Tag: garage

Janky Fresh Friday: New Releases From A$AP Rocky and Sleaford Mods

The beginning of each year can often feel a bit stagnant for new albums with many artists waiting until the Spring or Summer to release their work to the public, especially in genres based around youthful party cultures such as hip-hop. With how crazy the world feels in 2026 however, there isn’t a better time to completely subvert audience expectations and act as a trailblazer within your genre. The world needs art more than ever, and it’s needed as soon as possible. Thankfully, we have two very unexpected hip-hop releases to kick off the year with A$AP Rocky and Sleaford Mods blessing us with two albums full of unpredictable excitement just when we need it the most. A$AP Rocky: Don’t Be Dumb (released January 16, 2025): AWGE, A$AP Worldwide, RCA Records   Hip-hop is almost completely unrecognizable from the 2010’s when A$AP Rocky first rose to prominence. At the time, it was almost hard to keep up with new releases every month from both veteran rappers and brand new artists seemingly coming out of nowhere. In 2025 however; this is nowhere near the case considering the major gap between Gen Z’s Soundcloud generation and the DatPiff mixtape culture that came

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Neil Young and Promise of the Real

Arroyo Seco: The Nostalgic, the Timeless, and the Real

Read this in the voice of Paul Mooney: Arroyo Seco is so white that it makes Stagecoach look like Smokin’ Grooves Festival. related content: Black Is Beautiful: Smokin’ Grooves Festival At The Queen Mary All kidding aside, this festival gave me more food for thought and introspection than any concert I had been to all year. The music add me think about getting old and how to stay eternally young. Neil Young made me think that humanity, as a whole, has lost some vital realness. Day 1 Arriving too early on Saturday, I moseyed onto the festival grounds under a burning white sun that would turn all of Los Angeles a brittle pink. Dipping my feet into the music, I wandered about the stages catching glimpses of Maxim Ludwig, who sounded as close to adult/dad rock as I’m ever willing to listen to or Typhoon, a band from Portland that sounds and looks exactly what I imagine most bands from Portland sound and look like: Fiddles, beards, tattoos, and beanies. I enjoyed the bands, just not enough to stay at a stage until I found a nice shady spot under a tree to watch some good, ol’ fashioned rock and roll

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