
Death Valley Girls Glow In The Dark At The Echo Record Release Party
There is something different emerging from the Los Angeles music scene. It’s not nice. Or sweet. Or candy-bar-bubble gum. Or a drunken teenage blackout filled with mild regret. And I like it. Death Valley Girls aren’t like your typical Burger Records band. You can’t simply attach the punk, psychedelic or garage rock label to them and be done with it. They aren’t your standard, soft balled psych rockers seeking some type of enlightenment through their experiments with hallucinogens. They are what happens when the acid turns and the faces around you become deranged and unfriendly; surrounded by deeply troubled individuals slipping further and further away from society with each hit of blotter. Death Valley Girls’ second album, “Glow in the Dark” summons the seventies more than it summons the summer of love. When America was in the midst of an identity crisis, amidst events such as the Nixon resignation, Patty Hearst and Jonestown. And even though the Manson murders occurred in 1969, the events surrounding the high profile slayings in the Hollywood Hills reverberated across the forthcoming decade and dispelled the image of hippies as harmless, peace loving druggies. Trust no one. But singer/songwriter Bonnie Bloomgarden insists that, “you can