
Tag: powerviolence

A Secret Riot at The Fonda w/ The Garden & Friends
It was one, strange chilly Tuesday night on March 24th 2026 going to see The Garden, Hong Kong Fuck You and Ghost Mountain. Unruly punkers and medieval court jesters engulfed the dim foyer of the Fonda Theatre, barely visible without the presence of the fluorescent glow produced by the brightly lit marquee overhead. A blanket of thick black smog enveloped the atmosphere, polluted with the smell of cigarettes. Limping away towards their otherworldly expedition, The Garden embarks on another journey across the West Coast accompanied by Ghost Mountain and special guest, Hong Kong Fuck You, teasing the audience with unreleased tracks from The Garden’s anxiously anticipated album. Ending 2025 off with an aggressive, emotionally charged single dubbed ‘Ugly’, expressing the “unattractive” side of fame and the unimaginable grief of celebrity life, The Garden twins continue to explore and cultivate their signature sound. related: The Garden Summon Ghosts at The Observatory For One Strange Night In Orange County Setting the stage for the evening, HKFY (Hong Kong Fuck You) unleashed a set where deafening low-end frequencies and frantic basslines smothered the room in a thick, aggressive tension, channeling raw visceral rage that felt less like music and more like physical assault.

Janky Fresh Friday: New Releases from Dry Cleaning and Bad Beat
This January is a pretty fun month for new releases which makes it harder to choose what to disseminate for our very first Janky Fresh Friday of 2026. We thought we had it easy with Dry Cleaning releasing new music and we decided to go with Bad Beat’s Xmas day release as the split single of this article. But it’s not always easy when you have mixed feelings about something new from a band you love and that is a first for Janky Fresh Friday…. I’m sure it’s not the last. related: Top Artists to Watch in 2026 Dry Cleaning: Secret Love (released January 9, 2026): 4AD Records The kings and queens of deadpan post punk are back with Dry Cleaning’s kickoff to 2026, Secret Love. When Dry Cleaning first appeared on the scene, I was all about it, making it a point to catch their highly anticipated Teragram Ballroom introduction to Los Angeles. Seeing them again at Primavera Sound, they had refined their music by then and fully manifested everything anyone could’ve wanted from a deadpan, vocal driven post punk band. That style of vocal was something I was wanting to hear from a modern band for a long

Powerviolence is Back: Nothing Less Mini Fest w/ Hong Kong F*ck You at 1720
Most JankySmooth readers are likely familiar with the recent “hardcore renaissance” that music outlets have been raving about post-Covid with the rise of bands like Turnstile, Drain, Scowl, and Knocked Loose; but less talked about are the current revivals of punk subgenres that have not quite yet received the same level of media attention. LA’s underground is deeply familiar with the excitement surrounding the rising popularity in Oi, street punk, and more recently: powerviolence. During the 2010’s powerviolence and the incorporations of genres like noise and power-electronics were much more common than you see in the hardcore scene nowadays, but there is a rising scene of artists hoping to bring the avant-garde abrasive elements of anarcho-punk back to the forefront. related: Sound And Fury 2025 – Everybody Spinkick! Hong Kong Fuck You (HFKY for short) are among the leaders in blazing this trail, and their dedication to the art of noise is so unique in the modern landscape that LA’s staple promoter for the rare vinyl side of hardcore punk, Nothingless Booking, decided to host a mini-festival at 1720 Warehouse on November 7, 2025 around this concept. It was an absolutely stacked bill including Azusa’s powerviolence legends ACxDC, the recent

LA Still Believes In Anarchy: The Exploited at The Regent
While many foundational classic punk bands still tour regularly, the reckless soul that the genre is known for can often be missing with how much older the artists have become. Rather than the stagedives, partying, and rowdy moshpits that you’d expect at a punk show, many landmark bands unfortunately feel more like seeing a nostalgic cover band that you’d find at a local bar. While age has affected the energy of many artists, that has only made it more special when you experience the rare event of seeing an early punk band wreak the havoc that they would have in the prime of their career. The Exploited are one of the few examples of a classic punk band that’s able to bring this anarchy to modern audiences, transforming The Regent into the environment of a rowdy 1980’s club with their recent show hosted by Concrete Jungle Entertainment and Nothing Less Booking. With a perfectly crafted lineup of chaos including Conflict, Total Chaos, and Section H8, the spiritual essence of punk rock could have not been more prevalent in the venue that evening. The Exploited proved to us that punk’s not dead, you just have to know where to look for

1Fest-Los Angeles at Los Globos: Noise As Music As Force Is Farce
In my quest for mind expansion through live musical experience, I’ve been fortunate enough to write about festivals that I might not have cared to attend If I was just a casual music fan. This was the case for Berserktown, 8BitLA, and now 1Fest: Los Angeles. I’ve learned that taking a risk and just diving into a genre of music without prior knowledge usually only reaps joyful reward. Absorbing too much musical diversity has its drawbacks, though. The mind can expand so much that the brain might start pressing against the inside of the skull and adapt by developing a sort of exo-skeleton, a crust. Brain crust. related content: The Most Complete Sound And Fury 2017 Review On Earth Crust punk and Grindcore- Two genres birthed out of the aesthetics of British Anarchist punk OG’s Crass. Grindcore was first conceptualized by Napalm Death as half political dissidence and half musical farce, with songs that only lasted seconds and little care for actually singing the lyrics live. Grindcore, although as separate from mainstream heavy music as possible, is still thriving and alive because Grindcore is not simply a musical genre but a challenge. It is a challenge to any band to see

