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L.A.’s Best Festival is Sound and Fury (imo). Here’s Why:

Rob Shepyer July 19, 2018

There are many qualities that make Sound and Fury Los Angeles’ best festival. I will try to touch upon them all in this article and also review every band that played the festival and after shows. You will want to attend the festival after reading this and not because I’m novelizing the experience but rather, what actually takes place at Sound and Fury is so uniquely incredible that the only reason a fan of heavy music wouldn’t want to attend is because they don’t know the festival exists. So, consider this your introduction: Sound and Fury is a hardcore music festival that began in 2006 in Ventura, California. Hosting legendary sets by underground hardcore artists whether they be in warehouses or the back of a U-haul like for Trash Talk in 2009, the festival’s momentum kept growing and growing until moving to the Regent Theater in 2016 and 2017. In 2018, the festival had expanded to the point that it could upgrade to the Belasco Theater. related content: The Most Complete Sound And Fury 2017 Review On Earth Gathering bands from all around North America (and one from Finland) to perform on two stages in the Belasco or at various

The Janky Smooth Top 10 Shows of 2017 Rated by Contributors

Janky Smooth Central Command January 19, 2018

Above any album or single releases, CONCERTS had to be the best thing about music in 2017. It wasn’t necessarily the dissidence in the air but rather the acts that chose to play in Los Angeles, that made the year so good. Bands like James Chance and The Contortions made their fateful returns to our city after over twenty years of hiding on the East Coast. Audioslave reunited for the first time in ages and tragically ended up simultaneously playing their final show at the Teragram Ballroom. Every band in the Big 4 of Thrash was on tour in 2017. Lets also not forget that Iggy fucking Pop played four festivals and during every set he raged like it was 1987. The concerts were great and somehow the festivals only got better, FYF expanded this year to three days and got Frank Ocean to serenade us like only he can; Desert Daze had King Gizzard and the Lizard Wizard and Sleep absolutely kill it; and Sound and Fury raged with Trapped Under Ice and Turnstile headlining. I think 2018 will have an impossible time trying to beat 2017 but who knows, Yanni’s on tour. Janky Smooth has listed our best

Thee Oh Sees And The Practical Applications of Quantum Physics

Danny Baraz September 7, 2017

John Dwyer is a man living the dream- at least from the outside looking in. From that view he embodies a stereotypical but rarely achieved archetype of success as an independent artist. Every fledgling rocker that ever existed since Sid Vicious has sketched out a similar blueprint for themselves on how they would make the music they want, on their terms, on their own label, with an increasingly popular side project to keep themselves artistically satisfied THEIR way. Well, the latest Thee Oh Sees, or Oh Sees, or OCS release on Castle Face Records paired well with a concurrent release of Dwyer solo side project, Damaged Bug, creating a full bodied bouquet of screeching fuzz, juxtaposed with thunderous synth analogs for your ear holes. As is becoming tradition in these moments, Oh Sees played a gig at the Teragram Ballroom with the usual slate of opening acts that would make any headliner have to rise to the challenge of having to follow a band like Zig Zags, to get the double drummer dynamic chops in post season form as they embark on a headlining tour of clubs packed with the most rabid fans in independent music- John Dwyer, along with

FYF Fest 2017 Steals Coachella’s Throne As So-Cal’s Premiere Festival

Dave Unbuckled August 1, 2017

My bones are still rattling and recovering from Capn’ Jazz’s sold out set at The Echo Thursay night. So much so that I limp across the edges of Exposition Park, and marvel at the crowd as I walk into my first FYF fest. The festival has grown dramatically since it’s early days as a showcase for DIY and up and coming local punk acts in 2004. It’s so comfortably warm walking through the LA coliseum on the outskirts circling the festival that I skip my normal routine of stealing water bottles and go straight to the pit. Related Content: FYF Presents: The Glorious Return of Cap’n Jazz At The Echo In an impromptu pow wow we map out our weekend and get ready to go watch Badbadnotgood- a band I’ve been following since their second album BBNG2 began getting the well-deserved buzz it received nearly five years ago. The band has carved a niche identity as mainstays in these large festivals. The crowd sways through their set, flexing their youthful energy that will be gone by day’s end but for now the band invites special guest Denzel Curry onto the stage and finishes the set with people pogoing to Trap Jazz

Jonny Cat Cancer Benefit at Alex’s Bar: Punk Rock, Love & Compassion

Jonathan Reyes July 26, 2017

It’s hard making fun of something when that thing revolves around someone dying of cancer but all my friends know me to pick the lowest hanging fruit so here we go. I’ll present this as half review and half roast. “Didn’t this show already happen 15 years ago?” A fair point from the man in the band playing surf rock in animal masks in 2017. Another good point he made was why a bar would have a curtain behind the band. There was definitely a feeling like this was a fire that had been diminished but relit for a honorable cause: Trying to Save Jonny Cat from cancer. I wasn’t familiar with Jonny Harbin aka Jonny Cat but the effort being displayed by his loved ones made the night feel like paying for a PBR was a noble act. Jonny is based out of Portland’s music scene. His most notable band being Cyclops before starting Jonny Cat Records, putting out records of local PDX bands. Plenty of people do the same but from talking to his friends and learning about him, I believe he stands out in the crowd. RELATED CONTENT: IN THE RED RECORDS’ 25TH ANNIVERSARY PARTY: WEEKEND AT

Janky Smooth Sessions Interview w/ The Side Eyes

Danny Baraz July 12, 2017

When you see The Side Eyes live or just sit down and talk to them for a spell, it becomes clear pretty quickly that their genealogy and punk rock pedigree have little to do with the rate in which their star is rising- but it certainly doesn’t hurt them, either. related content: Beach Goth Blackout- Janky Smooth Sessions We caught up w/ the band after they opened for Redd Kross at The Echo in our latest Janky Smooth Sessions Interview w/ The Side Eyes. Astrid McDonald, Kevin & Chris Devine and newest addition, drummer Sam Mankinen (Melted) seem to be quite loving- a supportive band of punks in a genre built on cynicism and frustration. Punk rock being just like any other microcosm, we explore the ways in which the world has changed by noting the ways punk rock and it’s faithful approach “the scene” and subsequently, the world. related content: Steve McDonald Assembles All of His Family and Paid Gigs to Commemorate Teen Babes from Monsanto We discuss what having Charlotte Caffey as your mom, Jeff McDonald as your dad and Steve McDonald playing in Melvins, OFF! and Redd Kross as your uncle does to a kid’s sense

The Most Complete Sound And Fury 2017 Review On Earth

Rob Shepyer June 26, 2017

Sound and Fury Festival is one big happy hardcore family and like any family, we like to fight but it’s only out of love. Artists and fans traveled from far and wide, from inside the USA and beyond, to join together and form an unbreakable bond for four days around hardcore music. The unity we shared was stronger than any of the things that divide people outside this scene’s little bubble. We might seem crazed for jumping off stages and swinging our fists and slamming our bodies into one another but the world-at-large can learn a thing or two from us. We can be the example-setters for brotherhood and sisterhood. When I call Sound and Fury a family, I mean the artists and the audience alike. That title is earned by the festival’s participants with three key factors: 1. Artists, usually ones under the same record label, will play in other bands throughout the whole festival. So, you’ll see Todd Jones and the festival’s organizer Martin, playing guitars with Terror; or you’ll see Brendan Yates playing guitar with Angel Du$t; or Taylor Young from Nails drumming for Criminal Instinct or playing guitar for Eyes of the Lord. Then you’ll also

The Secret Journal Of A Pizza Spy at Coachella 2017

Dave Unbuckled May 10, 2017

Thursday Thoughts On The Night Before Weekend 2 of Coachella 2017 Starts The drive to Indio from LAX was supposed to take three hours & forty seven minutes, but it would be a lot longer than that before we would be out of the car and setting up our tent. We made the conscious decision to depart at 2 pm, in avoidance of desert traffic, as well as the Thursday night Coachella rush. We actually made it to the festival check-in as sun down was finishing, despite the longest stretch of time I have ever spent in a WalMart, in which no expense was spared. After all, we were planning on working at a Pizza Tent for the majority of the weekend and were assuming to soon be handing out dollar bills like Ted Dibiasse. When we finally breached the city limits of Indio, after passing multiple billboards advertising Linkin Park’s new ‘album’ and ‘Gaymoji’, which is exactly what you think it is, we realized we were trailed by a cop all the way to the festival entrance. The presence of added desert police officers was apparent throughout the weekend- especially when we arrived to security several hours later. We

When We Were Young Festival’s Most Dominant Demographic: Mine

Janky Smooth Central Command April 19, 2017

When We Were Young- We Became Experts at Sneaking In & Cutting Lines I was still hungover from Choking Victim’s secret set in Long Beach at Freebirds Salon twelve hours before, and already running forty minutes late to the festival, when I remembered that I needed to stop at Target and pick up sunscreen and vitamin C. These are the indicators I observe as I age year to year. Chalk it up to experience but the last thing I wanted was to be sun burned and hungover for day two of a very long weekend. My urgency for arrival was based solely on watching The Getup Kids play the soundtrack to my early adolescence and I was not going to let the naivety of Orange County’s ‘Surf Goth’ youth hold me up. I waited in the main entrance line for the When We Were Young festival and watched cigarette packs get emptied out onto the wooden tables, and a barrage of drug paraphernalia get confiscated and disposed of while the newly minted team of hired security guards emptied pockets. It became apparent within minutes that I was going to have to find an alternative entry if I wanted to get in

James Chance and the Contortions Play First Show in L.A. Since 1984

Rob Shepyer March 23, 2017

James Chance and the Contortions Zig and Zag, Jig and Jump at The Echoplex This Past Sunday for Part Time Punks Gig Sometimes punks become so punk that you can’t even call them punks anymore. Sometimes punks become so punk that they turn punk into jazz. But before they dive head-first into crate-digging for Japanese pressings of Thelonious Monk records, they discover the bridge between the two genres: No Wave. Punk rock saxophone has always held a special place in my heart. Whether it be Steve Mackay playing on my favorite album, The Stooges’ Funhouse, or it be Derf Scratch pouting out “New York’s Alright if You Like Saxophones”, or if it be X-Ray Spex ripping through “Oh Bondage, Up Yours!” The Saxophone always seemed to me to be a superior phallus to the guitar that can make any punk sound peak into pure Dionysic release. Never has there been a better practitioner of punk rock saxophone than the man, Part Time Punks just wrangled to play The Echoplex. It only took 33 years but on Sunday March 19th, James Chance and the Contortions finally made it back to Los Angeles. I had been waiting and hoping for years that this would