
Tag: featured

The Sonics, The Sloths & Death Hymn Number 9 w/ Green Slime L.A.
Hot off the heels of the 750,000 person Women’s March…Los Angeles was on fire. The vibe was positive, respectful, and proud…also…we were ready to rock n fucking roll with The Sonics at The Echoplex. Openers and LA natives, Death Hymn Number 9 were ready to take us on their satanic hayride. We had to force ourselves to get past the collective band’s awkward hair (yes it’s distracting enough to mention) and get into their demonized garage-rock replete with breakdowns like a thunderstorm tearing through the deep south. They’ve got a “Static Age” Misfits meets Minor Threat meets a doomsday death dance. I can dig it. America’s “great lost garage band”, The Sloths (who first formed in 1964), surprised us next…not only with the ferocity of their set but quite literally…with magic tricks. Singer, Tommy McLoughlin, razzled and dazzled us with gimmicks galore for each and every song. For their opener, he employed a popular sideshow stunt, turning his mic into an erupting display of firey angle grinder sparks. The Sloths were indeed back from the grave. They threw out blow up dolls for their song “Never Enough Girls” written by Holly Beth Vincent (originally meant for Joey Ramone), there was

Chiptune Leveling up at Freq. Fest: 8bitLA 6.0 at The Smell
Video games, especially ones for the NES and SNES consoles, are near and dear to my heart. I even have the tri-force from The Legend of Zelda tattooed on my leg. And who could forget that game’s soundtrack? With its fuzz bleeps and boops and doo-doodle-ooo’s… not I, never. I first heard about 8BitLA long ago as a sort of collective of 8bit musical artists but it wasn’t until seeing their announcement for this year’s Freq. Fest at The Smell that I paid them a second glance. 8BitLA was created by Jesse Avila and Kevyn Martinez to spread the gospel of this genre of music. Bringing together fans and forum users from around the world, Freq Fest is the genre’s boss battle. Not having any experience listening to this music, I saw Freq. Fest as an opportunity to broaden my horizons and further (artistically) pervert my mind. Plus, I’ve always liked Horse The Band. There’s this old cliché that music scenes like this are a bunch of outsiders banding together in an “island of misfit toys” scenario but in this day and age, I totally disagree. The weirdo’s of our age are not the ones that go to events like

Best Coast, HEALTH, No Age, Ty & Bleached Help To Save The Smell
As yet another one of 4,397th “Save the Smell” benefits is in the books and we prepare to present to you the review of all the extraordinary talent that agreed to perform at the cavernous Belasco Theater, the throwback Los Angeles venue that cost more to restore and renovate than even the $1.4 million The Smell custodian, Jim Smith is trying to raise to secure a permanent location for the iconic, All Ages L.A. clubhouse for music. We wanted to remind The Smell cynics that Smith has run the multi generational art incubator for 19 years without any apparent profit motive in sight. So as the hum of jaded hipster whispers asking rhetorical questions about where all the money is going grows louder, it’s important to remember what the Smell has given 4 generations of burgeoning, pre-ID, DIY kids whose parents felt curiously comfortable dropping off at a location that 19 years ago was surrounded by the swarming transient citizen population of the Downtown L.A. hopeless and the homeless. Some of the most iconic cult music heroes that were born within the very walls that make what the kids of today would refer to as a “safe space”… The Smell.

Janky Smooth Top 25 Bands & Artists To Watch in 2017
We take a fanboy/girl approach to music journalism in that most of us will gush over the artists we love and speak with a jaded cynicism about everyone else. That isn’t what this list of Top 25 Bands & Artists to Check Out in 2017 is about, though. (see disclaimer below) Luckily, there are more bands and little pockets of diverse music, art collectives and scenes all throughout the city right now than there ever has been. That’s not the weird part. The weird part is that, love ’em or hate them; SO MANY of these bands, DJ’s, sound designers and MC’s are in it for authentic and genuine artistic motives. Once, for all intents and purposes the music industry died, all the head shot, MI, blow dried Ken and Barbies that occupied a significant percentage of the “forever chasing the corporate art dollar” population in Los Angeles re-evaluated their lives, they scattered into television, movies and production and then… … the kids in the garages and practice spaces began their rule. Without the old worldwide distribution network and formulaic spreadsheets in place, the amount of time it takes for good bands to go from touring the west coast to touring

Ty Segall & The Freedom Band Blow Minds at Secret Show at The Griffin
Wednesday night was standing-room only at The Griffin in Los Feliz, an unusual bar scene for a weeknight but a flyer posted to @grifinbarla on instagram yielded heavy traffic for the venue early in the night for yet another, little publicized Ty Segall, “secret show.” (check out the video of the unreleased song “We Know?” set to be released at the end of the year) According to the guys working the door, people got there as early at 6:30 to ensure entry. Although regarded as a secret, it’s safe to say social media circulation does a lot for show publicity even on short notice. As this becomes increasingly common, music fans are well-advised to show up early to gigs like this unless you wanna be the sad late arrival begging your friends via text to help get you past the line. From the entry way, you couldn’t see any of the four walls of the low-lit venue. It was next to impossible to work the room for lack of passing space, the bar was stacked three deep at each well and forget about trying to smoke a cigarette because the patio was laden with so much secondhand smoke you

Reverend Horton Heat & Jello Biafra: A Punk Rockabilly Freakout
Last Saturday, The Reverend Horton Heat hosted the 2nd of a two night event at The Observatory. Friday night was “Psychobilly Night” and Saturday was dubbed “The Punk Night”. As much as the photo journalist in me wanted to come out and get the story on the contrasting evenings (and to people watch all the “Clicity Clackity” greasers with pomps and “rock-a-billy” girls with their adorably unrealistic concert attire), I couldn’t subject my ears to that for 5+ hours. Thankfully, there was more than enough great material at the “Punk Night” for a story in itself, and I wouldn’t even need that angle. related content: Reverend Horton Heat, The Adicts & Smut Peddlers at The Observatory The Reverend Horton Heat has been putting on this 2 night shindig at The Observatory for the past few years. The acts have included artists and bands such as 45 Grave, Deke Dickerson, Wanda Jackson, Lords of Altamont, The Adicts, Cadillac Tramps and many more well known names. However, many lesser known locals have been given a platform in which to show off their stuff to a large crowd thanks to good ol Jimbo and Co. Wild Records is a Los Angeles based label that specializes

Thee Oh Sees & Wand Back For Annual Holiday Food Drive at Teragram
Thee Oh Sees- AKA, the hardest working band in the global music underground in the past decade. I swear to punk rock gods that these guys are on a world tour 365 whilst simultaneously putting out consistently great records. How do they do it? The annual Panache Booking/LA Kitchen Holiday Homeless Food Drive took place in dirty Downtown Los Angeles at a very special venue that goes by the name Teragram Ballroom, we here at Janky Smooth have become familiar with over the last year or so. related content: Fuzz & Thee Oh Sees Bring Holiday Help To Homeless in L.A. Shannon Lay of the well established (and well ranked in Janky Smooth’s lists of Best of 2016’s) LA outfit, Feels opened the the show with a calm before the rage, as categorized by Lay herself. Lay coaxed the crowd with melodious chord progressions and beautiful melodies before the proverbial storm that was about to erupt, which juxtaposed the evening in the best way possible. I enjoyed the set, the atmosphere and the mildly depressing key of her music evoked some very strong emotions that challenged my fragile masculine intuition, and that’s a good thing. Wand did a fantastic fucking job at tying up the set

Redd Kross, OFF! & Melvins Commemorate Teen Babes From Monsanto
Even though I’ve been averaging 3 or 4 shows a week, every week of every month since November of 2014, I still get jacked up on performances more often than not. I might not always be AS excited before I get to the venue from one night to the next but the Redd Kross anniversary party for Teen Babes From Monsanto along with a Steve “livin the dream” McDonald showcase with all his current active bands, including Melvins AND OFF! was impossible to not get wrapped up in. Unless you’re a kook. related content: OFF! Transform The Echo From Peaceful Indie Venue to House of Raw Aggression The truth is that Janky photographer, Jessica Moncrief hit me up to see if I could write about, so she could shoot, OFF! and Melvins at The Observatory. I didn’t find out until I was half way down to Santa Ana that Redd Kross was ALSO playing. I started to make the McDonald connection but still didn’t understand what was happening down there until I got inside the venue and the Melvins were already halfway through their set. The bummed out feeling at missing a major chunk of the Melvins didn’t last too long when I understood

Santoros Record Release w/ Cutty Flam, Cigarette Bums & Solar Sons
The Echo was decorated with pinatas and streamers with the words “El Perdedor” in metallic mylar balloon across the top of the stage for the release party for Santoros 3rd Album. Initially, the crowd was thin and only about a quarter of those in attendance by the end of the night were present for the opening sets. That didn’t seem to dissuade.Cigarette Bums, who took the stage as the first set to play songs off their new record due next month on Lolipop Records. The most outstanding quality of Cigarette Bums is how well-rehearsed their live sets are and the stoic, yet enthusiastic stage presence they exude. Musically, the band is driven by steady percussion with an upbeat tempo, giving the impression of the kind of band you wish would’ve played your high school prom, which seemed to be the theme for the night. There is a sense of urgency in the performance in a sense that they simply cannot wait to share their music with the audience. “We just love to play with our friends and we want to do that as much as possible”, says Steven Carrera, frontman of Cigarette Bums. Steven went on to tell me,

The Janky New Year Top 10 SONGS of 2016 Rated by Contributors
We don’t care what people say about you, 2016; Janky Smooth loves you. Sure, you skull fucked the country with a culturally divisive presidential election that scrambled our brains, pitted us against each other and made propaganda the norm. Yes, we were able to normalize the images of police gunning down unarmed civilians in the street and forced us to redefine the word “justified”. Granted, almost half of our country believes that global warming is either a hoax or overstated as the polar ice caps and ancient sea shelf melts and breaks off into the ocean at a rate more rapid than anyone could’ve dreamed or climate scientists had calculated. Sure, you took a massive amount of musicians, actors, artists, leaders and athletes that basically everyone on the planet loves the most. But you know what? At least you gave us some of the best independent hip hop, metal, electronic, punk and straight forward rock songs than any of your younger brother and sister centuries have sounded in quite some time. So we forgive you but now, We The People of Janky Smooth have to make some decisions on our favorites from the best songs of 2016. We’re up for

Fishbone at The Observatory: The Return of Philip “Fish” Fisher, OG
2016 was coming to a close and I was finally getting a chance to check out a show at The Observatory in Santa Ana. As curious as I was, who the hell would get me to drive all the way down to Santa Ana from LA on a Monday evening? The Legendary FISHBONE, that’s who! Sprinkle on top of that, the fact that one of LA’s finest musicians, Philip “FISH” Fisher would be on the Fishbone drum kit this night, and I was instantly more than game to brawl with Monday rush hour traffic to go and see the band’s Original Members Return, as they have for the past few years, one by one. related content: Fishbone at The Troubadour- The Greatest Live Band of All Time First up on the bill were STARPOOL, an OC Ska/Rock band that definitely has some punch. The band kicked out a nice blend of Ska/Reggae, Rock and World Beat and was fronted by a strong singer in one, Alan Meade. I was impressed by their tight sound, confidence and a set list filled with great songs. The crowd was very receptive to them but being a quality band was the key to the crowd’s

The Janky New Year Top 10 Albums of 2016 Rated by Contributors
What the fuck is up with publications that post their best of, year end lists of favorite records, songs and shows at the beginning of December? What’s more important- getting it out first or getting it “right”? RTJ3 dropped on Xmas Day, hardly enough time to absorb an entire album, much less rank it toward the top for top records of the year. But I would be pulling my own hair out if I missed acknowledging El-P as one of the best producers of this era, (sans the ghost writers that have become customary at his level). El-P is one of the most underrated rappers in hip hop, maybe because of the un-equaled political and social rhyme and flow of Killer Mike, who probably SHOULD crush Kanye in the 2020 Democratic Primary for president, not to mention the vocal booth but would bet most pure hip hop publications would favor Life of Pablo over the 3rd album by two middle aged guys who were probably pretty close to looking for a day job before their self titled debut album dropped in 2013. Day For Night Fest: Futurists of Audio & Visual Converge in Houston In my research to

