Tag: punk rock
The De-Evolution of Burger Boogaloo
Rob Shepyer
July 5, 2018
Just like in my last Boogaloo review, Janky Smooth apologizes for the opinions herein and advise that anyone below the age of 18 or with an aversion to graphic language, obscenity, or humor, should not continue reading. related content: Burger Boogaloo 2017: The Ballad of John and Iggy Burger Boogaloo 2017 was so good that when we left Mosswood Park last July, we didn’t think 2018’s festival could possibly be better. After all, what band could out-punk Iggy Pop? What sort of headliner could possibly drive the festival further in its evolution? Were they going to bring David Buoy back from the dead? Total Trash productions was clever though, they knew they had to think outside the box if they wanted to make Burger Boogaloo California’s undisputed champion of festivals. So what did they do? They realized that progress doesn’t necessarily have to move forward like we’d expect. No, the answer was De-Evolution. And in the spirit of this movement backward, to the primordial swamp we once infested and called home, what was once the Gone Shrimpin’ stage in 2017, an ode to foot fetishes, was now Toxic Paradise. A mutant stage with tentacles and eyeballs sticking out of the
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Crusty Anthems and Salty Sing-alongs: The Distillers Return to Orange County
Rob Shepyer
May 1, 2018
I remember The Distillers as a band on the periphery of my hesher upbringing in the early 2000’s. They were on MTV back when pop-punk was still sweeping the airwaves and amassed a large following even though their music wasn’t your run-of-the-mall, American Pie movie soundtrack drek. The Distillers were dirtier, more raw, in both sound and image. Like if Hole was supped up with a hotrod engine and covered in prison tatts. And Brody Homme, then and still Brody Dalle, was a role-model for punks and normies, men and women, simply based on the merits of her talent. That was then. And close to 10 years later, seemingly everything, sans the band, has changed. MTV is long-past relevant, pop punk is almost shameful to enjoy, and nostalgia for what came out of that decade is often laughed at. And yet, after only seeing them once, I know that The Distillers are not part of that bygone decade. It became quite obvious to me and virtually everyone in attendance at this particular show, that the band and music were timeless. Distillers songs still sound fresh, with songwriting so good, that it could only come from a time before we all
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Janky Smooth Sessions Interview w/ The Side Eyes
Danny Baraz
July 12, 2017
When you see The Side Eyes live or just sit down and talk to them for a spell, it becomes clear pretty quickly that their genealogy and punk rock pedigree have little to do with the rate in which their star is rising- but it certainly doesn’t hurt them, either. related content: Beach Goth Blackout- Janky Smooth Sessions We caught up w/ the band after they opened for Redd Kross at The Echo in our latest Janky Smooth Sessions Interview w/ The Side Eyes. Astrid McDonald, Kevin & Chris Devine and newest addition, drummer Sam Mankinen (Melted) seem to be quite loving- a supportive band of punks in a genre built on cynicism and frustration. Punk rock being just like any other microcosm, we explore the ways in which the world has changed by noting the ways punk rock and it’s faithful approach “the scene” and subsequently, the world. related content: Steve McDonald Assembles All of His Family and Paid Gigs to Commemorate Teen Babes from Monsanto We discuss what having Charlotte Caffey as your mom, Jeff McDonald as your dad and Steve McDonald playing in Melvins, OFF! and Redd Kross as your uncle does to a kid’s sense
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Punk Rock Bowling 2017: You Can’t Be What You Were…
Danny Baraz
June 9, 2017
Looking out into the sea of people in the expanses that sprawl out from the upgraded festival stage at Punk Rock Bowling’s virgin location in the booming district of Downtown Las Vegas was a seismic life experience. Not just because of how fucking rad Punk Rock Bowling was this year but because all the events of the weekend set to the music of the festival served as a soundtrack to life’s highlight reel in my head. A series of events culminated into the bitter-sweetest regression of lonerism one could ever celebrate, as I stood alone, backstage, watching The Adicts play the best set I’d ever seen from them. Being 2 months out of knee surgery, that familiar human turbine engine of 7,k people dancing and swirling in front of the stage like a pack of bats taking flight at sun down or a school of fish changing direction in unison was unfamiliar from this vantage point- I’ve always preferred being IN the engine instead of being a spectator. Because when you’re in the pit, you’re dealing directly with any physical manifestation of frustration or anger that might have built up through the grind of life and you aren’t really thinking
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Coachella to The Smell: Are Downtown Boys The Voice We’ve Been Waiting For?
Rob Shepyer
April 25, 2017
My love for punk saxophone brought me to downtown Los Angeles on April 18th to see the mighty Downtown Boys pack The Smell. I had heard about the band from the same Rolling Stone article so many seem to have read that claimed this band was something special in a sudden sea of punk and having experienced their show, I find myself agreeing. Coming from the East Coast, Downtown Boys are a rarity to catch on this side of the country but as fate would have it, Coachella brought them out to punk-up that bland-ass lineup and pop the brand-new Sonora tent’s cherry. Downtown Boys are a political punk band of twenty somethings that embody all the good and bad things about the millennial generation. Hailing from Providence Rhode Island, the band started out of the collaboration between Victoria Ruiz and Joey La Neve DeFrancesco from What Cheer? Brigade. Downtown Boys signify something far greater than the new face of punk- I see their political beliefs becoming the core ideology of the “new left”, making the Smell the perfect venue to host the band. Downtown Boys’ LP is named Full Communism, as if Slavoj Zizek himself had a writing credit.
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When We Were Young Festival’s Most Dominant Demographic: Mine
Janky Smooth Central Command
April 19, 2017
When We Were Young- We Became Experts at Sneaking In & Cutting Lines I was still hungover from Choking Victim’s secret set in Long Beach at Freebirds Salon twelve hours before, and already running forty minutes late to the festival, when I remembered that I needed to stop at Target and pick up sunscreen and vitamin C. These are the indicators I observe as I age year to year. Chalk it up to experience but the last thing I wanted was to be sun burned and hungover for day two of a very long weekend. My urgency for arrival was based solely on watching The Getup Kids play the soundtrack to my early adolescence and I was not going to let the naivety of Orange County’s ‘Surf Goth’ youth hold me up. I waited in the main entrance line for the When We Were Young festival and watched cigarette packs get emptied out onto the wooden tables, and a barrage of drug paraphernalia get confiscated and disposed of while the newly minted team of hired security guards emptied pockets. It became apparent within minutes that I was going to have to find an alternative entry if I wanted to get in
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Subhumans On Sunset: Young, Old, Punks, Posers Pay Homage at Los Globos
Todd Anderson
April 13, 2017
On an ordinary Monday night, I walk down East Sunset Blvd with my camera. I dip into the tattoo shop to say hello to a friend as I make my way down the street in the early evening, Los Angeles “magic hour.” There are a few teenage gutter-punk kids smattered randomly around the boulevard as I walk up to Club Los Globos to document the Subhumans gig- there’s no line… I’m early. I stake my position to the right of the stage on a small riser with a column that reaches up to the celling, which proves invaluable later, and I people watch as the crowd fills in through the opening bands. The frantic buzz, the electric anticipation, it all begins to crackle as the notable Oakland band, The Love Songs, finish their set. The club is a mix of every kind of fan imaginable- young, old, punk and the ones that the highly dogmatic call “posers”- just open minded, intellectually curious folks, is all. Even though they know not, they are open to a historic moment when their more well versed friends tell em one is coming- even if they aren’t able to sing along to songs written by
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Celebrating Cheetah Chrome’s Birthday with Sex, Drugs, and Rock N Roll at Alex’s Bar
Jessica Moncrief
February 26, 2017
The hand-picked line-up of locals supporting Cheetah Chrome and his band at Alex’s Bar was about as solid as it gets. So, cheers to the insane minds that made Cheetah Chrome’s Birthday Bash an unforgettable evening of beauty, brutality, and bruises. related content: Opening Bands Shine as OFF! Play Alex’s Bar 16 Year Anniversary Prologue For those of us in the trenches, going out night after night to document the music scene, each show is a dice roll. We painstakingly wade through mediocrity. Furthermore, we pay for overpriced drinks and parking and suffer from lack of sleep. So what pulls us away from the comfort of our home vinyl collection? For me, I seek those nights where everything comes together. Nights when parking is a breeze, the opening band rocks, the atmosphere is 100% party, the crowd is full of beautiful people, and the beer is reasonably priced. Every show serves as part of a never-ending quest to relive that first real high. That space in time where the music entered my soul like a needle piercing a vein, transporting me to another level of consciousness. Thankfully, this ended up being one of those nights that makes this music junky’s struggle worthwhile. The
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The Adolescents & The Dickies: Peckerwoods Gone Wild in Orange County
Jessica Moncrief
December 18, 2016
An All-Star Punk line up at The Observatory In Santa Ana included OG Punks The Adolescents, The Dickies, The Alley Cats, and The Crowd. A damn near perfect embodiment of late 70’s and early 80’s SoCal Punk Rock and a throwback to a territorial and cultural dynamic from not that long ago. related content: The Adicts, Reverend Horton Heat, Smut Peddlers at The Observatory Alley Cats were the openers and I was totally looking forward to their set but thanks to a horrible crash involving a big rig that had traffic backed up for 3 hours, I made it into the building right as they were ending their last song. Such a bummer but nothing compared to the carnage we passed on the way there. Alley Cats originally featured husband-and-wife team Randy Stodola (guitar and vocals) and Dianne Chai (bass and vocals), along with drummer John McCarthy, however the current line-up only includes one original member, frontman Randy Stodola. related content: Punk Rock Bowling 2015 and What Is Punk, Poser? Huntington Beach natives, The Crowd, are arguably one of the first and best bands of their genre and they’re well known for their brand of OC surf punk developed in
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The Spits at Union: Trash and Glamour United in Los Angeles
Rob Shepyer
December 13, 2016
Cha Cha chicks and Footsies freaks, Full Time Punx and Part Time Punx, vinyl archeologists, wax wizards- Blundertown has sounded the clarion call and presented to you, on stages made of broken glass and cigarette butts, The Spits at Union Nightclub. This is the first show at Union I’m reviewing, so I’m going to take the opportunity to bathe you in my admiration for that special place. Is it in Crenshaw? Is it in K-town? Do you know it as Union or do you know it as Jewel’s? Do you party on the top, the bottom, or on the smoker’s patio? At any given show, all these places are poppin’ off- lit af. The top floor which hosted our event on this chilly Thursday night is huge, has two bars, plenty of space to chill, flirt, fuck, or just head bang and slam dance your punk puke out of your eyes. It can host a huge “credible” band but opts out of that for the real shit to service the cool kid contingent- and there’s plenty of places to sit… what a fucking concept! The first band to appease the gathering hordes was Dirty and His Fists with a dress
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Subhumans At The Observatory: Old Songs, New Decade, Same Problems
Jessica Moncrief
September 20, 2016
If you think punk’s dead, then you don’t know Dick! From Wiltshire pubs in 1980 to present day Southern California clubs, Subhumans have been consistent with inciting anarchy and pushing their non-conformist ideals for over 36 years. Friday night’s packed Subhumans show at The Observatory was a great representation of this, with a multi generational crowd ranging from 2 to 70 years of age. Seeing the varying age groups really put the Subhuman’s history into perspective. The elders of the punk scene seemed to be rehashing teenage nostalgia while newcomers simultaneously were experiencing this punk rock rite of passage for the first time. Subhumans were also joined by Kicker and Raukuous on this tour. related content: OG’s, Toddlers and Whiskey for The Weirdos and Adolescents With all the perils of the world and an exceptionally ridiculous election season, so many feel like the world is more fucked now than it ever has been. Truth is, it’s always been fucked! As Dick Lucas segways his songs through short political rants covering everything from wage inequality, animal rights, racism, and of course the evil two party system governing America, I couldn’t help but think how his shows were probably very much the
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Punk Rock Bowling 2016: 18 Years of Limping Las Vegas
Janky Smooth Central Command
June 9, 2016
Don’t’ let the fights fool you; Punk Rock Bowling is a pure, unabashed, hippie love fest. Anthropologists should study the dynamics of a slam pit to understand a punk in his natural habitat because there is so much love in that stew that a few fists flying could never dampen the warm feelings we have for each other. That’s what terrified parents watching expose’s on the terrors of the punk scene in the late 70’s and early 80’s never understood. A jumper on the roof of The Golden Nugget? Doesn’t matter. Sporadic loneliness and bad acid aside, It’s one of the few times a year when MOST attendees feel like they are a part of something bigger. Because under the spikes, tattoos and snarls are a group of individuals who are overflowing with sensitivity and love. They party hard. They fight hard. They dress hard and they look hard, despite the whiskey dick. For the past 18 years, Punk Rock Bowling has served the punk community during both boom and busts of the scene. When NuMetal was hammering the last nail in the coffin of the music industry, Punk Rock Bowling was being born and punks kept sticking to their
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