Category: SHOWS

The Growlers Reclaim Castle Beach Goth and all is Right with the World Again

Rob Shepyer August 10, 2018

I love Beach Goth because The Growlers know how to book a festival better than anyone blessed enough to have their own festival. In the age of mixed bills, Beach Goth offers the total package every summer, with hip hop, hardcore, punk, metal, garage, goth, and everything in between. These artists then get presented on stages decorated like nothing you’ve ever seen, this year we celebrated “The Death of a Rat” on a stinky, burning garbage heap of a stage where bands and drag queens put on memorable and boundary pushing performances. related content: Beach Goth 4: The Party Of The Year Beach Goth had to scale back this year. Usually, the festival would be two days with headliners that you could opt to see instead of the Growlers each night. This was partly due to the ambition of last year’s festival. Last year was artistically a massive success, with the Geto Boys, Bad Brains, and even a Butthole Surfers reunion. It’s also important to mention that last year, the festival was called “The Growlers 6” because someone had the audacity to try and claim ownership of the name. Call it whatever you’d like, Growlers or Beach Goth, it was

Double Review Comin’ at You: Suicideyear at Zebulon and Pope at Bootleg

Aria Silva-Espinosa August 9, 2018

Summer is always the best time for live music, no matter where you live. Of course, Los Angeles is a premium stop for touring artists and even in the sweltering July heat, your favorite out-of-state artists will somehow find a way into your own backyard. Two shows in particular sparked my interest earlier this summer when I began filling out my calendar: Baton Rouge-based artist/producer Suicideyear at Zebulon followed by New Orleans indie sadboy outfit Pope at The Bootleg. Both artists embody two dramatically different genres of music but undoubtedly, this is a compare-and-contrast exercise in that both artists have become known as emotional music despite the vast divide between garage rock and electronic music. related content: Overcoming Fear With Fever Ray At The Palladium Suicideyear, the moniker of composer/producer/songwriter and occasional DJ James Prudhomme, has always been kind of a wildcard in live settings. When I was living in Louisiana, I once saw him play an entire festival set of early 2000’s pop and people were into it. I’ve also seen him play haunting industrial sets in dark rooms for a motionless audience. His independent projects are vastly under appreciated in comparison to the work he does in collaboration

Surfbort Shake-Up Dave’s Shit Show At Resident

Rob Shepyer August 8, 2018

Hot off the heels of a successful gallery opening and Zine release, iconic black and white rock photographer, Shit Show Dave, put on a Beach Goth after party at Resident that will not be soon forgotten. Shit… the show featured performances by Vaguess, Die Group, and Surfbort and the Resident was completely packed with rockers, groupies and all sorts of crazy fuckers, drinking, laughing and moshing hard. Costa Mesa’s Vaguess opened up the show with a sound that was undisputed garage punk and gets any human’s gears turning and heads banging. They provide an especially electric party feel that goes well with drinks, cigarettes, and whatever lubricant you need to get the job done. What job would that be you ask? Straight partying hard and punking out… ever heard of it!? Die Group were next, a band off Sex Tape records, they’re an OC and LA underground favorite. I had only heard good things about the band but none of their music until this point and having met the members, it was a pleasure to see them do what they do best. I was impressed and moved by their haunting and rhythmic garage rock. Their guitars are sonic and noisy, their

Dreams Do Come True: Adult Swim Presents The Pillows At The Mayan

Janky Smooth Central Command August 7, 2018

Our photographer, Dillon, had one of his dreams come true as Japanese rock icons, The Pillows, rolled through Los Angeles on a rare US tour presented by Adult Swim’s Toonami. If you don’t know The Pillows, then perhaps you know their great soundtrack work for Fooly Cooly (FLCL), one of Adult Swim’s most memorable anime programs. Also on the tour as support were Noodles and Cullen Omori. related content: Beast From The East: Sand At Toxic Toast Theatre Cullen Omori: Noodles: The Pillows: Photos by: Dillon Vaughn

Huntington Beach Gets Weird: The Weirdos at Gallagher’s Pub

Audrey Kemp August 1, 2018

The renowned Los Angeles punk band The Weirdos played Gallagher’s Pub in Huntington Beach on Saturday with the same tenacity as their first gig in the area 40 years ago at The Golden Bear.

Rebel Armz in the House: Immortal Technique at Marty’s on Newport

Jessica Moncrief July 31, 2018

Last weekend Hip Hop lovers rejoiced at the chance to catch Immortal Technique spit knowledge two nights in a row along alongside legends Mr.Choc and Chino XL at the ever so intimate setting of Marty’s On Newport . For those of us trying to make sense of the direction new “rap” is heading, catching the lyrical geniuses that made us fall in love with the genre is an essential role in keeping us from being jaded beyond repair. I’d like to think that trap is a fad for the kids and when it fades into obscurity (like so many other fads have over the decades) acts such as Immortal Technique, Beat Junkies, Pharcyde, KRS One will be the ones left standing the test of time. Maybe that is a fallacy, but I still maintain hope for the future of our youth. related content: Summertime In The LBC: This Is Your Dad’s Hip Hop Line-Ups like this are the defibrillation to the heartbeat that is keeping the true voice of hip hop alive. Immortal Technique and Chino XL speak with spiritual intelligence on unity, human intuition, brotherhood, respect for women and community without compromising their hard as fuck stature that has commanded

Beast from the East: Sand at Toxic Toast Theatre

Rob Shepyer July 30, 2018

There are the kinds of music nerds that collect the vinyl albums of their favorite bands and then there are the kinds that sift through the Japanese imports section looking for new favorites. Japan has always been one of the best countries to make hardcore music whether it be bands like Stalin or Loyal to the Grave or my favorite of the lot: Sand. Conceptually, Sand represents an original idea that transcends hardcore in that it makes you rethink the use of language in music. They’re a Japanese band that sings in broken English. They could just sing in Japanese but that would miss the point they’re aiming for. A foreigner might not know your language well but chances are the way he expresses it will bring new meaning to the words. Such is the case when Sand performs songs like “Poser” with unforgettable lyrics like these: Your lyrics sound like an ethics class book. A model father. Sundays in church. A Bible reading pig. I’m gonna puke. DIE! All sounds phony. What a fucking scam. Your lyrics sound like some kid slamming down cheap beers, bragging like he’s been through hell. Then through the filter of a thick Japanese

Anarchy’s Monarch: Scarlxrd at The Roxy

Rob Shepyer July 27, 2018

Arcing over the pond in a desperate fire bombing attack on American soil, the UK’s Scarlxrd landed at the Roxy Theatre to light Los Angeles up for his first American show. With only him and his DJ performing, it was almost like a showcase for us foreigners, to see what secret weapon the trap game had up its sleeves. Or, to use an even more ridiculous comparison, it was as if Goldenvoice used a cheat code to select the secret character on the menu screen and we were facing Noob Saibot for the evening. related content: Sleaford Mods Hit The Echoplex On Last Date Of First Ever U.S. Tour For those confused by my ramblings, Scarlxrd is a young, trap artist who’s sound and image have captured young people’s imagination and has garnered seals of approval from mainstream American taste-making institutions such as Noisy and Goldenvoice. What differentiates him from other artists in the game though, is the undisputed aggression and anger in his music which most trap artists only try to give the impression they can summon through their image. If trap and hardcore punk are on two opposite poles of a spectrum, Scarlxrd represents a point on that

OC’s Alright if you Like Saxophones: Psychedelic Furs and X at the Pacific Amphitheatre

Jessica Moncrief July 26, 2018

The Psychedelic Furs satisfied everyone’s nostalgia fix at The Pacific Amphitheater in Costa Mesa last Thursday with support from The Fixx and X. What may have seemed like an odd bill melded together perfectly, reminding us that in the 80’s New Wave kids and Punks were cut from the same cloth. Some concert goers that I spoke with throughout the evening held the opinion that The Fixx played the best set of the night and that is saying a lot considering the energy and talent that X and The Psychedelic Furs played with. Exene Cervenka, John Doe, Billy Zoom and D.J. Bonebrake were all in X-cellent form and garnered a reaction from the crowd that was fit for hometown heroes. related content: Burger Boogaloo 2017: The Ballad of John and Iggy They played all the hits like “Your Phones Off The Hook, But You’re Not”, “Los Angeles” and “Johnny Hit and Run Paulene”. Craig Packham of The Palominos joined in for a few songs playing acoustic guitar during “Dancing With Tears In My Eyes” and hopped on the drums while D.J. played the vibraphone for “Come Back To Me” and “I Must Not Think Bad Thoughts.” You don’t realize how familiar you are with The

A Handle of Jim Beam and a Joint: Weedeater at Union

Rob Shepyer July 21, 2018

Among the veterans of the stoner metal genre, Weedeater is the loudest, the stoniest, and the best. Often times the bands that come to mind when you say stoner metal are Sleep and Electric Wizard, I figure these people have never seen Weedeater live because once you do and headbang your neck off while every piece of your clothing vibrates and you nearly go deaf, you realize no band is heavier. After a Weedeater show, you won’t exclude them from any conversation about the power of live music. related content: Ascending The Holy Mountain: Sleep At The Fonda Theater The Carolinas aren’t heavily represented in metal but when they are, like in this case, they make such a huge splash that you immediately get a sense of the area. If the Carolinas feel like Weedeater, they’re a bold, down to earth, and toughened bunch. related content: Weedeater And The Obsessed At The Regent: Blaze It Up, Fool Dixie Dave, Weedeater’s iconic bassist and vocalist, is the perfect spokesperson for stoner rock. With the ability to drain a handle of Jim Beam and sip on cough syrup during his shows and only being enhanced by these substances, Dixie has develop super human

L.A.’s Best Festival is Sound and Fury (imo). Here’s Why:

Rob Shepyer July 19, 2018

There are many qualities that make Sound and Fury Los Angeles’ best festival. I will try to touch upon them all in this article and also review every band that played the festival and after shows. You will want to attend the festival after reading this and not because I’m novelizing the experience but rather, what actually takes place at Sound and Fury is so uniquely incredible that the only reason a fan of heavy music wouldn’t want to attend is because they don’t know the festival exists. So, consider this your introduction: Sound and Fury is a hardcore music festival that began in 2006 in Ventura, California. Hosting legendary sets by underground hardcore artists whether they be in warehouses or the back of a U-haul like for Trash Talk in 2009, the festival’s momentum kept growing and growing until moving to the Regent Theater in 2016 and 2017. In 2018, the festival had expanded to the point that it could upgrade to the Belasco Theater. related content: The Most Complete Sound And Fury 2017 Review On Earth Gathering bands from all around North America (and one from Finland) to perform on two stages in the Belasco or at various

Summertime in the LBC: This is Your Dad’s Hip Hop

Jonathan Reyes July 16, 2018

Most people read the first part then skim through for pictures of themselves so I want to say this before it gets ignored. The Game never took off his jacket in 100% heat and Ja Rule has those deep dick muscles. The second year of Long Beach-centric music festival Summertime In The LBC felt like it finally lived up to its namesake with the inclusion of the face of Long Beach hip-hop Snoop Dogg. Last year felt like NYC in the LBC with Wu-Tang and 50 Cent being the headliners but this year was like the west coast took back its territory, with that comes some great benefits like great weed everywhere but there was also a dude dressed like a cholo clown popping and locking around like tattoo flash come to life. related content: Summertime In The LBC: Love Letter To A City That Doesn’t Always Love Back Snoop Dogg performed Doggystyle in its entirety and as cool as it was to see its hard not to see its age. As fun as wondering when exactly the jack off hour is, when I listen “Ain’t No Fun” it makes me want to hug 93’ Snoop Dogg and tell him it’s ok to fall in love

Category: SHOWS

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