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Dick Dale at Casa Escobar shot by Daniel Garcia

Dick Dale: The Last Stand of The First Guitar Hero

“Don’t get me TOO excited”. That was the warning from 78 year old Dick Dale as he scanned the highly vocal, sold out audience with a surprised and maybe a bit of a worried look on his face. I was just as shocked as he was. For once, I wasn’t the “old guy in the club” and almost 45 minutes passed until I remembered to suck my gut in. On Saturday, September 19th 2015, Dick Dale played a gig in Malibu just steps away from Surfrider beach at Casa Escobar, formerly The Malibu Inn. The King of Surf Guitar (I was informed by his wife Lana that he doesn’t dig that title) is failing in health but not in the exceptional gift that was bestowed upon him at birth. That gift is the only thing standing between himself and death. Literally. After the show, I realized that simply writing a show review would be trivial in light of the fact that almost all the pages have been turned in the book of his life.  If you’ve always wanted to see Dick Dale then don’t delay too much longer.  He is still very active in playing shows. With the heavy responsibility

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Theo, David and Ben shot by Julien Kelly

Meet The Cinematic Wizards Taking Music Videos By Storm

I met Theo Cohn, David Gantz and Ben Mullen, at their house in West Adams, Los Angeles, a few days before the release of their most recent music video. Before the interview even began, I caught the boys discussing the release party for their new video, ‘Norma and Jessica’, for LA surf-punk aficionados, SadGirl. They had been in the office for all of five minutes, and already they’d slipped into work mode, discussing technicalities with sound and video projection, as well as how much beer would be needed to placate the crowd. It was a testament to the trio’s work ethic, which throughout the interview, grew to a daunting point where you could begin to understand the difference between crafting a good music video and crafting a great music video. To first understand the boys though, and where there magic comes from, you have to understand what they commonly refer to as “The Nest”. The Nest, located right down the road from USC, is the house where the trio work, party, eat, and sleep. Out the back, there are three garages. Two of them have been converted into a DIY performance/rehearsal/storage space for Theo and David’s band, Wild Wing, while

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Video Recap: Janky Smooth at Riot Fest Chicago 2015

Janky Smooth was reppin hard at Riot Fest Chicago 2015. With a team of people stumbling around Douglas Park, it might’ve been the first time belligerence and gratitude were able to co-exist within a group of salty, jaded individuals. We caught up with a number of bands and artists and asked them some stupid questions which made it clear how unprepared and mildly intoxicated we were. Check out our full review and photo gallery of Riot Fest Chicago 2015 Riot Fest Chicago 2015 also reminded us how much fun festivals can be when you aren’t incarcerated in beer prisons called beer gardens. It seems the state of Illinois isn’t as concerned as California and specifically, the city of Los Angeles with underage drinking. Therefore, it was refreshing for the adults to be treated like adults. I almost forgot what it was like not to have to schedule time to drink a beer in a designated drinking area, just so they can MAYBE avoid some teenager getting drunk at the festival. After all, it’s MUCH better for those kids who are going to party, one way or another, to buy illicit drugs off a complete stranger, rather than getting their grubby

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Kate Nash wailing at Burger-a-go-go

Burger-a-go-go 2015: Feminism in Rock reviewed by “Some Guy”

Rock music has been a catalyst for social and political change since it’s inception. It’s not just three chords and a back beat. It’s poetry. It’s a manifesto and it not only serves as an individual expression but has also served as commentary for entire generations, as only great art can. The revered blues and country origins of rock music broke race barriers in popular music but it was largely a boys club until Janis Joplin completely upended not only the gender roles in rock but rock and roll itself. In the decades that followed, women have been responsible for some of the biggest leaps in rock and roll and it’s continuing evolution. Joplin, Grace Slick, Heart, Patti Smith, Suzi Quatro, Joan Jett, Chrissie Hynde and Debbie Harry. Those women traveled a road which at the time was bumpy, rocky, sexist and fueled by testosterone. I was careful not to wear my G.G. Allin shirt to this event and I am going to attempt to stay away from too much “Commentary on Feminism, written by ‘some dumb guy’” in this review.  Let’s just say that, for all intents and purposes, this tumultuous road for women in rock has led us

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Death Grips Break Up Letter

I’m In An Abusive Relationship With Death Grips

By Danny Baraz Death Grips are like that beautiful woman that won’t fuck you. The more she says no, the more you want her. At some point, (if you have any self respect at all), you must decide you can’t love a girl who won’t love you back. You stop texting her. You stop calling her. You stop liking all her posts on IG. When that happens, she has to decide how she really feels about you and lay all games aside. This is a defining moment in the relationship between two people. I personally prefer crazy women but not too crazy- intellectual, complicated and unpredictable women who aren’t like anyone else. Those also happen to be my criteria for musicians and artists. Death Grips were the perfect girl. I had never met anyone like her. Her relationship with the world was almost satirical. Over the years, I have watched her stand other guys up with bemusement and curiosity. I have seen her defy her bosses at work. I have seen her “give away the milk for free”. I have seen her thumb her nose at fame. Sure, she seemed crazier than most but I’m not the trophy wife type.

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No Parents pose at Echo Park Rising by Taylor Wong

Echo Park Rising 2015: Rising and Rising and Rising…

In it’s 5th year, Echo Park Rising has become a barometer of culture in Eastern Los Angeles. 20 years ago, the music scene in L.A. was way further west on Sunset Blvd on the Sunset Strip in West Hollywood.  Most of the music lovers that attended Echo Park Rising 2015 this past weekend wouldn’t have felt safe crossing the street in this part of L.A. 20 years ago.  20 years ago, the club now called The Satellite was purchased by a man named Mitchell Frank (and partners) and transformed from a gay disco called Dreams of L.A. and rebranded into an alternative music club they named, Dreams and Spaceland. That one event proved to be one of the most important events in the history and future of the city of Los Angeles. That one event was a catalyst to the complete transformation of everything between Los Feliz to Downtown L.A. Significant events like the building of Staples Center in 1998 and the collapse of the music industry at the turn of the century contributed to the transformation but Mitchell Frank might just go down as one of the most important figures of modern history in L.A.  There aren’t many examples of gentrification

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Thee Oh Sees at Berserktown II by David Evanko

Berserktown II: Music Fringe Binge at The Observatory

Last year at around this same time, the first annual Berserktown Festival was in the midst of a filthy, sweaty, hardcore but successful mess at club Los Globos in the Silverlake district of Los Angeles. A harder edged alternative to Echo Park Rising, Berserktown was successful enough for a sequel this year. With ambition in his heart and dollar signs in his eyes, Church on York captain, Graeme Flegenheimer decided to take some risks in an attempt to expand and grow his vision. The result was one of the most interesting festival lineups I have seen in quite some time. It was a buffet of musical delicacies and rarities such as Dead Moon, Royal Trux, Lust for Youth, No Hope for the Kids, Destruction Unit and Total fucking Control. When it was announced that the second annual Berserktown would be held at The Observatory in Orange County I thought to myself, this could either be genius or it could be a disaster- like a football coach deciding to go for it on 4th and inches, late in the game, backed up deep in their end zone. The Church on York venture has been disturbing the music scene’s status quo in

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Runaway Fest 2015 at Los Globos

Runaway Festival Rewind and Music Video w/ Death Hymn Number 9

Left in the wake and aftermath of the first installment of the Runaway Festival at Los Globos is a slue of sound and imagery.  While it would’ve been impossible to capture the entire vibe of the festival, Sunshine Mind drummer and Janky Smooth’s very own, Travis Moore has put together this edit which features a live track of the Death Hymn Number 9 performance of their song “Swamp $”.  Subscribe to our YouTube Channel for more exclusive content. Cut together with performances by Retox, The Garden, Part Time and No Age, Death Hymn Number 9’s song “Swamp $” is the perfect, psychedelic soundtrack to capture the high energy of the Runaway Festival. Did you see yourself in the pit?  Did you see Kim House throwing elbows and spinning around the circle with glamorous aggression?  Our entire recap of the day features two reviews and an incredible photo gallery.  Are you in any of the photos? Full Review and Photo Gallery of Runaway Festival 2015

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Runaway Fest: Double Reviewed & Fiercely Photographed

Runaway Fest Review 1: Paige Vreede When I was 18 years old I thought I was cool drinking cheap vodka out of a plastic bottle at a friends house whose parents were out of town. However, the dudes at Danger Collective Records are actually the epitome of “cool kids.” This past weekend I faced a sad reality upon realizing I have now become “old as fuck,” among the new emerging music scene stemming from teenagers in Los Angeles. In collaboration with Michael Morin of &? Productions, Danger Collective hosted Runaway 2015. Even after being plagued with a last minute venue change at Los Globos, this group of High schoolers presented a show with over 35 acts including some of L.A.’s most impressive bands. Though I saw more “Xs’” on hands here than I would have at a vegan hardcore show; half a personal pizza and 17 shots of tequila later, I felt cool enough to hang with the kiddos. As I sat in a corner completely exhausted, I felt a very confrontational moment of “you look like a fucking chaperone” and realized, given the contagiously rousing environment, I needed to get my ass up. While there were many noteworthy acts

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Friday Night Shows in Los Angeles- Suck it Brooklyn

I jumped in my car and just started driving west. It was a weird week of muggy, rainy weather. The type of weather that simultaneously collects rain drops and sweat beads on the forehead. I drove by a man in a clown suit as I made a right onto the 10 freeway west off of La Cienega. Was I in L.A. or Florida? No matter how many bad neighborhoods they turn into good neighborhoods, Los Angeles will always let it’s freak flag fly on a Friday night. “I’m going to go for a quick skate in Venice then head over to Touch Vinyl. What time you going to be there?” “I’m getting there around 7pm and we go on at 9:15. Come check out French Vanilla, they’re rad.” “Cool dude, I’ll try and make it for that but I’m stoked that I’m finally going to get to see you guys live. Don’t suck, ok?” “Hahaha. We’ll try our best” I got off the phone with Travis, pulled my deck out of my trunk and skated over to the park. When my skate was over, I headed over to Touch Vinyl for their “June Untouched Music Series” presented by Dirty Laundry

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