Category: REVIEWS

Above any album or single releases, CONCERTS had to be the best thing about music in 2017. It wasn’t necessarily the dissidence in the air but rather the acts that chose to play in Los Angeles, that made the year so good. Bands like James Chance and The Contortions made their fateful returns to our city after over twenty years of hiding on the East Coast. Audioslave reunited for the first time in ages and tragically ended up simultaneously playing their final show at the Teragram Ballroom. Every band in the Big 4 of Thrash was on tour in 2017. Lets also not forget that Iggy fucking Pop played four festivals and during every set he raged like it was 1987. The concerts were great and somehow the festivals only got better, FYF expanded this year to three days and got Frank Ocean to serenade us like only he can; Desert Daze had King Gizzard and the Lizard Wizard and Sleep absolutely kill it; and Sound and Fury raged with Trapped Under Ice and Turnstile headlining. I think 2018 will have an impossible time trying to beat 2017 but who knows, Yanni’s on tour. Janky Smooth has listed our best

Low expectations for politics in 2017 made for high expectations in music and though this year saw revolution and protest turned into memes with albums like Eminen’s Revival, if you look closely, almost every genre had standout artists and a raising of the bar. Even hip hop, which was was dominated by trap artists like Post Malone hitting number 1 on Billboard, had more lyrical artists like Big K.R.I.T., Brockhampton, and Tyler, The Creator come out with career defining work. Metal saw old school bands like Obituary come out with incredible songs while newer ones like Power Trip, released their first true thrash anthem. Punk saw a similar phenomenon happen with Cocksparrer’s new joint and then Career Suicide’s. Even though Trump is our president and the Dodgers lost the World Series in game 7, music in Los Angeles, California in the year 2017 was exceptional, better than 2016. In 2017, the world of music realized it can weaponize quality just because it’s so damn good rather than try to convince us that musical weapons must be quality. This is not about albums or politics though, this is about SONGS. Five minutes of sound that capture the year, two minutes if you’re

Year end album reviews remind us at Janky Smooth why we’re so lucky to be covering the underground music scene in Los Angeles. Maybe, if there was no underground and all you could listen to was the chart toppers, then you wouldn’t even think there was anything special about 2017. What we have on our hands is actually a phenomenal year of music. King Gizzard and the Lizard Wizard released five albums in 2017… FIVE. King Krule transformed his career with The OOZ. And the direction of entire genres became more clear with releases by future heavyweights, like High-Functioning Flesh to industrial or Ho99o9 to hardcore punk… or is it the hard trap songs by the 999 we should be focusing on? Lets also not forget that Lil B, the Based God, finally blessed us with his much anticipated Black Ken. You can see music veering into more electronic and experimental directions both in the mainstream and underground spheres. Still though, the bands that use traditional instrumentation and vocals only seem to stay truer to their roots. Janky Smooth attempted to whittle down the best of 2017 down to ten albums and here are our expert opinions: TOP 10 ALBUMS OF