Rob Shepyer
Habak Find Beauty In The Horrors Of Humanity At The Roxy
Rob Shepyer
December 5, 2025
The Habak show at the Roxy on November 29th, presented by Viva! was more than your typical winter punk rock invading West Hollywood. I first heard of Habak after seeing Lagrimas open for Soul Glo at Zebulon in 2022 and then following the band until their Teragram takeover with Habak- I knew Los Angeles was witnessing the formation of a new scene, subgenre, and phenomenon in punk music. Both Habak and Lagrimas represent a style known as melodic crust. related: Earth’s Crust- CY Fest 2024 at Belasco Sonically akin to a lovechild between Deafheaven and Doom, Habak represents the emotional interior of anarchism. With so much political activity both in underground and mainstream circles, we often get exposed to the surface of rebellion but never the glacier of emotionality underlying the action. We see the rallies, the chanting, the rioting, the rhetoric, but when anarchists go home, we rarely see the pain to empathize with. Habak gives the world a sonic synthesis of that pain so we don’t have to venture into every anarchist’s home to see it for ourselves. How does that pain feel? Like suffered screaming over the most beautiful, dissociative harmony. related: Avant Garde Headbanging w/ The
Read More
Janky Fresh Black Friday: New Releases From Bad Brains and WITCH
Rob Shepyer
November 28, 2025
What are fans of rock and roll music thankful for this Janky Fresh Black Friday after Thanksgiving? They’re thankful for hardcore punk music and psychedelic rock, both genres owing debts to bands that released music today in the later eras of their iconic careers. The first is Bad Brains, out with Live at The Bayou, a lost recording from a Washington D.C. show on July 14th 1980, while the second is another lost recording in the form of legendary Zamrock band WITCH’s Fool’s Ride, released for the first time in the United States. Both were rediscovered as further evidence that the world is reaching some kind of spiritual completion on the other side of these turbulent birthing pains. related: Janky Fresh Friday- New Releases by Home Front and Oneohtrix Point Never For those unfamiliar with these bands, they have something in common besides the fact that both of these releases were once difficult to attain in America. There’s something that connects them beyond their positions as seminal bands in their genres, breaking new musical ground and inspiring numerous musical offspring. Whether you’re a pilgrim or an Indigenous native on this Black Friday after Thanksgiving, give thanks to our brothers from
Read More
GBH at Ventura Music Hall- Street Punks In Paradise
Rob Shepyer
October 29, 2025
The scene was the Hi Hat. One of the most vibrant venues during its short life on York, a must attend space on Highland Park art-walk nights. I don’t remember who was playing, just that it was a punk show because Blaque Chris was DJ’ing between the bands that night. During his set, Blaque Chris spun a track that stood out to me as especially vibrant and danceable, but in that street punk way, like kicking up dirt in the discotheque. I didn’t know the song at the time and went on a long journey trying to find it. Before seeing GBH at Ventura Music Hall though, the planets aligned to tell me the song was Big Women by GBH off their “Leather, Bristles, Studs, and Acne” album. GBH is quintessential street punk- the exact sound and spirit of the punk genre and look. Songs like Big Women are exemplary of that vibe. Comical, crass, gritty, simple, rhythmic, and too much fun to stop your body from hopping up and down. It took me far too long to see them perform, but finally, I had my punk rock rite of passage on October 17, 2025 by seeing them with Slaughterhouse
Read More
Janky Fresh Friday: New Albums from Tame Impala and Militarie Gun
Rob Shepyer
October 17, 2025
Welcome to Janky Fresh Friday- the busiest day of the week for artists and labels to drop newly released music. Check in every Friday for a fresh squeeze. As part of Janky Smooth’s Janky Fresh Friday series, we’ve been comparing two albums that come out on the same day and seemingly have nothing in common- for the sole purpose of discovering the wealth of similarities between two disparate things. In some respects, it’s an exercise in empathy, learning how to appreciate differences, placing yourself in the shoes of a different subculture, and putting forth an effort to celebrate music as a whole. related: Janky Fresh Friday – New Albums from Mobb Deep and Sanguisugabogg Today’s albums for Friday, October 17th, 2025, are two highly anticipated bangers, one from arguably the most vibrant and prevalent scene in Los Angeles and the other from one of the most iconic artists in psychedelic rock, the former pillar genre of LA’s underground music. First though, let’s define fresh or freshness. Before the term was ever appropriated for music, culture, or fashion, it was once a descriptor for food, something that replenishes us, quenches our hunger and thirst, and ultimately connects our bodies to
Read More
Cannibal Corpse at the Majestic Ventura Theater: Butchered By The Beach
Rob Shepyer
October 13, 2025
Cannibal Corpse at the Ventura Majestic Theater almost sounds like a sick joke the first time you say it out loud to a local. Why on Earth would the timid, even-keel Pleasantville of the Central Coast host the most violent, vulgar, visceral death metal band of all time? Perhaps it’s because Ventura locals are, somewhere inside, the most violent, vulgar, visceral metalheads in California. For the longest time, this sub-species of Californian, geographically isolated on the Central Coast, never felt represented by the events happening locally. So often, concerts in Ventura ranged from reggae to Grateful Dead covers, with their one outlet for heaviness being Nardcore. Now though, with new booking leadership at the Ventura Majestic Theater, a whole new range of heavy metal bookings is on the horizon; including this October 3, 2025 Cannibal Corpse show. related: Dark Angel Brings Us Back To Our Primal Basics at Majestic Ventura Theater Cannibal Corpse’s autumn tour in particular brought together one of the most insane lineups in modern metal and hardcore. Bridging death metal, grind, and thrash, bands like awe-inspiring fresh blood Fulci, the animalistic, demonically possessed Full of Hell, and toxified-to-the-teeth party speedsters Municipal Waste rounded out the cannibalistic carnage
Read More
Avant-Garde Headbanging with The Armed at The Roxy
Rob Shepyer
September 24, 2025
Seeing The Armed at The Roxy on September 20, 2025 was not just a whim- for me it was a necessity. Whenever the Armed play in Los Angeles, I make it a point to attend. Their concerts feel like rare glimpses into a future world. With their latest tour stop supported by Prostitute, another heavy and unpredictable band, I wanted to break down not only the performance but also why The Armed matter so deeply and why their most recent album, THE FUTURE IS HERE AND EVERYTHING NEEDS TO BE DESTROYED, truly rules. related: One Friday Night In Hell- Show Me The Body and Twitching Tongues at The Regent The Armed have become my favorite modern band. I am not sure how it happened; I can’t always control what I gravitate toward. Perhaps they filled the vacuum left by The Dillinger Escape Plan, a band whose live shows once stood as the gold standard for ferocity and unpredictability. Perhaps they were the only group writing anthems with lyrics powerful enough to resonate like “Sport of Form” off Perfect Saviors, my favorite album of 2023. That track, which ends with a peaking sing-along verse of “Doesn’t Anyone Even Know You? Does
Read More
Dark Angel Brings Us To Our Primal Basics at Majestic Ventura Theater
Rob Shepyer
September 19, 2025
Dark Angel at the Majestic Ventura Theater on September 6, 2025 might have been just another stop on a long national tour for the many iconic bands appearing on this monster show—from Sacred Reich to Hirax—but for the locals of California’s Central Coast, it was much more than that. For Ventura’s own hardcore and stoner metal scenes, it was a night to raise the speed, volume, and intensity of their jams alongside some of Los Angeles’s finest. It was an event that felt like a genuine summit of the underground, a night where the past and present of extreme music converged. If you’re a fan of extreme sounds—whether punk, death metal, hardcore, or black metal—you owe it to yourself to attend thrash metal shows from time to time. They act as a palate cleanser, a way to reset your taste and senses back to the primal basics. Thrash metal, at its core, is one of the most fundamental heavy metal art forms, a template that inspired so many of us to follow a path deeper into the underground. For every genre that has splintered off since, thrash remains the raw power source, the musical bedrock that feeds the rest. related:
Read More
Acid Bath at Hollywood Palladium: Venus Blues and Bayou Sludge
Rob Shepyer
August 29, 2025
Acid Bath was the one band no one thought would ever reunite. They were a flash in the pan at one point, considered a glitch in heavy metal history—yet simultaneously, they were the band everyone wanted to be and emulate, the band that inspired subgenres from the edges of extremity to the depths of doom and across the entire spectrum of stoner rock and roll. That’s why Acid Bath’s show at the Hollywood Palladium on August 22nd was charged with much more power and gravitas than a typical reunion. It was a moment written in stone, acknowledging that the kings of the New Orleans heavy music scene would one day return to their rightful thrones. The anticipation had been building for years among fans who never truly believed this day would come. The venue itself seemed to understand the weight of the occasion. The Hollywood Palladium, with its storied history of hosting legendary performances, provided the perfect backdrop for what would become a defining moment in heavy music. As fans filed into the historic theater, there was an electric tension in the air—a mixture of disbelief, excitement, and the kind of reverence typically reserved for religious experiences. related – Memoirs
Read More
Glass Beams at Ventura Music Hall: Desert in a Bottle
Rob Shepyer
August 28, 2025
This has been a psychedelic week for me, still feeling the afterglow of seeing Pigs x7, so before I could enter this new trip closer to home, I needed to sober up off the lingering sonic buzz. I wanted to clear out the leftover distortion rattling in my head so I could step into the Ventura Music Hall with ears and mind ready to feel the pure, authentic high off the sound of Glass Beams. related: Pigs x7 Launch North American Tour At Lodge Room Glass Beams plays in the tradition of distorting and disrupting traditional, exotic world music into modernized, minimalist psychedelia. Their music doesn’t need to shout, roar, or crash like a doom riff to get you there; it works in repetition, mood, and layering. It works in space. They aren’t the first to attempt this blend and they won’t be the last, but at the moment, they feel like the only band making traditional world music vibrations consumable for folks interested in dancing on clouds, instead of just headbanging in basements. Shows like this are rare in Ventura, though they strike a nerve in both artist and audience that no other city quite can. Ventura has always
Read More
Pigs Pigs Pigs Pigs Pigs Pigs Pigs Launch North American Tour at Lodge Room
Rob Shepyer
August 27, 2025
Pigs Pigs Pigs Pigs Pigs Pigs Pigs, OR Pigsx7 launched their North American tour from the Lodge Room in August, staining the sacred planks of the venue with more sweat and abandon than bands are typically used to expelling throughout a set. For those not in the blissful know, Pigs x7 are a beloved heavy band that’s been adopted by the LA psych scene, one able to discharge hallucinatory spores from their pores during their intense performances that induce pure rock and roll rapture. Their songs breakdown the same way your body does when in their crosshairs. And just when you’re completely destroyed and a pile of rubble before them, they find a way to engineer your rock and roll rebirth in their image. How this crossover from psych to metal took place was a mystery for me and the inspiration that made me trek out to their show in the hopes of catching an earful of insight into what sonic sinew connected their sound to the standard Desert Daze LA hipster. Somewhere between Sabbath worship and The Doors, Pigs x7 managed to straddle the line of two fanbases that, while sharing some DNA, rarely overlap this seamlessly. related: Desert Daze
Read More
Cruel World 2025 At The Rose Bowl: We’re Only Happy When It Rains
Rob Shepyer
May 20, 2025
Cruel World 2025 at the Rose Bowl was the fourth iteration of the festival, but some strange alignment in the distant goth cosmos caused a number of firsts in Cruel World history. Rain fell on Los Angeles’ goth community as they all gathered at the Rose Bowl for what music fans recognize as goth prom. Cruel World is much more than a goth fest, though—’80s music, metal, and punk all performed in gloomy Pasadena over the weekend. Never before did the concertgoers, wearing their finest layers of black, actually dress appropriately for the weather—until now. Some came to Cruel World to see Devo “Whip It” like it was 1980, some came to be in the palm of Nick Cave’s “Red Right Hand”, others came just to get a one-day vacation with New Order before “Blue Monday. Whatever the motivation, the festival once again found appropriate meaning in its name. This year it was cold and dreary, with imported London fog infused with LA smog. Most people prefer not to experience a concert drenched from head to toe, but as a departure from the brutal heat of previous years, it had some upsides. The rain forced many Cruel Worlders looking for shelter
Read More
Oneohtrix Point Never at The Wiltern: Post-Post-Modern Music
Rob Shepyer
May 13, 2025
Oneohtrix Point Never at the Wiltern wasn’t an ordinary concert — it was a creative breakthrough into a new form we were all indulged in. I remember being in a film class about postmodernism and asking my professor what movement was supposed to come after. The professor’s answer was “hyperreality”, which — if you’re familiar with it from painting — is a style that almost perfectly maps onto the real world… almost. Although it’s a bit difficult to imagine what hyperreality looks like in music or performance, Oneohtrix Point Never’s show at The Wiltern was an experimental leap ahead of postmodernism, and either a sidestep from hyperreality or a pastiche of it. During the show, a live puppeteer mimicked Oneohtrix Point Never’s performance, with the puppet’s antics projected live on a screen behind OPN. Seeing the duality between man and puppet provided layers of meaning to OPN’s performance, making it an autobiography in the form of a concert. For those not in the know, Oneohtrix Point Never is the pen name of electronic musician, producer, and film composer Daniel Lopatin. His rise to acclaim came in increments before his signature sound became undeniable — notably when featured in Safdie Brothers
Read More