Tag: featured

Cypress Hill at Cali Vibes by David Smith

Cali Vibes Festival 2025- Peace in Long Beach

Dave Unbuckled June 18, 2025

The sun shined bright all weekend at the 2025 Cali Vibes Festival, where tens of thousands of music lovers gathered in downtown Long Beach to escape the tension of nearby LA protests and soak in the mellow vibes of Marina Green Park for a melodic respite from all the unrest. Now in its fourth year, this Southern California reggae and hip-hop festival drew a massive crowd of roughly 75,000 attendees—greeted on Ocean Blvd by protesters waving Mexican flags and holding signs that read “Fuck ICE”. Despite the potential for tension, the crowd remained peaceful, mellowed out by good vibes and good music. And though this year’s lineup stuck close to its reggae roots, the inclusion of acts like Kid Cudi, Cypress Hill, and Ludacris elevated the experience with a fresh, genre-blending energy. Reggae, Hip-Hop, and a Touch of Punk: 2025 Lineup Highlights The 2025 Cali Vibes Festival lineup offered a carefully curated mix of reggae legends, hip-hop icons, and emerging artists. Familiar names like Slightly Stoopid, Iration, and Stick Figure returned, joined by younger talent including YG Marley and DENM, creating a truly multi-generational experience. For fans looking for more than music, the festival also expanded its offerings with

Peach Pit at The Greek Theater by Michelle Evans

Peach Pit & Briston Maroney Spellbind The Greek Theater

Danny Baraz June 17, 2025

June 11 2025 felt tailor-made for an outdoor indie double bill. Ticketmaster billed the evening as Peach Pit & Briston Maroney — Long Hair, Long Life Tour and promised an “all-ages indie celebration.” The sun slipped behind Griffith Park just as doors opened at 5:30 p.m., giving 5,800 fans plenty of time to explore merch, sip local brews, and admire the Greek Theatre’s art-deco façade before the 7 p.m. start time. Briston Maroney: Folk-grunge fireworks to start the night Knoxville-raised singer-songwriter Briston Lee Maroney cut his teeth on American Idol at 15, busked bluegrass tunes through Tennessee, and independently issued EPs before landing with Atlantic Records. His gold-certified single “Freakin’ Out on the Interstate” paved the way for full-lengths Sunflower (2021), Ultrapure (2023) and the brand-new Jimmy (May 2025), a record that pairs confessional lyrics with grungy guitar crescendos. Stepping onstage beneath faux evergreens and twinkle lights, Knoxville native Briston Maroney treated L.A. like his own backyard campfire. He hurled himself into opener “Small Talk,” then immediately demanded a louder response: “Feel it tonight, Los Angeles—really feel it!” related: Music For Trees- P.J. Harvey at The Greek Theater Maroney’s nine-song set hopscotched through every era of his catalog: “Under My

Spiritual Cramp at Regent Theater by Taylor Wong

Spiritual Cramp: Alive at the Regent Theater

Danny Baraz June 6, 2025

Last month on May 21st, Spiritual Cramp opened a show for Bad Nerves at The Regent Theater. We here at Janky Smooth have been mildly obsessed with Spiritual Cramp- mostly theorizing on why they aren’t headlining shows like this yet. Because once you see them live, the band leaves no doubt. Spiritual Cramp released their first full length, self titled studio album in 2023 to go with 4 EP’s and a slue of singles. Every release is solid. But do yourself a favor- if Spiritual Cramp come to your town, do whatever you can to go see them. related: LA’s Best Festival is Sound and Fury- Here’s Why (2018) When you first hear the name Spiritual Cramp, you’re not sure if you’re about to get hit with a darkwave sermon or an exorcism of punk rock demons. But once the needle drops—or they hit the stage—you know exactly what you’re in for: a sweaty, soul-drenched blast of refined angst, post-punk groove, and swagger that may not be unique to them but they certainly take it to it’s purest form. Now stationed in Los Angeles, Spiritual Cramp is the band you didn’t know you needed—until you see them and your taint

Justice at Santa Barbara Bowl shot by Michelle Evans

Justice at Santa Barbara Bowl: Disco Church

Janky Smooth Central Command May 27, 2025

The rural hills of Santa Barbara received a much-needed disco disruption in the form of Justice performing at the SB Bowl for their Hyperdrama North American tour. Since their inception with 2007’s Cross, French DJ duo Justice have broken the mold of what electronic music should be, reinventing themselves and the genre each time they release an album. 2024’s Hyperdrama follows in the band’s rich tradition of innovation and boundary-pushing, all while staying cool and lowkey about it. Hyperdrama features appearances from Tame Impala and Miguel, adding dashes of psychedelic rock and R&B to an already expansive sound. Justice, unlike other electronic groups, aren’t committed to simply blending electronic music with rock or industrial or disco, like they were once notorious for with songs like “Stress.” Justice’s M.O. is much bigger—to cover the entire musical landscape through the Justice lens, which amplifies the power, tension, and release of songs while making them headbanging anthems audiences can dance the night away to. related content: Stone Age Swagger: Queens of the Stone Age at SB Bowl A Justice show is a communal experience. Every time the duo plays “We Are Your Friends” on loop, audiences grow closer together around the group. And though

King Tuff Farewell at The Lodge Room by Taylor Wong

King Tuff Unloads His Clip With A Farewell Show At The Lodge Room

Taylor Wong May 22, 2025

May 15th was one of those rare nights at The Lodge Room where the room felt sacred. Not because we were mourning someone who passed, but because we were saying goodbye to a living legend. After more than a decade of calling L.A. home, King Tuff—aka Kyle Thomas—was leaving the city to head back to his native Vermont. No funeral, no drama, just a farewell show packed with friends, fans, and deep cuts. Still, it carried that weird weight. A little celebratory, a little emotional. The kind of night where people linger a little longer in their hugs and the encore feels more like a thank-you note than a victory lap. For those who haven’t followed his journey, King Tuff came up in Brattleboro, Vermont, playing in freak-folk outfits like Feathers before co-founding the stoner metal band Witch with J Mascis. From there, he broke out as a solo act under the King Tuff moniker, releasing Was Dead in 2008—an album that would later go on to cult status when it was reissued by Burger Records and Sub Pop in 2013. The self-titled King Tuff LP in 2012 pushed him further into the spotlight with tracks like “Bad Thing” and

Nick Cave and the Bad Seeds at Cruel World 2025 by Albert Licano

Cruel World 2025 At The Rose Bowl: We’re Only Happy When It Rains

Rob Shepyer May 20, 2025

Cruel World 2025 at the Rose Bowl was the fourth iteration of the festival, but some strange alignment in the distant goth cosmos caused a number of firsts in Cruel World history. Rain fell on Los Angeles’ goth community as they all gathered at the Rose Bowl for what music fans recognize as goth prom. Cruel World is much more than a goth fest, though—’80s music, metal, and punk all performed in gloomy Pasadena over the weekend. Never before did the concertgoers, wearing their finest layers of black, actually dress appropriately for the weather—until now. Some came to Cruel World to see Devo “Whip It” like it was 1980, some came to be in the palm of Nick Cave’s “Red Right Hand”, others came just to get a one-day vacation with New Order before “Blue Monday. Whatever the motivation, the festival once again found appropriate meaning in its name. This year it was cold and dreary, with imported London fog infused with LA smog. Most people prefer not to experience a concert drenched from head to toe, but as a departure from the brutal heat of previous years, it had some upsides. The rain forced many Cruel Worlders looking for shelter

Model/Actriz at The Roxy: A Queer Sermon in Noise Rock

Taylor Wong May 16, 2025

I first stumbled into the world of Model/Actriz by accident. It was a few years back at Sound & Fury Fest, and I was assigned to shoot them. I didn’t know their name, didn’t know the music, didn’t know what I was about to walk into. I just knew I had a lens in my hand and a job to do. What I got instead was a conversion. Right out the gate, they hit the stage with a mix of post-punk, industrial noise-rock, and pure unfiltered gay energy. The kind that doesn’t ask for permission. The kind that vogues and spits and bleeds. Cole Haden—Model/Actriz’s frontman and spiritual conjurer—was bouncing across the stage like a punk rock ballerina. Limbs flying, chest heaving, eyes wild. And then, mid-set, he leapt into the crowd and performed most of the set among us, singing to our faces, brushing against shoulders, dissolving the barrier between performer and observer in a way I hadn’t seen since… ever. That show stuck with me. And like all things that feel a little too intense to be real, I wondered if I’d built it up in my head over time. Cut to last night at the Roxy Theatre

Negative Spaces In A Hyper Poppy Atmosphere At The Wiltern

Danny Ryan May 8, 2025

Poppy is certainly an anomaly in the heavy music world, almost resembling an overall brand or abstract concept more than just a simple musician as she further blurs the line between influencers and artists. While many people are familiar with her through her days of bizarre Youtube videos where she took on the role of a robotic AI humanoid spouting nonsense, she has come a long way from the novelty of being a subject for reaction videos and has really proved herself as a refreshing forward-thinking figure in heavy metal. Fresh off of her newest album “Negative Spaces” and recent collaborations with Knocked Loose and Sleep Token; Poppy brought her blend of bubblegum catchy melodies, glitchy industrial effects, and brutal metalcore breakdowns to The Wiltern for a night of pure chaotic poppy energy. With Los Angeles being the last date of this tour, Poppy went all out in transforming The Wiltern into her own signature bizarre, twisted world that converted any stubborn metalhead in the room to a believer in her vision for the genre’s future. related: Different Shades of Black and Blue – Knocked Loose at 1720 The opening act Chinese American Bear was an interesting choice for the

Parliament Funkadelic at Ventura Music Hall shot by Jeff Tillquist

How to Humanize an Alien: Parliament Funkadelic at Ventura Music Hall

Rob Shepyer May 5, 2025

Thanks to Ventura Music Hall and George Clinton, Parliament Funkadelic was up until Monday, a bucket list band that needed to get checked off my list if I was really to consider myself a music junkie. Now, in a totally changed state of mind since seeing them perform classic songs like “Flashlight”, “Atomic Dog”, “We Got The Funk”, and more, I’ve been feeling this strange sense of nostalgia for a time I didn’t even exist in. That time I’m so fondly recalling through videos, images, and oral tradition was the seventies. At the time, pop culture was more colorful, vivid, imaginative, and real. Forced to create practical magic and effects if artists wanted to make concerts feel out of this world, groups like Parliament Funkadelic constructed UFOs that would land on stage and release a cavalcade of alien crazies upon the audience, all dressed and sounding completely unique from one another to create a funk jam session akin to stream of consciousness power poetry. It was in the seventies, back when a heavily dreaded George Clinton produced acid-inspired rollercoaster rides that ranged from metallic to soulful to downright religious, that Clinton and his band were at their peak-alieness. Today, as

Obituary at The Bellwether by Taylor Wong

Obituary At The Bellwether: 35 Years of Cause Of Death

Danny Baraz April 30, 2025

This past Saturday, April 26th, in the year of our Lord, 2025, Obituary, along with Nails brought their tour celebrating 35 years of Cause of Death to The Bellwether in Downtown Los Angeles. Tampa Florida’s Obituary released their second album, Cause of Death in 1990—35 years ago. I was a freshman in high school. I had never heard anything like it and I found out pretty quickly that NO ONE else had heard anything like it, either. My teenage feelings of suffering and despair and confusion and anger finally had a soundtrack. I was just getting into thrash metal and hardcore punk and picking up a guitar for the first time. My preferences leaned toward frenetic chaos with a high bpm. Fast and hard. But Obituary and Cause of Death showed me a new way—grinding, low tempo, heavy riffs that slowly dragged bodies across the floor. Sludgy breakdowns building to blast beat eargasms that changed my life forever. Slayer and others showed them the way but it was Cause of Death that had that mix of thrash and sludge that really got me off. That cassette lived in my Walkman for a good 3 months, uninterrupted. It formally introduced a

Together Pangea at El Rey by Taylor Wong

Together Pangea and Prison Affair Tear Up Coachella Side Show at El Rey

Taylor Wong April 28, 2025

In between their Coachella Weekends 1 and 2 sets, Together Pangea and Spain’s Prison Affair stopped off in Los Angeles for a sold-out show at the El Rey Theatre — a sweaty, cathartic night that offered fans a more intimate taste of the chaos they’d just unleashed in the desert. While both bands came with buzz, they offered two very different flavors of punk-adjacent mayhem — one a homegrown institution, the other a rising international cult. Together Pangea has long been synonymous with LA’s garage rock underground. Formed in 2008 when frontman William Keegan began sharing songs from his dorm room, the band quickly found footing in the DIY circuit before crashing through with 2014’s Badillac. Known for their explosive live shows and slacker-meets-sleaze songwriting, they’ve become a staple of Southern California’s indie rock scene — the kind of band that’s always on someone’s “you had to be there” list. And while their El Rey set was classic Together Pangea — wild, gritty, and tight — there was a warmth to it, too. Maybe it’s the fact that Keegan and his partner Kelsey are expecting their first child soon, a new chapter that adds a subtle sense of joy and

Beth Gibbons at The Orphuem: Outgrowing Your Own Creation

Rob Shepyer April 23, 2025

Beth Gibbons at The Orpheum Theatre was more than just a showcase of new music, it was a showcase of a new Beth Gibbons for all Los Angeles to enjoy. When you think Beth Gibbons and Portishead, you think of a specific sound. An elevated, urbanized jazz that pairs well with a Bond movie, maybe, or you think of the trip hop moniker developed by her band and other English groups like Massive Attack. Beth Gibbons’ solo work, and especially her 2024 album Lives Outgrown doesn’t so much as develop on the song she help originate and cultivate though, it outgrows it with a new evolution in her artistry that includes influences from folk, psychedelic, medieval, and world music sensibilities. Driving to the Orpheum theatre on a drowsy Thursday evening, her new album gave my trip a surreal feel, making each beat of time pass by with more meaningful reflection, and each tree outstretching over the freeway walls more tranquilizing with the nature-vibes captures on songs like “Floating on a Moment” or my favorite on the album, “Whispering Love”. Skimming through the tracklist now and looking back on the show, I see both as a statement on identity, lost and