
Tag: featured

Food for the Soul: Music Tastes Good 2018
Long Beach has yet to disappoint. Whether it’s a tiny DIY show space with a local artist lineup like Midnight Mass or an R&B soul fest on the water’s edge like Smokin’ Grooves, shows in the LBC draw loads of live music fans at every possible opportunity. Blessed with a diverse demographic, Long Beach festival organizers get to take huge liberties when it comes to booking bands and artists that represent every quadrant of the musical matrix. Music Tastes Good was no exception. They brought new emerging artists, quintessential bands and even artists we didn’t know we were missing into one big block party-style show. related content: Black Is Beautiful: Smokin’ Grooves Festival At The Queen Mary We started out day one with Quintron & Miss Pussycat, husband-and-wife duo from New Orleans. Their performance is half something from a children’s television program and half sing-song drinking ballads. To the untrained eye, their performances are something of a spectacle but there certainly is something uniquely charming about their authenticity. Quintron & Miss Pussycat concluded their set with their cover of Polka Stars “In Heaven There Is No Beer” as the revolving stage gave way to the next act. On the complete

Cold Waves LA: Heaven For Industrial Kids
Photos by: Abraham Preciado In the 1980’s, Chicago was the epicenter of North America’s Industrial music explosion with Wax Trax records birthing some of the genre’s most iconic bands, namely Ministry. Chicago’s importance in the history of Industrial music cannot be overstated. That’s why when Cold Waves, the country’s premiere Industrial festival, announced it was bringing it’s cavalcade of musicians to Los Angeles, it was a big deal for the genre and our city. I still regret missing the first Cold Waves LA last year and so, made sure to attend this year’s. 1720 might seem like a hidden gem because of the surrounding debris and chaos of the area it resides in but after spending my weekend there, I can say it’s one of the better venues in Los Angeles. This is the case for a few reasons, the sound quality and stage being at the top of that list but also its comfortable, well air conditioned atmosphere and it’s smoking area, where bands and audience become one. Day 1 The festival began with a DJ set by legendary artist Rhys Fulber of Front Line Assembly. His set was moody and brooding, the sounds of circuity unnerving due to

Adult. Interview: Warriors for Weird
I remember the first time I saw Adult. live at Echoplex for their Detroit House Guests tour. It was one of the most insane and exciting shows I’ve ever seen. With various guest performers, obscure stage antics, and the hardest off-beats, they were truly avant-garde. It was weird to its core but I danced so hard, the weirdness absorbed into me and I didn’t puzzle over it. I fell in love with the duo’s music that night and getting the chance to interview Adam Lee Miller and Nicola Kuperus before their Zebulon show with Plack Blague only intensified my admiration. They were well spoken, intelligent, and unlike many artists with more direct and obvious messaging, they showed a deep understanding of what they stand for and who they are. related content: Different Shades of Black: Adult. And Plack Blague At Soda Bar RS: The latest album is This Behavior. A few of the songs seem to reference human sexuality. What is the album’s title symbolic of? NK: I dunno if I would say it’s symbolic of human sexuality. I think it’s poignant for the moment we’re in with how insane the world is. The process for writing this record was very

Heavy Metal Parking Lot 2: Judas Priest and Deep Purple at FivePoint Amphitheatre
Words and Photos by: Dillon Vaughn Judas Priest and Deep Purple: with a lineup including two legendary bands like this it’s nearly impossible to find a reason not to do whatever it takes to get to the show. Unique opportunities granted by commuting through a massive city for a gig like this are things I feel my parents dreamed of when they were living in a small town at my age. The drive from LA to Irvine during a weekday rush hour is awful but the anticipation for what’s truly an event multiplies each time you pass another car of people obviously making the trek for the same reason. Seeing other groups of unfamiliar familiar faces grin with shared excitement lends a sense of comfort not unlike the feeling of coming home: the euphoria of warm of acceptance and freedom to enjoy yourself for who you really are. related content: The Olive Branch Extends To Irvine: The Scorpions At Five Point Amphitheatre Firepower is somewhat of a return to form for Priest but the live show leaves the impression they never strayed from what they’ve always been. Despite unfortunate lineup changes in recent years the band has never made compromises in

Different Shades of Black: Adult. and Plack Blague at Soda Bar
Words and Photos by: Rebecca DiGiglio What’s this? A San Diego show being covered by Janky Smooth, you say? No. It couldn’t be.But it is. The reaches of this esteemed publication are expanding— manifest destiny and shit. Allow me to be your photographic and lexical liaison, starting first with an electronic show featuring the impossibly-cool-looking-in-a-European-way ADULT., leather daddy duo Plack Blague, and the fog-drenched, one-man San Diego act, O/X. Opening act O/X started the night with trigger finger on the fog machine and a trance-like demeanor: all dreamy swaying and eyes-shut synth stroking. O/X is the solo project of Chris Oxendine, and the music is self-described as cold wave. Oxendine seemed to intentionally lull the crowd into a false sense of calm for the more beat-heavy, dance-centered night to come, eventually growing a little more rapid towards the end of the set, as if to briefly warn of sounds to come. The show was a release party for his latest cassette, “NEW LIFE”, released through record label Dream. Shortly after, the night turned naughty with the shock to the system that was Plack Blague: two leather-clad daddies bringing heavy, industrial beats and vocals that vacillate between sensual and aggressive singing.

The Final Final ACxDC Reunion at Resident
Antichrist Demoncore. ACxDC. Were one of the craziest power violence bands of all time. Few missed shows bug me as much as missing their final show at Union in 2017. I felt terrible for this, like I had betrayed everything I ever stood for. Then when ACxDC announced they were playing a show at The Resident presented by Church of the 8th Day, not only was I ready to go but I was ready to party, buy merch, drink beer, and get hurt. The lineup was stacked from top to bottom. Two beer bands, a reunion, and a straight edge hardcore band all the way from Amsterdam all brought together on a Monday. Work the next morning didn’t stop the die hards though. They were ready to get their excuse not to come in the next day get planted right across their faces. Skullcrack cracked open this can of whoop ass of a night with no remorse and a thirst for blood. One of the heaviest, most brutal, and rhythmic crossover bands I have ever seen. Their singer’s voice rips and their guitarist is a goddamn hardcore-thrash titan in the making, playing with Fireburn when he’s not with these three young

I was Straight Edge for a Night: Slapshot at Toxic Toast Theatre
Hardcore shows are weird when you can’t drink. It’s like everyone’s a designated driver, people actually have money for merch, and you can see the spinning heel kicks coming. The benefits of remembering every detail of the night is that you can vividly appreciate what you’re seeing. In this case it was Slapshot at Toxic Toast Theatre in Long Beach. I went in with a lot of ideas about the band. Why do hardcore bands have more former members than The Dead? How white can a person be? I’ve never seen so much Boston represented in a band. I had to double check that it wasn’t Whitey Bulger screaming into the microphone. I also thought this is what Dropkick Murphys sound like if they weren’t awful. Jack Kelly is so pure hardcore or “haadcorr” as he pronounces it, he doesn’t want to be a role model he just wants to be, he wants to be in his band lighting up the territories. Slapshot, a band fronted by a straight edge singer in a venue that doesn’t serve alcohol feels like Superman on the sun. It’s just pure hardcore music, nothing against any hardcore shows that have alcohol but when it’s just you

Take This: Win 2 Tickets to Clutch at El Rey
Clutch is an American institution. No band captures the dichotomy of this nation quite as well as these country strong but city hip tunes and their new album, Book of Bad Decisions, is only the latest example of just that. I try to see Clutch every time they play in my area, I’ve yet to see them perform “10001110101” live but I feel like the more times I try, the better chances I have. So, I hope to see you there. But how you ask? Without tickets? Well, let us cover those for you. We are giving away two tickets to Clutch’s Book of Bad Decisions show at El Rey with support from none other than Sevendust. YOU CAN BUY TICKETS HERE OR. ENTER TO WIN 2 TICKETS TO CLUTCH OCTOBER 12th AT EL REY THEATRE Step 1- Join Our Newsletter (look for pop up every time you arrive at jankysmooth.com) Step 2- Tag Clutch in the comment section of our Twitter, Instagram, or Facebook Clutch Giveaway Posts and write “10001110101” WINNER WILL BE WILL BE SELECTED ON MONDAY OCTOBER 8TH AT 11AM PST VIA EMAIL CONFIRMATION

Food Sounds Good: Music Tastes Good Food Review
Music Tastes Good returned to Marina Green Park and that means its cavalcade of gourmet chefs came with it to hold two days of tastings. Inside the glorious Taste Tent you could see gourmet chefs hard at work trying to meet the demands of these hungry festival-heads and the long lines were worth it, even for samples as small as two bites because these foods weren’t just good or gourmet, they were artisan crafted. They also offered cocktail mixing tutorials like the Mezcal mixing tutorial that was taking place while I toured the tent. First among the artisan chefs I visited on Sunday was Cameron Hanin of Seattle’s Ma’ono, who was serving a delicious Hawaiian style Fried chicken drumstick with a Daikon pickle slice on the side. The drumstick’s skin was crispy and sweet while the meat was succulent, juicy, and delicious. The pickle slice then complimented the chicken perfectly with a sweet, salty kick. I walked right over to Ryan Ososky‘s booth next. As the chef of Los Angeles’ Yardbird Southern Table, Ryan is bringing new spins to classic Southern food and recipes. Such was the case for his brisket on a biscuit tasting option, which featured the most tender,

Lil B interview: Favorite Foods of the Based God
With Music Tastes Good right around the corner and Lil B taking the stage to preach the Based philosophy to Long Beach, I wanted to ask the Based God anything and everything about food and its connection to spirituality. RS: What are your favorite foods to eat? Are there foods that are more “Based” than others? if so, what are they? What specific ingredients do you consider “Based”? LB: I love natural grown veggies. Those are pretty Based to me. RS: Do you have any favorite chefs? LB: Yeah. I love any of the chefs I met recently. I can’t really tell you by name but I’m gonna start making that my thing. The way I know different musicians, I’m gonna know different chefs. RS: With “Wonton Soup” being one of your most notable songs, are there any other foods you might be inspired to write a song about one day? LB: Yeah, it is very possible. I love food. RS: What are some of your favorite restaurants in Nor Cal and in So Cal? LB: I love restaurants in Berkeley, California. Piedmont, California. Oakland, California. San Francisco, California. The Lettuce Inn in Concord. RS: What do you see as

Who’s The Better Brother? Jay Aston’s Gene Loves Jezebel at Echoplex
I love Gene Loves Jezebel. I love Jay Aston and I love Michael Aston. So, I will do my best to contribute to this band’s legacy by casting judgement on which twin brother’s band is the better Gene Loves Jezebel. Along with seeing a rare L.A. show by Jay Aston performing their favorite songs, many in attendance came to compare the two Gene Loves. Most likely looking to Michael Aston’s Part Time Punks show from years previous which I attended and enjoyed. Check out my review of that show below: related content: Gene Loves Jezebel Play Immigrant In Entirety At Part Time Punks Gig If you don’t know the band’s history, Michael and Jay Aston are twin brothers that each have their own version of Gene Loves Jezebel. Michael’s is based in the U.S., Jay’s is based in the U.K. Michael was the lead singer and Jay was the guitarist, back-up vocalist, and songwriter. After a tumultuous breakup resulting in a legal battle to see who gets to tour under the name Gene Loves Jezebel, they both play the same banner. It’s an interesting question to ponder. How do you cement ownership of a song? Is it the writer or

F*ck Feelings: Lagwagon Performs “Lets Talk About Feelings” at El Rey
Are we, as a society, officially retiring the adage “sticks and stones may break my bones but words can never hurt me”? For a minute there, I thought this was the case but after seeing Lagwagon‘s degenerate onstage horseplay shit on the importance we put on feelings, now I can officially say, we as a society still think feelings are bull shit. Also bullshit: Joey Cape, lead singer of Lagwagon. Ask him yourself, he put it on a T shirt and the damn thing sold out. Fat Wreck Chords is still flying the punk flag proudly. That doesn’t necessarily require being ass holes but it doesn’t hurt, especially when it’s toward your bandmates, not the audience. In all seriousness though, Lagwagon and all its members fucking killed that stage. Lets Talk About Feelings was released twenty years ago on the same night as this show at El Rey. Even back then, Lagwagon’s music was teaching people to be worse human beings, whether they were kids playing Tony Hawk Pro Skater or adults skating in real life. related content: Me First & The Gimme Gimmes Inter-Review At The Fonda Theater A Vulture Wake began the night with one of the tightest,

