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1Fest-Los Angeles at Los Globos: Noise As Music As Force Is Farce

Rob Shepyer July 8, 2017

In my quest for mind expansion through live musical experience, I’ve been fortunate enough to write about festivals that I might not have cared to attend If I was just a casual music fan. This was the case for Berserktown, 8BitLA, and now 1Fest: Los Angeles. I’ve learned that taking a risk and just diving into a genre of music without prior knowledge usually only reaps joyful reward. Absorbing too much musical diversity has its drawbacks, though. The mind can expand so much that the brain might start pressing against the inside of the skull and adapt by developing a sort of exo-skeleton, a crust. Brain crust. related content: The Most Complete Sound And Fury 2017 Review On Earth Crust punk and Grindcore- Two genres birthed out of the aesthetics of British Anarchist punk OG’s Crass. Grindcore was first conceptualized by Napalm Death as half political dissidence and half musical farce, with songs that only lasted seconds and little care for actually singing the lyrics live. Grindcore, although as separate from mainstream heavy music as possible, is still thriving and alive because Grindcore is not simply a musical genre but a challenge. It is a challenge to any band to see

My 1st Show at The Echo With Old Pals & New: Surfbort & Feels

Jesse Fox March 18, 2017

As a photographer who primarily lives and works in the midwest, covering a show at The Echo was a bit of a check-off from my unofficial venue bucket list. Living in Ohio, you’re oftentimes passed over on tours (shocking, right?) So, upon finding out that not only would I be able to see my friends in Surfbort, but that I’d finally be able catch Feels all in one place, it made covering this show a highlight of my recent trip to Los Angeles. The difference in vibe in the lineup might be part of the reason that every other band that played, including headliners, The Molochs fell a little flat for me. Sorry guys. related content: Spending the Week w/ Feels Debut Album from Castle Face Records Surfbort: Innocent Punkers or Deranged Occultists? Brooklyn based four-piece Surfbort kicked off the night and the first show of their west coast tour. Despite being jet-lagged, singer Dani Miller’s energy was contagious as she interacted with both the crowd and her bandmates. Erratic dance moves and a giant smiley face mixed with her yelling and at times, laughing vocals, had me wondering if she was an innocent little punk just havin’ a little

Wand Secret Show at The Griffin w/ Dreamdecay

Danny Baraz March 9, 2017

It’s not that the shows over the last couple years at The Griffin are “secret shows”, per se. The Ty Segall and the Freedom Band gig a month ago before Segall’s latest album dropped, had a line stretching around the alley behind the Griffin with a couple hundred fans that didn’t make it in. I weep for those poor souls. But “Secret Show” sounds infinitely doper than “unpromoted show”. This past Monday it was Cory Hanson’s band Wand that ignored the most important rule and defining trait of a secret; Loose Lips Sink Ships and Snitches Get Stitches. What we got was perfectly populated place of Wand worship and an opening band that ditched the psych rock dogma to create a unique style; PsychCore. I know, I know- shoot me in the face if ever say that word again! The Religion of Rock n Roll and it’s Testimony at The Griffin Monday night’s at The Griffin are starting to resemble Sunday’s at church. Familiar faces amongst the congregants privy to the message being delivered in the sermon, captivated by the clergy and the message of rock and roll delivered to the flock who revere them. related content: Shannon and the

White Fang & No Parents Escape from L.A.

Janky Smooth Sessions: Beers, Buds & GnarBurgers w/ White Fang, No Parents

Danny Baraz October 14, 2016

White Fang, No Parents and the Birth Defects have embarked on a tour for one of the first lineups of L.A. based bands that has made sense to me in quite a long time. We’ve seen No Parents play with Mystic Braves, we’ve seen The Birth Defects play with Fuzz and while I like all of those bands, having them play together is like having Donald Trump and Martin Luther King follow each other in speaking engagement. My fellow Janksters, Paige, Travis and I went to kick it with the bands at GnarBurger as they made their pre tour preparations that included beef, beer and buds as they got ready to hit a nationwide tour in a caravan of sin and friendship. That brings us to the latest installment of Janky Smooth Sessions with White Fang, No Parents, The Birth Defects and friends hanging at GnarBurger before they shoved off on their Escape From L.A. tour. Sunday 16 October 2016 White Fang The Empty Bottle, Chicago, IL, US BUY TICKETS TRACK EVENT I’M GOING Monday 17 October 2016 White Fangwith No Parents The Majestic Café, Detroit, MI, US BUY TICKETS TRACK EVENT I’M GOING Tuesday 18 October 2016 White Fangwith No Parents The Basement, Columbus, OH,

New Album Review: GOGGS is Damn Good Gravy on The Ty Segall Catalog

Danny Baraz June 13, 2016

Ty Segall’s new project GØGGS doesn’t feel like a side project. GOGGS is being touted as “Ty’s new Punk Album” by many publicists and suits and probably just relayed simply that way by frontman, Chris Shaw in a non ambiguous and lyrical manner. And it’s punk. Not like Bad Brains or Black Flag punk but it’s punk rock like Fugazi and Parquet Courts; It dares you to put a label on what they do. When you attach the punk moniker to your music, authenticity is the single biggest pre requisite and that comes from the purity of your intentions with your music. GOGGS innovate in the increasingly nebulous punk rock genre by experimenting with and finding a unique and original guitar and production tone and organizing the bands thoughts into an appropriately confrontational demeanor. Charles Moothart went vintage effect pedal shopping and created something special. Sharp guitar tones with jagged, distorted edges and high mid range. It has an “early catalog Ty Segall” tonal vibe ala Melted and Twins but it’s more abrasive and percussive. It is the most prominent feature on this album and I say that in a good way. The bulbous bottom end bass guitar by committee, (Segall, Moothart,

Ty Segall And The Secret Show: A New Tradition in Los Angeles

Brent Smith June 1, 2016

I caught wind of the secret—and free—Ty Segall and the Muggers show at the Griffin from a Mikal Cronin tweet around 10pm. It turned out being a hushed triumph for the community, the local scene—now largely represented in the hip enclave of working class L.A. artists that arches across Los Feliz, Atwater Village, Eagle Rock, Highland Park, and Mt. Washington. Luckily I don’t live too far, otherwise I would’ve just as easily succumbed to the old Angeleno proverb of “I’m staying in tonight.” I’m glad I decided to go, it provided some much needed reenergizing, and highlighted our special moment of L.A. music history. Even L.A. Weekly (that old, tired whore of a culture rag) was sage enough (however contrived) to dub Segall “L.A.’s most prolific and enigmatic rock star”—which would put him in the running for such a tag worldwide—and he doesn’t need ticket sales to prove it. I showed up to the Griffin maybe 5 or 10 minutes late, tops, sauntering to the back of a line that was definitely sizeable for a Wednesday night, and the Muggers were already wellinto their set. This was my view for a good portion of it. As it turned out, never

Inter-Review With Charles Moothart on Eve of CFM Release

Brent Smith April 8, 2016

CFM – Still Life of Citrus and Slime: An Interview with Charles Moothart “He who makes a beast of himself gets rid of the pain of being a man.” -Samuel L. Johnson That famed opening axiom is no less true with CFM’s Still Life of Citrus and Slime, in which Charles Moothart goes full wolfman to transmit a bubbly, thick, and no doubt, arresting solo debut. For Moothart—the proper Lennon to Ty Segall’s McCartney—his new LP (In The Red Records) is an analog sigil for some gnarly soul searching. For the rest of us lucky bastards, it’s an incendiary trip of sour neon rock ‘n’ roll that, without it, immediately leaves your record collection wanting. It was more of a vision quest than an attempt to make a rock album. “There was no timetable to worry about,” he told me over the phone. “It was nice to go into a room and shut the door and forget about time and just let it happen as it needed to happen.” Moothart took a piecemeal approach, channeling sounds strung together spontaneously as he jumped from one instrument to the next; any scheming be damned. Though the album was composed as more extemporaneous

Burger Records and the Observatory: 5 Years of Fun in Orange County

Danny Baraz March 7, 2016

With Burger Records postponing their annual Burgerama festival, Sean and Lee have opted to honor their partnership with the Observatory in Orange County. For 5 years, Burger and The Observatory have conspired to bring the audiophiles of Orange County some of the best lineups in all of Southern California. To commemorate the milestone, Burger Records and their headquarters to showcase the bands on their label, The Observatory, have put together a show for every day this week that features some of the best talent in indie music today. This post will serve as a running update and review of shows that Janky Smooth attends. The headliners and supporting acts on the lineup aren’t just Burger bands but feature acts like Slowdive and Crystal Castles for one of their first live performances without iconic vocalist, Alice Glass. Angry Samoans headline the Wednesday, March 9th show and includes Orange County punk icon, Rikk Agnew along with Golden (shower) Boys of emerging pop punk, No Parents. The anniversary week kicks off tonight with a few bands that we’ve spent a lot of time covering over the past year; Shannon and the Clams, Death Valley Girls and The Gooch Palms and features Guantanamo Baywatch

Take This: OFF! at Alex’s Bar 16 Year Anniversary Ticket Giveaway

Danny Baraz January 20, 2016

When I think about the state of punk rock, it’s strange to consider that Keith Morris is still the one leading punks to the promised land. Even at 60 years old, Keith Morris really has one of the only legitimate, new HARDCORE punk bands in America. OFF! has all the elements of aggression, commentary and legitimacy that are required to achieve respect in a genre that eats it’s own. It must be a strange thing to be a living icon. That’s not something you can retire from. OFF! is playing a two night stint at one of our favorite punk rock bars in the country; Alex’s Bar in Long Beach. These dates serve as a celebration of Alex’s Bar’s 16 year anniversary. Both nights are chock full of impressive opening acts that range from established legends to legit, up and coming, next wave punks. On Friday, Jan 29th OFF! will be joined by young guns, Kim and the Created, Death Hymn Number 9 and yet another solid and viable Matt Caughthran project, The Drips. On Saturday, Jan 30th, OFF! is joined by legend Mike Watt and his Missingmen as well as a second consecutive night of The Drips and