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Burgerama 4: Burger Food Poisoning

Almost every place in the world now breeds the type of angsty teens that pick up guitars to butcher some out of tune power chords. What is it about Orange County, California that continuously, for the last three generations in a row, forms and re forms these amazing scenes that surround dozens of good local bands? Many bands that eventually rise to international fame or at least, notoriety.  Decade after decade the youth of Orange County reject the status quo, vandalize their strip malls, piss in their pools and rock the fuck out. Once the music industry crashed and burned, you would think that those kick-pedal-carrying kids would remain in anonymity in the solitude of their own bedrooms, never to move out of their parents homes.  Rising from the smoke and the ash of a music industry unwilling to adapt to the digital age comes Burger Records bearing, of all things, cassette tapes.  They are here to service this generations’ insatiable thirst for angst, sex and adolescence. Burger Records was formed in 2007 by Sean Bohrman and Lee Rickard.  They allowed all their artists to retain complete control of their works and primarily, all of their releases have been on cassette. 

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King Tuff

King Tuff and fam- Burger-raucous at the Constellation room

The Observatory has become a sanctuary for Orange County’s Burger youth, being the proud host of almost every artist to grace the Burger Records label. It’s Constellation Room offers the musty, humid, sardine can ambiance synonymous with garage punk, making it the perfect place to catch a lineup like King Tuff, White Fang and Feels. As expected, the room was packed before Feels had a chance to open the bill. A sweaty mix of septum piercings, Doc Martins and kids straight off the Zephyr skate team invaded the dance floor as the walls were lined with the older crowd. I was especially excited to see Feels. They’ve changed a lot over the last year, altering everything from their name and lineup to their sound and it has been for the better, on all counts.  They’ve figured out a way to be melodic yet rough as well as musically talented but raw. Laena’s voice is downright beautiful and she performs with so much elegance. She has a Bowie-esque grace on stage which she is able to compliment with some pretty filthy guitar work. When her and guitarist Shannon Lay trade off vocals during songs expect goosebumps. The new addition to the

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together Pangea

Burgerama 4 Announcement Party with together Pangea, No Parents and Others.

Five dollars made all the kids holler last night in the Constellation Room at The Observatory. Burger Records threw a show last night with bands White Night, Unkle Funkle & Free Weed, No Parents, and Together Pangea. This show was a Burgerama 4 line up release party even though the Burgerama line up had actually leaked to the internet before any one at the show actually knew who was playing. They actually never told us what the line up was.  You had to be paying attention to the music the DJ was playing to get the list of bands. Pretty fuckin clever if you ask me. Here is the amazing lineup for Burgerama 4 taking place March 28th and 29th at, of course, The Observatory in Santa Ana.  Tickets go on sale this Friday, 12/12/14 at 10am and you can purchase them here. Oh boy oh boy oh boy. The opening band White Night played mid speed thrashers. The first couple songs hand the crowd second guessing White Night. I decided to stand in the empty pit and grab a few photos.  That was my first mistake of the night. The children of the corn, as I like to call

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Ty Segall and Freedom Band

The Ultimate Residency: Ty Segall & Freedom Band at Teragram

The second night of Ty Segall‘s MASSIVE 10 week residency at The Teragram Ballroom was a perfect juxtaposition of the now classic, simple songwriting and garage riffs of 2010 paired with the refined and experimental material of a maturing artist. related content: Ty Segall & The Freedom Band Blows Minds At Secret Show At The Griffin Backed by an ensemble of familiar LA musicians performing as The Freedom Band, Ty and Co. set the evening in motion with a blazing rendition of the entirety of the recently released album First Taste. The Freedom Band (consisting of Mikal Cronin, Charles Moothart, Emmet Kelley, and Shannon Lay [perfectly adding six strings to the press-buzz generating “guitarless album”]) cast new light on an already new release by significantly boosting the energy of every single track. A swelling electric rendition of the a capella Ice Plant, now complete with percussion and strings, stands out as a highlight of the evening and a prime example of the power of live performance. Feeding upon the excitement of the audience and playing harder or with more feeling is the cycle that makes it more than just “songs from the album, but live.” It’s the entire purpose of seeing music in person and

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The Flytraps

Street Sass: The Flytraps at Harvelle’s

Despite the number of years they’ve been around in the L.A. club world, the Flytraps is still a band name that more people in the scene have heard than have actually seen play live. Fortunately for the scene, that’s a situation that is rapidly changing. Seemingly making up for lost time, the last twelve months have seen an onslaught of indie releases by the Flytraps including their latest Burger Records cassette release Bitches in Boots, the debut of which was celebrated at Harvelle’s Long Beach cocktail bar. related content: Crusty Anthems And Salty Sing-Alongs: The Distillers Return To Orange County It seems difficult to fathom now that bassist Kristin Cooper wasn’t always the main singer and front woman of the Flytraps but since the days since guitarist Marz Riesterer left the group (aptly replaced by stylish rhythm guitarist Chloe Z. Young), Kristin has developed a compelling aura of confidence and punk rock sangfroid that seems to draw their fans in. Whether she’s wildly mosh cheer leading the opening punk acts Skullcrack, Pink Mist and new Long Beach band The Tangents or strutting it up on stage with the Flytraps, Kristin Cooper is a one woman punk rock bacchanal. As she towered

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Le Shok

Voluntary Electrocution: Le Shok at Alex’s Bar

Le Shok has sent shock waves along the California coast since playing a secret show at Zebulon, performing at their official reunion at Burger Boogaloo and most recently, with a home town show at Alex’s Bar in Long Beach last Friday. The show was announced in conjunction with the “We Are Electrocution” group art show at 4th Street Vine, as well as a Burger Records repressing of their seminal album. With an all-star support line-up of local favorites such as Terminal A, The Tissues, and Assquatch, it’s no wonder many fans, myself included, were left scrambling on social media event threads trying to get our grubby hands on a ticket after the show sold out in a cool 4 hours. Promises of blow jobs and death threats for tickets littered the event page in the days leading up to the show, proving the loyalty and lengths people were willing to go to relive the punk nostalgia of nearly 2 decades past. For all of you that were fortunate enough to cop a ticket, enjoy relieving the joy and insanity of the night and if you are one of the sad fucks that didn’t make it in (like I almost was), here are some photos of

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The Lemon Twigs

The Lemon Twigs At Teragram: A Tale Of Two Brothers

Looking for parking in Los Angeles is something you spend a lot of time doing. I was on my way to see The Lemon Twigs and glad I had left early. As I cruised the streets looking for a spot to put my car, I ended up in my teenage neighborhood. Fitting, as the band I was about to see just graduated from high school. Lucas and Maryland was a pretty rough area back in the day but now was starting to look more like Los Feliz twenty five years ago, with it’s own nightlife strip just three blocks South on Wilshire. The outstanding difference between my teenage years and the ones the Lemon Twigs have led is that my friends and I spent most of our time drinking and talking about what we wanted to do, the Lemon Twigs have simply done it. The Lemon Twigs are that band who should not be where they are at their age. The first time you hear their music you think, ‘Yeah but who’s really writing these songs? Who’s really playing them? There is no way this could be the work of a seventeen and nineteen year old,’ but it is. They

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Thee MVPs

Video Premiere: Thee MVPs “US Airways” Exclusively at Janky Smooth

Thee MVPs have toured coast to coast, stopping off at SXSW to play with Janky garage favorites like Meatbodies, Dead Meadow, and Night Beats. Director Max Horn, whose worked previously with Frank Carter And The Rattlesnakes, was able to capture the kinetic intensity of Thee MVPs being their most vivid and wild selves in this video premiere of the track “US Airways” from the short film Receiver. Check it out… Recorded across the pond in a big room at Brighton Electric studios, Thee MVPs tear the house down with this jammer that they usually bust out to close sets with, sometimes taking the song to a frenzied 12 minute session live. For fans of King Gizzard and The Lizard Wizard and Thee Oh Sees, Thee MVPs play garage and psych rock from an English lens that may resemble the same transformation of the blues through bands like the Rolling Stones or Led Zeppelin. So give this groovy video a peep and make sure to keep your eyes open for Receiver which will be released October 13th on Greenway and as a tape through Burger Records. Cheers!

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Iggy Pop by Travis Moore

Punk Rock Bowling 2017: You Can’t Be What You Were…

Looking out into the sea of people in the expanses that sprawl out from the upgraded festival stage at Punk Rock Bowling’s virgin location in the booming district of Downtown Las Vegas was a seismic life experience. Not just because of how fucking rad Punk Rock Bowling was this year but because all the events of the weekend set to the music of the festival served as a soundtrack to life’s highlight reel in my head. A series of events culminated into the bitter-sweetest regression of lonerism one could ever celebrate, as I stood alone, backstage, watching The Adicts play the best set I’d ever seen from them. Being 2 months out of knee surgery, that familiar human turbine engine of 7,k people dancing and swirling in front of the stage like a pack of bats taking flight at sun down or a school of fish changing direction in unison was unfamiliar from this vantage point- I’ve always preferred being IN the engine instead of being a spectator. Because when you’re in the pit, you’re dealing directly with any physical manifestation of frustration or anger that might have built up through the grind of life and you aren’t really thinking

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Redd Kross at The Echo

Redd Kross & The Side Eyes: A Great Case For Nepotism at The Echo

It was a packed house last Tuesday night at The Echo, as Redd Kross played the last show of a month long tour in their home base of Los Angeles, CA. They have been traveling the nation on their “Beneath the Valley of the Teen Babes of Monsanto” tour. related content: Redd Kross, Melvins & OFF! Commemorate Teen Babes From Monsanto Before Red Kross took the stage, the audience was treated to the high-energy tunes of local band The Side Eyes. They have been gaining much popularity with their punk sound that is somehow peppy and aggressive, catchy and beefy, all at the same time. They drew their own crowd of enthusiastic fans who were rocking out and showing the band tons of support. The band features lead singer, Astrid McDonald- a beautifully fierce front woman with dynamic vocals and an imposing stage presence. If you have yet to hear them, you’re missing out on something special. After powering through an upbeat set, they ended with “Don’t Talk to Me,” a cover from Astrid’s mother and Go-Go’s bassist, Charlotte Caffey’s OTHER band, the Eyes and the subject of a split single with her dad Jeff McDonald’s band, Redd Kross, released by In The Red

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