Tag: industrial

Ministry at Cruel World shot by Taylor Wong

Cruel World 2024: A Legacy Forms in Year 3 at The Rose Bowl

It’s very rare for a music festival to have a storied legacy to live up to after just 2 years. But after a total lunar eclipse that turned the moon blood red before completely disappearing during Bauhuas for Cruel World 2022 and inclement weather and lightning that thwarted Siouxsie Sioux from performing on Saturday in 2023 and adding a 2nd day on Sunday, it felt like raising the bar could be quite dangerous. For a moment, it looked like the massive storms on our star might cause the Aurora Borealis to materialize for a SECOND night in Southern California for Cruel World 2024. Was there some type of deal with the devil to manifest this excitement, pleasure and existential angst? Maybe a collab with the folks at CERN to find the physics of the post punk genre through the mysteries of particle colliders? Alas, we could not view the Northern Lights here in the southland but the stars fell from the sky and landed on the 3 stages, Brookside at the Rose Bowl in Pasadena for yet another celestial Cruel World experience. related: Cruel World 2023- Redemption and Romance at The Rose Bowl Fandom has always been weird, wonderful and

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Gary Numan at The Fonda Theater shot by Saryn Christina

Gary Numan and Frontline Assembly at The Fonda: An Evening of Synths and Industrial Bliss

On April 7, 2024, The Fonda Theatre in Los Angeles welcomed the eager fans of Gary Numan and Frontline Assembly with a line stretching around the block. The atmosphere buzzed with anticipation as the doors swung open, revealing a packed theater ready to witness both artists take the stage. Frontline Assembly kicked off the evening with a thunderous set that fused industrial beats with haunting melodies. Starting right on time, they strode from the darkness and exploded with sound. Playing classics like “Mindphaser” and crashing into newer tracks that showcased their evolution, Frontline Assembly delivered a performance that was as intense as it was mesmerizing. The entire band performed with an energy that set the stage for an incredible night. The crowd, bathed in pulsating lights and engulfed in a wall of sound, was entranced from start to finish. Related: Nitzer Ebb And Flow – A Night Of Dance And Darkness At The Music Box Soon after Frontline Assembly exited, Gary Numan took the stage and from the opening notes he captured the audience with his enduring sound. He delivered a career-spanning set that perfectly balanced his early, more pop-oriented sounds with the darker, industrial leanings of his later work.

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3Teeth at The Teragram Ballroom shot by Abraham Preciado

3Teeth at The Teragram: Industrial Dystopia

Love for gothic industrial and nu-metal aesthetics seemed nonexistent for a while, being almost universally seen as cringe and outdated as indie rock and trap music dominated the airwaves in the late 00’s and early 2010’s. With political tensions rising after the 2016 election however, angry and darker music came back in a massive way that can be seen with festivals like Sick New World selling out quickly and the industrial scene feeling as relevant as ever again. 3Teeth is a band that took full advantage of this shift in attitude, bringing the angsty edge of 90’s greats like Nine Inch Nails and Marilyn Manson to a new audience that’s just as wild at live concerts. In celebration of their newest album EndEx, 3Teeth transformed the Teragram Ballroom into a cyberpunk wasteland and hosted a late night of industrial sounds from every era; with ear-piercing distortion, infectiously dancey synthesizer melodies, and leather as far as the eye can see. With Skold, Straight Razor, and 8mm as surprise openers for the evening, there was a treat for all fans of industrial music no matter what their preference may be. Straight Razor’s performance began with an eerie but blissful ambient intro, almost

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Nitzer Ebb at The Music Box SD

Nitzer Ebb and Flow: A Night of Dance and Darkness at The Music Box

Star date Saturday, Sept. 2nd, 2023… San Diego, California. Nitzer Ebb is the band. Modern.wav and Lethal Amounts are the pilots and The Music Box became the vessel for the only U.S. show scheduled this year for the British EBM/Industrial pioneers. It was perfect timing for Venus to come out of retrograde as the stars aligned to bring lost loves back into our lives. Last time I saw Nitzer Ebb was at Substance 2021 and as fun as that set was, it was missing front man Douglas McCarthey with composer and energizer bunny Bon Harris insuring the show went on. This show was a collaboration between Lethal Amounts and San Diego goth scene impresarios, Modern.wav, whose line-ups, clubs and vibes have been drawing me down to San Diego on a more regular basis over the last year. As one might imagine, Nitzer Ebb drew Angelenos down to the southern most part of California so the crowd was filled with familiar and friendly faces. related: Nitzer Front- Cold Waves 2022 at The Mayan The lineup was stacked with quality, dark music acts, bondage exhibitions and DJ’s between bands. Opening the show was synth pop group, Normal Bias. Normal Bias have a

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HEALTH at the Music Box by Becky DiGiglio

HEALTH/Author & Punisher at The Music Box: Let The Ceremony Begin

Last time I saw HEALTH in San Diego was opening for Crystal Castles in May 2011 at the now defunct Fluxx Nightclub. Last Saturday it was HEALTH who were headlining The Music Box in San Diego as the last stop on their Dark Territory tour, and the only thing that HASN’T changed in the nearly 12 years since that show is that HEALTH completely shredded the stage. related: HEALTH at The Echo- First L.A. Show in 3 Years Delivers There were multiple story lines unraveling in through the evening and indeed, the complex and cryptic folds of the universe itself. Returning back from ceremony in Mexico on the day of the show, HEALTH was also the band me and my partner saw on our first date the night I touched her for the first time at 1720 a year ago. I love you Jules (fuck face). All that along with promoter Modern.Wav calling out the San Diego goths to convene in their own ceremony and indulge their kinks with an epic lineup that also featured Author & Punisher and openers Matte Blvck and Straight Razor, whom I woefully missed. Luckily, photographer Becky DiGigglio did not.   We walked in during

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Inva//id at Bar Sinister

Janky Smooth Sessions: INVA//ID at Bar Sinister

    Goth, Industrial, EBM, Dark Wave, Post Punk, et al, born in the shadows, is having it’s moment in the sun- to the dismay of some of its denizens.  But to Industrial acts like INVA//ID, the spotlight is deserved and somewhat welcome.  After all, bands want people at their shows. On this Saturday night at Bar Sinister in Hollywood, there was no lack of patrons.  Janky Smooth got a chance to speak with Christopher Rivera and and Krz Greenhaw of INVA//ID about their music, the state of the scene and the sounds and places that have influenced them.   One of those influential places is Boardners/Bar Sinister and it’s constant presence in Los Angeles post punk and other scenes and genres cannot be understated.  So it was fitting that this was the setting for both the show and our interview. Keep an eye out for the next single from INVA//ID dropping on Feb. 14th with the full length expected in July 2023.   INVA//ID: Bandcamp Instagram Videographer: Chris Shaibi Video Editing and Words: Danny Baraz Photos: Jessica Moncrief 

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Test Dept

Full Moon on a Friday the 13th: Cold Waves L.A. Showcase at the Regent

I make it a point to never miss a Cold Waves event whenever they rear their heads in Los Angeles. I only wish you all did the same. You do realize this is the country’s premiere industrial music festival, don’t you? Taking place in the heart of that genre’s American upbringing… you get that right? For some reason, I feel Cold Waves never get their due in Los Angeles. Maybe industrial isn’t as popular as metal or punk around these parts but come on, if you’re into fast, loud, heavy music and don’t give the genre a try, then you’re just closed-minded. related content: Cold Waves LA: Heaven For Industrial Kids Anyway, with their Los Angeles showcase taking the place of their three-day festival, Cold Waves brought an all-star lineup of deliciously insane acts to The Regent including the likes of avant-garde legends Test Dept from the UK and Severed Heads from Australia. With the showcase falling on the evening of a full moon and a fateful Friday the 13th, their was much anticipation for what sort of soul-altering experience The Regent was in for. None of us could’ve guessed though, just how revelatory Test Dept were going to be,

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Take This: Win Two Tickets to Cold Waves LA Showcase at the Regent

The country’s greatest industrial festival, Cold Waves, returns to Los Angeles for a night featuring legendary bands of the genre. The Cold Waves Showcase will bring Test Dept. to the Regent along with Australian duo Severed Heads and Pop Will Eat Itself. The party all goes down on Friday the 13th for a bloody good time with some dark electronic music. Anytime Cold Waves comes to the West Coast count on us to be there for you. YOU CAN BUY TICKETS HERE OR: ENTER TO WIN 2 TICKETS TO COLD WAVES LA SHOWCASE SEPTEMBER 1ST AT THE NOVO Step 1- Join Our Newsletter (look for pop up every time you arrive at jankysmooth.com) Step 2 – Tag a Friend in the comment section of our INSTAGRAM, TWITTER, or FACEBOOK Cold Waves LA Showcase Ticket Giveaway Post WINNER WILL BE SELECTED ON SEPTEMBER 10TH AT 11AM PST VIA EMAIL CONFIRMATION    

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Ministry

Wax Trax and Vans Present Ministry and Cold Cave at Teragram

The impact of Wax Trax! Records cannot be understated. Without this small, independent Chicago-based record label, dance music as we know it would be a very different entity. To celebrate the record label’s legacy and Industrial music in general (the genre can’t be divorced from the label), Vans threw a special documentary screening of Industrial Accident, speaking panel, and concert, featuring the landmark of the record label, Ministry, playing an old school set at the Teragram Ballroom. related content: Front 242 And Severed Heads Bring Classic Industrial To The Regent Theater I highly recommend Industrial Accident: The Story of Wax Trax! Records to any fan of rock docs or music films, not only does it give you a very human, personal peek into the label’s history, beginning as a Denver based record store then moving to Chicago and becoming an indie label to be reckoned with but it also introduces you to so much music, from Al Jourgensen’s side projects like Pailhead with Ian Mackaye or all the great European acts that jumped onto Wax Trax! for distribution in the states, from Front 242 to Laibach. The documentary’s protagonists, owners and life partners, Jim Nash and Dannie Flesher, present a heart warming

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Gary Numan

Time Machine for Young and Old: Gary Numan at the Fonda

Gary Numan teleported his Los Angeles audience into his multidimensional universe for the final leg of his “Savage” tour on Saturday. It was 8:00 p.m. The venue, called the Fonda Theater, has a capacity of 1200. By the time the I got there, around six, a dense line of fans had circled the block, waiting for the door to open. They were mainly clad in leather jackets and Nine Inch Nails shirts, and with the exception of some millennials, almost all of them seemed to be older than 50. related content: Gary Numan Interview: Art In The Age Of Savages When the doors opened, a sea of veteran fans and first-time attendees flooded the floor. For 63-year-old Mike Sperks, who’s seen Gary Numan 10 times since 1979, he’s gotten better and better. “I like his music better now. There’s more energy. My all-time favorite song of his is ‘Prayer for the Unborn’ — a song dedicated to his unborn child,” he said. Among the older people was a group of 18-year-old University of Redlands students from a class called “Punk Rock DIY for Personal and Social Change.” Their professor held Mr. Numan in such high regard that he bought them

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Author & Punisher

Cold Waves LA: Heaven For Industrial Kids

Photos by: Abraham Preciado In the 1980’s, Chicago was the epicenter of North America’s Industrial music explosion with Wax Trax records birthing some of the genre’s most iconic bands, namely Ministry. Chicago’s importance in the history of Industrial music cannot be overstated. That’s why when Cold Waves, the country’s premiere Industrial festival, announced it was bringing it’s cavalcade of musicians to Los Angeles, it was a big deal for the genre and our city. I still regret missing the first Cold Waves LA last year and so, made sure to attend this year’s. 1720 might seem like a hidden gem because of the surrounding debris and chaos of the area it resides in but after spending my weekend there, I can say it’s one of the better venues in Los Angeles. This is the case for a few reasons, the sound quality and stage being at the top of that list but also its comfortable, well air conditioned atmosphere and it’s smoking area, where bands and audience become one. Day 1 The festival began with a DJ set by legendary artist Rhys Fulber of Front Line Assembly. His set was moody and brooding, the sounds of circuity unnerving due to

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Killing Joke

Magick Man: Killing Joke at the Regent

Killing Joke is a band that cannot be pigeon-holed. The moment you call them a post-punk band, they put out an industrial album. But within either camp, they were always the misfits of the bunch. Their post-punk was more rhythmic and off-kilter than their peers and their industrial was more lyrical and poetic than the average black leather electro act. Then you have a lead singer like Jaz Coleman, a true enigma. Most singers paint pictures from their own personal experiences but often times with Killing Joke, their songs take on the perspective of eternity. And what I mean by that is, Jaz would step out of his shoes and trousers and into the shoes of time itself, watching human history and making connections we can’t see through his lyrics. related content: The Growlers Reclaim Castle Beach Goth And All Is Right With The World Again One of the rarest acts you could ever see play in America, these English gentleman of the dark arts came out with an album called Pylon in 2015, which they planned to tour in the US, playing the Regent. As fate would have it though, Illness befell the band and they cancelled all their American

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