Tag: featured

Black Lips at Regent Theater

Black Lips Vandalize L.A. w/ Satan’s Graffiti at The Regent Theater

Yes, your favorite garage rockin’, junked out beatniks, the Black Lips have a new album and are currently on tour.  And just like the many indie anti-hero demi-gods that have gone before them, they have their eyes on the prize of scaling their operations onto the tape and record players and bluetooth audio speakers of music civilians that don’t take this shit as seriously as some of us do.  You know, the ones that send you into the largely undefined, next level of this nebulous blob forming in the place where the music industry used to be.  So, because of my deep affection for the bad kid rockers and the fact that I don’t hate their latest album, Satan’s Graffiti or God’s Art?  like I’ve heard from a handful of Black Lips purists upon it’s release, the most important task for determining it’s value to my music portfolio was to see them do it live… besides, maybe Yoko Ono would show up at The Regent Theater as a guest to perform on the song she’s featured on the new album her son Sean produced, “Occidental Front”… related content: Snapshot Of A New Music Industry- White Fang, No Parents & The

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Drab Majesty

Drab Majesty Return to Los Angeles After Taking Europe By Storm

The buzz surrounding LA’s own Drab Majesty peaked and cemented the band as more than just an underground attraction- this buzz has evolved into downright success. We here at Janky Smooth listed them as one of the bands to watch in 2017 and boy, it feels smooth as silk to be right. Sometime during their American and European tours opening for Cold Cave, it became apparent that this goth duo was a premier group, destined to surpass Cold Cave musically. I believe the band’s homecoming Echoplex show was the beginning of the Drab Majesty era. Even by the first band, Chasms, people came flocking into the show with an impressive early turn out. Originally from San Francisco and now based in Los Angeles, Chasms plays ambient-gaze with guitar riffs that make you measure the depth of your soul with each stroke. Their drum machine sounds like a hammer slamming upon steel but their vocals sound like a soothing siren, luring you into the abyss. Chasms has become a go-to opener for any big gaze or goth act because they set the tone very punctually, there’s no escaping introspection after a Chasms set. After a cig or two and a glass

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High-Functioning Flesh

High-Functioning Flesh “Culture Cut” Release Party at Echoplex

For every genre, there is a right sound. A band’s music and vocal style have to marry each other in a familiar, yet original way to occupy the space in the ether that has always been waiting for them. High-Functioning Flesh captures the right industrial sound for 2017. Susan Subtract’s coarse vocal tone harkens back greats like Al Jourgensen and Nivek Ohgr, while Greg Vont’s music does the same with both singers’ respective bands. The difference is, High-Functioning Flesh uses highly danceable rhythms and melodies to make classic industrial sound new and fresh. If you listen to Ministry’s Twitch or any Skinny Puppy albums before Last Rights, you’ll find plenty of gems but only a few songs that could really hold their own on a mainstream dance floor. Meanwhile, every song on High-Functioning Flesh’s third and new album, Culture Cut, can pull any person onto a dance floor. I first discovered High-Functioning Flesh after seeing an Instagram video posted by Blaque Chris featuring the band headlining a Planned Parenthood benefit. The band’s compassion towards women and trans rights is just as pronounced as their music. After that, I made sure to check them out at Lethal Amounts’ Sado Maso Disco

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Harley Fanagan sound and fury

The Most Complete Sound And Fury 2017 Review On Earth

Sound and Fury Festival is one big happy hardcore family and like any family, we like to fight but it’s only out of love. Artists and fans traveled from far and wide, from inside the USA and beyond, to join together and form an unbreakable bond for four days around hardcore music. The unity we shared was stronger than any of the things that divide people outside this scene’s little bubble. We might seem crazed for jumping off stages and swinging our fists and slamming our bodies into one another but the world-at-large can learn a thing or two from us. We can be the example-setters for brotherhood and sisterhood. When I call Sound and Fury a family, I mean the artists and the audience alike. That title is earned by the festival’s participants with three key factors: 1. Artists, usually ones under the same record label, will play in other bands throughout the whole festival. So, you’ll see Todd Jones and the festival’s organizer Martin, playing guitars with Terror; or you’ll see Brendan Yates playing guitar with Angel Du$t; or Taylor Young from Nails drumming for Criminal Instinct or playing guitar for Eyes of the Lord. Then you’ll also

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French Vanilla at Acerogami

Becky Brings French Vanilla, The Vivids & More to Acerogami in Pomona

A Friday night coupled with a stacked show at Acerogami in Pomona is always a good thing. The vibe is always chill; comfy couches and a super clean lounge area are usually a turn off for me, especially at a “punk” show.  But somehow, Acerogami pulled it off without so much as a raised eyebrow.  Could have something to do with the line-up for the evening- Hawaiian T-shirt, Sister Mantos, The Vivids and French Vanilla, a highly anticipated show by the many lovers of the LA post punk scene. First up on the four band bill was Hawaiian T-shirt, a recent post punk addition to the local band mix. New to my ears in the past few weeks, I instantly liked them and have been failing at catching them live at one of the many shows they’ve been playing. This was my lucky night. The trio of Ana (vox & guitar), Jeremiah (vox & bass) and Tara (drums) fire off songs that parallel Gang of Four, Pixies and others while keeping their own unique sound. Just enough rawness to keep it tangy with angry lyrics to keep you intrigued on what’s coming out next. They have an EP up on Bandcamp (linked

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Surfbort get Zorched

Learning New Words Like Zorched w/ Wild Wing & Surfbort is Lit AF

I know I’m getting old when I see posters with words I don’t know. I saw a poster for Zorched LA from LowNSlow DIY and I was like, do I “get Zorched” or do I just start calling things Zorched the way I do with lit?  I also didn’t know where it was so I started thinking how not L.A. I’d become. I parked and ate at Yoshinoya because I like that stringy meat they sell and noticed some teens in the current alt punk fashion of short pants and so ironic it’s not ironic tees. I followed them into a dreary looking building and this is what I saw and/or heard… I legit heard a kid say “I hope no one sees that I’m wearing a USC shirt” then he pulled out the $20 bill his parents gave him to go to the show. Win 2 Tickets, Vinyl & Other Band Merch for Dirty Penni Fest w/ The Shrine, Deap Vally & MORE Denim Skull – Kinda sounded like if Animal from the Muppets fronted Pissed Jeans. It reminds me of when I’m angry and I want to start a band to yell about things but I don’t flesh

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Angelyne billboard

Angelyne: Billboard Queen, Punk Diva & Archetype Of The L.A. Dream

One great thing about living in Southern California is that seemingly everyone you meet is here with specific creative goals in mind- that experience MAY be magnified if you yourself have your own dreams of creative success or recognition since, obviously there are MILLIONS of people who live here that are just living their lives everyday just like any other city in the world.  All things being equal, you may randomly end up befriending a transplant swedish waitress, only to find out she’s actually a screenwriter or even end up becoming friends with a famous local on any given day or night of the week.  It’s part of the LA charm that I have come to love so much. I recently met billboard queen, Angelyne through a friend when I was invited to join them for dinner at El Coyote. Like many, she was instantly recognizable to me, even though I didn’t know much about her. But after meeting her, I was compelled to find out as much as I could. Over the course of the last month or so I have been able to get to know her more though our conversations. What I have learned has given me a

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Rockin Out At The Chun with The Shrine

Take This: Win 2 Tix & Goodie Bag to Dirty Penni Fest 2 at Echo+Plex

Last year, Janky Smooth was smart enough to send a team over to the first installment of Dirty Penni Fest. We had Paige Vreede out to review the fledgling festival, Josh Allen out to shoot the bands and the people and Danny Baraz threw down a DJ set outside on patio of The Echo.   But it’s not about us- it’s about the bands that played the fest which was a collaboration between the laundro-maniacs over at Dirty Laundry TV and the whiz kids at Penniback Records.   Bands like Sloppy Jane, No Parents, Guantanamo Baywatch, Cherry Glazerr, our boys in Death Hymn… and of course, no event involving Dirty Laundry TV would be complete without the presence of the great Mike Watt and whatever battery of musicians accompany him- whether it be the “Secondmen” or in this case, the “Jom and Terry Show.” related content: Dirty Penni Fest- A Rock n Roll Romper Room for Young & Old “So whether you’re 14, 26, or 60 I think it’s safe to say we all found ‘home’ this past weekend.  So let’s keep the DIY scene alive. These kids are our future.” – Paige Vreede This year, Dirty Penni Fest returns for

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The Primitives at Part Time PunksThe Primitives at Part Time Punks

The Primitives: Yet Another Rare Score for Part Time Punks 12th Anniversary

At this point, the musical muscle memory I’ve developed as a contributor for Janky Smooth has revealed at LEAST one thing-  I know how to spot a good show from a mile away. So, when Part Time Punks announced that The Primitives were playing Los Angeles for the first time in twenty-three years aaaaand on top of that, it was the 12th anniversary of Part Time Punks, well I knew there was no earthly way I was going to miss it.  The last few months of the weekly club alone have bestowed upon us Gene Loves Jezebel, James Chance and the Contortions and the first ever L.A. gig of British sensations, Sleaford Mods.  Along with marquee headliners, Part Time Punks have excelled at booking complimentary opening acts, as well- and this past Sunday was no exception. related content: Part Time Punk Past… The openers for The Primitives gig on Sunday were Susan– a band made up of three women, none of them named Susan, playing alternative pop rock.  Jessica O, the band’s guitarist plucked her six string with punchy sounding notes and soloed with impressive chops. Combined with bassist Bobby B. and drummer Katie Fern, the three would harmonize with

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Iggy Pop by Travis Moore

Punk Rock Bowling 2017: You Can’t Be What You Were…

Looking out into the sea of people in the expanses that sprawl out from the upgraded festival stage at Punk Rock Bowling’s virgin location in the booming district of Downtown Las Vegas was a seismic life experience. Not just because of how fucking rad Punk Rock Bowling was this year but because all the events of the weekend set to the music of the festival served as a soundtrack to life’s highlight reel in my head. A series of events culminated into the bitter-sweetest regression of lonerism one could ever celebrate, as I stood alone, backstage, watching The Adicts play the best set I’d ever seen from them. Being 2 months out of knee surgery, that familiar human turbine engine of 7,k people dancing and swirling in front of the stage like a pack of bats taking flight at sun down or a school of fish changing direction in unison was unfamiliar from this vantage point- I’ve always preferred being IN the engine instead of being a spectator. Because when you’re in the pit, you’re dealing directly with any physical manifestation of frustration or anger that might have built up through the grind of life and you aren’t really thinking

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The Sonics by Taylor Wong

Punk Rock Bowling 2017 Kicks Off w/ The Sonics, Throw Rag & Moore

There was a handful of early-bird punks and a few scattered tourists as we approached a surprisingly sleepy version of downtown Fremont Street but with a line-up including Dr. Madd Vibe (feat. Angelo Moore from Fishbone), Throw Rag, the Mutants, Chicken Hawk All Stars, and OG (that’s original garage) rockers The Sonics at Fremont Country Club– we were about to get woke the fuck up. related content: The Sonics Teach Garage Rock History 101 at The Observatory It was the unofficial opening night of Punk Rock Bowling and Music Festival 2017, now in it’s 19th year (how old are we?!), and the Stern brothers have yet to disappoint- although it was now 9:30pm and the doors were not yet open. Of course we overlooked the first day sluggishness as we got a sweet and smooth welcome from our Hollywood homeboy and star of the night, Chicken Hawk All Stars lead singer/Fremont Country Club venue owner, Big Daddy Carlos. It was at least 10:15 before the curtain came up with Dr. Madd Vibe’s blaring instruments and dueling vocals as loud as Angelo’s hand-painted, psychedelic suit. Always a showman and masterful musician, the energy was there but the crowd had not yet caught

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Kikagaku Moyo by Carlie Whisman

The Transcendental Jams of Kikagaku Moyo at Austin’s Scottish Rite Theater

A Masonic double-headed eagle emblem keeps a watchful eye on top of the glowing sign for Austin’s Historic Scottish Rite Theatre. Over the weekend, this former German opera house transformed into an enchanting lair to host rising experimental Japanese group Kikagaku Moyo. It’s not often that one gets to experience a touring act in a location outside of the typical bar scenario, and the spooky elegance of Austin’s oldest theatre (it was built in the late 1800s!) played a role in elevating the evening, thanks to event producers Perfect Life Presents. Austin acts Hidden Ritual and Soft Healer provided opening support at the theatre that evening. Hidden Ritual’s brand of post-punk exuded the eeriness of a western-noir film, complementing the ominous air in Scottish Rite. Local lighting crews Etherwave and ACID Light Show collaborated on a curious visual backdrop which intertwined black and white vintage 16mm film clips and vivid liquid lights. Overhead the theatre ceiling glowed softly in replicated patterns of celestial bodies in the night sky, prompting Soft Healer’s singer to remark “the sky looks great this evening”. Formed as a busking collective in Tokyo during 2012, Kikagaku Moyo have released 3 full length albums and are currently

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