Category: SHOWS

Goths Go Metal: Tribulation at the Lodge Room

Rob Shepyer October 10, 2018

You don’t usually see goth boys and girls embrace extreme metal but in the case of Swedish melodic death metal band, Tribulation, the goths have found a band that represents their heart and soul and lets their dark fantasies play out on a stage. Tribulation doesn’t really incorperate the sound of goth in their music though. It’s this melodic death metal monster combined with glam/hard rock rhythm and jamming that makes for a show any fan of rock and roll can understand. Solos of every stripe, virtuosity from every player, I see Tribulation as the Guns and Roses of death metal. I was lucky enough to meet the whole band before the show as I waited in line to get tacos across the street. All of them without their signature makeup, they were incredibly friendly and even gave me the compliment of calling me their groupie! The Lodge Room usually doesn’t host metal, with its regal interior and the delicious paintings that decorate its walls, the venue seems more inclined hosting jazz or you know, decent varieties of music. This show fit just fine in the Lodge Room though and I expect more metal there to come. related content: The

Cal Jam Blooms in 2018

Rob Shepyer October 10, 2018

The duality of Dave Grohl is something to ponder. Simultaneously Rock God and fan, perhaps the latter is a prerequisite to the former. After 30 years of piloting the Foo Fighters, not to mention a stint in a little band called Nirvana, his place in the annals of rock history are upon a throne similar to the one he once sat upon while touring with a broken leg. His festival, Cal Jam, is merely one example in hundreds as to how he’s still in love with music just like you and I. To revive a festival, one that is part of California’s rock and roll history, is very different than creating an original one. He wants to pay homage and not just push a brand. So, the festival that once hosted the likes of Deep Purple, Black Sabbath, Emerson, Lake, and Lake, and Ted Nugent, was revived for the second year to host Foo Fighters, Iggy Pop, and Greta Van Fleet. related content: Food For The Soul: Music Tastes Good 2018 My day at Cal Jam began with Greta Van Fleet, a band soaked in hype and wrought with criticism. This makes them a must-see just to judge for yourself.

Time Machine for Young and Old: Gary Numan at the Fonda

Audrey Kemp October 9, 2018

Gary Numan teleported his Los Angeles audience into his multidimensional universe for the final leg of his “Savage” tour on Saturday. It was 8:00 p.m. The venue, called the Fonda Theater, has a capacity of 1200. By the time the I got there, around six, a dense line of fans had circled the block, waiting for the door to open. They were mainly clad in leather jackets and Nine Inch Nails shirts, and with the exception of some millennials, almost all of them seemed to be older than 50. related content: Gary Numan Interview: Art In The Age Of Savages When the doors opened, a sea of veteran fans and first-time attendees flooded the floor. For 63-year-old Mike Sperks, who’s seen Gary Numan 10 times since 1979, he’s gotten better and better. “I like his music better now. There’s more energy. My all-time favorite song of his is ‘Prayer for the Unborn’ — a song dedicated to his unborn child,” he said. Among the older people was a group of 18-year-old University of Redlands students from a class called “Punk Rock DIY for Personal and Social Change.” Their professor held Mr. Numan in such high regard that he bought them

Food for the Soul: Music Tastes Good 2018

Aria Silva-Espinosa October 8, 2018

Long Beach has yet to disappoint. Whether it’s a tiny DIY show space with a local artist lineup like Midnight Mass or an R&B soul fest on the water’s edge like Smokin’ Grooves, shows in the LBC draw loads of live music fans at every possible opportunity. Blessed with a diverse demographic, Long Beach festival organizers get to take huge liberties when it comes to booking bands and artists that represent every quadrant of the musical matrix. Music Tastes Good was no exception. They brought new emerging artists, quintessential bands and even artists we didn’t know we were missing into one big block party-style show. related content: Black Is Beautiful: Smokin’ Grooves Festival At The Queen Mary We started out day one with Quintron & Miss Pussycat, husband-and-wife duo from New Orleans. Their performance is half something from a children’s television program and half sing-song drinking ballads. To the untrained eye, their performances are something of a spectacle but there certainly is something uniquely charming about their authenticity. Quintron & Miss Pussycat concluded their set with their cover of Polka Stars “In Heaven There Is No Beer” as the revolving stage gave way to the next act. On the complete

Cold Waves LA: Heaven For Industrial Kids

Rob Shepyer October 8, 2018

Photos by: Abraham Preciado In the 1980’s, Chicago was the epicenter of North America’s Industrial music explosion with Wax Trax records birthing some of the genre’s most iconic bands, namely Ministry. Chicago’s importance in the history of Industrial music cannot be overstated. That’s why when Cold Waves, the country’s premiere Industrial festival, announced it was bringing it’s cavalcade of musicians to Los Angeles, it was a big deal for the genre and our city. I still regret missing the first Cold Waves LA last year and so, made sure to attend this year’s. 1720 might seem like a hidden gem because of the surrounding debris and chaos of the area it resides in but after spending my weekend there, I can say it’s one of the better venues in Los Angeles. This is the case for a few reasons, the sound quality and stage being at the top of that list but also its comfortable, well air conditioned atmosphere and it’s smoking area, where bands and audience become one. Day 1 The festival began with a DJ set by legendary artist Rhys Fulber of Front Line Assembly. His set was moody and brooding, the sounds of circuity unnerving due to

Heavy Metal Parking Lot 2: Judas Priest and Deep Purple at FivePoint Amphitheatre

Dillon Vaughn October 5, 2018

Words and Photos by: Dillon Vaughn Judas Priest and Deep Purple: with a lineup including two legendary bands like this it’s nearly impossible to find a reason not to do whatever it takes to get to the show. Unique opportunities granted by commuting through a massive city for a gig like this are things I feel my parents dreamed of when they were living in a small town at my age. The drive from LA to Irvine during a weekday rush hour is awful but the anticipation for what’s truly an event multiplies each time you pass another car of people obviously making the trek for the same reason. Seeing other groups of unfamiliar familiar faces grin with shared excitement lends a sense of comfort not unlike the feeling of coming home: the euphoria of warm of acceptance and freedom to enjoy yourself for who you really are. related content: The Olive Branch Extends To Irvine: The Scorpions At Five Point Amphitheatre Firepower is somewhat of a return to form for Priest but the live show leaves the impression they never strayed from what they’ve always been. Despite unfortunate lineup changes in recent years the band has never made compromises in

Different Shades of Black: Adult. and Plack Blague at Soda Bar

Janky Smooth Central Command October 4, 2018

Words and Photos by: Rebecca DiGiglio What’s this? A San Diego show being covered by Janky Smooth, you say? No. It couldn’t be.But it is. The reaches of this esteemed publication are expanding— manifest destiny and shit. Allow me to be your photographic and lexical liaison, starting first with an electronic show featuring the impossibly-cool-looking-in-a-European-way ADULT., leather daddy duo Plack Blague, and the fog-drenched, one-man San Diego act, O/X. Opening act O/X started the night with trigger finger on the fog machine and a trance-like demeanor: all dreamy swaying and eyes-shut synth stroking. O/X is the solo project of Chris Oxendine, and the music is self-described as cold wave. Oxendine seemed to intentionally lull the crowd into a false sense of calm for the more beat-heavy, dance-centered night to come, eventually growing a little more rapid towards the end of the set, as if to briefly warn of sounds to come. The show was a release party for his latest cassette, “NEW LIFE”, released through record label Dream. Shortly after, the night turned naughty with the shock to the system that was Plack Blague: two leather-clad daddies bringing heavy, industrial beats and vocals that vacillate between sensual and aggressive singing.

The Final Final ACxDC Reunion at Resident

Rob Shepyer October 4, 2018

Antichrist Demoncore. ACxDC. Were one of the craziest power violence bands of all time. Few missed shows bug me as much as missing their final show at Union in 2017. I felt terrible for this, like I had betrayed everything I ever stood for. Then when ACxDC announced they were playing a show at The Resident presented by Church of the 8th Day, not only was I ready to go but I was ready to party, buy merch, drink beer, and get hurt. The lineup was stacked from top to bottom. Two beer bands, a reunion, and a straight edge hardcore band all the way from Amsterdam all brought together on a Monday. Work the next morning didn’t stop the die hards though. They were ready to get their excuse not to come in the next day get planted right across their faces. Skullcrack cracked open this can of whoop ass of a night with no remorse and a thirst for blood. One of the heaviest, most brutal, and rhythmic crossover bands I have ever seen. Their singer’s voice rips and their guitarist is a goddamn hardcore-thrash titan in the making, playing with Fireburn when he’s not with these three young

I was Straight Edge for a Night: Slapshot at Toxic Toast Theatre

Jonathan Reyes October 3, 2018

Hardcore shows are weird when you can’t drink. It’s like everyone’s a designated driver, people actually have money for merch, and you can see the spinning heel kicks coming. The benefits of remembering every detail of the night is that you can vividly appreciate what you’re seeing. In this case it was Slapshot at Toxic Toast Theatre in Long Beach. I went in with a lot of ideas about the band. Why do hardcore bands have more former members than The Dead? How white can a person be? I’ve never seen so much Boston represented in a band. I had to double check that it wasn’t Whitey Bulger screaming into the microphone. I also thought this is what Dropkick Murphys sound like if they weren’t awful. Jack Kelly is so pure hardcore or “haadcorr” as he pronounces it, he doesn’t want to be a role model he just wants to be, he wants to be in his band lighting up the territories. Slapshot, a band fronted by a straight edge singer in a venue that doesn’t serve alcohol feels like Superman on the sun. It’s just pure hardcore music, nothing against any hardcore shows that have alcohol but when it’s just you

Who’s The Better Brother? Jay Aston’s Gene Loves Jezebel at Echoplex

Rob Shepyer September 28, 2018

I love Gene Loves Jezebel. I love Jay Aston and I love Michael Aston. So, I will do my best to contribute to this band’s legacy by casting judgement on which twin brother’s band is the better Gene Loves Jezebel. Along with seeing a rare L.A. show by Jay Aston performing their favorite songs, many in attendance came to compare the two Gene Loves. Most likely looking to Michael Aston’s Part Time Punks show from years previous which I attended and enjoyed. Check out my review of that show below: related content: Gene Loves Jezebel Play Immigrant In Entirety At Part Time Punks Gig If you don’t know the band’s history, Michael and Jay Aston are twin brothers that each have their own version of Gene Loves Jezebel. Michael’s is based in the U.S., Jay’s is based in the U.K. Michael was the lead singer and Jay was the guitarist, back-up vocalist, and songwriter. After a tumultuous breakup resulting in a legal battle to see who gets to tour under the name Gene Loves Jezebel, they both play the same banner. It’s an interesting question to ponder. How do you cement ownership of a song? Is it the writer or

F*ck Feelings: Lagwagon Performs “Lets Talk About Feelings” at El Rey

Rob Shepyer September 27, 2018

Are we, as a society, officially retiring the adage “sticks and stones may break my bones but words can never hurt me”? For a minute there, I thought this was the case but after seeing Lagwagon‘s degenerate onstage horseplay shit on the importance we put on feelings, now I can officially say, we as a society still think feelings are bull shit. Also bullshit: Joey Cape, lead singer of Lagwagon. Ask him yourself, he put it on a T shirt and the damn thing sold out. Fat Wreck Chords is still flying the punk flag proudly. That doesn’t necessarily require being ass holes but it doesn’t hurt, especially when it’s toward your bandmates, not the audience. In all seriousness though, Lagwagon and all its members fucking killed that stage. Lets Talk About Feelings was released twenty years ago on the same night as this show at El Rey. Even back then, Lagwagon’s music was teaching people to be worse human beings, whether they were kids playing Tony Hawk Pro Skater or adults skating in real life. related content: Me First & The Gimme Gimmes Inter-Review At The Fonda Theater A Vulture Wake began the night with one of the tightest,

CHVRCHES Give the Greek a Religious Experience

Aria Silva-Espinosa September 27, 2018

Sunday night’s show at The Greek Theater brought a massive slew of concert-goer traffic to the thin winding roads at the base of Griffith Park, overlooked by the throngs of tourists lining the observation deck of the Observatory. Back in the day, you were permitted to abandon your automobile on the precipice of the canyon overlooking the city of Los Angeles, now you have to pay gratuitously for parking in less perilous locations designated by L.A. Parks & Rec. The Greek is an imposing white amphitheatre-style building, an open-air venue that backs up to the darkened cliffside. This makes for a long walk through sports arena-style seating to find your seat with the assistance of an usher or if you’re like me and too proud to ask for direction, your cell phone flashlight. related content: Hot Chip Make Machines Come To Life At The Greek Fittingly, there was an almost full moon hanging in the sky on Sunday night. Lo Moon, the opening act from Los Angeles, delivered a fittingly lovelorn performance early in the evening. Lo Moon is a relatively new formed indie rock trio. Lead vocalist and guitarist Matt Lowell played the song “Loveless“, which he had been

Category: SHOWS

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