
Summon and Purge: Swans at the Lodge Room
Tasked to describe Swans to a friend and convince him to join me at this sold out Lodge Room show, I wasn’t able to pinpoint any genre to pigeonhole the band into an understandable phenomenon. With a little research, Swans is usually categorized as a noise rock band, but even that is reductive given the band doesn’t necessarily need to be loud or noisy to be themselves. What makes Swans sound like themselves is their urge to connect to the spirit world. This can be done with excessive volume or hair-raising whispers, or it can be done through mantra-like repetition which they often utilize, or as I witnessed firsthand at the Lodge Room, a band can connect with the spirit world simply by creating so much sustained musical chaos that every witness becomes completely spellbound by awe. To open the show, Swans steel guitar player, Kristof Hahn opened with moody ambient crooner tunes, the sort you might expect to accompany a David Lynch film or the slower side of an Orville Peck reverie. His voice was both sweet and seasoned, carrying the sort of pain that only comes with a life full of experiences both beautiful and tragic. Once Kristof