Category: SHOWS

Acid Bath by Jessica Moncrief

Acid Bath at Hollywood Palladium: Venus Blues and Bayou Sludge

Acid Bath was the one band no one thought would ever reunite. They were a flash in the pan at one point, considered a glitch in heavy metal history—yet simultaneously, they were the band everyone wanted to be and emulate, the band that inspired subgenres from the edges of extremity to the depths of doom and across the entire spectrum of stoner rock and roll. That’s why Acid Bath’s show at the Hollywood Palladium on August 22nd was charged with much more power and gravitas than a typical reunion. It was a moment written in stone, acknowledging that the kings of the New Orleans heavy music scene would one day return to their rightful thrones. The anticipation had been building for years among fans who never truly believed this day would come. The venue itself seemed to understand the weight of the occasion. The Hollywood Palladium, with its storied history of hosting legendary performances, provided the perfect backdrop for what would become a defining moment in heavy music. As fans filed into the historic theater, there was an electric tension in the air—a mixture of disbelief, excitement, and the kind of reverence typically reserved for religious experiences. related – Memoirs

Read More
Glass Beams by Michelle Evans

Glass Beams at Ventura Music Hall: Desert in a Bottle

This has been a psychedelic week for me, still feeling the afterglow of seeing Pigs x7, so before I could enter this new trip closer to home, I needed to sober up off the lingering sonic buzz. I wanted to clear out the leftover distortion rattling in my head so I could step into the Ventura Music Hall with ears and mind ready to feel the pure, authentic high off the sound of Glass Beams. related: Pigs x7 Launch North American Tour At Lodge Room Glass Beams plays in the tradition of distorting and disrupting traditional, exotic world music into modernized, minimalist psychedelia. Their music doesn’t need to shout, roar, or crash like a doom riff to get you there; it works in repetition, mood, and layering. It works in space. They aren’t the first to attempt this blend and they won’t be the last, but at the moment, they feel like the only band making traditional world music vibrations consumable for folks interested in dancing on clouds, instead of just headbanging in basements. Shows like this are rare in Ventura, though they strike a nerve in both artist and audience that no other city quite can. Ventura has always

Read More
Pigs Pigs Pigs Pigs Pigs Pigs Pigs at The Lodge Room by Lexi Bonin

Pigs Pigs Pigs Pigs Pigs Pigs Pigs Launch North American Tour at Lodge Room

Pigs Pigs Pigs Pigs Pigs Pigs Pigs, OR Pigsx7 launched their North American tour from the Lodge Room in August, staining the sacred planks of the venue with more sweat and abandon than bands are typically used to expelling throughout a set. For those not in the blissful know, Pigs x7 are a beloved heavy band that’s been adopted by the LA psych scene, one able to discharge hallucinatory spores from their pores during their intense performances that induce pure rock and roll rapture. Their songs breakdown the same way your body does when in their crosshairs. And just when you’re completely destroyed and a pile of rubble before them, they find a way to engineer your rock and roll rebirth in their image. How this crossover from psych to metal took place was a mystery for me and the inspiration that made me trek out to their show in the hopes of catching an earful of insight into what sonic sinew connected their sound to the standard Desert Daze LA hipster. Somewhere between Sabbath worship and The Doors, Pigs x7  managed to straddle the line of two fanbases that, while sharing some DNA, rarely overlap this seamlessly. related: Desert Daze

Read More

Midnight And Ghoul at The Poor Kids Mansion

If you’ve never been to a sanctioned or unsanctioned show or event at The Poor Kids Mansion in the Lincoln Heights neighborhood of L.A., can you even consider yourself a part of the punk and metal scenes of Los Angeles?  Of course you can.  But if music scenes were like levels on a video game, this would be one of the challenges along the way to some abstract street cred needed to complete the level. On top of a dead end, hilltop street just off Broadway, is an address that has been made public over the years but I still hesitate to mention.  In a somewhat dilapidated 120 year old, 4 story estate whose windows have one of the best views of downtown in the city, is a residence and clubhouse called the Poor Kids Mansion. In the backyard you can see punk rock, thrash and sometimes, backyard wrestling- complete with a pro wrestling ring.  There is also a ring inside the house- three of them, in fact.  And the ring master of this circus is Russ.  He and his brother Dougie are the Poor Kids.  There are more Poor Kids but if you say that name, Russ and Dougie

Read More
MSPAINT at the Lodge Room by Taylor Wong

MSPAINT and Lip Critic at Lodge Room- Disturbing The Peace

On an undersold Thursday night at the Lodge Room on a quiet night in Highland Park, MSPAINT made their tour stop in Los Angeles to support the No Separation EP. They brought with them Pat and the Pissers and a band that caught my attention at the end of 2024, Lip Critic. I really love MSPAINT but I traveled cross town to see what the fuck this weird, experimental band Lip Critic would sound like live and how the fuck they made the sounds that had been coming out of my speaker the last 6 months. I arrived in time for a REALLY great band out of Indianapolis- Pat and the Pissers. They are a interesting Descendents punk mix of confrontational, charismatic and borderline technical players. Bass player Kilmer stood out immediately but I quickly realized that the entire band was tight and lead singer Alex Beckman was born to sing at people. related: Model/Actriz- Pirouette New Album/Bend Bodies/Break Brains At the end of an extended schmoke break between sets, we heard strange rumblings and sounds coming from the venue. We rushed upstairs to find the 4 Lip Critic lunatics thrashing about the stage, 30 seconds into their set with

Read More
Deltron3030 at Bellwether by Taylor Wong

Deltron 3030 Re-Unite At The Bellwether for 25 Year Anniversary

The thing about seeing Deltron 3030 live is that it’s not just a concert—it’s a time machine. Not one of those glitchy, steam‑punk contraptions with brass pipes and smoke pouring out the back, but a sleek, fully automated warp gate run by a mad scientist producer, a turntablist wizard, and a hip‑hop storyteller who sounds like he’s rapping dispatches from the year 3030 straight into your eardrums. On Friday night, The Bellwether didn’t just host a rap show; it hosted a landing. This was the first of two sold‑out LA dates on the 25th anniversary tour for Deltron 3030, a debut, self titled album that’s not just music for me—it’s a life marker. related: Tyler’s Camp Flog Gnaw 10 Year Anniversary Intersects w/ Chromakopia Number 1 My cousin handed me the Deltron 3030 record when I was 13 years old. I still remember the look in his eyes—half‑mischief, half‑knowing—when he slid the jewel case across the table like contraband. Up until then, rap for me meant whatever MTV and Power 106 were pumping out: a lot of chart‑chasing hooks, a lot of swagger, not much in the way of world‑building. But the Deltron 303 album… it was cinematic. It was

Read More
Basement by Joe Calixto at Sound and Fury 2025

Sound And Fury 2025: Everybody Spin Kick!

“Everybody spin kick!” was the order given in the first 4 bars of the first breakdown by Mindforce frontman Jay Petagine,Saturday headliners at the Cream Stage at Sound and Fury 2025. featured image- Basement: Joe Calixto  It was the first time I was IN the pit at Sound and Fury 2025 on Saturday at Exposition Park and not backstage or out on the periphery- the difference between a nice view of the ocean or swimming in it. I use boxing’s “crab defense” during these explosions. I recommend it highly. It’s allowed me to play defense and even though the best defense is a good offense, I don’t like physically hurting people as much as I used to. It made me think of the meme about hardcore dudes in the pit past 40 and the tendency toward excessive violence toward children… and this feels like the perfect platform to explain this cultural phenomenon… related: Relive Every Sound and Fury for the Last 10 Years The first time I got hit in the head with an errant fist for fun and not fighting was in my late 30’s- not old for the world but certainly old in a music scene. Old enough

Read More
Tune-yards at the Bellwether by Lexi Bonin

tUnE yArDs Light Up Los Angeles Past Curfew At The Bellwether

On June 11, 2025, the art-pop rebels known as tUnE yArDs lit up The Bellwether in Los Angeles with a performance that was equal parts dance party, peaceful protest rally, and spiritual awakening in a swirly ice cream cone.  The sold-out show was a centerpiece of the band’s long-awaited 2025 tour in support of their sixth studio album, Better Dreaming—a record that is already being hailed as one of their most powerful statements yet. But the tone of the city outside couldn’t help but seep it’s way into the minds of everyone inside the venue.  The voice and the conscience of tUnE yArDs, Merrill Garbus spoke for the audience when she expressed solidarity with Los Angeles and how good it was that we could all be together, to dance together and let go for a few hours.  Prophetic gratitude, indeed. related: Youth Code Break The ICE at The Echo- Yours, With Malice The Bellwether Show: A Night of Radical Joy Taking the stage just after 9 p.m., Merrill Garbus and Nate Brenner launched into a hypnotic, high-energy set that spanned the full arc of their discography—from the raw chaos of early work to the groove-drenched anthems of their latest LP.

Read More
Cypress Hill at Cali Vibes by David Smith

Cali Vibes Festival 2025- Peace in Long Beach

The sun shined bright all weekend at the 2025 Cali Vibes Festival, where tens of thousands of music lovers gathered in downtown Long Beach to escape the tension of nearby LA protests and soak in the mellow vibes of Marina Green Park for a melodic respite from all the unrest. Now in its fourth year, this Southern California reggae and hip-hop festival drew a massive crowd of roughly 75,000 attendees—greeted on Ocean Blvd by protesters waving Mexican flags and holding signs that read “Fuck ICE”. Despite the potential for tension, the crowd remained peaceful, mellowed out by good vibes and good music. And though this year’s lineup stuck close to its reggae roots, the inclusion of acts like Kid Cudi, Cypress Hill, and Ludacris elevated the experience with a fresh, genre-blending energy. Reggae, Hip-Hop, and a Touch of Punk: 2025 Lineup Highlights   The 2025 Cali Vibes Festival lineup offered a carefully curated mix of reggae legends, hip-hop icons, and emerging artists. Familiar names like Slightly Stoopid, Iration, and Stick Figure returned, joined by younger talent including YG Marley and DENM, creating a truly multi-generational experience. For fans looking for more than music, the festival also expanded its offerings with

Read More
Peach Pit at The Greek Theater by Michelle Evans

Peach Pit & Briston Maroney Spellbind The Greek Theater

June 11 2025 felt tailor-made for an outdoor indie double bill. Ticketmaster billed the evening as Peach Pit & Briston Maroney — Long Hair, Long Life Tour and promised an “all-ages indie celebration.” The sun slipped behind Griffith Park just as doors opened at 5:30 p.m., giving 5,800 fans plenty of time to explore merch, sip local brews, and admire the Greek Theatre’s art-deco façade before the 7 p.m. start time. Briston Maroney: Folk-grunge fireworks to start the night Knoxville-raised singer-songwriter Briston Lee Maroney cut his teeth on American Idol at 15, busked bluegrass tunes through Tennessee, and independently issued EPs before landing with Atlantic Records. His gold-certified single “Freakin’ Out on the Interstate” paved the way for full-lengths Sunflower (2021), Ultrapure (2023) and the brand-new Jimmy (May 2025), a record that pairs confessional lyrics with grungy guitar crescendos. Stepping onstage beneath faux evergreens and twinkle lights, Knoxville native Briston Maroney treated L.A. like his own backyard campfire. He hurled himself into opener “Small Talk,” then immediately demanded a louder response: “Feel it tonight, Los Angeles—really feel it!” related: Music For Trees- P.J. Harvey at The Greek Theater Maroney’s nine-song set hopscotched through every era of his catalog: “Under My

Read More
Youth Code at The Echo by Taylor Wong

Youth Code Break The Ice At The Echo: Yours, With Malice

This past Saturday, June 7th, the post-punk industrial outfit, Youth Code, returned to The Echo in Los Angeles for their first headlining show in this city in 9 years. L.A. is the city from which Youth Code spawned so, that hiatus is enigmatic on its own. Why has it been so long and why now? The latter, easy to answer — Yours, With Malice, the new EP released last month on May 16th by Sumerian Records. Spoiler alert: It’s a fucking banger. In the shadow of the ICE raids and protests happening downtown and all over the city, Youth Code and their supporting act, Sweat played a show- one of the best club shows I’ve seen all year and it was fitting it was at The Echo for many reasons. I knew nothing about the band Sweat but they announced their presence with authority. Sweat are a hard-hitting hardcore-punk trio from Los Angeles, formed in 2019 by veteran SoCal scene members Tuna Tardugno (vocals), Justin Smith (guitar/bass), and Anthony Rivera (drums), formerly of outfits like Graf Orlock, Dangers, and Dogteeth . With razor-sharp riffs, metallic hardcore energy, and an unhinged and frenetic live show by their ringleader, Tardugno, they channel influences ranging from Cro‑Mags

Read More
The Adicts by Yosra Shaibi

The Adicts- One of Punk’s Most Enduring Acts In Midst of Legendary Tour

Fresh off a mind-blowing set at Punk Rock Bowling in Las Vegas, The Adicts hit the West Coast running—selling out every Southern California date, including San Diego, Los Angeles, and Pomona. Demand was so overwhelming that they added a last-minute extra night in Pomona to accommodate the flood of fans. Over the course of four unforgettable consecutive nights, they delivered their signature blend of theatrical punk and unshakable optimism to rooms packed with loyal fans, first-timers, and multiple generations of droogs—all coming together to celebrate the simple miracle of being alive in the moment. Even though The Adicts have been spreading joy for nearly five decades, punk isn’t just nostalgia with this band, it’s present-tense, kinetic, and thriving. Since the late ’70s, The Adicts have been singing songs of praise for the weird, the wild, and the joyfully defiant—reminding the world to stay playful, live loud, embrace autonomy, and not take life so fucking seriously. related: Hat Trickers And Lower Class Brats at Bootleg Theater- A Real Horror Show The Drowns opened each evening on a high note with a fun, energetic set of melodic punk. Their stage presence was undeniable, each member brought their own charisma, and together they

Read More
Scroll to Top

Subscribe to the Janky Newsletter

ticket giveaways, exclusive content, breaking news and of course- Music, Art & Activism