
Tag: Alternative Rock

Toadies, Local H, Sparta and The Ghost of Steve Albini at The Belasco
When I was little, around four or five, I was convinced that if you made direct, sustained eye contact with a snake it had the ability to hypnotize you. Your body and soul would bend into a trance-like state. Your prefrontal cortex would be at the mercy of the serpent before you and there was no fighting it. Being a ‘90s kid raised on worn-out VHS tapes, this was the direct influence of repeatedly being glued to a tired copy of “The Jungle Book”. Of course, that belief faded away as I got older. Snakes simply don’t possess that kind of power. But on May 1, 2026, Texas-bred alt-rock legends Toadies proved that while snakes don’t, amphibians certainly DO when they released their newest album, The Charmer; my brain hasn’t fully recovered since the LP engineered by the late Steve Albini bellied its way in. On Saturday, June 13th 2026, I shuffled into the Belasco Theater located in Downtown Los Angeles, just as the historic building is celebrating a monumental 100 years. I adore The Belasco with its intricately designed Churrigueresque revival interior. The expressive, elaborate detailing hand-crafted into the centenarian’s walls. The ceiling that feels like it’s lived a

The Saints at the Teragram Ballroom: Still Stranded After All These Years
I never thought I’d ever get the chance to see The Saints live, especially after the passing of frontman Chris Bailey. When I heard the band was reuniting with a new lineup, I had my doubts. The Saints are a legendary Australian band whose influence shaped countless others. But seeing their current incarnation on November 5, 2025 at The Teragram Ballroom, featuring original members Ed Kuepper and Ivor Hay, proved that they truly do justice to the old classics. The lineup was rounded out by Mark Arm (Mudhoney), Mick Harvey (Nick Cave & The Bad Seeds/The Birthday Party), and Peter Oxley (The Sunnyboys). Touring as The Saints ‘73-‘78, they focused on the band’s golden years-and it was everything a fan could hope for. Of course all the obligatory “hits” were played like “I’m Stranded” and “This Perfect Day.” The 90-minute set was perfect. related: Cruel World 2025 at The Rose Bowl – We’re Only Happy When It Rains Opening the night were The Chimers, an Australian guitar/drum duo who delivered a driving post-punk set that perfectly set the tone for what was to come. Words and Photos: Albert Licano The Saints at the Teragram Ballroom weren’t just a nostalgia trip-they

