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Drab Majesty

Dais Party: Drab Majesty’s Modern Mirror Record Release at the Fonda

Since 2007, Dais Records has illuminated artists that challenge the audiophile’s idea of post-punk, and the sold-out Fonda theatre’s guests on July 26 were no exception. Los Angeles’ own rising goth-gaze stars Drab Majesty launched their expansive tour of Modern Mirror, their third studio album, accompanied by the dynamic synth-pop brothers in Body of Light and the imposing industrial phenomenon, HIDE. related content: Deb Demure’s Modern Mirror: Drab Majesty Interview July 26 must have been a pivotal evening for Andrew and Alex Jarson of Body of Light, as it not only marked this performance, but also the release of their second album, Time to Kill. When synth player Andrew emerged alone, diving into an artificial and otherworldly-sounding interlude fit for an early ‘80s sci-fi movie, no one could have expected what would come. Suddenly, Alex emerged from a blood red fog while a synth-pop beat began to take form. Although initially reminiscent of Depeche Mode or Soft Cell, the duo has something that is distinctly their own: Alex’s bursting energy. Going into the album’s third track, “Don’t Pretend,” they were contained to the stage, but by the time they reached the chorus, Alex had jumped from the stage, into the

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Take This: Win Two Tickets to Drab Majesty at the Fonda

Dais Records keeps releasing material and raising up bands that set trends and perhaps the landmark band of the label, Drab Majesty is headlining the Fonda Theater for their Modern Mirror record release. Along with this incredible post-punk duo, label mates Body of Light and Hide will also be performing. YOU CAN BUY TICKETS HERE OR: ENTER TO WIN 2 TICKETS TO DRAB MAJESTY JULY 26TH AT THE FONDA Step 1- Join Our Newsletter (look for pop up every time you arrive at jankysmooth.com) Step 2 – Tag a Friend in the comment section of our INSTAGRAM, TWITTER, or FACEBOOK Drab Majesty Ticket Giveaway Post WINNER WILL BE SELECTED ON JULY 22ND AT 11AM PST VIA EMAIL CONFIRMATION

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Daughters

Dominant Noise: Daughters at the Regent

As unhinged, noisy, violent, grotesque, and vulgar the music of Daughters might devolve into, at its heart, the sound and lyrics will always be poetry. Like a lounge band moonlighting at a Roman vomitorium, these Rhode Island killers came dressed in evening attire to impress a pack of wild dogs at the sold out Regent Theater. You could tell this show would be one of the highlights of underground music in Los Angeles in 2019. Audience members were vomiting, moshing until self destruction, and being squeezed up against each other, as rockers the likes of Retox’s Justin Pearson surfed overhead. related content: There Ain’t Nothin’ Wrong With A Little Thrash And Grind: Show Your Scars 2019 At The Regent The entire night was filled with riveting noise from bands that could each draw a good crowd had they been headlining. First to knock their boots about the stage was industrial, fetishists and hardcore performance art duo, Hide. As always, Heather Gabel gave no fucks as her leather chastity bottoms lured in the bastard crowd but then her wolverine bite snapped at them before they could get too close. With white strobe lights turning the stage into a glitching TV eye

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Author & Punisher

Cold Waves LA: Heaven For Industrial Kids

Photos by: Abraham Preciado In the 1980’s, Chicago was the epicenter of North America’s Industrial music explosion with Wax Trax records birthing some of the genre’s most iconic bands, namely Ministry. Chicago’s importance in the history of Industrial music cannot be overstated. That’s why when Cold Waves, the country’s premiere Industrial festival, announced it was bringing it’s cavalcade of musicians to Los Angeles, it was a big deal for the genre and our city. I still regret missing the first Cold Waves LA last year and so, made sure to attend this year’s. 1720 might seem like a hidden gem because of the surrounding debris and chaos of the area it resides in but after spending my weekend there, I can say it’s one of the better venues in Los Angeles. This is the case for a few reasons, the sound quality and stage being at the top of that list but also its comfortable, well air conditioned atmosphere and it’s smoking area, where bands and audience become one. Day 1 The festival began with a DJ set by legendary artist Rhys Fulber of Front Line Assembly. His set was moody and brooding, the sounds of circuity unnerving due to

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Ceremony

If Ever A Band Was My Home: Ceremony’s HOME SICK Festival At The Phoenix Theater

I have been waiting for so long to write about Ceremony that referencing their performances in completely unrelated articles just became a habit of mine. If I was writing about hardcore punk moshing and stage diving then I’d compare the peaks of that violence to the bar set by Ceremony when Anthony Anzaldo strums the first notes of “Kersed” or when Jake Casorotti starts the kick drum intro to their cover of Red C’s “Pressure’s On”. If I was talking about Joy Division’s many offspring, like in my Cloak and Dagger review, I’d talk about how Ceremony’s “L Shaped Man” is the only derivative of that style worth its weight.  If I was talking about what I feel is the spirit of America as expressed in music, I would say it’s when Ceremony plays “Hysteria” and you can almost transport yourself back in time when Bill Haley & His Comets performed “Rock Around The Clock”, it’s that same desperate need to let loose, still in the air after half a century. “…The only young band I’ve seen come close was Ceremony performing “Kersed” at Sound and Fury 2016, when the entire audience erupted when the opening notes of the song

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