Tag: horse head

Wicca Phase Springs Eternal

Wicca Phase Springs Eternal, Unrequited at Echoplex

As I’ve said previously, emo-trap represents a shift in music that will be mimicked until the whole art form changes. The same repurposing that made it possible for emo to become a one man show is now being used in country with Lil Nas X’s “Old Town Road” reaching number 1 on the Billboard charts. The virus is spreading. It’s no surprise to me that this ripple effect began with emo simply because at it’s heart, emo is love poetry, and hip hop is poetry. White boys singing about unrequited love while plucking flowers to ask the universe she loves me, loves me not; the power of these sentiments is enough to change the world even if they feel rather weak and lowly when you keep them to yourself. related content: Gothboiclique Represent: Lil Tracy At The Observatory This is evening at the Echoplex was dedicated to emo-trap ala Gothboiclique regulator and Tigers Jaw alumni, Wicca Phase Springs Eternal aka Adam Mcllwee. The night began with Mirsy, a singer with a powerful and mesmerizing voice that floats heavenly atop a hybrid of trap and post punk, as opposed to trap and emo. She was the most goth of the lineup and

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Bastard Noise

Bastard Rap: Lil Ugly Mane and Bastard Noise at The Locker Room

Well what do ya know… it looks like Garden Grove has a lot more going for it than forever being relegated to Sublime references. The quaint Orange County town has a new outdoor/indoor venue in Garden Amphitheater and the smaller, Locker Room within it. The Amphitheater is hosting two amazing hardcore festivals in 2018 so having scoped out the space, I can say for a fact these shows will be completely insane. related content: 1Fest-Los Angeles at Los Globos: Noise As Music As Force Is Farce The Locker Room, which is decorated with yellow lockers along the back of the stage, would host Lil Ugly Mane’s Orange County show on a tour that he billed with diverse bands for every date. Mane assembled trap, death rock, and legendary vocalist of Man is the Bastard, Eric Wood, who with an array of machines, creates sonic insanity under the banner: Bastard Noise. The first band to play the evening was a crusty hip hop artist known as Death Rattle. They performed as a duo consisting of a mad-dog vocalist that duel wields microphones, one filtered, one not, and a live drummer. Opening his set with the command that all nazis get the fuck

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