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Krautrock Nite With Malcolm Mooney of Can At Echoplex: To Outer Space And Down To Earth
On the tapestry of world genres, that hangs in heaven’s music hall, one square is not quite like the others. Krautrock, is an enigma and maverick genre, it was when it was created in Germany and it’s still a mystery till this day. After the war and iron curtain, German artists felt stifled and trapped and wanted to reinvent their reality. I’m sure many musicians living in East Berlin stared up at the sky and decided to make music inspired by the cosmos itself. Krautrock is futuristic and retro at the same time, in other words, it is timeless. Can was a band without hierarchy that brought together jazz, rock, and contemporary classical music together. The music was so new and unique it was almost a political statement. Can was one of Krautrock’s most essential bands, one of the singers of which, Malcolm Mooney, played a rare performance at the Echoplex for Part Time Punks’ annual Krautrock Nite and even though I had just been barraged by a hardcore music festival for two days, I couldn’t miss this show. related content: For The Children 2017 At The Echoplex: Hardcore Is The Gift That Keeps On Giving Opening for Malcolm Mooney was Savage

For The Children 2017 at The Echoplex: Hardcore is The Gift That Keeps on Giving
The holidays are supposed to be the most wonderful time of the year, when you can be among friends and family and give and receive gifts as a sign caring and sharing and loving one another. That’s what it’s supposed to be but for far too many, this is not the case. Who knows just how many thousands of people will be dying on the streets like dogs this christmas. Who knows how many alcoholic fathers will beat their wives in front of their kids. Or how many children will go without any presents at all. Our hopeless situation aside, what if I told you that through thousands of tiny deeds we can save Christmas for a few of those children? That something miraculous could happen, like a bunch of young men and women, strangers, getting together to donate hundreds of toys just because it’s the right thing to do… and because of hardcore. Pure beat down hardcore. Slamming, stage-diving, sing-alonging like your fucking life depended on it hardcore. Christmas saving hardcore. For The Children is an annual hardcore festival spanning two days, now hosted by the Echoplex. The festival was created by Xibalba singer Nate Rebolledo, who was inspired

Freak Style Booking and KXLU Throw Mexico Earthquake Relief Show At Top Space 2.0
Consistently delivering stacked lineups and solid venues, Freak Style Booking in cooperating with KXLU, organized a benefit show with all proceeds going to earthquake relief efforts in Mexico. At a minimum donation of $7 at the door, the show generated over $1000 for Topo Brigada de Rescate. According to the organization’s website, they are a volunteer organization founded with the purpose of responding to disasters created in response to the 1985 earthquake that registered an 8.1 on the Richter scale. The immense damage pictured next to the ‘Historia’ article bears striking resemblance to recently circulating photos of the damage in Mexico after a 7.1 magnitude hit just northeast of San Juan Roboso in the state of Puebla, Mexico in September of this year. The quake claimed over 200 lives and caused immense destruction and chaos yet went largely unreported by mainstream U.S. media which caused concerned citizens to put pressure on Trump to offer aid. He eventually did but the aid can’t come soon enough for the people of Mexico who have been affected by this natural disaster. Doing our part, we went to check out the show at Top Space 2.0, located in the bowels of South Central. A

Millennial Matchmaking: Gary Numan & Ugly God At The Observatory
Two artists from very different times and scenes played two different shows on the same Observatory stage. Gary Numan and Ugly God- rarely do you get that much musical diversity out of a night and I was interested to see how my brain would react to absorbing the contrast. Anyone that knows me would think I was more interested in seeing Numan and though I’m a fan, I came to see what all this trap hype was about. For you see, music has become for me a divining rod which one can use to understand where society is going and if Trap’s popularity is any indication, I think we’ll all be celebrating ourselves stupid in times to come. The Gary Numan show was first with Me Not You as his only support on the bill. They’re a band from New York City that played an amazing and cathartic set with electronic post-punk vibes that kept building and building, pulling the tears out of your eyes while cramming the noise down your ears. They reminded me a bit of Health but with female vocals and a pinch of mellow, alternative vibes comparable to older bands like The Breeders or The Cranberries or

Raw Emotion Sells: SOPHIE AT The Teragram Ballroom
On October 30th, I had the pleasure of seeing SOPHIE make their Los Angeles debut. After rescheduling from playing a smaller venue, the concert was upgraded to the Teragram Ballroom in Los Angeles. Hosted by Red Bull Music Academy, the concert did not disappoint as it was filled with experimental songs interlaced with political and self-loving messages in the form of electronic dance music. related content: Cloak And Dagger Fest The Heart Of Los Angeles Bled From Dusk Till Dawn The opening act, Bully Fae, is a solo artist hailing from Los Angeles. Bully Fae’s set was full of energy, including what felt like choreographed dances to the minimalistic trap beats as they spat words angrily into the microphone. The audience was completely captivated by what was being said on stage as Bully Fae shared personal stories about struggling with illness, yet learning to love and take care of themselves through that difficult process, then the audience broke out of the respectful silence to a massive applause. Songs included “Self – Evidence Intervention”, “Fuckery Bitch”, and the empowering “Defy A Thing To Be”. Bully Fae was completely vulnerable on stage with their emotions ranging from soft whispers to loud screams

The Growlers Six: Abuse, Healing, Feeling Shards Of Shattering Glass Ceilings
I felt it all again Sunday night, just like I did 8 years ago. When I was a younger I popped my cherry with Coachella. Like every other old fuck, the one I went to was the last good one “before it got too big” but in my case, it was. Way before the holograms and second week cash grab. In my years, I got to see Gossip, Crystal Castles, and Girl Talk. Not all three played the same year but I can’t recall which is which and googling is for fucking posers. Sunday, October 28th, I got to see them all again. related content: The Secret Journal Of A Pizza Spy At Coachella 2017 I was late to catch all of Beth Ditto’s set. I heard it in the distance and was trying to rush but let out an annoyed “fuck” because I knew I still needed to be searched by security. To my delight and horror, security didn’t check me at all. In fact, his exact quote was, “I don’t give a fuck about this.” Let that sink in. My short term, instant gratification has given way to waking up in a cold sweat every night since those words were uttered- but

Ozzfest Rocks On But Can It Still Rage In 2017?
Heshers and head bangers are a loyal bunch, but metal ain’t exactly enjoying a mainstream moment in 2017, and it hasn’t for quite some time. With a few exceptions of Queens Of The Stone Age, Metallica and of course, the entirety of Europe where Metal still reigns supreme, the genre just isn’t recognized right now on U.S. radio or on U.S. charts, and this has made the current musical landscape feel really bland and wimpy and disposable to a lot of people (No, Foo Fighters are NOT metal). Heavy music still exists of course, and a lot of it feels as urgent as ever, but for the most part it’s a niche thing right now. related content: Black Sabbath And A Weeping Manboy At The Forum In L.A. I remember when things were different. When there was such a bounty of bombastic and aggressive bands on the scene, swaying the zeitgeist and stirring shit up, it was hard to keep track of them all. Their videos dominated MTV (before it was the Teen Mom channel), their records went multi-platinum (streaming didn’t exist yet) and they even graced the covers of popular music magazines (remember those?). There was so much heavy

The Growlers Lose The Beach Goth Battle But Won The War This Weekend
We had already survived a dead car battery in record breaking heat, when our ride dropped us off at Bolsa Chica State Beach for Punk in Drublic, in Huntington Beach. This was a fitting location to pre-game for Growlers Six, happening twenty miles up the coast, as it was the show I had intended to cover, but the promoters seemed less interested in our intention of reviewing the fest, than assisting with late promotion through our social media. For this reason alone, we felt it necessary to stop by and “sample” some of the 100 local craft beers being distributed amongst the festival goers, then ditch the divorced-dad-fest, as we cruelly nicknamed it, and go straight to Beach Goth. related content: Beach Goth 4: The Party Of The Year We attempted to count and review each beer, but by the time we arrived at the mid-twenties, I was already tripping over my shoelaces and bumping into patient patrons, hiding their disgust at our unruly entitlement, and surly demeanors. It also didn’t help that the more I drank, the more negatively critical I became with each beer, while my partner and photographer became more friendly and outspoken with the pourers and

Halloween At The Roxy w/ The Evil Ones: Roky Ericksen & Death Valley Girls
Halloween shows at the Roxy have become a Janky Smooth tradition after last year’s showcase with Ho99o9 and The Shrine, Halloween 2017 Death Valley Girls support, a Roky Eriksen and Death Valley Girls collaborative evening was a mandatory spooking, especially with DVG lead guitarist Larry Schemel now playing guitar in Roky’s band. The last time I saw Roky Eriksen was also at the Roxy with him playing with his Hounds Of Baskerville band. Their set was filled with 13th Floor Elevators material but as a guy understanding Roky from a metalhead background, I wanted to hear his halloween staples off his solo album The Evil One. related content: House Of Ho99o9 Halloween At The Roxy Lots of artists claim to be evil but few actually live parallel to their projections. Roky, on the other hand, has been dabbling in the paranormal, the horrific, and the down right psychotic for a very long time. It’s a miracle he’s on stage playing psych rock and not chained to a rock in some psych ward. Roky hit so many bong loads and dropped so many tabs that he was thrown into institutions numerous times throughout his music career. Yet that never slowed him down once,

The Lemon Twigs At Teragram: A Tale Of Two Brothers
Looking for parking in Los Angeles is something you spend a lot of time doing. I was on my way to see The Lemon Twigs and glad I had left early. As I cruised the streets looking for a spot to put my car, I ended up in my teenage neighborhood. Fitting, as the band I was about to see just graduated from high school. Lucas and Maryland was a pretty rough area back in the day but now was starting to look more like Los Feliz twenty five years ago, with it’s own nightlife strip just three blocks South on Wilshire. The outstanding difference between my teenage years and the ones the Lemon Twigs have led is that my friends and I spent most of our time drinking and talking about what we wanted to do, the Lemon Twigs have simply done it. The Lemon Twigs are that band who should not be where they are at their age. The first time you hear their music you think, ‘Yeah but who’s really writing these songs? Who’s really playing them? There is no way this could be the work of a seventeen and nineteen year old,’ but it is. They

Cloak & Dagger Fest: The Heart Of Los Angeles Bled From Dusk Till Dawn
Good “dark” music should come from a damaged yet open heart because it’s those damages that make all the styles of dark music involved in Cloak And Dagger Festival beautiful to those that wear black late at night- or during the day, for that matter. Whether it was dark wave, new wave, post punk, goth/death rock, industrial, EBM, or shoegaze, every shade of black was represented on those two cold October nights. Right from the first lineup announcement, it was understood that this would be like no other festival. With three stages at the Globe and Tower theaters, an all black dress code, and local brand recognition, I was sure the siamese evenings would play out like a movie, think Eyes Wide Shut meets Gimme Shelter. The lineup hosted plenty of bands that are Janky Smooth favorites like Ho99o9, Health, Moon Duo, and Uniform. Iconic artists like KMFDM, OhGr, and The Jesus and Mary Chain were set to share the two stages with future headliners like Cold Cave, The Soft Moon, and Lust For Youth. So any goth kid, let alone this one, would be awestruck and elated at the chance to partake in the affair. Night 1: Black is the absence of

Desert Daze 2017 Headline Here: Some Variation of Rock’s NOT Dead
When you get a ticket to Desert Daze, you know what you paid for, such as Iggy Pop’s last performance of the year and the holy sounds of Spiritualized. But there are things included in the price that you probably didn’t expect or ask for. Things like a Defense Against The Dark Arts class or learning there’s more than one form of sound healing. related content: Iggy Pop Performance Archives for 2017 related content: Punk Rock Bowling 2017: You Can’t Be What You Were… Desert Daze is a nondenominational psychedelic gathering for people who want to expand their minds but is welcoming to people who just want to get high and bang their heads to Sleep. It’s like burning man without the orgy tent. Or was it? I never went to the mystic bazaar which might have been code for orgy tent. I was too busy trying to stay drunk in the desert which is harder than it sounds but went down with a little help from the buds with the suds from Spaceland (shout out to Rooster)- It all worked out. related content: Desert Daze 2016: Quantifying The Physics Of A Good Time The anti-festival is here. DD has all the