Category: SHOWS

Red Fang at Teragram Ballroom- Josh Allen

The Rise of Red Fang, The Hard Rock Resurgence & The Death of Nu Metal

I went to see Red Fang at The Teragram Ballroom a couple of Sunday’s ago and all I can say is… Dayum! Red Fang, along with Torche and Whores lit up the best sounding venue in town like a Xmas tree. Both by inciting attendees to engage each others arms and elbows in a way that I’ve never seen at the young but formidable Teragram Ballroom and also, dialing in the sound to a miraculous display of live audio that was unprecedented to my ear holes. Every note, fret harmonic, hi hat hit and distorted gumbo of string rakes and 1/16th notes and drum rolls building to a fever pitch- a build up of sonic rhythms synonymous with that crash, chord, combo of controlled catastrophe that defines the end of every great rock song. That thing. That thing was as clear and defined to the naked ear as the most finely produced studio album I’ve ever heard. Clearer, in fact. I mean, without making this review about the sound at The Teragram Ballroom, it not only needs to be said but it needs to be over exaggerated, so as to relay just how perfect that room sounds. And… since I

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The Dwarves at Janky Fest by Josh Allen

Janky Fest I- A Review and Self Inflicted Wound

The first installment of Janky Fest on November 19th in Outer Space celebrating the Janky Smooth 2 Year Anniversary featured OG punks The Dwarves last week was super lame. Only a retarded music critic could throw an 18 and over event as a thank you to his all ages readership. Where does this dad rock douche bag Danny Baraz get off booking a large lineup of bands whose local fans couldn’t even attend the event, all because some anxious reactionary in a pseudo DIY venue was scared of pissed off punks in a recently Post-election, President elect, Donald Trump world?  Sources tell me that’s literally the initial reason given by the venue for the switch, even though it changed to something a bit less ridiculous in the following days. Clearly, young punks of helicopter parents would breathe fire, shit on the floor and not buy enough beer and liquor because they’re pissed Trump won an election they didn’t even vote in. Zing. I don’t know Danny Baraz at all but he seems like just another privileged “straight white male” (even though Baraz doesn’t sound “white”) mansplaining and curating the injustice in the world through his pseudo intellectual political leanings, which he forces

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Gogol Bordello at The Observatory

Gogol Bordello at The Observatory: Elevated Energy, Bliss & Unity

Fuck the Red party and the Blue party, what the world needs a little more of, is a Purple party! Angels don’t always have wings, sometimes they drink vodka and play gypsy party songs. Gogol Bordello felt like saviors last Thursday, offering communion, an escape from reality, and a connection through an elevated energy that allowed us to feel complete bliss and unity at The Observatory in Orange County, if only for a moment. related content: Eugene Hutz of Gogol Bordello- An Interview and a Spiritual Experience I could go on and on about the circus-like extravaganza that is a Gogol Bordello show but it wouldn’t be anything that hasn’t already been said before. I will however, mention a bartender that I chatted with who told me about a time years ago that he saw them open for Primus and said that they blew them out of the water. Basically, if you have seen them, you know- and if you haven’t? Check out my 2 dimensional photos in this gallery and imagine that shit in High Def, with sound. Seriously, if you haven’t seen them yet, get your shit together and do so the very next chance you get!  

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Los Crudos

Los Crudos Play The Echoplex Right When L.A. Needed It Most

All year long, as racial tensions have been building, I have seen a steady incline in the amount of Los Crudos patches on denim jackets.  While Donald Trump kept digging a grave for himself in the heart of white nationalist sensibility, with every racist, anti-constitutional comment, Los Crudos songs started appearing more and more over the loud speakers in between sets at shows.  Was it sheer animal magnetism, fate or the power of attraction that Los Crudos announced a matinee show at The Echoplex for November 13th?  Or could Martin Sorrondeguy sense his voice was needed in Los Angeles, now more than ever? With only a week since Donald Trump was crowned president-elect against Hillary Clinton, Angelinos reorganized, prioritized, and took to the streets but when it came to hearing the right words, every protestor needed to bear witness to Sorrondeguy speaking. related content: The Two Americas: Obama, Hillary and President Donald Trump Los Crudos is a Chicago based punk band from the 90’s that popularized Spanish lyrics in hardcore punk. They’ve always been singing about the very politicized issues that came up in this election: xenophobia, racism, economic inequality, and immigration. This was the second punk show I’ve seen

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No Parents at The Echo

Snapshot of a New Music Industry: White Fang, No Parents & The Birth Defects

Catching a band you love play live as they emerge from the fear and loathing of a 2 month tour insures that you will witness them at the height of their powers. Ever since the Janky team helped White Fang, No Parents and The Birth Defects send themselves off on the road in a 3 vehicle caravan of knuckleheads and thrashers, I’ve had my eye on this date to check in with the guys about how the tour went- partly because I had visions of all these guys trying to outdo each other with bad personal decisions and partly because I knew they would be as tight as the Clinton’s and Trump’s at Thanksgiving dinner. I find the dynamic of the independent DIY music scene to be fascinating. The way a wave of buzz washes over the internet and indie record stores for a band like White Fang but then gets swept away in the mountain of music being produced and released on a weekly basis, is a snapshot of how young people consume new music. Funkle said it himself in our pre- tour interview, “I want to see if we even still have a national following.” In this new

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Election Ho99o9 2016 at The Roxy

House of Ho99o9 Halloween at The Roxy

Angelinos spent the Sunday before Halloween under an overcast sky, bracing against the trashing rain. 9.9.9: The dead could feel the day’s coming haunt, seeping in through the soil.  Oh the Ho99o9… Not your typical Sunday, the city’s thirst to party had not be quenched by Friday or Saturday’s pre-Halloween escapades and so creepers poured onto the Sunset Strip looking for a fix. The chic elite WeHo-llowieners past The Roxy and just kept on walking while the punks checked right in, dressed in costumes that depicted such characters as: low life’s, whores, pimps, derelicts, 22nd century anal nuns, cross-dressing goo gobblers, and a hesher or two. Like a horde of roaches skittering into a crack, we all gathered to see Ho99o9 and The Shrine, two buzz bands and the cream of today’s crop. It was Ho99o9’s first Los Angeles show since dropping two new songs: The Dope Dealerz and Double Barrel. One track is heavy rap, the other is heavy punk. Yin and Yang… or actually, Yin and Yin. I had seen half of Ho99o9’s set opening for Faith No More last year at the Wiltern and wasn’t able to get sucked into it. So I wasn’t sure if they’d

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Patti Smith photo by Jesse Ditmar

Patti Smith at The Teragram: The Influence of a Cultural Icon

As I entered the Teragram Ballroom last Thursday night, I thought to myself, “how do I review the performance of a prophetic artist like Patti Smith?”  There is little pressure in attempting to capture the essence of buzz-worthy bands releasing their first material but when using your words to capture the abstract and literal influence of an American cultural icon, it’s important to “get it right”.  Wish me luck. I walked in as she was halfway through Arthur Rimabaud’s “Drunken Boat”, an author whose works she has directly ingested and spit out into her own countercultural treatise. I squeezed to the front, the crowd silent and mesmerized; Hot and inspired, turned on with poetic verses of despair. “…I have wept too much! Dawns are heartbreaking. Every moon is atrocious; every sun is bitter.” (Rimbaud)  There is power in the words but life when she speaks them. She built the energy and the swarm of desperate faces exhaled in applause. The band started and opened with “Dancing Barefoot”. Patti was serving Joey Ramone realness in a striped t-shirt and black jacket, reminding us that poetry and punk are indeed euphonic duo. She somehow keeps the mood light amidst heavy material and

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2 Nights of The Julie Ruin at The Roxy: All Girls To… The Back Bar

The mood was light and the crowd was heavy on Friday night for the first of the two sold-out the Julie Ruin shows at the Roxy. Gender-bending, NYC comedian Murray Hill intro’d the band with his silly, old-school showbiz banter (as he has for Le Tigre, the Gossip, and the Beastie Boys…) and the band bounced out onto the stage. Kathleen Hanna was a showgrrrl after my own heart, dressed fully in sequins. Another sign that this band is more about fun, as their latest jolting dance-pop release Hit Reset will prove, albeit emotionally heavy. related content: The Julie Ruin at The Troubadour- Vagina’s and Surprises My 14 year old me can’t mask my disappointment about the lack of angst and anger that translates into raw power on stage- that the show was missing on Friday night. During the first song, the band got off on a false start and in between starting again, a man in the back yelled “Take it off!!!”. I looked at my girlfriend and we both were wondering where we were for a second. I mean, the Julie Ruin even have a song titled “Mr. So and So” about an asshole dude that loves girl bands. We

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Echo and the Bunnymen shot by Jessica Moncrief

Echo and the Bunnymen Mesmerize Suburbia at The Observatory

September 30, 2016 not only marked a rare black moon, but a “Killing Moon” as well for the fans that had the honor to see new romantic icons Echo and the Bunnymen grace the stage that evening at The Observatory in Orange County. From my experience, sometimes seeing older bands that you love ends up leaving you feeling burned, disillusioned and wishing that you still maintained the unblemished vision of what you imagined them to be in their prime. I wanted to know what I was in for, so the weeks leading up to the show I found myself browsing YouTube for Echo and The Bunnymen concerts, new and old. With each video … starting from early 80s to present day, there may have been changes in line-ups and set lists but one thing that has remained a constant over the decades is the solid musicianship and mind blowing performances. By the day of the show, my anticipation was at its peak and I was fully ready to mark another one of the greats off my bucket list. Ian McCulloch made his way to the front of the stage with his shades and impeccable fashion. His sultry presence commanded all

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Subhumans Slam Pit at Observatory

Subhumans At The Observatory: Old Songs, New Decade, Same Problems

If you think punk’s dead, then you don’t know Dick! From Wiltshire pubs in 1980 to present day Southern California clubs, Subhumans have been consistent with inciting anarchy and pushing their non-conformist ideals for over 36 years. Friday night’s packed Subhumans show at The Observatory was a great representation of this, with a multi generational crowd ranging from 2 to 70 years of age. Seeing the varying age groups really put the Subhuman’s history into perspective. The elders of the punk scene seemed to be rehashing teenage nostalgia while newcomers simultaneously were experiencing this punk rock rite of passage for the first time.  Subhumans were also joined by Kicker and Raukuous on this tour. related content: OG’s, Toddlers and Whiskey for The Weirdos and Adolescents   With all the perils of the world and an exceptionally ridiculous election season, so many feel like the world is more fucked now than it ever has been. Truth is, it’s always been fucked! As Dick Lucas segways his songs through short political rants covering everything from wage inequality, animal rights, racism, and of course the evil two party system governing America, I couldn’t help but think how his shows were probably very much the

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Pussy Bang Bang at Harvelle's Long Beach

Pussy Bang Bang Grindhouse Burlesque Show Grinds On Harvelle’s Long Beach

The first night of a 3 part residency at Harvelle’s in Long Beach went off with a BANG! A Pussy Bang Bang that is! The Pussy Bang Bang Grindhouse Burlesque Show is the brainchild of performer/model/actress/producer Olivia Bellafontaine. She has incorporated cult classic grindhouse movies, punk rock, sin and beautiful women to create a tantalizing and visually stimulating experience. Each sexy act throughout the night was inspired by movies such as Planet Terror, Death Proof, Jackie Brown and more. Clips from classic and more recent grindhouse films were projected on screen in the background while the performers danced to The Misfits, The Stooges and other bad ass punk bands. One stand out performance was “nunsploitation” inspired, where the performer brilliantly executes the story of a nun who succumbs to the temptations of sin. During a brief intermission, audience members were blown away by a guest appearance by Heather Henderson, as she belted out a stellar rendition of “96 Tears” by Question Mark and the Mysterians. And then it was back to the gyrations, gesticulations and anatomical manipulations. I wouldn’t call this feminism but then again, it seemed quite empowering for the women on the stage. Harvelle’s is a speakeasy style

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The Sonics at The Observatory

The Sonics Teach Garage Rock History 101 at The Observatory

In 1960, a band of kids heavily inspired by 50’s R&B, formed The Sonics with no clue that more than 50 years later, they would actually be the inspiration for modern day rock n roll power houses and music enthusiasts around the world. In 1964, The Sonics were signed by Etiquette Records and released their first (and wildly popular) single, “The Witch”. Even though its radio airplay was restricted, “The Witch” went on to become the biggest selling local single in the history of the Northwest. Between ’65 and ’67, The Sonics released three studio albums: “Here Are The Sonics”, “Boom”, and “Introducing the Sonics”. Their covers of songs by artists such as Little Richard, Chuck Berry, The Fabulous Wailers and Richard Berry gained the boys national attention, however, the real standout tracks were their original hits such as “The Witch”, “Boss Hoss”, “Psycho”, “Cinderella”, “Shot Down” & “Strychnine,” which gained them a true cult following. The 60’s were a great era for music, but no one did it quite like The Sonics. They screamed louder and played faster and harder than anyone else at that time. Their recording style, performance, and lyrics would usher in a new age of

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