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Hip Hop Oasis: Day N Vegas 2019
Janky Smooth Central Command
November 12, 2019
Words by: Mario Chavez Photos by: Rodney Campos “In the desert you can remember your name cause there ain’t no one for to give you no pain…” “A Horse with No Name” by AMERICA was the soundtrack on repeat in the back of my mind as we made the trek towards the Las Vegas desert oasis, on our way to the rookie music festival, Day n Vegas. This was a first of its kind gathering on the northern part of the strip, where Hip Hop and R&B can live & breathe as one in one of the entertainment capitals of the world. related content: Rolling Loud SoCal 2017 Doses The Youth With The Latest Opiate Of The Masses Day 1 On its inaugural day, we entered knowing only that it was a Dreamville takeover line up, but all that was yet to be seen. Later, a long-awaited set by Lil Uzi Vert was about to commence. He began his set with his hit “XO Tour Life” and it was off to the races. In true Lil Uzi Vert fashion, he became a tangible part of the show, jumping in to the crowd while performing songs amongst his fans. The Philly
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Corn Dogs, Fashion, Puke, and Rap: Camp Flog Gnaw 2018
Rob Shepyer
November 13, 2018
Los Angeles’ fashionable youth came out in full force to see the hip hop lineup of the year at Dodger Stadium for Tyler, The Creator’s annual Camp Flog Gnaw. Call it a camp but it’s more of a concert carnival with every sort of fanfare and confection you’d find at a state fair. Slushees, corn dogs, donuts, topsy-turvy rides, every kind of fatty fair food, games, and even post-mates bicyclists to fetch you whatever your lazy ass desires. related content: Camp Flog Gnaw 2015: Beats, Beefs, And Building Your Brand Camp Flog Gnaw 2018 sold out in less than an hour and afterward, ticket prices skyrocketed into the thousands. With numerous millennials paying for their tickets off their rich parents’ dollar, there was something undeniably youthful and nihilistic about the crowd and how hard they’d party. On my way there, plenty of Ubers and Lyfts had to stop off the side of Vin Scully Avenue to let their passengers puke out the window. The puke didn’t end there, the various coasters people launched their bodies on only dispelled more wet, looney lung butter out their vulnerable gutty-wuts. Would the hype live up to the music, though? Was Camp Flog Gnaw
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Rolling Loud SoCal 2017 Doses the Youth with the Latest Opiate of the Masses
Rob Shepyer
December 23, 2017
Whether you follow and enjoy hip hop or not, you cannot live in 2017 without encountering the sounds of “Trap”, hip hop’s newest anarchist misfit offspring and perhaps its most polarizing subgenre. As a punk and metalhead my whole life, a year ago, I would’ve never predicted I would go to a festival like Rolling Loud SoCal 2017 but now, as a music critic, I don’t think I’d have a credible understanding of modern music without partaking in the spiked Trap kool-aid. Trap music began in the South, the word “Trap” referring to the physical location of a drug deal. Thus, rappers that had drug dealer alter egos became known as trap rappers. The sound’s origins are debatable but what is definite is that it came out of Atlanta, Georgia with ties to the Dungeon, a bare bones recording studio in a basement that has bred artists like Outkast and Future. T.I. claims he invented Trap, others can hear a definite link beginning with Gucci Mane. Then there’s other important proto-trap artists like Soulja Boy and Lil B. But it is perhaps Migos and Future that are the most stolen from artists, with Future creating what is now known as Mumble-rap with songs
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