez harnessed an impressive energy amongst the Friday night crowd and definitely got the crowd moving.
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Opening Bands Shine as OFF! Plays Alex’s Bar 16 Year Anniversary
Danny Baraz
February 3, 2016
Alex’s Bar in Long Beach knows how to celebrate their milestones.. In their 16th year, Alex’s Bar has managed to survive the early years of the many obstacles put in their path by the city of Long Beach to become the most important music venue in the city. Maybe it’s because of this that the celebrations they put together to mark their anniversaries are so notable. It’s always predicated on making sure it’s twice as fun by making it a two night affair. Last year, it was two nights of Rocket From The Crypt This year, for their 16 year anniversary, they booked Keith Morris’ OFF! to play two consecutive nights. Alex’s Bar: 15 Years of Punk Gratitude w/ Rocket from the Crypt What’s left to say about OFF!? I wrote about OFF! in great detail after their show at The Echo. Keith Morris, Dimitri Coats, Steven McDonald and Mario Rubalcaba deserve every word of praise they get for their achievement of making honest, hardcore punk music in this world of corporate numbers crunching. Please check out my piece on OFF! playing The Echo last year. OFF! Transform The Echo From Peaceful Indie Venue To House of Raw Aggression No.
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The Shrine: Mongrels of Rock Unleash “Rare Breed” on L.A.
Danny Baraz
January 25, 2016
There is something filthy growing and developing in the city of Los Angeles. Amongst all the PC, progressive, sensitive and compassionate artists and musicians, there is a misogynistic, self destructive, self promoting beast of rock and roll forming. In recent years, amongst all the amazing indie rock acts that vary between psych and garage punk, there is a thick layer of sensitivity acting as a buffer and protecting the youth against it’s rough edges. With a large share of NorCal guitar heroes trying to escape the tech gentrification of the Bay Area, underground icons like Ty Segall and John Dwyer have relocated their base of operations to the slightly less prohibitive cost of living in L.A. With their intense, yet sensitive aesthetics, their vibe is a completely non offensive one. All the past imagery of the rock and roll lifestyle, which included the objectification of women and an unapologetic personal excess have all but disappeared from the rock and roll narrative. Enter, The Shrine. The LA born trio of rockers led by Josh Landau draw on the rejected modalities of rock music and Americana as hot, trampy women gyrate on stage to guitar riffs that conjure Slayer more than they
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Reel Big Fish and Suburban Legends: Ska Skank Redemption at The Observatory
Justin Cornwall
January 21, 2016
The Observatory in Santa Ana had to have been built for local ska shows. The layout, the locals, everything about it fell perfectly into place for Reel Big Fish and Suburban Legends to absolutely kill at their hometown show. The all ages crowd was rowdy the whole night, feeding off the high speed energy the bands were channeling effortlessly. This was the perfect jolt back into my high school ska phase. Suburban Legends didn’t have any trouble getting the crowd moving. The part-time Disneyland resident band were able to be themselves and kick back, no Mouse watching over them. Every other time I’ve seen them has been at Tomorrowland in Disneyland, everything very G rated and kosher. However, on their home turf, without restriction, you could feel the change in energy Suburban Legends shifted into. They definitely weren’t ‘working’, they were having the time of their lives. The 6 piece had synchronized dance moves, Disney cover songs, and a devoted fanbase which enhanced the entire performance. A circle pit was moving the entire set and their young fans knew every word. They sang of the friend-zone, high-fiveing their friends and partying – exactly what ska should be about. Their frontman,
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Ty Segall Redefines Himself Again With The Muggers at Teragram Ballroom
Brent Smith
January 20, 2016
Ty “Baby Face” Segall & The Muggers Get Emotional at the Teragram Ballroom Before entering the Teragram Ballroom (“No Ins and Outs!”) I dragged my boots along 7th street past the Mexican skater boys popping ollies and into Monty Bar for a cheap drink. Janky tensions were high as we were scrambling for a last minute photographer and I buried myself along the crowded bar of black leather and wild makeup. Behind me on the wall, a mounted deer head was engulfed in a stark spotlight, and for a minute I was in The Roadhouse from Twin Peaks, waiting for Julee Cruise to appear onstage and serenade me straight into the Red Room; which all seemed appropriate considering there was a David Bowie/Lemmy tribute show slated for the night. I could feel the static in the air on my tongue. I got the photog confirmation, downed my Old Fashioned and bounced. In the Teragram, chattering skulls flooded the two parallel bars in the foyer—the early effects of a sold out show. Blue, silver, and black guitar picks embedded in the walls made up a Mediterranean mosaic of sacred geometric patterns as Charles Moothart took a seat next to me at
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Moon Block Uses Third Eye To Bring Rock and Roll Circus To Teragram
Taylor Wong
January 18, 2016
Saturday night rolled up and LA was popping with amazing shows all around town. I made my way down to one of my new favorite venues, The Teragram Ballroom. Our friends at Moon Block were hosting their “Rock n’ Roll Circus”. Yeah I didn’t know what that meant either. The Rock N’ Roll Circus was a line up that consisted of Fever the Ghost, JJUUJJUU, Hott MT, Morgan Delt, and Vinyl Williams. The circus aspect came into play with the fact that it was one long continuous set where members of all acts would switch out over the course of the set. It was broken up into two parts with a “snack time” intermission in-between. The stage was decorated with Chinese lanterns that were made too look like neon eyeballs. The lighting ranged between super intense to non-existent. This factored into the shooting of photos but I just brushed it off and bounced around the room, messing around with different settings. I could barely keep track of who was on stage but it seemed that Phil Pirrone of JJUUJJUU and Moon Block general contributed to a majority of the set. Also, we were graced with Jeffertiti’s presence through various points throughout the set.
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