Rob Shepyer
Avant-Garde Headbanging with The Armed at The Roxy
Rob Shepyer
September 24, 2025
Seeing The Armed at The Roxy on September 20, 2025 was not just a whim- for me it was a necessity. Whenever the Armed play in Los Angeles, I make it a point to attend. Their concerts feel like rare glimpses into a future world. With their latest tour stop supported by Prostitute, another heavy and unpredictable band, I wanted to break down not only the performance but also why The Armed matter so deeply and why their most recent album, THE FUTURE IS HERE AND EVERYTHING NEEDS TO BE DESTROYED, truly rules. related: One Friday Night In Hell- Show Me The Body and Twitching Tongues at The Regent The Armed have become my favorite modern band. I am not sure how it happened; I can’t always control what I gravitate toward. Perhaps they filled the vacuum left by The Dillinger Escape Plan, a band whose live shows once stood as the gold standard for ferocity and unpredictability. Perhaps they were the only group writing anthems with lyrics powerful enough to resonate like “Sport of Form” off Perfect Saviors, my favorite album of 2023. That track, which ends with a peaking sing-along verse of “Doesn’t Anyone Even Know You? Does
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Dark Angel Brings Us To Our Primal Basics at Majestic Ventura Theater
Rob Shepyer
September 19, 2025
Dark Angel at the Majestic Ventura Theater on September 6, 2025 might have been just another stop on a long national tour for the many iconic bands appearing on this monster show—from Sacred Reich to Hirax—but for the locals of California’s Central Coast, it was much more than that. For Ventura’s own hardcore and stoner metal scenes, it was a night to raise the speed, volume, and intensity of their jams alongside some of Los Angeles’s finest. It was an event that felt like a genuine summit of the underground, a night where the past and present of extreme music converged. If you’re a fan of extreme sounds—whether punk, death metal, hardcore, or black metal—you owe it to yourself to attend thrash metal shows from time to time. They act as a palate cleanser, a way to reset your taste and senses back to the primal basics. Thrash metal, at its core, is one of the most fundamental heavy metal art forms, a template that inspired so many of us to follow a path deeper into the underground. For every genre that has splintered off since, thrash remains the raw power source, the musical bedrock that feeds the rest. related:
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Acid Bath at Hollywood Palladium: Venus Blues and Bayou Sludge
Rob Shepyer
August 29, 2025
Acid Bath was the one band no one thought would ever reunite. They were a flash in the pan at one point, considered a glitch in heavy metal history—yet simultaneously, they were the band everyone wanted to be and emulate, the band that inspired subgenres from the edges of extremity to the depths of doom and across the entire spectrum of stoner rock and roll. That’s why Acid Bath’s show at the Hollywood Palladium on August 22nd was charged with much more power and gravitas than a typical reunion. It was a moment written in stone, acknowledging that the kings of the New Orleans heavy music scene would one day return to their rightful thrones. The anticipation had been building for years among fans who never truly believed this day would come. The venue itself seemed to understand the weight of the occasion. The Hollywood Palladium, with its storied history of hosting legendary performances, provided the perfect backdrop for what would become a defining moment in heavy music. As fans filed into the historic theater, there was an electric tension in the air—a mixture of disbelief, excitement, and the kind of reverence typically reserved for religious experiences. related – Memoirs
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Glass Beams at Ventura Music Hall: Desert in a Bottle
Rob Shepyer
August 28, 2025
This has been a psychedelic week for me, still feeling the afterglow of seeing Pigs x7, so before I could enter this new trip closer to home, I needed to sober up off the lingering sonic buzz. I wanted to clear out the leftover distortion rattling in my head so I could step into the Ventura Music Hall with ears and mind ready to feel the pure, authentic high off the sound of Glass Beams. related: Pigs x7 Launch North American Tour At Lodge Room Glass Beams plays in the tradition of distorting and disrupting traditional, exotic world music into modernized, minimalist psychedelia. Their music doesn’t need to shout, roar, or crash like a doom riff to get you there; it works in repetition, mood, and layering. It works in space. They aren’t the first to attempt this blend and they won’t be the last, but at the moment, they feel like the only band making traditional world music vibrations consumable for folks interested in dancing on clouds, instead of just headbanging in basements. Shows like this are rare in Ventura, though they strike a nerve in both artist and audience that no other city quite can. Ventura has always
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Pigs Pigs Pigs Pigs Pigs Pigs Pigs Launch North American Tour at Lodge Room
Rob Shepyer
August 27, 2025
Pigs Pigs Pigs Pigs Pigs Pigs Pigs, OR Pigsx7 launched their North American tour from the Lodge Room in August, staining the sacred planks of the venue with more sweat and abandon than bands are typically used to expelling throughout a set. For those not in the blissful know, Pigs x7 are a beloved heavy band that’s been adopted by the LA psych scene, one able to discharge hallucinatory spores from their pores during their intense performances that induce pure rock and roll rapture. Their songs breakdown the same way your body does when in their crosshairs. And just when you’re completely destroyed and a pile of rubble before them, they find a way to engineer your rock and roll rebirth in their image. How this crossover from psych to metal took place was a mystery for me and the inspiration that made me trek out to their show in the hopes of catching an earful of insight into what sonic sinew connected their sound to the standard Desert Daze LA hipster. Somewhere between Sabbath worship and The Doors, Pigs x7 managed to straddle the line of two fanbases that, while sharing some DNA, rarely overlap this seamlessly. related: Desert Daze
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Cruel World 2025 At The Rose Bowl: We’re Only Happy When It Rains
Rob Shepyer
May 20, 2025
Cruel World 2025 at the Rose Bowl was the fourth iteration of the festival, but some strange alignment in the distant goth cosmos caused a number of firsts in Cruel World history. Rain fell on Los Angeles’ goth community as they all gathered at the Rose Bowl for what music fans recognize as goth prom. Cruel World is much more than a goth fest, though—’80s music, metal, and punk all performed in gloomy Pasadena over the weekend. Never before did the concertgoers, wearing their finest layers of black, actually dress appropriately for the weather—until now. Some came to Cruel World to see Devo “Whip It” like it was 1980, some came to be in the palm of Nick Cave’s “Red Right Hand”, others came just to get a one-day vacation with New Order before “Blue Monday. Whatever the motivation, the festival once again found appropriate meaning in its name. This year it was cold and dreary, with imported London fog infused with LA smog. Most people prefer not to experience a concert drenched from head to toe, but as a departure from the brutal heat of previous years, it had some upsides. The rain forced many Cruel Worlders looking for shelter
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Oneohtrix Point Never at The Wiltern: Post-Post-Modern Music
Rob Shepyer
May 13, 2025
Oneohtrix Point Never at the Wiltern wasn’t an ordinary concert — it was a creative breakthrough into a new form we were all indulged in. I remember being in a film class about postmodernism and asking my professor what movement was supposed to come after. The professor’s answer was “hyperreality”, which — if you’re familiar with it from painting — is a style that almost perfectly maps onto the real world… almost. Although it’s a bit difficult to imagine what hyperreality looks like in music or performance, Oneohtrix Point Never’s show at The Wiltern was an experimental leap ahead of postmodernism, and either a sidestep from hyperreality or a pastiche of it. During the show, a live puppeteer mimicked Oneohtrix Point Never’s performance, with the puppet’s antics projected live on a screen behind OPN. Seeing the duality between man and puppet provided layers of meaning to OPN’s performance, making it an autobiography in the form of a concert. For those not in the know, Oneohtrix Point Never is the pen name of electronic musician, producer, and film composer Daniel Lopatin. His rise to acclaim came in increments before his signature sound became undeniable — notably when featured in Safdie Brothers
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How to Humanize an Alien: Parliament Funkadelic at Ventura Music Hall
Rob Shepyer
May 5, 2025
Thanks to Ventura Music Hall and George Clinton, Parliament Funkadelic was up until Monday, a bucket list band that needed to get checked off my list if I was really to consider myself a music junkie. Now, in a totally changed state of mind since seeing them perform classic songs like “Flashlight”, “Atomic Dog”, “We Got The Funk”, and more, I’ve been feeling this strange sense of nostalgia for a time I didn’t even exist in. That time I’m so fondly recalling through videos, images, and oral tradition was the seventies. At the time, pop culture was more colorful, vivid, imaginative, and real. Forced to create practical magic and effects if artists wanted to make concerts feel out of this world, groups like Parliament Funkadelic constructed UFOs that would land on stage and release a cavalcade of alien crazies upon the audience, all dressed and sounding completely unique from one another to create a funk jam session akin to stream of consciousness power poetry. It was in the seventies, back when a heavily dreaded George Clinton produced acid-inspired rollercoaster rides that ranged from metallic to soulful to downright religious, that Clinton and his band were at their peak-alieness. Today, as
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Swing Heil: Anti-Fascist Hardcore Punks Swing Kids Return to Los Angeles
Rob Shepyer
May 4, 2025
Swing Kids have reunited. They already brought their abrasive, unhinged brand of hardcore punk to San Diego, and now, they’re heading up a few hours north to make a statement at Highland Park’s Lodge Room. Justin Pierson has always been political, even in his most oddball musical projects but when leading Swing Kids, performances become political strikes. Swing Kids was a band that came together with a purpose. Using the model of swing and jazz bands that performed under a specific ethical code, they fueled their hardcore punk with the collective fists of the Anti-fascist movement. SWING HEIL! They began in the 90’s when politics was perhaps less salacious, but just as disgusting and repressive. To counter the bombast and gall of the current administration’s messaging, Swing Kids have plugged back in. SWING HEIL! Swings Kids isn’t just a band, it’s a movie, and it’s a real life phenomenon during a time when the backdrop to music was institutionalized holocaust, racism, and propaganda everywhere to bury freedom of thought and spirit. Today, Swing Kids reunited at a strategic moment, where to combat a new fascism they contribute to the new anti-fascism. SWING HEIL! Take a look at the documentary they
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Beth Gibbons at The Orphuem: Outgrowing Your Own Creation
Rob Shepyer
April 23, 2025
Beth Gibbons at The Orpheum Theatre was more than just a showcase of new music, it was a showcase of a new Beth Gibbons for all Los Angeles to enjoy. When you think Beth Gibbons and Portishead, you think of a specific sound. An elevated, urbanized jazz that pairs well with a Bond movie, maybe, or you think of the trip hop moniker developed by her band and other English groups like Massive Attack. Beth Gibbons’ solo work, and especially her 2024 album Lives Outgrown doesn’t so much as develop on the song she help originate and cultivate though, it outgrows it with a new evolution in her artistry that includes influences from folk, psychedelic, medieval, and world music sensibilities. Driving to the Orpheum theatre on a drowsy Thursday evening, her new album gave my trip a surreal feel, making each beat of time pass by with more meaningful reflection, and each tree outstretching over the freeway walls more tranquilizing with the nature-vibes captures on songs like “Floating on a Moment” or my favorite on the album, “Whispering Love”. Skimming through the tracklist now and looking back on the show, I see both as a statement on identity, lost and
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Garage Rockers vs Skinheads vs Hardcore Kids: Rose Tattoo at the Whisky
Rob Shepyer
April 16, 2025
The Whisky ’25: Rose Tattoo’s First US Show Since ’83 When Rose Tattoo announced their first American show since 1983, not only could I not believe it, but I made sure to procure tickets almost immediately. This show would then get cancelled, only for the prospect of Rose Tattoo playing Los Angeles to dissolve and become a big question mark. Would the legendary Australian band ever play in America again? This is a pure rock and roll band that didn’t just go on to inspire Guns and Roses but numerous scenes throughout Los Angeles, from skinheads to hardcore kids to garage rockers. It would otherwise be impossible to see these three scenes merge into one audience. Even for a megaband like The Misfits, these groups don’t come together to mingle in such close quarters. So, when Rose Tattoo announced two new shows in LA years later and then finally hit the stage at Whisky-a-Go-Go on March 6th and 7th, all those scenes were present and pounding their fists for what must’ve been an awfully cold day in hell. The set ran the gamut of a slew of Rose Tattoos classics such as “Nice Boys” and “Rock and Roll Outlaw,” with
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T.Y. Ojai: Ty Segall at Ojai Valley Women’s Club
Rob Shepyer
March 4, 2025
With MTV’s Unplugged catalogue hitting Paramount+ recently, I’ve been on a bit of an acoustic kick. When a popular artist goes acoustic, it’s a sign of a deeper appreciation and commitment to their fans and music than standard touring, writing, and recording cycle an artist goes through. Choosing to go on an acoustic tour, like the one Ty Segall and King Tuff are currently collaborating on throughout California, presents a challenge to a musician that really tests their artistry. It strips them of all the bells and whistles fans expect from their songs and live show, forcing the artist to compensate with pure charisma and sonic bravado. Both King Tuff and Ty Segall exhibited powerful charisma as acoustic artists, taking advantage of the silence between and around their songs to amplify the meaning of every lyric and note. The result of which is that audiences that were lucky enough to catch these shows may not have had their socks rocked off like they would in a Ty Segall and The Muggers show, or a Witch (King Tuff’s metal band) show, but we did experience the full fleshed out power and message of Ty’s songs like no other fans ever have.
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