Michelle Evans
Jonathan Richman: The Gift Of Being Present at Ojai Valley Women’s Club
Michelle Evans
December 17, 2025
I was not expecting to have my heart broken at the Jonathan Richman show at Ojai Valley Woman’s Club this past December 9th, 2025. Jonathan Richman is arguably the kindest soul in punk, except I’ve never actually heard anyone argue this. On the surface he comes off as simplistic, idealistic and perhaps even naive. Not everybody “gets” Jonathan Richman and by all accounts this seems perfectly fine with him. He’s never bent himself to appear any differently than exactly who he is. When he led the highly influential proto-punk band The Modern Lovers, their fast, energetic hit “Roadrunner” sort of blew up in its own way and turned them into a household name…if your household was hip enough at least. Following this success, The Modern Lovers responded by opening their very next show with silly, cute and quaint “I’m a Little Airplane,” complete with stretched out airplane arms by Richman and, yes, airplane noises from the entire band (nnnyyoww nnnyyoww!). Audience members constructed paper airplanes and floated them towards the stage, to the delight of The Modern Lovers. The scene made the concert look more like a children’s show and was not at all what the audience was expecting following
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Every Cap’n Jazz Song Is My Favorite- Live At The Wiltern
Michelle Evans
December 10, 2025
On November 20th 2025, I saw Cap’n Jazz at The Wiltern in Los Angeles, CA and then immediately drove to Las Vegas. The familiar five hour, starlit drive through the glowing blue Mojave Desert served as a catalyst for my mind to wander and wonder…is time travel real? What the hell just happened at the Cap’n Jazz show? related: Emo Is Hot Mulligan at The Hollywood Palladium As Southern California was being drenched by a rare storm, a weird-ass but perfectly curated variety show was going down on Wilshire Blvd. The curiously stacked lineup looked like any one of the mixed CDs I would have made in high school. Some thoughtfully burned acid jazz courtesy of Digable Planets, an angsty AFI track, “The Safety Dance” by Men Without Hats. A perfect compilation. I would take a sharpie and scribble “Trix Mix” or something equally dumb on the white surface, but man would that tracklist hit hard on the bus ride to school. Here at The Wiltern, Cap’n Jazz invited four wildly eclectic supporting bands to the bill, as well as four different DJs buffering the sets. related: Ceremony Gets Their Flowers at Hollywood Palladium Anthony Family, a new project led
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Ruining Our Makeup with Samia at The Fonda Theater
Michelle Evans
October 3, 2025
I love being uncomfortable. Uncomfortable movies. Uncomfortable books. Uncomfortable art. Uncomfortable conversations. I’ve become anxiously attached to the little wasps in my chest who buzz too loudly and flap around in awkward situations. But finding comfort in the uncomfortable comes at a cost: ugly doesn’t scare you anymore. You even start to seek it out. This is where Samia comes in. Samia steals all that discomfort, all that ugly, right out from your chest. As a songwriter she is an alchemist, spinning your insecurities into a quilt. The kind of quilt your grandmother wraps around you while you read comics at her house as your parents are downtown signing divorce papers. You know the kind. On the warm night of September 19, 2025 night in Hollywood, Samia steps coyly onto the stage of the Fonda Theatre. The crowd roars relentlessly as she seems taken aback – it’s clear how deeply she is needed tonight, right here in this moment. related: Photo Recap – Ethel Cain At The Masonic Lodge at Hollywood Forever She starts the set with “Triptych,” a song from her debut 2020 album, “The Baby,” with lyrics so abruptly intimate that listening would feel like a violation if
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