
Tag: featured

Nirvana Leads to Nothing… at the Regent
90’s alternative music is having an organic and overlooked revival that is making for some of the best rock and roll of this decade. Whether it be the post-grunge sounds of Culture Abuse or the hardcore infused shoegaze of Nothing, you should get into these bands before you miss the boat. related content: NOTHING Unhinge Echoplex Audience By Bending Sonic Waves Having just released an album and made the cover of Revolver magazine, Nothing is riding a wave at the moment with a cult-like following of hardcore kids that fell in love with gaze. This new album, “Dance on the Black Top” is for my money, the band’s best. You’d think that would make this Part Time Punks show at The Regent something magical to me but such wasn’t exactly the case. Nothing isn’t a bad live band, they’re just hit or miss. Hit or miss because something is missing. What great live music does, which is suspend your thinking mind and connect everyone by making them forget themselves, Nothing achieves this phenomenon better on record than in performance. It’s a big deal when Part Time Punks moves from the Echo or Echoplex to the Regent and opening up the

Take This: Win 2 Tickets to Cal Jam
You’ve got to be crazy not to want to attend Cal Jam. Foo Fighters are an incredible live band. Iggy Pop bringing back his Post Pop Depression set for one night only is a big deal. The duo known as Tenacious D will be present, setting the stage for an epic festival the likes of which the world has never seen before. All these bands and more will be at Cal Jam and you should be there too. If you’re too broke to buy a ticket, we understand. That’s why we’re giving away two general admission tickets to Cal Jam at Glen Helen Regional Park in San Bernardino. YOU CAN BUY TICKETS HERE OR. ENTER TO WIN 2 TICKETS TO CAL JAM OCTOBER 5th AND 6th AT GLEN HELEN REGIONAL PARK IN SAN BERNARDINO Step 1- Join Our Newsletter (look for pop up every time you arrive at jankysmooth.com) Step 2- Tag a Friend in the comment section of our Twitter, Instagram, or Facebook Cal Jam Giveaway Posts WINNER WILL BE WILL BE SELECTED ON MONDAY OCTOBER 1st AT 11AM PST VIA EMAIL CONFIRMATION

Riot Fest 2018: The Riot Still Rages
Words and Photos by: Meghan Breedlove This past weekend in Chicago, Riot Fest 2018 wrapped up their 13th year and Janky Smooth was there to capture some of the scenes from the weekend. Even though Riot Fest shared some devastating news regarding Blink 182’s cancellation (due to health issues) a few short days before the festival, Riot Fest was able to recover quickly by booking Weezer, Taking Back Sunday, and Run the Jewels. related content: How Riot Fest Chicago 2016 Survived The Misfits Subpar Performance Even with Blink 182’s absence, there was no shortage of their songs, with multiple Blink 182 covers sung over the weekend to honor the band, with both Weezer and Young the Giant covering “All the Small Things”. The festival layout was somewhat cozy, with five stages of proximity, a freak show, a variety of carnival rides, and of course pretty much any fried food your heart desired. Overall, Riot Fest 2018 was a major success despite some last minute lineup changes, so here is a recap of my adventure in Chicago this past weekend. related content: Jawbreaker At Riot Fest: The Moment I Stopped Hating Pop Punk Day 1 I first arrived at the festival

Rafael Reyes of Prayers Interview: On Fatherhood
With a baby on the way and a two shows in So-Cal announced, Prayers are back to spellbind audiences with their unique Cholo-goth music and movement. I got to ask singer, Rafael Reyes about fatherhood, new music, and more. RS: Now that you’re about to begin the journey of fatherhood, what values do you want to instill in your son? What things that you love do you look forward to introducing him to? RR: Like most parents, I hope our son will be a compassionate, respectful, patient and courageous individual – basically everything that my wife embodies. I look forward to introducing our son Leafar to Mother Nature, music and reading. RS: What do you hope your son will inherit from you and your side of the family? What do you hope he will inherit from Kat? RR: In all honesty, I’m aware I have my own set of issues I wouldn’t want to pass on to my son. But with that being said, I’ve learned a lot through my struggles, and I wanna be able to pass down some of my life experiences. Because of my upbringing, I learned from an early age how to take care of myself and my

Color Me Punk: Rubella Ballet Plays First L.A. Show Since 1985 at Echoplex
Rubella Ballet comes from a time when there weren’t as many boxes for you to cram bands into. There was punk, metal, and a few subgenres in between. They were associated with the anarcho movement, namely Crass, in England in the late 70’s and 80’s but musically, their albums show more diversity than any label could commit them to. Their songs and look represented the essence of anarchy. Rebellion, even against itself. When everyone wore black, they wore Day-Glo. When everyone played fast, short songs, they experimented with slower rhythms and more nuanced arrangements. Singer Zilla Minx and guitarist Sid Ation still know how to get weird. For all these young kids born after Rubella Ballet’s heyday, this was a show unlike anything they had ever seen. Rubella Ballet’s latest album, Danger of Death, brought them back to Los Angeles to play Part Time Punks at the Echoplex for the first time since 1985. Along with a few death rock, anarcho, and post punk bands, their combined effort made for a very special night of music. related content: Gene Loves Jezebel Play Immigrant In Its Entirety At Part Time Punks Gig Spain’s Fatamorgana was the first to take the stage. Made

Take This: Win 2 Tickets To Hercules and Love Affair at El Rey
I can smell a good party and Lethal Amounts always carries the scent. This occasion though is special because Hercules and Love Affair is performing. As a life-long leather bar DJ, Andy Butler knows exactly how to make any dance floor turn up. As a recording artist, he took dance music to new heights whether by putting electronic beats behind the vocals of Anohni or melding disco and techno. This cat has raised the entire game. Then with Lethal Amounts’ beautiful freak show behind the band, this will be an all-out rager to be remembered. Janky Smooth is proud to offer you a chance to party with Hercules and Love Affair for free by offering two tickets to the lucky winner of this contest. YOU CAN BUY TICKETS HERE OR. ENTER TO WIN 2 TICKETS TO HERCULES AND LOVE AFFAIR SEPTEMBER 26TH AT EL REY THEATRE Step 1- Join Our Newsletter (look for pop up every time you arrive at jankysmooth.com) Step 2- Tag a Friend in the comment section of our Twitter, Instagram, or Facebook Hercules and Love Affair Giveaway Posts WINNER WILL BE WILL BE SELECTED ON MONDAY SEPTEMBER 24TH AT 11AM PST VIA EMAIL CONFIRMATION

Nick Urata of DeVotchka Interview: Man on the Street
DeVotchka are hot off the heels of finishing their newest album This Night Falls Forever and touring. This interview with the band’s leader Nick Urata covers everything from film scores to World War 2. RC: At this stage in your career, you and the band have had several successful albums, created or have contributed to several fantastic film soundtracks, and have gained a high levels of regard within both indie and mainstream circles. Despite all of this though, you haven’t been put under the magnifying glass and can still live a more or less normal life doing what you love. In short, have you reached the happy medium of fame? And if so, is it as fulfilling as you hoped it would be? NU: Yes, I feel lucky in this regard. We’ve come to realize that the actual work, is the only thing that is fulfilling. The thrill of fanning a little spark of an idea into a giant fire is what really gets you out of bed. When you’re practicing in your room as a kid you want nothing more than to be famous, but the reality is quite complicated. In my case, I learned how to write from a

GØGGS a-go-go at the Teragram Ballroom
Is it C.F.M or Ty Segall, the Muggers, Freedom Band, Parliament? I don’t even think they know half the time. I think they show up to a venue, in this case it was The Teragram Ballroom and whoever gets the mic first decides which band is performing that night. related content: New Album Review: GØGGS is Damn Good Gravy On The Ty Segall Catalog There is one way to tell and that’s when Chris Shaw saunters over with that thousand yard stare. You know right away you’ve got GØGGS. Which is just enough time to make your peace with your teeth because the energy he infects the crowd with is fucking bonkers. It’s not often that you get a band that can be so intense but maintain the musicality they obviously work so hard on. They could easily just do the one band and call it a day. The branches of the tree of creativity that they come from stick out in so many unique ways. But they don’t let complacency tempt them into mediocrity and fans respond with pits that don’t neutralize after the first song, they keep their phones away because how could a cellphone ever capture what

Gary Numan Interview: Art in the Age of Savages
I was fortunate enough to submit the probing questions of past, present and current audiophiles to synthesizer pioneer Mr. Gary Numan by means of cyberspace. We discussed his 18th studio album Savage, the current global state of affairs and the unforeseeable future. related content: Millennial Matchmaking: Gary Numan & Ugly God At The Observatory AK: These days, synthesizers are as common as a guitars in a song. Being a pioneer of the computerized world, would you care to share your thoughts on the proliferation of synthesized music? GN: I think it adds a level of sonic interest to music to see them widely used. However, it would be a mistake to think that synthesizers are all there is to electronic music. On my albums synths account for some of the sounds but not all of them by any means. Much of it comes from recording all manner of noises from the environment and then manipulating them to make them work musically. It’s not really about synths, it’s about sound, noise, whatever you can find that makes an interesting addition to a song. AK: Tubeway Army was one of the first bands of your time to break away from what was

James Chance Interview: A New York Original
Following the Contortions’ stirring performance at Zebulon in Los Angeles Friday night, I had the honor to sit down with one of the most influential pioneers in experimental music: a saxophonist, keyboard player, songwriter and singer from New York City, Mr. James Chance. People may affiliate his music with the 1979 No New York compilation and other no wave acts, but Mr. Chance would vehemently protest and describe himself as an original before any other label. AK: You’ve had many different projects: The Contortions, The Flaming Demonics, James White and the Blacks and Teenage Jesus and the Jerks. What compelled you to revisit the Contortions in recent years, versus the others? JC: I took a break from the music business in the early ‘90s for a few years because there was just nothing happening. I got sick of the business aspect of it. When I came back, Henry Rollins started this reissue label and reissued all of this stuff from 1980, which made me decide which name I wanted to use and I just decided. I’ve been using James White and the Blacks throughout the 80s, so I decided to go back to the Contortions and I’ve been using that for 20 years,

The Sax Maniac Cometh: James Chance and the Contortions at Zebulon
Zebulon was the stage of choice for James Chance’s return to Los Angeles since his monumental last appearance at the Echoplex, his first show here in 34 years. Something about James is a magnet for young Los Angeles beats, punks, eccentrics, hipsters, and anyone down with it. So, for two nights, James took the Zebulon by storm, regaling us with tunes as diverse in age as the audience. related content: James Chance and the Contortions Play First Show In L.A. Since 1984 I try to make it out to any James Chance or No Wave performance in the area because unlike so many scenes that have come and gone, this small fixture of New York 70’s culture never lost its intrigue or cool. Combining nihilism, stream of consciousness poetry, black and white cinema, all into one off-kilter, jarring jazz-punk style, No Wave is the ultimate stand against musical orthodoxy. Anything goes because James says so, that was the mantra for this night of music. Traps PS opened up with some cool post punk vibes that wrung the audience out with plenty of dancing and sweaty rhythm. Reminding me of such greats as Gang of Four, Traps PS features perhaps Los

Prophets of Doom: Yob and Acid King at Teragram
In times of social decay, metalheads thirst for one specific strain of heavy music to level their peeking frustrations and fears simply by crushing them equal to all other feelings. Call it masochistic but with all the suffering in the world, being enveloped by riffs so heavy that your teeth tremble in your gums, actually treats the pain. So, give us heavy, crushing guitars. Give us slow riffs that stretch longer than life lines. Give us drums that crash like thunder in storms too thick to see through. Give us doom, impending, loud, and full of sorrow. Doom is the sonic version of the abyss we stare into and see our reflections in. No American doom band today is quite as powerful live as Yob. Not since Saint Vitus has this subgenre seen such soul within it. I take plenty of bands into account when I make this bold verdict and if you disagree then leave me with my opinions to a solitary death and purple satin upholstered casket. related content: Pallbearer & Gatecreeper Stop At Echoplex Reminds Us- Guitar Solos Matter Doom lyrics in reviews aside, Church of the 8th Day booked another monstrous show with Yob, Acid Bath,

