Category: SHOWS

Air by Narda Crossley

French Outfit AIR Takes Us On A Moon Safari in San Diego

San Diego, California was in for an ethereal experience transitioning from summer to fall with legendary French band Air on their stunning North American tour. Nicolas Godin and Jean-Benoît Dunckel have been on the road for a significant stretch of time earlier this year enchanting crowds with their compositions flowing out of their iconic white cinemascope ratio spaceship. I have been in grand anticipation to catch their clean, nouvelle architectural stage design celebrating their 25th anniversary of “Moon Safari” since I missed their set last year at The Orpheum Theatre in Los Angeles. related: Sensory Interference – Thom Yorke At The Orpheum Theatre Once the tour was announced, I originally sought out to photograph their set. To my delightful surprise, I was granted the sumptuous opportunity to capture Air in the written word; like lightning in a bottle. Venturing on a road trip midweek was a blissful escape from Los Angeles to San Diego in preparation for ascension into the cosmos by way of “Moon Safari”. Nestled in an intimate, open air venue, built 1941 into an existing canyon on Montezuma mesa, CalCoast Credit Union Amphitheater greeted patrons with a cozy and alluring aura on this brisk Autumn evening. Walking

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Cannibal Corpse by Misael Ruiz

Cannibal Corpse at the Majestic Ventura Theater: Butchered By The Beach

Cannibal Corpse at the Ventura Majestic Theater almost sounds like a sick joke the first time you say it out loud to a local. Why on Earth would the timid, even-keel Pleasantville of the Central Coast host the most violent, vulgar, visceral death metal band of all time? Perhaps it’s because Ventura locals are, somewhere inside, the most violent, vulgar, visceral metalheads in California. For the longest time, this sub-species of Californian, geographically isolated on the Central Coast, never felt represented by the events happening locally. So often, concerts in Ventura ranged from reggae to Grateful Dead covers, with their one outlet for heaviness being Nardcore. Now though, with new booking leadership at the Ventura Majestic Theater, a whole new range of heavy metal bookings is on the horizon; including this October 3, 2025 Cannibal Corpse show. related: Dark Angel Brings Us Back To Our Primal Basics at Majestic Ventura Theater  Cannibal Corpse’s autumn tour in particular brought together one of the most insane lineups in modern metal and hardcore. Bridging death metal, grind, and thrash, bands like awe-inspiring fresh blood Fulci, the animalistic, demonically possessed Full of Hell, and toxified-to-the-teeth party speedsters Municipal Waste rounded out the cannibalistic carnage

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L7 at Belasco by Albert Licano

L7 Celebrate 40 Years w/ Lunachicks and Friends at The Belasco

The Belasco’s air was sticky, buzzing, electric- like static before a tornado on Friday Oct 3rd. L7 and Lunachicks had a gig in Downtown Los Angeles.  Those bands shared the stage again, for the first time in decades, in what felt like a life event for everyone involved for L7’s Fast and Frightening 40 Years Anniversary show. As much as I love Riot grrrl scene, the L7 legacy always stood on it’s own and I never appreciated pundits who would lump every hardcore girl under the Riot grrrl label.  L7 had their own brand of feminism which included the Rock For Choice festivals that spanned over a decade and I include the times I saw them perform on the lawn of the Federal building in Westwood for causes that varied from saving rainforests, to legalizing cannabis at a time when people were still doing long prison sentences for the plant.   But what I appreciated most about L7 was that they fucking shred.  Say everything and anything else you want about them, every single one of them, at the top of their craft amongst their peers.  And that was still the case as of October 3rd. related: L7 Stop Pretending They’re Dead

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Samia by Michelle Evans

Ruining Our Makeup with Samia at The Fonda Theater

I love being uncomfortable. Uncomfortable movies. Uncomfortable books. Uncomfortable art. Uncomfortable conversations. I’ve become anxiously attached to the little wasps in my chest who buzz too loudly and flap around in awkward situations. But finding comfort in the uncomfortable comes at a cost: ugly doesn’t scare you anymore. You even start to seek it out. This is where Samia comes in. Samia steals all that discomfort, all that ugly, right out from your chest. As a songwriter she is an alchemist, spinning your insecurities into a quilt. The kind of quilt your grandmother wraps around you while you read comics at her house as your parents are downtown signing divorce papers. You know the kind. On the warm night of September 19, 2025 night in Hollywood, Samia steps coyly onto the stage of the Fonda Theatre. The crowd roars relentlessly as she seems taken aback – it’s clear how deeply she is needed tonight, right here in this moment. related: Photo Recap – Ethel Cain At The Masonic Lodge at Hollywood Forever She starts the set with “Triptych,” a song from her debut 2020 album, “The Baby,” with lyrics so abruptly intimate that listening would feel like a violation if

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Youth Code by Albert Licano

The Lost Coverage Of Substance Fest 2022- Los Angeles Theater

With Substance Fest 2025 quickly approaching on November 7th/8th in it’s return to The Belasco, it has forced us to look back.  Amidst the exponential increase in the volume of content this year, in the scramble to preview this year’s Substance, we uncovered the unpublished coverage from a special year of the festival- Substance 2022. Laying in the debris of the pandemic, in the smoldering ashes of this music blog were the photos of Albert Licano- mostly unseen by the outside world.  As we all rise again to attend or cover Substance 2025, let us not forget the elation and gratitude of the after years in which we thought live music would never be the same again.  This was one of those years. Between October 21-22, 2022, Los Angeles played host to Substance Fest 2022, aka “LA’s Dark Underground Festival,” a two-night celebration of post-punk, industrial, darkwave, goth, synth pop, and ebm, et al.  Held at the majestic Los Angeles Theatre, the fest brought together a collective lineup of established underground legends, emerging acts, DJs, visual art, and immersive environments.  In this look back, we’ll break down the experience: the venue, lineups, standout performances, production, crowd vibes, strengths, and areas

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Circle Jerks by Taylor Wong

Circle Jerks Throw Birthday Party For Keith at The Hollywood Palladium

On Friday, September 19, 2025, the Circle Jerks played a show at the Hollywood Palladium in honor of Keith Morris’ birthday and he invited some friends. The Circle Jerks, Ceremony, Negative Approach, and Rocket From The Crypt- a nice final touch for connoisseurs. It’s the kind of lineup that makes you shake your head and laugh at how good we have it when a night like this comes together. The story of the night was celebrating the birth of Keith Morris with all his friends and his band, the Circle Jerks. Somehow, at 70 years old, there is no noticeable decline. In fact, the eye test reveals that he’s thriving. It would be illogical to suggest he doesn’t suffer from some unseen ailment that comes with wear and tear on the human body. But… if his shoulder hurt, his hemorrhoid was flaring up, his arthritic pinkie knuckle burned, or he had to piss every 20 minutes at the age of 70- there was no hint of any of that. As far as I could see, his feet were planted firmly, his diaphragm engaged, and there was no pee-pee dance. But there was most definitely joy. related: Janky Smooth Interviews Keith Morris

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MJ Lenderman by Michelle Evans

Slowing The World Down with MJ Lenderman at The Shrine

MJ Lenderman is one of the most prominent key players in the alternative country movement, and his September 11, 2025 performance at The Shrine Auditorium showed just how big of a name he is amongst younger people and country-folk enthusiasts alike.  I don’t believe there’s even a debate on whether country music is currently one of the most dominating cultural forces in America. It goes even beyond the music, with Southern aesthetics like mullets, flannels, showy belt-buckles, and cowboy boots taking over hipster-infested areas like Highland Park and Silverlake. While the love for the genre is actually on its way to becoming more equal between urban and rural America at this point in time, the artists respected between these two demographics could not vary more. While mainstream country artists like Morgan Wallen aren’t really talked about with reverence amongst music fans in LA, there is a new wave of alternative country artists with more emotional and poetic folk influence that are considered superstars amongst aspiring artists looking for a singer-songwriter scene to be part of. featured image: Michelle Evans related: Courtney Barnett at The Roxy – How To Make A Rockstar  MJ Lenderman is one of the biggest names of

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The Armed by Taylor Wong

Avant-Garde Headbanging with The Armed at The Roxy

Seeing The Armed at The Roxy on September 20, 2025 was not just a whim- for  me it was a necessity. Whenever the Armed play in Los Angeles, I make it a point to attend. Their concerts feel like rare glimpses into a future world. With their latest tour stop supported by Prostitute, another heavy and unpredictable band, I wanted to break down not only the performance but also why The Armed matter so deeply and why their most recent album, THE FUTURE IS HERE AND EVERYTHING NEEDS TO BE DESTROYED, truly rules. related: One Friday Night In Hell- Show Me The Body and Twitching Tongues at The Regent The Armed have become my favorite modern band. I am not sure how it happened; I can’t always control what I gravitate toward. Perhaps they filled the vacuum left by The Dillinger Escape Plan, a band whose live shows once stood as the gold standard for ferocity and unpredictability. Perhaps they were the only group writing anthems with lyrics powerful enough to resonate like “Sport of Form” off Perfect Saviors, my favorite album of 2023. That track, which ends with a peaking sing-along verse of “Doesn’t Anyone Even Know You? Does

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Dark Angel by Michelle Evans

Dark Angel Brings Us To Our Primal Basics at Majestic Ventura Theater

Dark Angel at the Majestic Ventura Theater on September 6, 2025 might have been just another stop on a long national tour for the many iconic bands appearing on this monster show—from Sacred Reich to Hirax—but for the locals of California’s Central Coast, it was much more than that. For Ventura’s own hardcore and stoner metal scenes, it was a night to raise the speed, volume, and intensity of their jams alongside some of Los Angeles’s finest. It was an event that felt like a genuine summit of the underground, a night where the past and present of extreme music converged. If you’re a fan of extreme sounds—whether punk, death metal, hardcore, or black metal—you owe it to yourself to attend thrash metal shows from time to time. They act as a palate cleanser, a way to reset your taste and senses back to the primal basics. Thrash metal, at its core, is one of the most fundamental heavy metal art forms, a template that inspired so many of us to follow a path deeper into the underground. For every genre that has splintered off since, thrash remains the raw power source, the musical bedrock that feeds the rest. related:

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Mac Demarco at The Greek Theater by David Smith

Mac Demarco at The Greek Theater: The Last Salad Days of Summer

It was the last weekend of the summer, and Mac DeMarco had managed to pack a 25-song set into this Saturday, August 30th performance (the second consecutive day of three) at The Greek Theater. DeMarco is currently touring across 17 countries and has 82 upcoming concerts. This was DeMarco’s follow-up set of appearances at The Greek after performing July of last year for a similar three-day stretch. Mac Demarco arrived on stage to a chill round of applause, his crowd already well versed in the etiquette of his intimate sets. Demarco’s career spanning show included most of the tracks off his newly released album, Guitar, as well as fan favorites: Salad Days, For The First Time and a pre-encore show closer: Chamber Of Reflection. related: The 4th Wave Of Garage Rock In Los Angeles – A Retrospective The new songs showcase Demarco’s ability to give a classic croon, while maintaining the full attention of his adoring mostly-female Latina audience. Demarco bravely began debuting the sets new songs earlier this week, which gave the audience just enough time to learn the words to new fan favorites “Shining”, “Home” and “Rock And Roll”, though, not surprisingly he got a much louder reception

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Osees at Teragram Ballroom by Albert Licano

Osees at theTeragam- A Rose By Any Other Name

I had still only seen Osees under 10 times the first time I thought about missing one of their shows- I think I was offered free Lakers tickets- good seats. But the team wasn’t that good that year so I opted for the gig- which was the last time I saw Thee Oh Sees at The Teragram Ballroom. What I realized that night was that unlike the Lakers, every Oh Sees show is just as good as the first- I’ve never seen any composition of the band under any name have an off night. How is that possible? related: The 4th Wave Of Garage Rock- A Retrospective Sometimes, I imagine John Dwyer in a basement beating his drummers when they get off tempo. Like some Rock and Roll Kobe Bryant not allowing anyone who works with him to show any less passion than he in his preparedness for perfection and greatness in his craft. An artist and a scientist, taking the mathematics of art and doubling down to provide a more powerful experience. An endless human algorithm of DIY spewing content. He is not a prototype but he is a prolific model. related: Thee Oh Sees And The Practical Application

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Acid Bath by Jessica Moncrief

Acid Bath at Hollywood Palladium: Venus Blues and Bayou Sludge

Acid Bath was the one band no one thought would ever reunite. They were a flash in the pan at one point, considered a glitch in heavy metal history—yet simultaneously, they were the band everyone wanted to be and emulate, the band that inspired subgenres from the edges of extremity to the depths of doom and across the entire spectrum of stoner rock and roll. That’s why Acid Bath’s show at the Hollywood Palladium on August 22nd was charged with much more power and gravitas than a typical reunion. It was a moment written in stone, acknowledging that the kings of the New Orleans heavy music scene would one day return to their rightful thrones. The anticipation had been building for years among fans who never truly believed this day would come. The venue itself seemed to understand the weight of the occasion. The Hollywood Palladium, with its storied history of hosting legendary performances, provided the perfect backdrop for what would become a defining moment in heavy music. As fans filed into the historic theater, there was an electric tension in the air—a mixture of disbelief, excitement, and the kind of reverence typically reserved for religious experiences. related – Memoirs

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