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Drab Majesty- Dais 15 Year Anniversary at Belasco

DAIS Records Celebrates 15 Years Of Seminal Releases At The Belasco

In the last 15 years, DAIS Records has had an output of quality music that should be the envy of any independent record label.  From alumni such as Psychic TV, Cold Cave, Youth Code and Pink Turns Blue to current artists such as Drab Majesty, Adult., Choir Boy and Riki– DAIS records is a veritable cornucopia of post punk, experimental music and a great soundtrack to any Samhain celebration.   On this night 2 of 2 of the anniversary celebration at The Belasco Theater in Downtown Los Angeles, it was the aforementioned list of current artists that headlined the night.  I missed almost everyone else including Death Bells, which I hate but was overcome with dark, sad vibes that made me happy with what I did witness. We missed Night 1 of 2 at Zebulon that featured VR Sex, Tempers, Cold Showers and more.  I missed a lot but we’ll fill you in on what we did see. related: DAIS Records 10 Year Anniversary Party: The Dark Fruits of Persistence Choir Boy- Honeysuckle sweetened notes wrung out of the body of Adam Klopp with each twist and ache; his muscles contracted and his stomach wrenched violently as glossolalia possessed the Choir

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Sunn O))) at The Lodge Room

Resonant Sound Baths: Sunn O))) at the Lodge Room

Having never heard SUNN O))) before, I had no idea what I was in for as I waited at the back door of the Lodge Room in Highland Park. I purposely didn’t look them up or listen to them. Sometimes I like going into a show totally blind and open to something new. And last night was something new, for sure. I’m either the worst person in the world to write about this, or the best. See, I thought I was going to see a metal show, a rock show, a show that fit into the box I had constructed that contains everything I thought I knew about a musical act. On stage the semi-circle of 10 stacks of amplifiers only spoke to it being loud but nothing else. Last night was a beautiful, profound, and absolute assault on the senses…. Almost spiritual in nature. When the first vibrations of deafening sound hit me I nearly panicked …I wanted to run, leave get out as quickly as I could … I closed my eyes and gave into the loudest droning guitars I had ever heard in my life It was an electronic exorcism performed by two cloaked figures wielding guitars

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Danzig Sings Elvis at The Montalban

Detention With Danzig at The Montalban

Still seething with bliss from the uproarious decadence of Danzig Sings Elvis at the Hollywood Roosevelt on Devil’s Night 2021, we set our ticket alarm and grabbed 4th row for our second chance at seeing the dark King of Rock n Roll. Another historic Hollywood theater, The Montalban was an odd choice but we, and a sold out crowd, were there for it. Parking was a breeze next door and we stepped over the teenage, junkie living in the stairwell of the structure and headed down to the theater. The marquee was set with several, larger-than-life, close-up portraits of Danzig á la Elvis headshots that served as photo ops out front of the theater and in the lobby, as there were several reminders of no photography or recording inside the theater (more on this later…much, much, more). The crowd poured in, many excited first-timers, a mix of black-leather punks, leopard-print rockabillies, and even a few, tired, parents with their children. Let’s be honest, this was a predominantly over 40 crowd…which made it all that more confusing as to why we were treated as though we were in trouble at a high school assembly. Between the emails, signs, and repeated loud

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Deafheaven at Psycho

Deafheaven at Lodge Room- A Perfect Marriage Of Time

Deafheaven astonishingly achieved fitting their enormous, atmospheric sound into the intimate setting of The Lodge Room for 2 sold out nights, hosting different lineups and playing different setlists for each of them. As heavy metal further evolves with its experimentation and hardcore punk is currently seeing a revival in its popularity, artists that were early to adopt this innovative nature, like Deafheaven, are now seeing the respect that they deserve for breaking ground within these movements. With the environment of Night 2 shifting from their classic black metal influenced material to the shoegaze and emo sounds of their newest album Infinite Granite, Deafheaven showcased the importance for legendary bands within modern heavy music scenes, to continue to explore and evolve as these genres do alongside them. While Deafheaven is known for bringing a massive and theatrical presence to the audience with their live performances, Spiritual Cramp creates a completely different atmosphere with their upbeat, groovy sound that inspires pogo dancing in all directions within any room that they play. Spiritual Cramp is one of the most distinctively unique bands to come out of the punk genre in recent years, having the spirit of classic ‘77 punk rather than the hardcore

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Inva//id at Bar Sinister

Janky Smooth Sessions: INVA//ID at Bar Sinister

    Goth, Industrial, EBM, Dark Wave, Post Punk, et al, born in the shadows, is having it’s moment in the sun- to the dismay of some of its denizens.  But to Industrial acts like INVA//ID, the spotlight is deserved and somewhat welcome.  After all, bands want people at their shows. On this Saturday night at Bar Sinister in Hollywood, there was no lack of patrons.  Janky Smooth got a chance to speak with Christopher Rivera and and Krz Greenhaw of INVA//ID about their music, the state of the scene and the sounds and places that have influenced them.   One of those influential places is Boardners/Bar Sinister and it’s constant presence in Los Angeles post punk and other scenes and genres cannot be understated.  So it was fitting that this was the setting for both the show and our interview. Keep an eye out for the next single from INVA//ID dropping on Feb. 14th with the full length expected in July 2023.   INVA//ID: Bandcamp Instagram Videographer: Chris Shaibi Video Editing and Words: Danny Baraz Photos: Jessica Moncrief 

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JANKY SMOOTH Top 10 ALBUMS of 2022 Rated by Contributors

It’s hard to fathom underground music survived, thrived and broke new boundaries only two years since the pandemic’s peak-year. In the heat of that fire, stuck at home, people suspected that the dire circumstances we were all living under would have some great inspiring effect on the artist community. At first, some might’ve mistakenly changed their minds, pessimistically losing all hope in artists returning to purer vision, but now, in 2022, we’re finally beginning to see the true fruits of this brave new artistic world. Some of our favorite artists like Adult., Spike Hellis,  Soul Glo, Wormrot and Boy Harsher all released work that evolved their sound, image, and identities in ways none could’ve predicted. Every year, Janky Smooth loves sharing our top-ten albums lists with our audience, 2022’s lists are especially bizarre for all you beautiful weirdos. Publisher, Danny Baraz Spike Hellis – Spike Hellis Deaf Club – Productive Disruption Soul Glo – Diaspora Problems Beach House – Once, Twice, Melody HEALTH – Disco 4:: Part II Ho99o9 – SKIN Kumo 99 – Body N. Will Candy – Heaven Is Here Adult. – Becoming Undone King Gizzard and the Lizard Wizard – Omnium Gatherum Editor, Robert Shepyer Wormrot –

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JANKY SMOOTH Top 10 SHOWS of 2022 Rated by Contributors

On this eve to Christmas Eve, we at Janky Smooth have done our due diligence in accounting the year’s most profound concert moments. Found herein is the top ten shows lists of our contributors. Give them a peep and let us know if you were there too! Publisher, Danny Baraz Bauhuas at Cruel World 2022 Gogol Bordello at the Belasco DAIS Records 15 year anniversary at The Belasco Substance LA at The Los Angeles Theatre Desert Daze 2022 Metz, Kowloon Walled City, Deaf Club at Teragram Ballroom HEALTH at 1720 Twin Tribes, Light Asylum, Spike Hellis at El Rey Lie Detector Weekend Adult. at The Lodge Room Editor, Rob Shepyer Gorillaz at Youtube Theatre Mercyful Fate at Psycho Las Vegas Nine Inch Nails at Primavera Sound LA Rixe at Lie Detector Weekend Meshuggah at The Hollywood Palladium Kraftwerk at the Shrine Auditorium W.A.S.P. at The Wiltern Danny Elfman at the Hollywood Bowl Molchat Doma at The Roxy Pavement at The Fonda Theatre Photographer, Albert Licano Rixe at Lie Detector Weekend Nick Cave & Warren Ellis at The Shrine Auditorium Electric Frankenstein at Alex’s Bar S.H.I.T. at Zebulon Spy at Manic Relapse Subhumans at The Sardine Mercyful Fate at Youtube Theatre

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Beach House at FYF 2016

Desert Daze 2022: 10 Years In The Evolution Of A Music Scene

Walking into Lake Perris Recreational Center took on new meanings this year after last year’s Desert Daze served to exorcize the ghosts of a global pandemic, to teach us that “Nothing that has happened so far has been anything we could control” and heal our mind, body and souls with drum soul-os. While 2021’s pared down Desert Daze was a cautious delight in a sea of dreck on earth, Desert Daze 2022 was a perfectly curated reckless abandon of people having sex in the lake again and breathing all over each other- in through the nose, out through the mouth. The headliners captured 10 years in the evolution of a music scene, the ascent of previously buzzworthy bands into icons celebrating a decade of seminal albums and a new wave of artists that might also one day celebrate the recently released albums they are currently touring on. For some people, Iggy Pop pulling out of the festival before he could impregnate us with music was a deal breaker but luckily, I received so much Iggy sperm the last 6 years that I was ready to bear my Beach House baby. related: Desert Daze 2021- Music, Magick and Medicine  2022 was

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Embracing ‘the blues’ with Crowjane’s Heather Galipo

While Heather Galipo is a musician in many now-legendary LA bands – including deathrock outfit Egrets on Ergot, no wave sensation Prissy Whip, and most recently, Cunts – she never planned to release her solo music. The songs she kept to herself were different. They comprised a sonic diary of sorts – a way of staying afloat when she was drowning in heartbreak. Known for her punk, noise and experimental music, she also felt that her fans wouldn’t understand her most personal project. “It hasn’t been that way, though,” she tells me. “And now I think it’s a cool practice to write whatever the heart wants. Sometimes that looks like an angry punk song. Sometimes that looks like indie, folk or blues.” Paul Roessler (of LA synthpunk band The Screamers) would eventually change her mind. During the pandemic, he encouraged her to turn years of work into a 10-track album on his label, Kitten Robot Records, at his studio of the same name. The album would be called Mater Dolorosa. Sorrowful Mother. Heather’s moniker, “Crowjane,” comes from an old blues song by Skip James. “There’s so much moody music in the world, but the blues is emotional,” she admits. “There’s

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The Chameleons Vox

8 Essential Artists of Substance Festival 2022

Substance is more than a festival. Substance is a showcase of the past, present and future of goth, post-punk and industrial music, bringing together the best artists and promoters in the greatest live music city in the world. There is no better place to get a sense of goth music today and tomorrow than at Substance. Every attendee gets a glimpse of the current musical landscape and leaves with stronger, more expansive goth sensibilities and knowledge. Sets that define and launch an artist’s trajectory happen at Substance. I will never forget Pixel Grip’s opening set in 2021 and since then, the band has become a major act inside the American goth underground. All these elements combined, make Substance an essential Los Angeles festival. If you think you know music, but don’t go to Substance, then you don’t know shit. It seems every year since the festival’s inception, Restless Nites collaborates with all of LA’s greatest goth minds to put on a festival that exceeds the expectations set by the previous installment. From Boy Harsher’s wild goth rave in 2019, to Geneva Jacuzzi’s future pop, to this year’s acquisition of legends, exotic imports and the next wave of brilliant goth acts,

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Nine Inch Nails at FYF

A Janky Guide to Primavera Sound LA

Now with set times for Primavera Sound LA live, the first thing one realizes upon seeing them is that this is going to be a laid back festival experience where it will be easy to see every band you want. There are a few conflicts present but that’s why we’re here to steer you in the right direction every time. This is your Janky Guide to Primavera Sound LA. Buy tickets here. Friday Both Divino Niño and Little Jesus are Latin imports worth coming to Primavera LA early for on Friday. If you like psychedelic music these two artists will expand your mind and taste. Divino Niño is on the trippier side, while Little Jesus is on the indie, emotional side. Both bands are great if you’re bringing a date to the fest. The first conflict of the day comes in the form of Jehnny Beth vs Tim Hecker at 3:30pm. Both of these artists push the boundaries of their own subcultures but because to us the point of Primavera Sound LA is to experience avant-garde and international music, we are going to firmly choose Tim Hecker but will probably end up loosely roaming between both. If you love ambient

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Talkin’ Limp Bizkit, Kevin Smith and Hardcore: Scowl Interview

Fresh off the heels of an iconic Sound and Fury set, we caught up with Scowl‘s rhythm section, drummer Cole Gilbert and bassist Bailey Lupo, on the night of their show opening for Destroy Boys at the Teragram Ballroom. Apart from an incredible set that night, they shared amazing insights on hardcore, touring with Limp Bizkit, and Kevin Smith movies. related content: Risks Make Better Memories Than Nostalgia: Sound And Fury 2022 Interview by: Danny Ryan So I saw your guys’ set at Sound and Fury Fest this last weekend… Cole and Bailey: Oh, hell yeah (at the same time) It was one of my favorite sets of the entire weekend. Cole: Dude, thank you! I knew it was going to be a lot of fun, but I just didn’t know it was going to be that wild. It was really fun, really cool. Especially being from California. It was like, damn, you all really like us huh? Bailey: It was an honor, growing up and going to Sound and Fury thinking “Man, it’d be crazy to play this someday”. I think the last Sound and Fury right before Covid, I don’t know if Scowl was quite a band yet

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