Tag: featured
James Chance and the Contortions Play First Show in L.A. Since 1984
Rob Shepyer
March 23, 2017
James Chance and the Contortions Zig and Zag, Jig and Jump at The Echoplex This Past Sunday for Part Time Punks Gig Sometimes punks become so punk that you can’t even call them punks anymore. Sometimes punks become so punk that they turn punk into jazz. But before they dive head-first into crate-digging for Japanese pressings of Thelonious Monk records, they discover the bridge between the two genres: No Wave. Punk rock saxophone has always held a special place in my heart. Whether it be Steve Mackay playing on my favorite album, The Stooges’ Funhouse, or it be Derf Scratch pouting out “New York’s Alright if You Like Saxophones”, or if it be X-Ray Spex ripping through “Oh Bondage, Up Yours!” The Saxophone always seemed to me to be a superior phallus to the guitar that can make any punk sound peak into pure Dionysic release. Never has there been a better practitioner of punk rock saxophone than the man, Part Time Punks just wrangled to play The Echoplex. It only took 33 years but on Sunday March 19th, James Chance and the Contortions finally made it back to Los Angeles. I had been waiting and hoping for years that this would
Read More
My Meat Puppets Misconception at The Echo
Janky Smooth Central Command
March 21, 2017
I Thought Whiskey Would Be Garnish for A Meat Puppets Show “Hey…you wanna buy some acid?” The voice came from the direction of a gangly teenager, standing with his cohorts, a few doors down from The Echo. This took me by surprise because…well, just because. In my mind I had the Meat Puppets pegged as some hard-living punk-rock band, not as a bunch of hippies. That’s one of the reasons why I jumped at the chance to join photographer, Jessica Moncrief in an outing to review their live show. Of course, I knew the Meat Puppets, but I’d never seen them live and only a few of their tunes were well known to me. Words: John Montgomery Photos: Jessica Moncrief I always kept the Meat Puppets in high regard, but I really didn’t know what the hell they did to occupy such a space in my mind. Shit, maybe I was a poser after all? Time to make things right! The sold out show was the hot ticket on this March weeknight and it was starting to feel like the night would even be better than eating tacos. related content: The Brian Jonestown Massacre in L.A.- Music Snobs & Fentanyl
Read More
New Song Premier: Raj and the 100’s- ‘No Suicide’- Heartbreaking Beauty
Aria Silva-Espinosa
March 21, 2017
We don’t really know much about who Raj Sabhlok is or where he came from but when we were sent the opportunity to premiere the first song in a series of 100, most of which were recorded in a recording studio owned by John Vanderslice. When we heard “No Suicide”, we were in. If you’re a fan of The Growlers, Kevin Morby and Devendra Banhart, you should love Raj and the 100’s. Let us know what you think! We all process loss differently; self-imposed isolation, submitting to one’s vices or even complete disassociation are not uncommon coping methods particularly in the early stages of grieving. Raj Sabhlok instead sought solace through the creation of Raj and the 100’s, a project which came about following the sudden passing of his parents. He traded the comfort of his home for and RV and spent two years traveling the United States, reflecting, exploring internally and exploring the vast wilderness along the way. For the duration of the his musical pilgrimage, Raj composed an impressive collection of about 300 songs. Eventually his journey landed him at Tiny Telephone, the San Francisco-based analog recording studios owned by songwriter/producer John Vanderslice. Vanderslice has recorded with a
Read More
Take This: Two Tickets To See The Orwells at The Observatory
Janky Smooth Central Command
March 20, 2017
The Orwells are coming to the Observatory in Orange County this Friday, March 24th. The Orwells are one of the most badass young live bands in rock n roll right now. Every element in authenticity is present in their live set. Air tight band and sloppy, blacked out dispositions that mouth whore around the venue on any given night. When their sophomore album, Disgraceland dropped in 2013, it solidified them the “real deal”- appealing to legions of discerning indie hipsters and vapid mainstream mass appealers alike. Now they are touring in support of their 3rd album, Terrible Human Beings. I’ve seen The Orwells play a handful of shows and two of the best were at The Observatory. Most recently was this time last year at Burger Records week long celebration of their partnership with the venue. The video embedded into this post should tell you everything you need to know about the set they played on the last night of a 7 day marathon celebration at the venue: “Mario Cuomo unleashed upon adoring fans of The Orwells a yeoman’s performance of drunken, sloppy but precise and sexual rock and roll frontmannery. The Orwells were fantastic. I hadn’t seen them since just
Read More
My 1st Show at The Echo With Old Pals & New: Surfbort & Feels
Jesse Fox
March 18, 2017
As a photographer who primarily lives and works in the midwest, covering a show at The Echo was a bit of a check-off from my unofficial venue bucket list. Living in Ohio, you’re oftentimes passed over on tours (shocking, right?) So, upon finding out that not only would I be able to see my friends in Surfbort, but that I’d finally be able catch Feels all in one place, it made covering this show a highlight of my recent trip to Los Angeles. The difference in vibe in the lineup might be part of the reason that every other band that played, including headliners, The Molochs fell a little flat for me. Sorry guys. related content: Spending the Week w/ Feels Debut Album from Castle Face Records Surfbort: Innocent Punkers or Deranged Occultists? Brooklyn based four-piece Surfbort kicked off the night and the first show of their west coast tour. Despite being jet-lagged, singer Dani Miller’s energy was contagious as she interacted with both the crowd and her bandmates. Erratic dance moves and a giant smiley face mixed with her yelling and at times, laughing vocals, had me wondering if she was an innocent little punk just havin’ a little
Read More
Take This: Two Tickets To See Kate Tempest at The Constellation Room
Janky Smooth Central Command
March 18, 2017
If you’re ANYTHING like we are, you are thirsty for an artist or musician to say something tangible and inspiring and infuriating on the state of our world. Like they used to. To say the things that so many of us are thinking . The things that so many others say to forget because we can’t change them anyway, when the truth is that if we all descended on the halls of power like a human tidal wave, we could wash away the corruption and indifference to human suffering with the weapon in our wallets. Almost overnight. We think Kate Tempest could very well be that artist and she’s coming to Southern California this week on her first U.S. tour in support of last year’s album, Let Them Eat Chaos. Not only that but she’s being supported by extraordinary beat producer, Boom Bip. Janky Smooth is giving away 2 TICKETS TO SEE KATE TEMPEST AT THE CONSTELLATION ROOM INSIDE THE OBSERVATORY IN SANTA ANA on Wednesday, March 22nd. To win tickets simply follow Janky Smooth on Facebook, IG and/or Twitter and share this post on any or all of those sites. That’s it. Winner will be selected on Tuesday March
Read More
The Significance of Japandroids Unknown to The Observatory Security Staff
Janky Smooth Central Command
March 17, 2017
A Hockey Game: An Acceptable Canadian Excuse to Be Late For Japandroids Set at The Observatory I arrived at the side of the Observatory stage for Japandroids at 10:11 pm, soaked in sweat from the glory of winning a hockey game that ended 20 minutes earlier, and dealing with the security guards at The Observatory. Despite proof of credentials, I still found myself waiting outside the venue in front of a closed box office until the staff of seven security guards at an empty door gave in and let me through. Nevertheless, I was reassured that none of the staff had any idea who I was, or why any publication would care to cover this show. Observatory Suggestion Box: Hand Out Press Releases To Security Guards Like Daily Specials to Waiters Yes, perhaps they were just doing their job which didn’t include taking note of the endless accolades Japandroids had garnered over their first ten years as a band. Were they truly oblivious to the fact that Spin Magazine had only five years earlier called them Band of the Year in 2012? Perhaps they had never known about Japandroids dominance on top ten lists for when their second studio album, Celebration
Read More
New Song Premiere: Lord Loud- “The Hand” from Passé Paranoia
Janky Smooth Central Command
March 17, 2017
This premiere of “The Hand” is the first the world will hear from the Passé Paranoia LP from L.A. based, heavy psych rock outfit Lord Loud. Passé Paranoia is due out April 18th on King Volume Records in the U.S. and Kozmic Artifactz in Europe. Until then, check out this gem, “The Hand”. <a href=”http://lordloudmusic.bandcamp.com/album/pass-paranoia”>Passé Paranoia by Lord Loud</a> When Janky Smooth spoke to front axe man, Chris Allison about the history of this band and the album, he told us, “Michael (drums) and I repurposed a sweaty garage in Van Nuys and built a studio for ourselves to self record this LP using supplies previous tenants left like- 48 shipping blankets and whatever mics we could borrow from friends and strangers alike.” Lord Loud Songs are sure to kill your neighbor’s lawn when played at high volumes. In the line of great American pairings like: – apple pie and baseball – sex and drugs – Beavis and Butthead Could Lord Loud be the next, great American duo of rock? This hardworking, heavy psych 2-piece bring sound the size of a 70’s 4 piece garage band but have only 4 hands total to pull that off. That fits nicely with the limited
Read More
Identity Politics in America-Part 1: Mind Control for Dummies
Danny Baraz
March 15, 2017
Did you ever wonder where the debate over trans-gender bathroom rights came from? Surely there must’ve been some actual incident, some gender-identity 9/11, something horrific enough to mobilize both conservative and progressive activists into their current scorched-earth strategy of political opposition, leaving nothing but worn-out pundits in their wake? Did a gang of drag queens assault an underage girl in a Disneyland bathroom? Though seldom acknowledged, the debate actually started in Houston from a local anti-discrimination bill: the Houston Equal Rights Ordinance (HERO). It passed into law in 2014 with widespread support across city council party lines. Yet HERO was repealed only a year later after opposition groups like the Family Research Council created petitions and fear-mongered over men dressing in drag to assault little girls in the bathroom. Then when North Carolina did its thing, Houston was all but forgotten. Whether or not an actual incident occurred suddenly was beside the point. Welcome to Identity Politics in America. Identity politics (IDP) needs no historical context or accuracy to serve its real purpose: keeping the spotlight off events that actually impact voters’ lives. That’s not to say that we shouldn’t care about the most marginalized in our society or fight for them. 0.6 % of the U.S. population are
Read More
Desert Daze Takes It’s Caravan On The Road
Danny Baraz
March 15, 2017
Here we are, almost 6 months after the Desert Daze festival took place at The Institute of Mentalphysics in Joshua Tree and we still can’t stop thinking about it. It’s the type of experience that AEG exits are made of. A festival that is rich with so many memories of once in a lifetime sets and lifelong friendships that began that weekend are burned in our brains forever. related content: Desert Daze 2016- Quantifying the Physics of a Good Time The folks at Moonblock are not your stereotypical musicians and artists. You know, the ones from paradigms past that lived off their stripper girl friends and never had a job. No, they are part of this new, global artist community renaissance that is characterized by entrepreneurship and hustle. They fill the vacuum left in the ruins of the major record labels with a balance of bands, indie record labels and booking agencies like Phil and Julie Pirrone have with Desert Daze, The Space Agency and their respective bands, JJUUJJUU and Deap Vally. They are filled with family. It’s in this vein that the Pirrone’s put together the Desert Daze Caravan that has been touring since February and are currently stopped in
Read More
Dr Octagon: 20 Years Later, Kool Keith & Crew Play 1st L.A. Show
Jessica Moncrief
March 14, 2017
Hip Hip lovers rejoiced when The Teragram Ballroom announced that Dr.Octagon would be playing the first ever live performance in LA with the original trio of masterminds that gave us “Dr. Octagonecologyst.” In 1996 Kool Keith’s alter ego Dr.Octagon along with Dan “The Automator” Nakamura and DJ Qbert brought forth one of the most epic cult classics in Hip Hop history, yet never once played a show together. More than 20 years later the elusive group surprised everyone with a handful of reunion shows. An Iconic Project from an Iconic M.C. Kool Keith took a different eccentric approach to hip-hop. While he always has maintained his roots from the The Ultramagnetic MCs days, his lyricism wasn’t what the typical hip hop artists of that time were on. He was on some bizarro lyrical shit, garnering him a huge cult like following of weirdos and freaks from every end of the spectrum. Witnessing Hip Hop History at The Teragram Ballroom Blogger, Cesareo Garasa’s online reaction to the news was totally on point, he wrote “This terrifies me. His music terrifies me on some unknown level. I can’t listen to it– even though I enjoy it– without being filled up
Read More
A Camera, Notebook & A Foul Disposition for Sinkane at The Bootleg
Todd Anderson
March 14, 2017
There’s no way to write about last night without it being personal, deeply personal. While in the midst of a debilitating depression, of which I am prone to, my friend and my girlfriend dragged me into the Bootleg Theatre, minutes before Sinkane was to take the stage. I had my camera, notebook, and a foul disposition… attempting to focus on shooting something… anything to get out of this funk that had ahold of me and secretly planning to leave at the drop of a hat. As Sinkane’s 8 diverse members found their places on the stage, I had no way of knowing I was about to be transformed, changed, grooved right out of the deep darkness I was in. I look up and see the drum reads Sinkane, and right below Kulu Shi Tamaam- but I’ll get to that later. By the end of the first song, I realize Sinkane has mastered the art of build up. I’m uneasy and still not quite sure of what is going on. I snap some photos, grateful for the task. By the third song, I feel it- that indescribable feeling you get when music transports you somewhere else, somewhere good, somewhere so far
Read More