Tag: featured

Harley Fanagan sound and fury

The Most Complete Sound And Fury 2017 Review On Earth

Sound and Fury Festival is one big happy hardcore family and like any family, we like to fight but it’s only out of love. Artists and fans traveled from far and wide, from inside the USA and beyond, to join together and form an unbreakable bond for four days around hardcore music. The unity we shared was stronger than any of the things that divide people outside this scene’s little bubble. We might seem crazed for jumping off stages and swinging our fists and slamming our bodies into one another but the world-at-large can learn a thing or two from us. We can be the example-setters for brotherhood and sisterhood. When I call Sound and Fury a family, I mean the artists and the audience alike. That title is earned by the festival’s participants with three key factors: 1. Artists, usually ones under the same record label, will play in other bands throughout the whole festival. So, you’ll see Todd Jones and the festival’s organizer Martin, playing guitars with Terror; or you’ll see Brendan Yates playing guitar with Angel Du$t; or Taylor Young from Nails drumming for Criminal Instinct or playing guitar for Eyes of the Lord. Then you’ll also

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French Vanilla at Acerogami

Becky Brings French Vanilla, The Vivids & More to Acerogami in Pomona

A Friday night coupled with a stacked show at Acerogami in Pomona is always a good thing. The vibe is always chill; comfy couches and a super clean lounge area are usually a turn off for me, especially at a “punk” show.  But somehow, Acerogami pulled it off without so much as a raised eyebrow.  Could have something to do with the line-up for the evening- Hawaiian T-shirt, Sister Mantos, The Vivids and French Vanilla, a highly anticipated show by the many lovers of the LA post punk scene. First up on the four band bill was Hawaiian T-shirt, a recent post punk addition to the local band mix. New to my ears in the past few weeks, I instantly liked them and have been failing at catching them live at one of the many shows they’ve been playing. This was my lucky night. The trio of Ana (vox & guitar), Jeremiah (vox & bass) and Tara (drums) fire off songs that parallel Gang of Four, Pixies and others while keeping their own unique sound. Just enough rawness to keep it tangy with angry lyrics to keep you intrigued on what’s coming out next. They have an EP up on Bandcamp (linked

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Surfbort get Zorched

Learning New Words Like Zorched w/ Wild Wing & Surfbort is Lit AF

I know I’m getting old when I see posters with words I don’t know. I saw a poster for Zorched LA from LowNSlow DIY and I was like, do I “get Zorched” or do I just start calling things Zorched the way I do with lit?  I also didn’t know where it was so I started thinking how not L.A. I’d become. I parked and ate at Yoshinoya because I like that stringy meat they sell and noticed some teens in the current alt punk fashion of short pants and so ironic it’s not ironic tees. I followed them into a dreary looking building and this is what I saw and/or heard… I legit heard a kid say “I hope no one sees that I’m wearing a USC shirt” then he pulled out the $20 bill his parents gave him to go to the show. Win 2 Tickets, Vinyl & Other Band Merch for Dirty Penni Fest w/ The Shrine, Deap Vally & MORE Denim Skull – Kinda sounded like if Animal from the Muppets fronted Pissed Jeans. It reminds me of when I’m angry and I want to start a band to yell about things but I don’t flesh

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Angelyne billboard

Angelyne: Billboard Queen, Punk Diva & Archetype Of The L.A. Dream

One great thing about living in Southern California is that seemingly everyone you meet is here with specific creative goals in mind- that experience MAY be magnified if you yourself have your own dreams of creative success or recognition since, obviously there are MILLIONS of people who live here that are just living their lives everyday just like any other city in the world.  All things being equal, you may randomly end up befriending a transplant swedish waitress, only to find out she’s actually a screenwriter or even end up becoming friends with a famous local on any given day or night of the week.  It’s part of the LA charm that I have come to love so much. I recently met billboard queen, Angelyne through a friend when I was invited to join them for dinner at El Coyote. Like many, she was instantly recognizable to me, even though I didn’t know much about her. But after meeting her, I was compelled to find out as much as I could. Over the course of the last month or so I have been able to get to know her more though our conversations. What I have learned has given me a

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Rockin Out At The Chun with The Shrine

Take This: Win 2 Tix & Goodie Bag to Dirty Penni Fest 2 at Echo+Plex

Last year, Janky Smooth was smart enough to send a team over to the first installment of Dirty Penni Fest. We had Paige Vreede out to review the fledgling festival, Josh Allen out to shoot the bands and the people and Danny Baraz threw down a DJ set outside on patio of The Echo.   But it’s not about us- it’s about the bands that played the fest which was a collaboration between the laundro-maniacs over at Dirty Laundry TV and the whiz kids at Penniback Records.   Bands like Sloppy Jane, No Parents, Guantanamo Baywatch, Cherry Glazerr, our boys in Death Hymn… and of course, no event involving Dirty Laundry TV would be complete without the presence of the great Mike Watt and whatever battery of musicians accompany him- whether it be the “Secondmen” or in this case, the “Jom and Terry Show.” related content: Dirty Penni Fest- A Rock n Roll Romper Room for Young & Old “So whether you’re 14, 26, or 60 I think it’s safe to say we all found ‘home’ this past weekend.  So let’s keep the DIY scene alive. These kids are our future.” – Paige Vreede This year, Dirty Penni Fest returns for

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The Primitives at Part Time PunksThe Primitives at Part Time Punks

The Primitives: Yet Another Rare Score for Part Time Punks 12th Anniversary

At this point, the musical muscle memory I’ve developed as a contributor for Janky Smooth has revealed at LEAST one thing-  I know how to spot a good show from a mile away. So, when Part Time Punks announced that The Primitives were playing Los Angeles for the first time in twenty-three years aaaaand on top of that, it was the 12th anniversary of Part Time Punks, well I knew there was no earthly way I was going to miss it.  The last few months of the weekly club alone have bestowed upon us Gene Loves Jezebel, James Chance and the Contortions and the first ever L.A. gig of British sensations, Sleaford Mods.  Along with marquee headliners, Part Time Punks have excelled at booking complimentary opening acts, as well- and this past Sunday was no exception. related content: Part Time Punk Past… The openers for The Primitives gig on Sunday were Susan– a band made up of three women, none of them named Susan, playing alternative pop rock.  Jessica O, the band’s guitarist plucked her six string with punchy sounding notes and soloed with impressive chops. Combined with bassist Bobby B. and drummer Katie Fern, the three would harmonize with

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Iggy Pop by Travis Moore

Punk Rock Bowling 2017: You Can’t Be What You Were…

Looking out into the sea of people in the expanses that sprawl out from the upgraded festival stage at Punk Rock Bowling’s virgin location in the booming district of Downtown Las Vegas was a seismic life experience. Not just because of how fucking rad Punk Rock Bowling was this year but because all the events of the weekend set to the music of the festival served as a soundtrack to life’s highlight reel in my head. A series of events culminated into the bitter-sweetest regression of lonerism one could ever celebrate, as I stood alone, backstage, watching The Adicts play the best set I’d ever seen from them. Being 2 months out of knee surgery, that familiar human turbine engine of 7,k people dancing and swirling in front of the stage like a pack of bats taking flight at sun down or a school of fish changing direction in unison was unfamiliar from this vantage point- I’ve always preferred being IN the engine instead of being a spectator. Because when you’re in the pit, you’re dealing directly with any physical manifestation of frustration or anger that might have built up through the grind of life and you aren’t really thinking

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The Sonics by Taylor Wong

Punk Rock Bowling 2017 Kicks Off w/ The Sonics, Throw Rag & Moore

There was a handful of early-bird punks and a few scattered tourists as we approached a surprisingly sleepy version of downtown Fremont Street but with a line-up including Dr. Madd Vibe (feat. Angelo Moore from Fishbone), Throw Rag, the Mutants, Chicken Hawk All Stars, and OG (that’s original garage) rockers The Sonics at Fremont Country Club– we were about to get woke the fuck up. related content: The Sonics Teach Garage Rock History 101 at The Observatory It was the unofficial opening night of Punk Rock Bowling and Music Festival 2017, now in it’s 19th year (how old are we?!), and the Stern brothers have yet to disappoint- although it was now 9:30pm and the doors were not yet open. Of course we overlooked the first day sluggishness as we got a sweet and smooth welcome from our Hollywood homeboy and star of the night, Chicken Hawk All Stars lead singer/Fremont Country Club venue owner, Big Daddy Carlos. It was at least 10:15 before the curtain came up with Dr. Madd Vibe’s blaring instruments and dueling vocals as loud as Angelo’s hand-painted, psychedelic suit. Always a showman and masterful musician, the energy was there but the crowd had not yet caught

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Kikagaku Moyo by Carlie Whisman

The Transcendental Jams of Kikagaku Moyo at Austin’s Scottish Rite Theater

A Masonic double-headed eagle emblem keeps a watchful eye on top of the glowing sign for Austin’s Historic Scottish Rite Theatre. Over the weekend, this former German opera house transformed into an enchanting lair to host rising experimental Japanese group Kikagaku Moyo. It’s not often that one gets to experience a touring act in a location outside of the typical bar scenario, and the spooky elegance of Austin’s oldest theatre (it was built in the late 1800s!) played a role in elevating the evening, thanks to event producers Perfect Life Presents. Austin acts Hidden Ritual and Soft Healer provided opening support at the theatre that evening. Hidden Ritual’s brand of post-punk exuded the eeriness of a western-noir film, complementing the ominous air in Scottish Rite. Local lighting crews Etherwave and ACID Light Show collaborated on a curious visual backdrop which intertwined black and white vintage 16mm film clips and vivid liquid lights. Overhead the theatre ceiling glowed softly in replicated patterns of celestial bodies in the night sky, prompting Soft Healer’s singer to remark “the sky looks great this evening”. Formed as a busking collective in Tokyo during 2012, Kikagaku Moyo have released 3 full length albums and are currently

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Tom Verlaine- Television

Television Performing “Venus” at Bunkhouse Saloon for PRB Club Show

It’s hard to believe that yet another Punk Rock Bowling is in the books but the week long hangover proves it.  The Stern brothers book yet another legendary gig with Television headlining the Bunkhouse Saloon along with The Weirdos, Alice Bag and The Avengers.   Tom Verlaine and company were water tight at their PRB 2017 club show. This isn’t the first time Janky Smooth is covering the pioneers of punk and art rock but it was certainly one of the most memorable.  The club shows at Punk Rock Bowling always seem to produce some of the best performances in the most intimate settings.  Other notable club gigs at PRB 2017 that we attended were Cocksparrer at Backstage Bar, Municipal Waste at Fremont Country Club, Hepcat at Bunkhouse Saloon and The Vandals, also at Fremont CC. related content: Patti Smith “Horsin’ Around” at The Teragram Ballroom Television Set List- Bunkhouse Saloon Prove It Little Johnny Jewel Venus 1880 or So Persia I’m Gonna Find You Marquee Moon For those of you attending Punk Rock Bowling installments in Denver and/or Asbury Park, have a great time.  Janky Smooth will see you next year in Vegas.   Full recap of Punk Rock

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Pallbearer & Gatecreeper Stop at Echoplex Reminds Us- Guitar Solos Matter

Pallbearer’s tour brought them to the Echoplex on May 18th with support from Arizona death metal savages Gatecreeper and local avante-garde-post-experimental-jazz-metal-poets Grand Lord High Master. Doom metal is back in style because sorrow and surrender and being in touch with your feelings are back in style. Maybe “being in touch with your feelings” is overstating things just a little.  At the very least it’s being in touch with the fact that you have feelings.  Emo might have had its resurgence for the same reason and in times like these, you have to understand why.  If not, you might just join in the mourning process yourself. Pallbearer is one of the leading bands in the new wave of doom metal.  What they do is an original spin on an old style that sounds both new and familiar to the ear. Combining elements of classic hard rock, prog rock, and even shoegaze, the band’s latest album Heartless is a tour-de-force. Listening to Heartless, I hear just as much Guns n’ Roses or Metallica as I do classic doom like Candlemass or Cathedral. The band is not afraid to flaunt their talent their virtuosity, they stretch notes and solo often and in a

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Redd Kross at The Echo

Redd Kross & The Side Eyes: A Great Case For Nepotism at The Echo

It was a packed house last Tuesday night at The Echo, as Redd Kross played the last show of a month long tour in their home base of Los Angeles, CA. They have been traveling the nation on their “Beneath the Valley of the Teen Babes of Monsanto” tour. related content: Redd Kross, Melvins & OFF! Commemorate Teen Babes From Monsanto Before Red Kross took the stage, the audience was treated to the high-energy tunes of local band The Side Eyes. They have been gaining much popularity with their punk sound that is somehow peppy and aggressive, catchy and beefy, all at the same time. They drew their own crowd of enthusiastic fans who were rocking out and showing the band tons of support. The band features lead singer, Astrid McDonald- a beautifully fierce front woman with dynamic vocals and an imposing stage presence. If you have yet to hear them, you’re missing out on something special. After powering through an upbeat set, they ended with “Don’t Talk to Me,” a cover from Astrid’s mother and Go-Go’s bassist, Charlotte Caffey’s OTHER band, the Eyes and the subject of a split single with her dad Jeff McDonald’s band, Redd Kross, released by In The Red

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