
Tag: dead heat

Return to Reign: Sound and Fury Presents Terror and Strife at 1720
How crazy is it that it’s been three years since the last Sound and Fury? Here was this festival that acted as a living metaphor for eternal youth and summer love, and then it got suspended by lockdowns that in essence froze people’s minds from maturing while their bodies very much got three or five or ten years older over the pandemic. Still though, the relevance of the bands that made Sound and Fury so special haven’t been diminished one bit since they demolished the Belasco. Mindforce and Dead Heat are still the young princes in this kingdom. Meanwhile, Terror and Strife are still kings. related content: L.A.’s Best Festival is Sound And Fury (imo). Here’s Why: Dead Heat opening a hardcore show must mean there’s some kind of killer lineup ahead. Usually, this band is either the closer or direct support, brought out as some kind of secret weapon to really get the festivities popping off, but this show was almost a mini-festival, and the pits needed to be wild right from the jump, so who better than Ventura County’s own nardcore royalty, Dead Heat? Nobody’s better, that’s who. related content: Boston Calling: Sound And Fury 2019 Legendary New

Photo Recap: Rotting Out at 1720
Photos by: Albert Licano Rotting Out held their highly-anticipated album release party for Ronin at Chain Reaction but a few days later, they stopped by 1720 to bring the party to Los Angeles. This wasn’t just about celebrating Ronin though, this was a tribute to Power Trip singer Riley Gale, who never got a proper live goodbye in Los Angeles after tragically losing his life in 2020. Rotting Out brought so much power and excitement along with Dead Heat and the rest of the openers. These photos are completely off the wall. Rotting Out Dead Heat Section H8 Frostbite Pull Your Card Law of Power

Boston Calling: Sound and Fury 2019
Words by: Rob Shepyer Photos by: Albert Licano, Anthony Mehlhaff, and Veronika Reinert I feel like every year I go to Sound and Fury, I end up thinking it was the best Sound and Fury I’ve ever been to. 2018 was the festival’s first time at the Belasco, with California’s beloved Rotting Out reuniting to headline Friday, Ceremony closing out the main fest and Iron Age reuniting for an after show at the tiny Resident. Before that, 2017 had Incendiary headline the Regent but also play Five Star Bar the night before, along with Nails, for an after show that had chairs and real punches swinging in the pit. My first Sound and Fury, 2016 featured an unforgettable Ceremony set and was the only time I’ve ever seen my favorite black metal band, Taake, at an after show. related content: Sound And Fury Hardcore Festival Comes Of Age All Across Los Angeles And yet, taking all of these experiences into account, I still feel Sound and Fury 2019 is the undisputed champion. Why? Simply because Have Heart created a concert atmosphere that was so crazed, I’ve never seen anything like it, nor probably will ever again. Seeing it happen in the

The Hardest So-Cal Has to Offer, Strife Plays “In This Defiance” at The Roxy
Southern California has always been a hotbed for hardcore punk from Black Flag to The Circle Jerks but carrying on the torch into the 90’s was a band from Thousand Oaks, California called Strife. Exhibiting that classic straight edge, beat down character, Strife was a band that from the get go, had the feel like they belonged on a stage with a pit belonging right in front of them. Their second album, In This Defiance, with its many guest appearances by Dino Cazares, Chino Mareno, and Igor Cavalera, became the band’s definitive album. They were a band that could get hardcore kids to dog-pile and sing together songs so undeniably powerful and demanding of an audience, that they became essential to the Southern California hardcore canon. related content: For The Children 2017 At The Echoplex: Hardcore Is The Gift That Keeps On Giving Strife’s impact resonated beyond their sound though. Each band that would perform on this evening at The Roxy had a connection to the band. Beginning first with Fixation from Philadelphia, who even though are in the early stages of their career, played a set that was cohesive and powerful enough to make you envision a long and

L.A.’s Best Festival is Sound and Fury (imo). Here’s Why:
There are many qualities that make Sound and Fury Los Angeles’ best festival. I will try to touch upon them all in this article and also review every band that played the festival and after shows. You will want to attend the festival after reading this and not because I’m novelizing the experience but rather, what actually takes place at Sound and Fury is so uniquely incredible that the only reason a fan of heavy music wouldn’t want to attend is because they don’t know the festival exists. So, consider this your introduction: Sound and Fury is a hardcore music festival that began in 2006 in Ventura, California. Hosting legendary sets by underground hardcore artists whether they be in warehouses or the back of a U-haul like for Trash Talk in 2009, the festival’s momentum kept growing and growing until moving to the Regent Theater in 2016 and 2017. In 2018, the festival had expanded to the point that it could upgrade to the Belasco Theater. related content: The Most Complete Sound And Fury 2017 Review On Earth Gathering bands from all around North America (and one from Finland) to perform on two stages in the Belasco or at various

For The Children 2017 at The Echoplex: Hardcore is The Gift That Keeps on Giving
The holidays are supposed to be the most wonderful time of the year, when you can be among friends and family and give and receive gifts as a sign caring and sharing and loving one another. That’s what it’s supposed to be but for far too many, this is not the case. Who knows just how many thousands of people will be dying on the streets like dogs this christmas. Who knows how many alcoholic fathers will beat their wives in front of their kids. Or how many children will go without any presents at all. Our hopeless situation aside, what if I told you that through thousands of tiny deeds we can save Christmas for a few of those children? That something miraculous could happen, like a bunch of young men and women, strangers, getting together to donate hundreds of toys just because it’s the right thing to do… and because of hardcore. Pure beat down hardcore. Slamming, stage-diving, sing-alonging like your fucking life depended on it hardcore. Christmas saving hardcore. For The Children is an annual hardcore festival spanning two days, now hosted by the Echoplex. The festival was created by Xibalba singer Nate Rebolledo, who was inspired