Tag: metalcore

Janky Fresh Friday- Dropkick Murphys/Haywire split ep

Janky Fresh Friday: New Dropkick Murphys/Haywire split ep and more

Happy Janky Fresh Friday! This week we had an incredibly festive St. Patrick’s Day release of Dropkick Murphys and Haywire’s split EP, bringing two different generations of the Boston hardcore punk scene together for an experience that really exposes how many of the struggles and core ethics of the 90’s scene are still present today. Similarly, we have the debut release of SoCal DIY darlings Start Today’s first album and the anticipated reunion album of Poison The Well’s first release in 16 years. Whether you’re an oldhead from the 90’s hardcore punk scene or a Gen Z crowd-killer who just got into the genre during its recent post-Covid explosion, we have you covered with new releases that will have you more hopeful than ever for the state of the scene. related: Janky Fresh Friday – Kim Gordon, HEALTH, Lamb Of God, and James Blake Dropkick Murphys & Haywire: New England Forever split (released March 17, 2026)- Dummy Luck Music related: Saint Patrick’s Day w/ Flogging Molly at The Hollywood Palladium Dropkick Murphys are no strangers to releasing surprise split EP’s that rival their full-length studio albums, with their 2006 “Mob Mentality” split featuring The Business (RIP Micky Fitz) being one

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Fleshwater shot by Adam Arvizo

Sound and Fury Fest 2023: The Stage Dive Will Never Die

Sound and Fury is easily my favorite music festival, and consistently takes the spot as the best weekend of the year for me without fail. Returning again to Exposition Park for the second year in a row, the controversial choice to move the festival outdoors has proven again to succeed as a hardcore experience exclusive to Sound and Fury. The overwhelming heat and dust clouds were absolutely brutal this year compared to 2022, but passionate fans were not going to let anything stop them from hardcore dancing all weekend long. This was also the second year with involvement from art collective and fashion brand Brain Dead, and their influence could be seen everywhere from the stage backdrops to exclusive merch designs. Sound and Fury is absolutely unmatched when it comes to finding the best collaborators and vendors to help with making their vision come alive, something that more music festivals should take note of in the goal of creating an unforgettable experience that everybody in attendance feels a need to come back to. related: Risks Make Better Memories than Nostalgia – Sound and Fury 2022 One of the biggest draws to Sound and Fury’s 2023 lineup for me was the

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Bleeding Through

A Bloody Reunion: Bleeding Through At The Observatory

Back in the early 2000’s when I was a strapping young teenager, MTV2’s resurrected Headbanger’s Ball was a relevant place to get your metal fix and hear new bands. In those days, the young kings of the hill were Killswitch Engage, Mastodon, Lamb of God, Shadow’s Fall, and Bleeding Through. Unlike the other bands I just mentioned, Bleeding Through wasn’t just metal but metalcore, a genre that I always relegated to nothing more than Emo’s angry bastard child.  Bleeding Through is not only the exception to this (stupid) rule of mine but they’re one of my favorite bands. related content: The Most Complete Sound And Fury 2017 Review On Earth After going on a five year hiatus, Bleeding Through is back with one of the best metal albums I’ve heard all decade. Love Will Kill All is in my opinion, the band’s best album. Every song kicks ass and is perfectly set in the track list to sculpt a greater concept of what the band was, is, and will always be. The heavy parts hit more authentically than other metalcore bands in 2018 and the melodic parts capture you with undeniable hooks. The album’s first single “Set Me Free” is

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Converge

Dusk At Midnight: Converge At The Regent Theater

Converge is not just a band to me, Converge is a concept. Fresh off the heels of one of 2017’s best releases in extreme music, the band embarked on a stacked tour with metal heavyweights Cult Leader and Sumac as openers. All three bands are worthy of headlining the Regent and the length of their sets reflected that reality. Converge is known for having some of the most violent shows of any band still playing. And to me, in regards to concerts, violence might as well be synonymous with excitement and greatness. Among the others to top the list of most violent audiences were that of Trash Talk and The Dillinger Escape Plan, each of those bands has something about their sound and presence that triggers a primal instinct within the listener. Converge’s sound encapsulates many harsh realities that their fans relate to. The crunchy guitars, bombastic machine-gun drums, and Jacob Bannon’s rabid doberman vocals all brew together to sound like emotional dysfunction, that hard knock street life, nihilism, betrayal, death, decay, and devastation. related content: Trash Talk, Ratking and Pangea: Slam Dance 101 At The Echoplex What people now know as metalcore, bands like Suicide Silence or Parkway Drive,

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