
Tag: sos booking

Angel Du$t and SOS Booking Remind Us That They Are The Ones To Watch at 1720
Hardcore is in the midst of frenzy right now. A common but chaotic part of the cycle for any genre having a moment. Turnstile going for the gold by making their music less appealing to it’s base. Ceremony being enshrined in this generation’s Hardcore Hall of Fame. Scowl dating the industry. It happens to every well established scene, every time there is a renewed interest. And then there’s Angel Du$t… It’s interesting to contrast Angel Du$t and Turnstile- not just because of the heavy collaboration of members between the two bands, historically. It’s a tale of two different approaches. I’m seeing Angel Du$t cement a legacy that is nowhere near being fully realized at this present date. related: Turnstile “Shake It Up” at The Novo It’s been fun watching Angel Du$t evolve their sound organically over time rather than the extreme shift that has been commonplace for bands in the scene the moment the light is shining brightest on them. This is nothing new. The euphemism is that the sound has “matured” which, for both music and people is code for less fun. I do not begrudge people for attempting to make a better life for themselves. I don’t begrudge

Hardcore’s Enfant Terrible: Kickback at 1720
Dedicated to bringing Los Angeles the most exclusive, and sometimes most dangerous bands in all of hardcore; SOS Booking outdid themselves once again by bringing one of France’s most infamous bands, Kickback, to 1720 Warehouse on February 22, 2026 after their recent headlining performance at Hellfest West. As is tradition in the genre, an uproar followed but the genre I’m referring to isn’t hardcore. If you were to ask most people about the origins of punk, they might say The Ramones or the Sex Pistols, but those who know transgressive art is rooted in literature, know that punk’s origins are in France. Arthur Rimbaud’s literature and cultural persona were the original enfant terrible that inspired the Beats, who went on to inspire the punks and it is certainly present in the mouthpiece of the hardcore band, Kickback, There have been many French enfant terribles from Rimbaud, to Comte de Lautréamont, to modern day torchbearers of the artistic tradition like Gaspar Noé in cinema, Michel Houellebecq in literature, and Kickback’s Stephen Bessac in hardcore. *The views and opinions expressed in this article are those of the author and do not necessarily reflect the official policy or position of Janky Smooth” related:

Return to Reign: Sound and Fury Presents Terror and Strife at 1720
How crazy is it that it’s been three years since the last Sound and Fury? Here was this festival that acted as a living metaphor for eternal youth and summer love, and then it got suspended by lockdowns that in essence froze people’s minds from maturing while their bodies very much got three or five or ten years older over the pandemic. Still though, the relevance of the bands that made Sound and Fury so special haven’t been diminished one bit since they demolished the Belasco. Mindforce and Dead Heat are still the young princes in this kingdom. Meanwhile, Terror and Strife are still kings. related content: L.A.’s Best Festival is Sound And Fury (imo). Here’s Why: Dead Heat opening a hardcore show must mean there’s some kind of killer lineup ahead. Usually, this band is either the closer or direct support, brought out as some kind of secret weapon to really get the festivities popping off, but this show was almost a mini-festival, and the pits needed to be wild right from the jump, so who better than Ventura County’s own nardcore royalty, Dead Heat? Nobody’s better, that’s who. related content: Boston Calling: Sound And Fury 2019 Legendary New

