

Danny Baraz

Blood Incantation Live at The Wiltern, Los Angeles
The Los Angeles stop of the Blood Incantation 2025 Absolute Else Tour was more than just another date—it was the climactic finale of their North American run and one of the most unforgettable metal shows of the year. On August 7, 2025, The Wiltern Theatre in Los Angeles’ Koreatown transformed into a cosmic gateway as the Denver quartet delivered a marathon performance that fused progressive death metal, krautrock atmospherics, and spatial ambient noise. From the moment fans entered the art-deco grandeur of The Wiltern, the anticipation was electric. The show sold out weeks in advance, and the bill reflected Blood Incantation’s expansive vision. Krallice opened the night as the experimental black metal heir apparent. Prog-metal icons Cynic elevated the night with a career-spanning journey through tech metal and jazz-inflected experimentation. Last but not least, ambient pioneer Steve Roach offered a rare live set that immersed the crowd in soundscapes of drones and deep cosmic resonance. I thought the order of the bands was peculiar but I can’t say I’d complain. By the time Blood Incantation took the stage, the audience had already traveled through decades of extreme and progressive music and even an extended regenerative period during Steve Roach’s set.

MSPAINT and Lip Critic at Lodge Room- Disturbing The Peace
On an undersold Thursday night at the Lodge Room on a quiet night in Highland Park, MSPAINT made their tour stop in Los Angeles to support the No Separation EP. They brought with them Pat and the Pissers and a band that caught my attention at the end of 2024, Lip Critic. I really love MSPAINT but I traveled cross town to see what the fuck this weird, experimental band Lip Critic would sound like live and how the fuck they made the sounds that had been coming out of my speaker the last 6 months. I arrived in time for a REALLY great band out of Indianapolis- Pat and the Pissers. They are a interesting Descendents punk mix of confrontational, charismatic and borderline technical players. Bass player Kilmer stood out immediately but I quickly realized that the entire band was tight and lead singer Alex Beckman was born to sing at people. related: Model/Actriz- Pirouette New Album/Bend Bodies/Break Brains At the end of an extended schmoke break between sets, we heard strange rumblings and sounds coming from the venue. We rushed upstairs to find the 4 Lip Critic lunatics thrashing about the stage, 30 seconds into their set with

Enter Das Bunker: Summer Massive 2025 at Catch One
One of our favorite club nights of the year, Das Bunker’s Summer Massive at Catch One was on August, 2nd 2025. Less than 2 weeks have passed but the mind and the heart have a hard time letting go. This post is mostly a photo recap but it’s also a shout out to the Das Bunker team for continuously producing events that bring all the generations of the scene together at this generation’s clubhouse, Catch One (rip Jewel). Along with Bar Sinister, Catch One has become the defacto collection point for those who mingle and dance in the dark and industrial arts- it has been thus regardless of changes of ownership through the decades. related: Pixel Grip, Spike Hellis and BLO Find Refuge at Das Bunker The chambers and pockets and staircases of Catch One were writhing with denizens deep into the guts of the venue while the walls wobbled with bass deep into the night. The hardwood floors of the main room and foyer had a particularly nice bounce to them underneath our boots. Every room had a DJ- mostly scene favorites with an appearance by the high priest of Cum Metal, Johnny Health. related: HEALTH at the Grammy

Sound And Fury 2025: Everybody Spin Kick!
“Everybody spin kick!” was the order given in the first 4 bars of the first breakdown by Mindforce frontman Jay Petagine,Saturday headliners at the Cream Stage at Sound and Fury 2025. featured image- Basement: Joe Calixto It was the first time I was IN the pit at Sound and Fury 2025 on Saturday at Exposition Park and not backstage or out on the periphery- the difference between a nice view of the ocean or swimming in it. I use boxing’s “crab defense” during these explosions. I recommend it highly. It’s allowed me to play defense and even though the best defense is a good offense, I don’t like physically hurting people as much as I used to. It made me think of the meme about hardcore dudes in the pit past 40 and the tendency toward excessive violence toward children… and this feels like the perfect platform to explain this cultural phenomenon… related: Relive Every Sound and Fury for the Last 10 Years The first time I got hit in the head with an errant fist for fun and not fighting was in my late 30’s- not old for the world but certainly old in a music scene. Old enough

Jonathan Richman Tour Starts Today And New Album Streaming July 4th
Indie Legend Jonathan Richman is Dropping his Rare Catalog Online and Readies New Album “Only Frozen Sky Anyway” Ahead of July 4 Digital Launch and the Jonathan Richman Tour, which starts today. One of the most beloved cult figures in American music, Jonathan Richman is back with a major announcement that’s thrilling longtime fans. The eternally whimsical singer-songwriter—known for his poetic minimalism, heartfelt lyricism, and dry humor—has revealed a Fall 2025 North American tour and an unexpected treasure trove of rare albums now available for streaming for the very first time. related: “It’s Important To Be Sincere”- Jonathan Richman at The Monday Club Richman, best known as the frontman of The Modern Lovers, and for writing the timeless indie classic “I Was Dancing in the Lesbian Bar,” is in the midst of a cultural revival. From being featured in HBO’s hit series Euphoria to earning praise from a new generation of artists and fans, Richman’s music has never felt more alive—or more accessible. I, myself fell in love with Jonathan Richman for the first time when the Farrelly Bros featured him prominently in 1998’s, “There’s Something About Mary”. As each decade passes, Jonathan Richman transforms more from a smug referenced

Peach Pit & Briston Maroney Spellbind The Greek Theater
June 11 2025 felt tailor-made for an outdoor indie double bill. Ticketmaster billed the evening as Peach Pit & Briston Maroney — Long Hair, Long Life Tour and promised an “all-ages indie celebration.” The sun slipped behind Griffith Park just as doors opened at 5:30 p.m., giving 5,800 fans plenty of time to explore merch, sip local brews, and admire the Greek Theatre’s art-deco façade before the 7 p.m. start time. Briston Maroney: Folk-grunge fireworks to start the night Knoxville-raised singer-songwriter Briston Lee Maroney cut his teeth on American Idol at 15, busked bluegrass tunes through Tennessee, and independently issued EPs before landing with Atlantic Records. His gold-certified single “Freakin’ Out on the Interstate” paved the way for full-lengths Sunflower (2021), Ultrapure (2023) and the brand-new Jimmy (May 2025), a record that pairs confessional lyrics with grungy guitar crescendos. Stepping onstage beneath faux evergreens and twinkle lights, Knoxville native Briston Maroney treated L.A. like his own backyard campfire. He hurled himself into opener “Small Talk,” then immediately demanded a louder response: “Feel it tonight, Los Angeles—really feel it!” related: Music For Trees- P.J. Harvey at The Greek Theater Maroney’s nine-song set hopscotched through every era of his catalog: “Under My

Youth Code Break The Ice At The Echo: Yours, With Malice
This past Saturday, June 7th, the post-punk industrial outfit, Youth Code, returned to The Echo in Los Angeles for their first headlining show in this city in 9 years. L.A. is the city from which Youth Code spawned so, that hiatus is enigmatic on its own. Why has it been so long and why now? The latter, easy to answer — Yours, With Malice, the new EP released last month on May 16th by Sumerian Records. Spoiler alert: It’s a fucking banger. In the shadow of the ICE raids and protests happening downtown and all over the city, Youth Code and their supporting act, Sweat played a show- one of the best club shows I’ve seen all year and it was fitting it was at The Echo for many reasons. I knew nothing about the band Sweat but they announced their presence with authority. Sweat are a hard-hitting hardcore-punk trio from Los Angeles, formed in 2019 by veteran SoCal scene members Tuna Tardugno (vocals), Justin Smith (guitar/bass), and Anthony Rivera (drums), formerly of outfits like Graf Orlock, Dangers, and Dogteeth . With razor-sharp riffs, metallic hardcore energy, and an unhinged and frenetic live show by their ringleader, Tardugno, they channel influences ranging from Cro‑Mags

Spiritual Cramp: Alive at the Regent Theater
Last month on May 21st, Spiritual Cramp opened a show for Bad Nerves at The Regent Theater. We here at Janky Smooth have been mildly obsessed with Spiritual Cramp- mostly theorizing on why they aren’t headlining shows like this yet. Because once you see them live, the band leaves no doubt. Spiritual Cramp released their first full length, self titled studio album in 2023 to go with 4 EP’s and a slue of singles. Every release is solid. But do yourself a favor- if Spiritual Cramp come to your town, do whatever you can to go see them. related: LA’s Best Festival is Sound and Fury- Here’s Why (2018) When you first hear the name Spiritual Cramp, you’re not sure if you’re about to get hit with a darkwave sermon or an exorcism of punk rock demons. But once the needle drops—or they hit the stage—you know exactly what you’re in for: a sweaty, soul-drenched blast of refined angst, post-punk groove, and swagger that may not be unique to them but they certainly take it to it’s purest form. Now stationed in Los Angeles, Spiritual Cramp is the band you didn’t know you needed—until you see them and your taint

Sex Cells and We’re Buying- somewhere south of Hollywood Blvd
Somewhere in the heart of Hollywood on Wilcox, in a club/venue I have never entered before, Sex Cells re-emerged from it’s hiatus hole, to return to us a provocative buffet of fetish culture, avant-garde/smutty art, and self-expression. Out of the birth canal of Danny Fuentes, the L.A raised freak show turned ambassador and the individual behind Lethal Amounts gallery (but not in the alley). Sex Cells transcends traditional club nights, offering a haven for those who revel in the unconventional but fiercely protective against any potential spectators looking for a freak show or a glimpse of t&a+D. Danny Fuentes: the PT Barnum of rare humans but unlike that circus, exploitation is consensual. Lethal Amounts has long been a stalwart advocate for counterculture. If Lethal Amounts had any over arching theme, it would be that. Fuentes has curated exhibitions that delve into once taboo subjects in the mainstream- satanic rituals and serial killers and of course, forwarding and celebrating all the divine, aesthetic and historical culture that has brought the queer community to it’s current paradigm all across the world . This is our vanilla. His commitment to showcasing the extremes of human experience is evident in the gallery’s diverse array of artists,

Model/Actriz- Pirouette: Bend Bodies/Break Brains/New Album
Boston-forged and Brooklyn-based post-punk provocateurs Model/Actriz returned to us on May 3 with Pirouette (True Panther Records), the feverishly anticipated follow-up to their blistering 2023 debut, Dogsbody. Known for their physical, feral live shows and vocalist Cole Haden’s magnetic, almost confrontational presence, Model/Actriz are back to twist the knife even deeper—dance or die. The first time I became aware of Model/Actriz was in 2017 when I was invited to see another friend’s new band at the Hi- Hat in Highland Park. I missed my friends’ band but I did NOT miss Model/Actriz. I knew, then and there, that I had witnessed something special there and instantly the bands’ first EP- “NO” became a classic in my catalog. related: The Next Wave of Sound- Model/Actriz at The Hi Hat While their follow up EP, AVA did not hit as hard for me, it served as a laboratory for their first full length 2023 release- Dogsbody. Where Dogsbody introduced the band’s vicious fusion of noise rock, industrial grooves, and sweaty club tension, Pirouette sharpens their edge without losing any of the body-moving chaos. Produced with a tighter, cleaner mix that never loses its grit, the record still slithers and screams with the

Obituary At The Bellwether: 35 Years of Cause Of Death
This past Saturday, April 26th, in the year of our Lord, 2025, Obituary, along with Nails brought their tour celebrating 35 years of Cause of Death to The Bellwether in Downtown Los Angeles. Tampa Florida’s Obituary released their second album, Cause of Death in 1990—35 years ago. I was a freshman in high school. I had never heard anything like it and I found out pretty quickly that NO ONE else had heard anything like it, either. My teenage feelings of suffering and despair and confusion and anger finally had a soundtrack. I was just getting into thrash metal and hardcore punk and picking up a guitar for the first time. My preferences leaned toward frenetic chaos with a high bpm. Fast and hard. But Obituary and Cause of Death showed me a new way—grinding, low tempo, heavy riffs that slowly dragged bodies across the floor. Sludgy breakdowns building to blast beat eargasms that changed my life forever. Slayer and others showed them the way but it was Cause of Death that had that mix of thrash and sludge that really got me off. That cassette lived in my Walkman for a good 3 months, uninterrupted. It formally introduced a

HEALTH at The Grammy Museum- Making It In The New Music Industry
So here I am for the first time at the Grammy Museum in Downtown Los Angeles to see HEALTH perform a half set in a small 200 person theater with seats, and to live premier their latest song collaboration- “Ashamed” featuring Lauren Mayberry of CHVRCHES. Prior to the performance was a less awkward than I imagined Q and A with Nic Harcourt and the band that focused heavily on the creation of the 2023 full length release of Rat Wars. Singer/Songwriter and HEALTH guitarist, Jake Dusik was much more chatty than I expected for someone with such a catalog of sad bastard, isolationist song credits. Dusik spoke in great detail about that despair, which peaked during the pandemic lock down. The birth of his child during this bleak time and the death of society conceived their most critically acclaimed HEALTH album, to date. HEALTH co-founder and ambassador John Famiglietti, always bringing levity to the band described a completely different lock down experience that didn’t always shelter in place and was echoed by HEALTH drummer BJ Miller. HEALTH were asked their thoughts on who was the quintessential Los Angeles band and the answer given was The Doors. I found that to