Yves Tumor took the stage On October 12th at The Wiltern in Los Angeles to give us a performance as eccentric and memorable as they are. This four piece experimental rock band can hardly be tied to one genre, making their sound something we’ve never heard before. They have carefully crafted their entire brand to be so abstract and artistic so that their audience can imprint vastly different parts of themselves onto any piece. Yves Tumor is an art piece first and musician second. Yves Tumor is a specialist at guiding the imagination. Every song feels like looking through a kaleidoscope; you can see what you think the image is, but you never really know. Their lyrical way of montaging concepts into eccentric metaphors are what attract a following of abstract artists and creatives. This mixed with their ominous industrial rock sounds make all of their music sound intensely deep and intimate. A common theme throughout any Yves Tumor piece is the connection between religious subtext and everyday life. In their latest album, “Praise a Lord Who Chews but Which Does Not Consume; (Or Simply, Hot between Worlds)” we hear a lot of key phrases and buzzwords in the titles