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HEALTH/Author & Punisher at The Music Box: Let The Ceremony Begin
Last time I saw HEALTH in San Diego was opening for Crystal Castles in May 2011 at the now defunct Fluxx Nightclub. Last Saturday it was HEALTH who were headlining The Music Box in San Diego as the last stop on their Dark Territory tour, and the only thing that HASN’T changed in the nearly 12 years since that show is that HEALTH completely shredded the stage. related: HEALTH at The Echo- First L.A. Show in 3 Years Delivers There were multiple story lines unraveling in through the evening and indeed, the complex and cryptic folds of the universe itself. Returning back from ceremony in Mexico on the day of the show, HEALTH was also the band me and my partner saw on our first date the night I touched her for the first time at 1720 a year ago. I love you Jules (fuck face). All that along with promoter Modern.Wav calling out the San Diego goths to convene in their own ceremony and indulge their kinks with an epic lineup that also featured Author & Punisher and openers Matte Blvck and Straight Razor, whom I woefully missed. Luckily, photographer Becky DiGigglio did not. We walked in during

Candlemass at 1720: The Church of Doom
While doom metal is a metal subgenre that has come and gone in waves throughout its history, bands that enter the scene develop such a large cult following that there has never been a need for a huge influx of new artists taking on the sound. The 1980’s severely lacked newer doom metal artists with the oversaturation of hair metal and thrash at the time, but Candlemass boldly took the throne as the Kings of Doom for that era when they were needed most and have maintained their legendary status ever since. With heavier psychedelic rock and metal rising in popularity again, Candlemass have once again returned to Los Angeles for the first time in 6 years for a sold out show at 1720 Warehouse to reclaim their spot on that throne. If you’re in any way a fan of the olden days of heavy metal before blast beats and death growls, seeing Candlemass live is one of the most authentic ways to experience these roots of metal music that are rarely seen nowadays. Related: Speedy Speedy Speed Metal – Midnight at Union 1720 Warehouse has quickly grown to become one of Los Angeles’ most iconic venues with the wide

2nd Annual John Waters Easter at Madonna Inn: Pink Flamingos and Filthy Bunnies:
It was a sea of queers and bunny ears at California’s campiest hotel, the Madonna Inn, for opening night of the 2nd Annual John Waters Easter Weekend hosted by Lethal Amounts. The event featured electropunk musician/performance artist, Peaches, as well as a screening of Pink Flamingos with live commentary from Mink Stole and John Waters himself, replete with Easter and Tom of Finland photobooths and of course an Edith Massey look-a-like contest. related: Satanic Manic- Lethal Amounts Honors Anton LaVey on Halloween It was a slow race to the Inn as Peaches was set to take the stage at 7:30pm and with most attendees coming from Los Angeles or San Francisco, Friday traffic was a bear in either direction. We made it just in time for a quick a dip in the pool before the show and a seemingly innocent, lone, swimmer asked the occasion for our visit. His bewildered response to our answer was “Jowwhn Waterrs…izze a COUNtry singer or somethin’?” in an unplaceable drawl. He was there for a wedding and it was then that we knew: the other hotel inhabitants had no idea they were about to be bombarded by the filthiest people alive. related: The Teaches

Photo Recap: Onyx at The Echoplex
If you’ve ever been in a mosh pit or slam danced at a hip hop show, you can thank Onyx for that type of singular release of tension. Something that is so common place now started with this group from South Jamaica, Queens in New York City. And regardless of Rick Rubin’s early rock influence in the beats he made for Run DMC and Beastie Boys, Onyx were one of the first to truly fuse metal and rap, ala the soundtrack for the movie Judgement Night . On March 29th, 2023 Onyx returned to play a show at The Echoplex in Los Angeles. Photographer Greg Flack was there to document the occasion.

N8NOFACE at The Lodge Room- F*ck You, Pay Me
The character arch of N8NoFace will one day become the stuff of legend. From making music in a closet to a sold out show at the Lodge Room. From a self described “border boy” growing up in the Sonoran Desert in Tuscon Arizona, to building the kind of cult following in Los Angeles over the last 13 years that is the envy of most religious fundamentalist leaders. After seeing N8’s March 22nd kinetic performance at the Lodge Room in Highland Park, the only question that remains is how far does N8NoFace want to go? Up to this point, I had only seen N8 open for other bands and artists. With just himself and his Roland SP-404, I can’t remember anyone who was able to fill up both big and small stages alike with just themselves, a sampler and a massive stage presence. But this headlining gig at the Lodge Room was a different configuration of people joining him on stage and that made me nervous, at first. When the essence of something you like changes, the changes aren’t always good. For this show, N8NOFACE enlisted the help of Here Lies Man and Antibalas guitarist, Marcos Garcia aka Chico Mann. This

Beck Acoustic at The Lodge Room- A Storyteller
Acoustic performances are known for providing a more intimate experience that offers the listener a vulnerable look into an artist’s relationship with their music, often having a lower energy than standard performances due to the quieter nature of the format. While diehard fans of an artist appreciate this personal encounter with their favorite artist, it’s even more impressive when the performance is just as thrilling and exciting as their higher production concerts. Beck is the incredibly rare example of an artist that creates an acoustic experience so unique that the energy is higher than seeing him in a more extravagant setting, completely transforming what these types of sets are typically known for. His two recent sold out 2-hour performances at The Lodge Room in Highland Park were a twice in a lifetime event, feeling as if it was the ideal way to experience Beck in-person. Even if you aren’t a Beck fan or a fan of acoustic sets, this show was easily one of the most memorable concerts that one could experience. This review is about night 1 of 2 performances at one of our favorite venues in Los Angeles. related: A Love Letter to The Lodge Room Highland Park

Touche Amore Play 4 albums in 2 Nights at the Regent Theater.
Touché Amoré brings a certain level of nostalgia for most, myself included. When I was in high school I had the chance of seeing Touché at our local teen center. They were pretty much my intro into something a little more hardcore than punk music. I was blown away. Flash forward 15 or so years and here we are- Touché Amore is headlining 2 sold out nights at the Regent Theater and playing 4 albums in their entirety. This has been a new trend with bands over the past year as they hit 10 to 20 year anniversaries. I love these kind of shows because you know what you’re going to see. So many times I’ve gone to a show and been disappointed by a set list. For the show I attended on night one they played Parting the Sea Between Brightness and Me and Lament. The only thing that could have made this a better show for me, would have been trading Lament for Stage Four which was played the next night. Touché came out heavy starting out with “PSBBM” with the first song- which may be my favorite Touché song. They played straight through the first two songs then

FIDLAR at The Observatory is STILL a Vibe
There is little more that’s as iconic in the last 10 years of the SoCal indie music scene than FIDLAR playing at The Observatory in Santa Ana. It brings back memories of the golden age of the now defunct label that shall not be mentioned- but it rhymes with “Zurger”. related: An Interview with Zac Carper from FIDLAR Ticket holders wasted no time filling up The Observatory for the opening acts. Fans flooded the pit, full of raw energy and not holding anything back for Reckling. The set came with fast, high energy that had the fans crowd surfing, singing along and of course, moshing. Reckling opened the night strong and set the bar high. Not to be outdone, Liily came out just as powerfully and kept that energy going, if not elevating it to the next level. From their catchy songs to the electric performance of frontman Dylan Nash and the nonstop, chaotic energy of bassist Charlie Anastasis, all combined to make for one hell of a show. The crowd was warmed up, stretched and sweaty for FIDLAR to come out and destroy and they did just that. FIDLAR came out firing on all cylinders with “ Wake

Jane’s Addiction- Hollywood Royalty At The Palladium
Jane’s Addiction playing the Palladium in Hollywood in 2023 resonates deeply with music fans who grew up in Los Angeles. Jane’s Addiction is the quintessential L.A. band of their era. Wedged snugly between the hair metal era of the 80’s and the grunge era of the 90’s, Jane’s had that guitar hero grit with the angry, sad bastard swag that followed the vacuous and shallow vortex of sunset strip glam rock. As excited as I was about this show, I had questions and concerns. Last time I saw Jane’s on their tour with Nine Inch Nails at the now defunct Irvine Meadows Amphitheater, everything seemed sub par- from Perry Farrell’s range to the vibe and banter on stage. Also, the absence on this run of guitar hero Dave Navarro and his signature sound concerned me a little. Not having Navarro is ALMOST like the Rolling Stones gigging without Keith Richards- almost. One thing I will say is seeing Porno for Pyros at the end of 2022 at the Belasco Theater gave me more confidence that Jane’s Addiction would play a show worth remembering. related: Porno For Pyros At The Belasco- A Time Capsule of Sound and Cultural Concepts I have

Resonant Sound Baths: Sunn O))) at the Lodge Room
Having never heard SUNN O))) before, I had no idea what I was in for as I waited at the back door of the Lodge Room in Highland Park. I purposely didn’t look them up or listen to them. Sometimes I like going into a show totally blind and open to something new. And last night was something new, for sure. I’m either the worst person in the world to write about this, or the best. See, I thought I was going to see a metal show, a rock show, a show that fit into the box I had constructed that contains everything I thought I knew about a musical act. On stage the semi-circle of 10 stacks of amplifiers only spoke to it being loud but nothing else. Last night was a beautiful, profound, and absolute assault on the senses…. Almost spiritual in nature. When the first vibrations of deafening sound hit me I nearly panicked …I wanted to run, leave get out as quickly as I could … I closed my eyes and gave into the loudest droning guitars I had ever heard in my life It was an electronic exorcism performed by two cloaked figures wielding guitars

Detention With Danzig at The Montalban
Still seething with bliss from the uproarious decadence of Danzig Sings Elvis at the Hollywood Roosevelt on Devil’s Night 2021, we set our ticket alarm and grabbed 4th row for our second chance at seeing the dark King of Rock n Roll. Another historic Hollywood theater, The Montalban was an odd choice but we, and a sold out crowd, were there for it. Parking was a breeze next door and we stepped over the teenage, junkie living in the stairwell of the structure and headed down to the theater. The marquee was set with several, larger-than-life, close-up portraits of Danzig á la Elvis headshots that served as photo ops out front of the theater and in the lobby, as there were several reminders of no photography or recording inside the theater (more on this later…much, much, more). The crowd poured in, many excited first-timers, a mix of black-leather punks, leopard-print rockabillies, and even a few, tired, parents with their children. Let’s be honest, this was a predominantly over 40 crowd…which made it all that more confusing as to why we were treated as though we were in trouble at a high school assembly. Between the emails, signs, and repeated loud

Vulnerability is Punk: The Lemonheads at the OC Observatory
In celebration of the 30th anniversary of their iconic 1992 album It’s A Shame About Ray, The Lemonheads brought their signature blend of punk, grunge, and folk influences to a passionate crowd at The Observatory. With the night being built up of multiple acts including their magnum opus album in full, an acoustic segment, and a collection of hits from their other material; the show was a dedication to the fans that have followed them with devotion since the beginning. While The Lemonheads are underrated in how they are not always included in conversations about 90’s grunge and indie rock music, their influence can still be felt in underground alternative music today and it was apparent how much their music means to the fans who experienced it during the peak of their popularity with how much love for the band that could be felt in the room that night. As soon as The Lemonheads casually approached the stage, it was immediately clear that their image embodies the DIY grassroots of independent music from their minimalist stage presence to the crudely designed “L H” logo on their drum set made out of green duct tape. Compared to seeing most 90’s alternative