Tag: featured
The Misfits at Riot Fest Chicago 2016: Bats In The Press Tent
Danny Baraz
September 21, 2016
Moments before Danzig, Doyle, Jerry and Lombardo (as well as Acey Slade, ex Murderdolls axe man on 2nd guitar) took the Riot Stage at Riot Fest Chicago as The (original) Misfits, I looked up to witness a single bat flipping and fluttering around the press area of Douglas Park. In hindsight, I cannot recall seeing any bats anywhere at the park on Saturday, the day before. I cannot recall seeing any bats on Friday. And even though it’s been a year, I cannot recall seeing any bats during Riot Fest 2015. Was this bat Glenn Danzig conducting reconnaissance in his ultimate form, taking the temperature of a group of people he has shunned and resented more than any other? Or was it simply one of the many minions of the Satanic Elvis? I thought I heard the bat giggling at us but I could be wrong. I can’t be sure of anything after all the hype and hoopla leading up to what I expected to be the most momentous concert experience of my life. Those same damn expectations that made the moment fall flatter than the one thing that had to be perfect; Glenn Danzig’s vocals. related content: Janky Smooth
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Subhumans At The Observatory: Old Songs, New Decade, Same Problems
Jessica Moncrief
September 20, 2016
If you think punk’s dead, then you don’t know Dick! From Wiltshire pubs in 1980 to present day Southern California clubs, Subhumans have been consistent with inciting anarchy and pushing their non-conformist ideals for over 36 years. Friday night’s packed Subhumans show at The Observatory was a great representation of this, with a multi generational crowd ranging from 2 to 70 years of age. Seeing the varying age groups really put the Subhuman’s history into perspective. The elders of the punk scene seemed to be rehashing teenage nostalgia while newcomers simultaneously were experiencing this punk rock rite of passage for the first time. Subhumans were also joined by Kicker and Raukuous on this tour. related content: OG’s, Toddlers and Whiskey for The Weirdos and Adolescents With all the perils of the world and an exceptionally ridiculous election season, so many feel like the world is more fucked now than it ever has been. Truth is, it’s always been fucked! As Dick Lucas segways his songs through short political rants covering everything from wage inequality, animal rights, racism, and of course the evil two party system governing America, I couldn’t help but think how his shows were probably very much the
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The Rally To Save The Smell And The Horrid History of DIY Venues in L.A.
Danny Baraz
September 15, 2016
This past Saturday night Ty Segall headlined a sold out benefit show at The Teragram Ballroom. Save the Smell was organized by the two 19 year old musical entrepreneurs of Penniback Records. Penniback represents the 3rd wave of scene kids that have had their DIY awakening at The Smell and with the help of Julian Montano and Luis Ho and so many others, it MIGHT just ensure that the legend of the humble but vital venue continue to be written. But even with the outpouring of support that recently extended an extra year for The Smell community to save itself from being demolished, the ambitious strategy to do so is to raise $1.4 million to buy a permanent home somewhere in a close proximity to it’s current iconic Main Street location. Some scoff, some scowl, some cry foul but The Smell has such few haters for a DIY venue of it’s kind. The kind that always seems to spawn legions of outsiders that feel scorned or slighted. Because those folks are so few and far between, maybe that can explain why the Smell is in the midst of an unprecedented run. If history has taught us anything it’s that DIY
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Pussy Bang Bang Grindhouse Burlesque Show Grinds On Harvelle’s Long Beach
Jessica Moncrief
September 8, 2016
The first night of a 3 part residency at Harvelle’s in Long Beach went off with a BANG! A Pussy Bang Bang that is! The Pussy Bang Bang Grindhouse Burlesque Show is the brainchild of performer/model/actress/producer Olivia Bellafontaine. She has incorporated cult classic grindhouse movies, punk rock, sin and beautiful women to create a tantalizing and visually stimulating experience. Each sexy act throughout the night was inspired by movies such as Planet Terror, Death Proof, Jackie Brown and more. Clips from classic and more recent grindhouse films were projected on screen in the background while the performers danced to The Misfits, The Stooges and other bad ass punk bands. One stand out performance was “nunsploitation” inspired, where the performer brilliantly executes the story of a nun who succumbs to the temptations of sin. During a brief intermission, audience members were blown away by a guest appearance by Heather Henderson, as she belted out a stellar rendition of “96 Tears” by Question Mark and the Mysterians. And then it was back to the gyrations, gesticulations and anatomical manipulations. I wouldn’t call this feminism but then again, it seemed quite empowering for the women on the stage. Harvelle’s is a speakeasy style
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FYF 2016: Everything You Never Wanted to Know And More
Danny Baraz
August 31, 2016
If art imitates life then isn’t a local music or art scene the most accurate reflection of life in that city? The sound of the music and the meaning of the lyrics, the images created by the brush and the musings, whether etched in pencil or poked in on a keyboard, all are inspired by an artists’ surroundings- and the crowd that supports it represents that the artist has connected with the collective experience; something true and authentic. And if you can accept that premise then you can also accept that Sean Carlson’s once fledgling music festival, Fuck Yeah Fest, continues to represent and imitate life in Los Angeles. FYF 2016 has gone from the twinkle in the eye of a dreamer to the crown jewel of Goldenvoice in Los Angeles. Wait, what’s that you say? You hate festivals? Oh, you hate on Los Angeles too? How original. I understand you spent those 6 months living in Chatsworth and Ubering to auditions and that spending all your time around low level industry wannabes has skewed your perception of the landscape and the denizens of my city. People often project all their shortcomings, failures and low self esteem onto the city
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Mad Alchemy Drip Liquid Light Shows Live: Interview w/ Lance Gordon
Janky Smooth Central Command
August 29, 2016
The art of liquid lights is continuing to drip onto stages across the globe and is being revitalized by one of its original visionaries. The iconic displays originated during the heyday of San Francisco 60’s counterculture, and utilize various dyes and oils that are swirled between glass plates. Using an overhead projector, the liquids are then beamed onto screens behind live musicians, creating a hypnotizing multi-sensory wonderland. Unlike material relics of retro-mania, this art form offers an immersive and interactive experience that coexists with modern melted sounds and invites the audience to become a part of the canvas. One notable artist currently operating is Lance Gordon, aka Mad Alchemy. After becoming active during the original emergence of light shows, he has found new inspiration performing with acts such as King Gizzard and the Lizard Wizard, Real Estate, Toy, Radio Moscow and Temples. The living art is inspired by stained glass windows as much as Jackson Pollock paintings, and has become a point of attraction for festivals and interesting venues. The Mad Alchemist discovered the art in the early 70’s through a former member of prominent Bay Area projecting crew The Brotherhood of Light, and went on to cut his teeth
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Summer Happenings at The Broad: The Perfect Excuse To Hit The Museum
Danny Baraz
August 26, 2016
Last week, I got an email from a publicist named Jonathan who invited Janky Smooth to come cover the third installment of Non Object(ive), Summer Happenings event at The Broad Museum in Downtown Los Angeles. I became pretty excited. Not because of the lineup of DJ’s and performers that were scheduled to perform such as Vampire Weekend’s, Rostam or Sparkle Division but because I have yet to experience The Broad Museum since it opened in September 2015. Yes, begin your culture shaming now. It’s not as if you need media credentials to view The Broad’s permanent collection of postwar and contemporary art but you do need to make reservations that are backed up by 2 months and also, pay extra to view the Cindy Sherman exhibit, attend the Summer Happenings show and have access to all areas of the museum. So covering some music I only had a mild interest in wasn’t a big price to pay to walk all areas of The Broad. Last month, Summer Happenings featured a reading by Richard Hell and a dark wave DJ set by Sky Ferreira so I was more than a bit interested to see the scene that was developing amongst the
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Omar Rodriguez-Lopez Releasing 12 Solo Albums in 6 Months. For real.
Brent Smith
August 23, 2016
With a stoic stare through horn-rimmed wayfarers, framed with a short mane of dark, wild hair, sporting a button-down against a beaten brick wall on some street, Omar Rodríquez-López invokes Bob Dylan’s iconic 1966 visage—the most elusive and most possessed of Dylan personalities. López’s output is just as inexhaustible too; no doubt inspired. Never mind his work with Mars Volta or At the Drive-In, his solo work in the last decade is enough to make the likes of Ty Segall shake in his boots (mind the age gap), and apparently he’s nowhere near finished. His latest solo effort upholds the current indie dictum: be prolific or die. In an unprecedented move to release twelve (that’s 12) albums from now until the end of the year—one every two weeks—López, in collusion with Ipecac Recordings, looks to bombard us with his pure, unadulterated schizophrenia. Three of the twelve LP’s are already out (and streaming on Spotify, you broke motherfuckers), with the release of the fourth just days away. They very much speak to his forays in acid jazz, space rock, poetic-spitting vocals, and sentimental pop soundscapes. Sworn Virgins is experimental without being hardcore. It has a postpunk sheen, darkly textured with effects,
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The Sonics Teach Garage Rock History 101 at The Observatory
Jessica Moncrief
August 22, 2016
In 1960, a band of kids heavily inspired by 50’s R&B, formed The Sonics with no clue that more than 50 years later, they would actually be the inspiration for modern day rock n roll power houses and music enthusiasts around the world. In 1964, The Sonics were signed by Etiquette Records and released their first (and wildly popular) single, “The Witch”. Even though its radio airplay was restricted, “The Witch” went on to become the biggest selling local single in the history of the Northwest. Between ’65 and ’67, The Sonics released three studio albums: “Here Are The Sonics”, “Boom”, and “Introducing the Sonics”. Their covers of songs by artists such as Little Richard, Chuck Berry, The Fabulous Wailers and Richard Berry gained the boys national attention, however, the real standout tracks were their original hits such as “The Witch”, “Boss Hoss”, “Psycho”, “Cinderella”, “Shot Down” & “Strychnine,” which gained them a true cult following. The 60’s were a great era for music, but no one did it quite like The Sonics. They screamed louder and played faster and harder than anyone else at that time. Their recording style, performance, and lyrics would usher in a new age of
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Berserktown 3: The Craziest Festival on Earth
Rob Shepyer
August 18, 2016
2016 is the year everyone decided to step it up. Sound and Fury rolled out to the Regent, Beach Goth bounced to Oaks Canyon Park, Desert Daze doubled down to the Institute of Mental Physics, and the fest that I attended this past weekend, Berserktown 3 raided and shut down the Teragram Ballroom. Berserktown 2: Music Fringe Binge at the Observatory Beach Goth 4: The Party of the Year Desert Daze 2015: The Festival for the 21st Century I see every festival like it’s a good friend trying to impose their music on you with a mixtape of a bunch of bands you’ve never heard of but Berserktown is the best one of those friends that knows all the right bands to show any punk with (dis)tasteful sensibility. The lineup is handpicked with acts that are hard to see anywhere in the world, all of completely different genres. Where else can I see Parisian Oi, Mexican darkwave, death rock from Nuke York, experimental noise out of England, punk rock legends from Belgium, and Sweden’s Brainbombs all in one weekend? With so much range, creativity and originality spewing out of Berserktown, I couldn’t help but wonder if some future genius was
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Thee Oh Sees Slay Teragram Ballroom Night Before Album Drops/Tour
Danny Baraz
August 16, 2016
Is there anyone in independent music that has more going for them than John Dwyer and his band, Thee Oh Sees? In an industry that has been turned upside down, Dwyer and others such as Ty Segall have been successfully proving out the new business model for musical acts that aren’t corporate concoctions of sterile art, ripened just right for commercial licensing. Indy bands have proven that there is a demand for raw and innovative rock and roll, even as it disappears almost completely from the mainstream. Indy bands have proven that there is still a dream to be chased that can sustain their lives and compulsion to create with hard work and an untiring proliferation and output. On Thursday night, Thee Oh Sees threw a party at The Teragram Ballroom the night before their new album, A Weird Exits dropped and the night before they left on an extended tour of Europe that includes a backend leg in the US. While many bands might be content in taking the night off before a three month tour, whether John Dwyer wanted to brush up on some of the new tracks or he just wanted another stack of chips to add
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Video Premiere: Sloppy Jane- Aunt Rosie’s Garden
Paige Vreede
August 15, 2016
If you’ve ever seen L.A. based, “vomit-inducing,” Sloppy Jane live, you’d know they’re not afraid of pushing boundaries. Their performances come replete with nudity, green spit/vom, and unapologetic dance moves. If you have yet to see them on stage, you can catch them in all their fucked up glory with the premiere for music video of “Aunt Rosie’s Garden” off their 2015 Sure-Tuff album, exclusively here on Janky Smooth. What better way to start the weekend than watching someone uncomfortably touch themselves while feeling completely and utterly disturbed by it? The Blair Witch styled video is tainted with creepy subliminal messages and puts you in a state of discomfort you haven’t felt since *salad fingers. Hayley Dahl and Sara Cath awkwardly dance and push one another adorned in a red fur coat and a shirt that reads “Hayley Dahl is a mean mean whore” I’m not entirely sure about Dahl’s family history, but this Aunt Rosie character seems like a total dickhead to the tune of, “taking a stroll through Aunt Rosie’s garden you are hungry or starving she’ll feed you her thorns” While it may look like someone could have seriously been murdered in the making of this video, thankfully Dahl walked
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