
Danny Ryan

Powerviolence is Back: Nothing Less Mini Fest w/ Hong Kong F*ck You at 1720
Most JankySmooth readers are likely familiar with the recent “hardcore renaissance” that music outlets have been raving about post-Covid with the rise of bands like Turnstile, Drain, Scowl, and Knocked Loose; but less talked about are the current revivals of punk subgenres that have not quite yet received the same level of media attention. LA’s underground is deeply familiar with the excitement surrounding the rising popularity in Oi, street punk, and more recently: powerviolence. During the 2010’s powerviolence and the incorporations of genres like noise and power-electronics were much more common than you see in the hardcore scene nowadays, but there is a rising scene of artists hoping to bring the avant-garde abrasive elements of anarcho-punk back to the forefront. related: Sound And Fury 2025 – Everybody Spinkick! Hong Kong Fuck You (HFKY for short) are among the leaders in blazing this trail, and their dedication to the art of noise is so unique in the modern landscape that LA’s staple promoter for the rare vinyl side of hardcore punk, Nothingless Booking, decided to host a mini-festival at 1720 Warehouse on November 7, 2025 around this concept. It was an absolutely stacked bill including Azusa’s powerviolence legends ACxDC, the recent

Janky Fresh Friday: New Releases by Orville Peck and FKA Twigs
Welcome to Janky Fresh Friday- the busiest day of the week for artists and labels to drop newly released music. Check in every Friday for a fresh squeeze. As part of Janky Smooth’s Janky Fresh Friday series, we’ve been comparing two albums that come out on the same day and seemingly have nothing in common- for the sole purpose of discovering the wealth of similarities between two disparate things. In some respects, it’s an exercise in empathy, learning how to appreciate differences, placing yourself in the shoes of a different subculture, and putting forth an effort to celebrate music as a whole. related: Janky Fresh Friday – New Releases by Drain and Danny Brown Today’s albums for Friday, November 7th, 2025, are releases from two of the most forward-thinking and strongest personalities in music pop culture at the moment, Orville Peck for country music and FKA Twigs for art-pop music. While Orville Peck’s release Appaloosa is just an EP and FKA Twigs’ newest album Eusexua Afterglow appears to be a sister album to her previous release, both of these releases are more groundbreaking staples in these artists’ discographies than you would expect. Orville Peck: Appaloosa (released November 14, 2025):

Janky Fresh Friday: New Releases by Drain and Danny Brown
Welcome to Janky Fresh Friday- the busiest day of the week for artists and labels to drop newly released music. Check in every Friday for a fresh squeeze. As part of Janky Smooth’s Janky Fresh Friday series, we’ve been comparing two albums that come out on the same day and seemingly have nothing in common- for the sole purpose of discovering the wealth of similarities between two disparate things. In some respects, it’s an exercise in empathy, learning how to appreciate differences, placing yourself in the shoes of a different subculture, and putting forth an effort to celebrate music as a whole. related: Janky Fresh Friday – Chat Pile w/ Hayden Pedigo and Guided By Voices Today’s albums for Friday, November 7th, 2025, are two of the most ambitious releases of the year from scenes that used to be more closely connected than you see nowadays. The relationship between punk and hip-hop has a long history and this fusion was a staple of underground shows in Los Angeles for the longest time. There are very few rappers that cross over into punk, hardcore, or metal anymore but Danny Brown has consistently been dedicated to these collaborations since his tour

Juggalo Halloween Party: Insane Clown Posse at House Of Blues Anaheim
Insane Clown Posse was not a band I ever expected to see in my lifetime, especially if you would have asked me in my younger years. Between their goofy carnival-sounding production, overly edgy lyrics and imagery, trailer trash fanbase, their beef with Eminem; the list of reasons not to like them upon first impression is endless. As time goes on and Juggalos get older however; the perception of Insane Clown Posse has changed drastically over the years with Vice’s documentary about their Gathering Of The Juggalos festival, their collaborations with Danny Brown and more recently Jelly Roll, and their song Miracles becoming a viral sensation upon its release. ICP are the black sheep of music as a whole, and the world has mostly decided that we were a bit too hard on them over the years. related: OC Did It All For The Nookie: Musink Tattoo Convention And Music Fest 2019 I decided I wasn’t doing my due diligence as a music journalist if I had never experienced them live, and being as they never visit Southern California; this was one of the few chances I had. House Of Blues Anaheim made the ridiculously insane decision to book them right

Janky Fresh Friday: New Albums from Mobb Deep and Sanguisugabogg
Welcome to Janky Fresh Friday- the busiest day of the week for artists and labels to drop newly released music. Check in every Friday for a fresh squeeze. Sanguisugabogg: Hideous Aftermath (released October 10, 2025): Century Media Records Sanguisugabogg has been my favorite modern metal band for the past few years, with their absolutely masterful craft of combining the sounds of classic 90’s death metal with the attitude of the modern hardcore scene to create an environment of absolute chaotic violence at their live shows. Death metal/Slam metal have been crossing over into the hardcore scene much more within the past year, but unfortunately this album does seem like it’s a mark for the beginning of the end for this collision of worlds. The new album “Hideous Aftermath” is significantly slower than the previous ones, and it takes itself much more seriously. I was actually relieved upon hearing the first breakdown of the album, as I almost forgot I was listening to a Sanguisugabogg album with how long it took for the crowd-killing moments to arrive. related: Sound And Fury 2023 – The Stage Dive Will Never Die The casual metalhead who sees Sanguisugabogg at a large festival while

Janky Fresh Friday: New Albums From AFI and Snõõper
Welcome to Janky Fresh Friday- the busiest day of the week for artists and labels to drop newly released music. Check in every Friday for a fresh squeeze. AFI: Silver Bleeds The Black Sun… (released October 3, 2025): Run For Cover Records AFI has recently been in music news more than they have been in decades. A major aspect of this is frontman Davey Havok drastically changing his physical appearance recently, looking like he’d be more likely to front an indie folk group than a goth or hardcore or alternative band. Are those AFI‘s genres? It’s hard to pin them down to a specific sound, as they are constantly evolving and reinventing themselves throughout their career. related: Cruel World 2024 – A Legacy Forms at The Rose Bowl Today’s release of “Silver Bleeds The Black Sun…” marks the beginning of a new era for them, shifting much more into synthesizer based goth music and darkwave rather than their roots as a rock band. This shouldn’t be a surprise considering Havok’s side-projects Blaqk Audio and Dreamcar were hinting that he’s wanted to head in this direction for a long time. Even AFI’s last couple of albums were heavily incorporating goth and

Janky Fresh Friday: New Albums From John Maus and PeelingFlesh
Welcome to Janky Fresh Friday- the busiest day of the week for artists and labels to drop newly released music. Check in every Friday for a fresh squeeze. John Maus: Later Than You Think (released September 26, 2025): Young Records John Maus’ new album Later Than You Think is a huge deal. Like a really huge, massive deal. Personally, his last release in 2011 We Must Become the Pitiless Censors Of Ourselves was a formative album during my high school years and one of my first introductions to goth music or synth pop outside of the mainstream. Almost 15 years later and he’s back with a vengeance; a deeply changed man on a spiritual level, but still bringing the lo-fi dark and gloomy atmosphere to the dancefloor. Don’t miss John Maus live this October: Observatory OC – October 20, 2025 The Belasco – October 22, 2025 The lyrical themes have certainly changed quite a bit from 2011’s “Cop Killer” to today with “I Hate Antichrist” and this tone of religious awakening can be felt throughout his newest release. As early as the second track we get lyrics like “Satan, Satan, Satan lies. Turns everything into fucking spite”. You could

Slowing The World Down with MJ Lenderman at The Shrine
MJ Lenderman is one of the most prominent key players in the alternative country movement, and his September 11, 2025 performance at The Shrine Auditorium showed just how big of a name he is amongst younger people and country-folk enthusiasts alike. I don’t believe there’s even a debate on whether country music is currently one of the most dominating cultural forces in America. It goes even beyond the music, with Southern aesthetics like mullets, flannels, showy belt-buckles, and cowboy boots taking over hipster-infested areas like Highland Park and Silverlake. While the love for the genre is actually on its way to becoming more equal between urban and rural America at this point in time, the artists respected between these two demographics could not vary more. While mainstream country artists like Morgan Wallen aren’t really talked about with reverence amongst music fans in LA, there is a new wave of alternative country artists with more emotional and poetic folk influence that are considered superstars amongst aspiring artists looking for a singer-songwriter scene to be part of. featured image: Michelle Evans related: Courtney Barnett at The Roxy – How To Make A Rockstar MJ Lenderman is one of the biggest names of

Negative Spaces In A Hyper Poppy Atmosphere At The Wiltern
Poppy is certainly an anomaly in the heavy music world, almost resembling an overall brand or abstract concept more than just a simple musician as she further blurs the line between influencers and artists. While many people are familiar with her through her days of bizarre Youtube videos where she took on the role of a robotic AI humanoid spouting nonsense, she has come a long way from the novelty of being a subject for reaction videos and has really proved herself as a refreshing forward-thinking figure in heavy metal. Fresh off of her newest album “Negative Spaces” and recent collaborations with Knocked Loose and Bad Omens; Poppy brought her blend of bubblegum catchy melodies, glitchy industrial effects, and brutal metalcore breakdowns to The Wiltern for a night of pure chaotic poppy energy. With Los Angeles being the last date of this tour, Poppy went all out in transforming The Wiltern into her own signature bizarre, twisted world that converted any stubborn metalhead in the room to a believer in her vision for the genre’s future. related: Different Shades of Black and Blue – Knocked Loose at 1720 The opening act Chinese American Bear was an interesting choice for the

Partying Like It’s 2004: IHEARTCOMIX 20th Anniversary
IHEARTCOMIX have established themselves as one of the most forward-thinking and distinct promoters in recent LA history over the past two decades; dipping their toes into events celebrating nearly every form of art not limited to raves, parties, movie premieres, album release events, and interactive art exhibitions. Celebrating their 20th anniversary, IHEARTCOMIX threw an absolutely wild party with a complete hodgepodge of a lineup; Featuring The Dare, Boys Noize, Fcukers, Nation of Language, Chela, and even Yo Gabba Gabba blessing the night with their presence. Comedy legend Reggie Watts hosted the entire event, completely taking ownership of the evening’s vibes and making sure everybody in attendance had the most memorable night possible. Although the early 00’s where they started may be long over, IHEARTCOMIX went above and beyond in providing a futuristic lineup that still evoked a nostalgic feeling that celebrated their history in the most crafted way possible. As soon as I approached The Bellweather, it was instantly apparent that this was not the average club event with the eccentric and colorful outfits that everybody was decked out in. While it was a more formally dressed crowd, IHEARTCOMIX’s brand is entirely based on being as expressive and colorful as

3Teeth at The Teragram: Industrial Dystopia
Love for gothic industrial and nu-metal aesthetics seemed nonexistent for a while, being almost universally seen as cringe and outdated as indie rock and trap music dominated the airwaves in the late 00’s and early 2010’s. With political tensions rising after the 2016 election however, angry and darker music came back in a massive way that can be seen with festivals like Sick New World selling out quickly and the industrial scene feeling as relevant as ever again. 3Teeth is a band that took full advantage of this shift in attitude, bringing the angsty edge of 90’s greats like Nine Inch Nails and Marilyn Manson to a new audience that’s just as wild at live concerts. In celebration of their newest album EndEx, 3Teeth transformed the Teragram Ballroom into a cyberpunk wasteland and hosted a late night of industrial sounds from every era; with ear-piercing distortion, infectiously dancey synthesizer melodies, and leather as far as the eye can see. With Skold, Straight Razor, and 8mm as surprise openers for the evening, there was a treat for all fans of industrial music no matter what their preference may be. Straight Razor’s performance began with an eerie but blissful ambient intro, almost

Scowl At 1720 Sell Out The Venue But Not Their Souls
One of the biggest Catch 22’s of being a punk rock fan is wanting the artists you love to succeed and reach a larger audience, while also wanting them to avoid selling out and the inevitable softening of their edge that comes with popularity. While bands that maintain a consistent sound are often doomed to become dull and uninteresting after a couple of releases, there’s always a lingering fear of bringing in new audiences that don’t “get it” when an artist experiments with new aesthetics or explores other genres. Scowl and Militarie Gun have both had some of the most talked about punk releases of the year, and their recent show at 1720 proved that neither artist has sacrificed their unruly hardcore spirits in the evolution of their sounds. While tough-guy hardcore purists may be complaining online about the alternative direction that these artists have been taking, it’s clear that they haven’t witnessed the chaotic party that Scowl creates up close in-person for themselves yet and it’s only a matter of time before everybody starts to embrace the “Psychic Dance Routine”. related: Scowl Interview- Talking Limp Bizkit, Kevin Smith and Hardcore 1720 has established itself as one of the best

