Tag: garage rock

Many Faces of Moody- Murder City Devils

The Murder City Devils Cast Voodoo Spells at Teragram Ballroom

Some bands wow audiences with epic light shows and costumes and confetti and dancing bears. Some bands wow audiences with tits and ass and more tits but other, more rarified artists bring nothing but their gear and raw talent. No filler. No fat. No stage banter. No politics. No masturbatory instrumentation. Just sweat and pure passion. The Murder City Devils do just that. Their show is a collaborative effort between band and audience that hits the perfect pitch of what rock and roll once was and is showing signs of becoming once again. Raining, the night was a stripped-down affair with 2 minimalist supporting acts before Murder City Devils. Seattle’s Corey J Brewer took the stage first. Just him and a briefcase of electronics that he used to tap into our psyche’s and pull and knead them like taffy. His music can be many things like a trippy mix of war and jungle drums, sampled wolf howls, and reverbing shamanic vocals all spewing from a scrawny North-Western-white-boy. The first thing that went through my mind as I meandered between the early comers during Corey’s set was figuring out what kind of people were into Murder City Devils. Baseball/Trucker caps abound,

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The Sonics at The Observatory

The Sonics Teach Garage Rock History 101 at The Observatory

In 1960, a band of kids heavily inspired by 50’s R&B, formed The Sonics with no clue that more than 50 years later, they would actually be the inspiration for modern day rock n roll power houses and music enthusiasts around the world. In 1964, The Sonics were signed by Etiquette Records and released their first (and wildly popular) single, “The Witch”. Even though its radio airplay was restricted, “The Witch” went on to become the biggest selling local single in the history of the Northwest. Between ’65 and ’67, The Sonics released three studio albums: “Here Are The Sonics”, “Boom”, and “Introducing the Sonics”. Their covers of songs by artists such as Little Richard, Chuck Berry, The Fabulous Wailers and Richard Berry gained the boys national attention, however, the real standout tracks were their original hits such as “The Witch”, “Boss Hoss”, “Psycho”, “Cinderella”, “Shot Down” & “Strychnine,” which gained them a true cult following. The 60’s were a great era for music, but no one did it quite like The Sonics. They screamed louder and played faster and harder than anyone else at that time. Their recording style, performance, and lyrics would usher in a new age of

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In the Red Records’ 25th Anniversary Party: Weekend at Larry’s

A quarter century ago, Larry Hardy formed In the Red Records in Los Angeles, California to release garage and punk records for an underground that is thriving now more than ever. Some call this scene the garage rock revival, in which case In the Red Records was the scene’s Lazarus. So with 25 years of releasing music ranging from down tuned stoner rock to twangy blues garage, from bands in Los Angeles to Detroit, Portland and NYC, how does Larry Hardy decide to celebrate? A three night festival taking The Echo and Echoplex hostage to host a slew of bands spanning In the Red’s sonic history. As soon as I crept down those pissed stained stairs from Sunset to Glendale blvd and checked in, it was nonstop rock. Wounded Lion’s party rock launched the festivities and loosened me up for the debauchery to come. Dancing and prancing around the stage, cramming the jams down our throats, I picked up a sweat bouncing and bobbing and dashed out the Echo down to its bottom-bitch Siamese sister venue. A man eyeballed me suspiciously and asked for my papers, so I showed him my Zig Zags. Zig Zags were the first of many

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