Category: SHOWS

Deicide

The 1720th Circle of Hell: Deicide at 1720

When I was a kid, with my shopping relegated to either Hot Topic or Rockabilia.com/Infinity1, a Deicide shirt was a must in my mind. I think the only variable that went into my fashion sense was shock factor in those days and simply the name Deicide gave my private school faculty a rotten taste in their mouth. With the upside-down cross burned into his forehead far from faded, Glenn Benton stepped back onto hell on Earth, Los Angeles, to bring his legendary death metal band Deicide to 1720. related content: Photo Recap: Decibel Magazine Tour With Cannibal Corpse At The Fonda The moment I stepped into the venue, I realized metal shows at 1720 are something truly special. There’s a feel that other venues simply can’t imitate, something more street, crowded, concrete-feeling, underground than any of the other venues can conjure.  The first band I saw on this evening was Jungle Rot, a death metal band with loads of groove I had been dying to see for awhile. They were incredible, truly riveting and able to inspire every part of your body to get into a head-bang. They definitely met and exceeded my expectations. Origin, who I saw play with Morbid

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Johnny Marr

Photo Recap: Johnny Marr at Ford Theaters

Legendary Guitarist of the Smiths, virtuosic musician, and British alternative icon, Johnny Marr returned to Los Angeles for a show at Ford Theaters that featured plenty of Smiths tender classics and ambitious solo work. Marr proved once again that without him, The Smiths were really nothing.  Our photographer Pedro Carrera had this to say about the show: “I had no idea I had a void in my heart only Johnny Marr could fill, and the rock legend did just that on Tuesday night. What was suppose to be an intimate night turned into one of the most musically driven set lists imaginable….. Playing high bass driven songs like “easy money” to move the crowed to iconic songs that brought the fans to tears like there is a light that never goes out… just when you thought you just watched the best Marr concert ever, here comes out Billy Duffy from the cult and ripp a mean solo during how soon is now. Hands down one of my favorite and memorable concerts I’ve ever been too. I tip my hat to you mr. Marr.” Photos by: Pedro Carrera Johnny Marr

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Killing Joke

Photo Recap: Killing Joke at the Roxy

Legendary post-punk and later on, industrial metal icons, Killing Joke returned to Los Angeles for a show at the Roxy before performing at Punk Rock Bowling over the weekend. Only last year the band played Los Angeles for the first time in too many years and now, returning to a much smaller venue, this night was filled with intimate connection between band and audience that had four decades of music behind it. It’s because of concerts like this one that Los Angeles is the world’s best city for music. Opening for the band was Los Angeles’ punk rock outfit The Pink Slips that combine synth-pop with delicious punk and vintage rock and roll for a visceral and wild performance that will have you dancing from start to finish. related content: Magick Man: Killing Joke At The Regent Killing Jokes setlist Killing Joke The Pink Slips

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Take This: Win Two Tickets to Connan Mockasin at the Lodge Room

Connan Mockasin is one of Los Angeles’ most favorite musical mystics. Coming all the way from New Zealand, he is one of many dandys from down under making music that challenges the norm. He’s already sold out two shows with another on the way at the Lodge Room and so, it’s a fucking pleasure to be giving away two tickets to one of them. BE THERE OR BE SQUARE. YOU CAN BUY TICKETS HERE OR: ENTER TO WIN 2 TICKETS TO CONNAN MOCKASIN JUNE 6TH AT THE FONDA THEATRE Step 1- Join Our Newsletter (look for pop up every time you arrive at jankysmooth.com) Step 2 – Tag a Friend in the comment section of our INSTAGRAM, TWITTER, or FACEBOOK Connan Mockasin Ticket Giveaway Post WINNER WILL BE SELECTED ON JUNE 3RD AT 11AM PST VIA EMAIL CONFIRMATION  

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The Flytraps

Street Sass: The Flytraps at Harvelle’s

Despite the number of years they’ve been around in the L.A. club world, the Flytraps is still a band name that more people in the scene have heard than have actually seen play live. Fortunately for the scene, that’s a situation that is rapidly changing. Seemingly making up for lost time, the last twelve months have seen an onslaught of indie releases by the Flytraps including their latest Burger Records cassette release Bitches in Boots, the debut of which was celebrated at Harvelle’s Long Beach cocktail bar. related content: Crusty Anthems And Salty Sing-Alongs: The Distillers Return To Orange County It seems difficult to fathom now that bassist Kristin Cooper wasn’t always the main singer and front woman of the Flytraps but since the days since guitarist Marz Riesterer left the group (aptly replaced by stylish rhythm guitarist Chloe Z. Young), Kristin has developed a compelling aura of confidence and punk rock sangfroid that seems to draw their fans in. Whether she’s wildly mosh cheer leading the opening punk acts Skullcrack, Pink Mist and new Long Beach band The Tangents or strutting it up on stage with the Flytraps, Kristin Cooper is a one woman punk rock bacchanal. As she towered

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Blaze Bayley

Iron Eagle: Blaze Bayley at the Whisky

On an earlier evening in May, the Whisky-a-Go-Go buzzed with some of the most fiercely devoted fans I’ve ever seen at the venue. What appeared to be a modest following was actually a concentrated group of true die-hards ecstatic to catch a gig by the legendary vocalist, Blaze Bayley. Conversations overheard before the band took the stage all seemed to point toward a drunken consensus – the crowd was determined to take Blaze to the Rainbow after the gig and get completely wasted with him. Stories were told about past drives out of state and flights out of the country to witness his performances and spoken languages hinted how far many of those in attendance traveled for that very night (after all, these are Iron Maiden fans – a group that truly appreciates the value of a performance, and catching a set in a small club by the former singer of the group is no small event.) Eager chants of “BLAZE” grew to a venue wide roar the moment the man of the evening peered down at the crowd from atop the balcony and signaled the show was finally going to begin. related content: Satan’s First Born: Possessed At The Whisky

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Citizen

Take This: Win Two Tickets to Citizen & Knuckle Puck at the Fonda

Two of the best emo bands of this generation have combined forces into one stellar tour. Knuckle Puck and Citizen are coming to the Fonda to make you mosh, cry, and kiss, and we’ve got two tickets to give away to the show. BE THERE OR BE SQUARE. YOU CAN BUY TICKETS HERE OR: ENTER TO WIN 2 TICKETS TO KNUCKLE PUCK & CITIZEN MAY 31ST AT THE FONDA THEATRE Step 1- Join Our Newsletter (look for pop up everytime you arrive at jankysmooth.com) Step 2 – Tag a Friend in the comment section of our INSTAGRAM, TWITTER, or FACEBOOK Knuckle Puck/Citizen Ticket Giveaway Post WINNER WILL BE SELECTED ON MAY 27TH AT 11AM PST VIA EMAIL CONFIRMATION

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VR SEX

Outlaws of Goth: VR SEX “Human Traffic Jam” Record Release at Echoplex

The common misconception of goths is that they’re sad, poetic, and wear black. And though the second two descriptors might be dead on, there’s nothing sad about a band of outlaws, ransacking stages and breaking the post punk mold with undisputed attitude and badass style. Great things come in threes and VR SEX sure are great. Riding black horses, these three gents carry the Dais records flag for yet another incredible record, “Human Traffic Jam”, the release of which we celebrated at the Echoplex with a performance no one in attendance is ever going to forget. This was the last show I saw at Echoplex before the venue was sold to Live Nation, so one could make the case that where these ghostriders go, death follows. related content: Drab Majesty Return To Los Angeles After Taking Europe By Storm Opening the show was fellow Dais record-mate and one-woman noise conjurer, Pod Blotz who created digitized thunder that shook the Echoplex and made every heart in the audience beat faster and more anxiously. The mind wanders strange places as Pod Blotz displaces the air molecules around you with sonic stabs. Incorporating a long, winding metal sheet to make sounds machines simply

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Bouncing Souls

As Real as Punk Gets: Bouncing Souls and the Bronx at the Fonda

I have trouble thinking of a band that makes pop punk music as lasting and classic as the Bouncing Souls. Their three decades of real and romantic pop punk music, created by with the same four original members, has impacted multiple genres of punk from emo, to hardcore, to pop punk. The Bouncing Souls were always on the outskirts of the 90’s mall punk tsunami but all this time, they’ve kept a lasting, steady, and diehard following that has more devotion than the biggest bands could ever wish for. related content: Jawbreaker At Riot Fest: The Moment I Stopped Hating Pop Punk Hailing from New Brunswick, New Jersey, heritage has everything to do with the realness and low key vibe of the Bouncing Souls. Their lyrics always hit home to anyone who lives for good times with friends and hopeless romance. You can tell this band’s parents listened to Frankie Valli and the Four Seasons. It’s almost like if Billy Joel had a punk band. These maladies could get the drunks in any down and out piano dive bar to sing all the words. To celebrate their 30 years of making punk hearts float, Bouncing Souls took their Crucial Moments

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Amanda Palmer

This Stage Belongs to Amanda Palmer: There Will Be No Intermission at the Theatre at the Ace Hotel

What’s the longest set you’ve seen an artist perform? Once I saw the Cure play three hours. I hear the Dead used to keep going until they were just too high. Amanda Palmer took her There Will Be No Intermission tour to the Ace Hotel and kept that stage all to herself for four and a half hours. To have that kind of endurance or even enough to share, you have to consider the stage a second home of sorts, you also have to be well versed in more than music, in Amanda’s case she is a poet, storyteller, woman, mother, feminist, survivor, mime, and warrior, and we got every one of those during this show. related content: Gothic Interiors: Cold Cave At The Ace Hotel The sort of people that came out in droves and filled the legendary Theatre at the Ace Hotel for this performance were misfits of every stripe, color, gender, and age. The stories she regaled this diverse group of diehards ranged from various parts of her life that knit together a quilt of so many moments of her life threaded tightly together by the themes of womanhood and personhood. With four and a half hours to

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ionnalee

Space Roses: Ionnalee at the Fonda

Ionnalee is an international mystery, the scale of which parallels the mystery of the very cosmos in which she sings about and is clearly in sync with. It’s rare that pop music fans in America embrace a Swedish import as tightly and devoutly as they have with Jonna Lee but after seeing this futurist angel made of flesh and chrome perform live, the real mystery is how she  isn’t on the top of the charts with monuments of her erected of the moon. related content: Adult. Interview: Warriors For Weird Formerly performing under the moniker, Iamamiwhoami, Ionnalee’s synth pop is polished, sweeping, danceable, vogue-able, and communicates both in sound and lyric, ideas and feelings that make you realize your insignificance existing between space and time but also your transcendence above space and time as as a soul and stars made into flesh. Ionnalee shines with star power through her skin. She takes control of every stage, dancing without pause for over an hour with moves and artistry only she can execute. She only creates the visual component of her set, projections of space, black and white Richard Avedon-esque dramatic realist imagery, science fiction, all in starkly contrast shadows and highlights.

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Blink 182

Sand in my Sax: Back to the Beach Festival

I voluntarily didn’t arrive to Saturday’s show until minutes before Reel Big Fish took the stage at around 4:00, which gave me plenty of time around town to observe the legions of bat wielding ANTI-FA members, as well as the brigades of MAGA hat wearing Trump supporters, that had gathered at the Huntington Beach Pier. I still haven’t found out if this was some coincidence or planned meet up or perhaps if some Ska against Racism club just showed up early with bandanas and baseball bats to walk around town, before going to skank to their favorite band. Regardless, the crowd inside seemed arguably worse, and considerably goofier than I had anticipated, but I suppose this should be expected when three of the four festival headliners (Aquabats, Reel Big Fish and Goldfinger) were nineties-era ska bands who’s music was more prevalent in between Nickelodeon and Disney Channel shows than they were on Punk Comps. related content: Offspring In The Air: Sabroso Taco & Music Fest I shamefully grew up listening to Goldfinger, Reel Big Fish and Blink 182. They were my gateway drugs into the underground as I entered adolescence, and YES there was a time in the mid-nineties, outside of

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