Category: SHOWS

The Industrial Virus is Spreading: Das Bunker Presents Kanga at Resident

Rob Shepyer August 28, 2018

Das Bunker has returned, this time out of the post-apocalyptic brick humidifier that is Los Globos’ crumbling upstairs bomb shelter to the posh but mosh-approved Resident for a Kanga and Cyanotic duel-headlining show. The horror on the faces of those yuppies that were trying to peacefully go about their networking on the patio was a beautiful thing for us creeps to behold. We blackened the Resident like a flock of crows descending upon hipster carrion. related content: One Friday Night In Hell Part 2: Das Ich At Los Globos Coming from Toronto and exhibiting that same sappy Canadian authenticity that seems so easy to be cynical against, For All The Emptiness, began the show. His songs were desperate pleas for change out of a numb and uncaring world and though this translates well on his records, over his catchy industrial dance beats, live the combination of fast-paced music, overly-dramatic singing, forgettable stage antics, and lyric-videos plastered on the backdrop via projection, didn’t quite hit the mark. Digital music and lyric videos just scream karaoke no matter how good the performance. In his favor, I will say the his album art and music video for “Hearts Against Minds” have top notch aesthetics

Cinema of Sound: Timber Timbre at The Moroccan Lounge

Dillon Vaughn August 27, 2018

Timber Timbre‘s unbelievably cinematic sound conjures some of the most distinct imagery with ease; thankfully they were able to bring that experience to fans at the Moroccan Lounge in DTLA last week for two sold out nights. Embedded in their music is an intimacy fitting for the most tense moments of desolation; compositions that harken to a lovesick killer brooding in the most remote diner in the Nevada desert late at night. (Interestingly enough, the group so capable of capturing the classic sound of the American west hails from Ontario, Canada.) Deceptive softness and melancholy shroud what’s truly music for a bad man (in a Coen Brother’s sense) and the beauty translates perfectly to a live setting. The well-earned hype and buzz surrounding this group will only continue to grow. related content: How To Trip Off Volume: Elder At The Roxy related content: Too Heavy to Die: Boris’ 25th Anniversary With Melvins At Echoplex Opening both performances was Thor and Friends, the avant-garde project fronted by former Swans associate and percussionist Thor Harris. Unassuming at first, the ensemble quickly captivated those in attendance with hypnotic swells and some of the most lush instrumentation to grace the Moroccan. They’ve performed around town frequently

The Hardest So-Cal Has to Offer, Strife Plays “In This Defiance” at The Roxy

Rob Shepyer August 27, 2018

Southern California has always been a hotbed for hardcore punk from Black Flag to The Circle Jerks but carrying on the torch into the 90’s was a band from Thousand Oaks, California called Strife. Exhibiting that classic straight edge, beat down character, Strife was a band that from the get go, had the feel like they belonged on a stage with a pit belonging right in front of them. Their second album, In This Defiance, with its many guest appearances by Dino Cazares, Chino Mareno, and Igor Cavalera, became the band’s definitive album. They were a band that could get hardcore kids to dog-pile and sing together songs so undeniably powerful and demanding of an audience, that they became essential to the Southern California hardcore canon. related content: For The Children 2017 At The Echoplex: Hardcore Is The Gift That Keeps On Giving Strife’s impact resonated beyond their sound though. Each band that would perform on this evening at The Roxy had a connection to the band. Beginning first with Fixation from Philadelphia, who even though are in the early stages of their career, played a set that was cohesive and powerful enough to make you envision a long and

Too Heavy to Die: Boris’ 25th Anniversary with Melvins at Echoplex

Janky Smooth Central Command August 23, 2018

Boris celebrated their 25th anniversary of being a band at The Echoplex opening for the band that they take their name from, Melvins. Both classic sludge rock staples played incredibly loud, noisy, and heavy sets. Photos by: Dillon Vaughn

How to Trip Off Volume: Elder at The Roxy

Rob Shepyer August 23, 2018

How do you get high? Flower? Shrooms? Synthetics? Running? There are many ways. Some of them led me to this style of stoner/doom metal in the first place but once I had first began frequenting those concerts and stood among other trippers before a stage where a high was induced through music, I realized not every method can be found on erowid.com. Volume can get you high. Walls of sound can break you through sobriety’s ceiling and beyond that threshold is an especially consciousness-shaking altered state. Few bands build walls of sound so high and holy as the ones featured at The Roxy at this show with progressive doom virtuosos Elder. related content: Earthless Liquified My Face At Teragram With Third Circle Visuals behind the projector’s eye, shooting liquid light on stage as if spitting venom like a Dilophosaurus on LSD, the stage was set for Los Angeles’ best kept stoner secret Yidhra to take the stage. Combining heavy, vibrating doom riffs with hallowed, commanding growls, and a theremin’s whirling alien essence, Yidhra’s sound is original and soul-stirring. Like if Sleep slept with Kenneth Anger’s Technicolor skull, this is dark-side of your trip black light metal to the bone. This

Bastard Rap: Lil Ugly Mane and Bastard Noise at The Locker Room

Rob Shepyer August 22, 2018

Well what do ya know… it looks like Garden Grove has a lot more going for it than forever being relegated to Sublime references. The quaint Orange County town has a new outdoor/indoor venue in Garden Amphitheater and the smaller, Locker Room within it. The Amphitheater is hosting two amazing hardcore festivals in 2018 so having scoped out the space, I can say for a fact these shows will be completely insane. related content: 1Fest-Los Angeles at Los Globos: Noise As Music As Force Is Farce The Locker Room, which is decorated with yellow lockers along the back of the stage, would host Lil Ugly Mane’s Orange County show on a tour that he billed with diverse bands for every date. Mane assembled trap, death rock, and legendary vocalist of Man is the Bastard, Eric Wood, who with an array of machines, creates sonic insanity under the banner: Bastard Noise. The first band to play the evening was a crusty hip hop artist known as Death Rattle. They performed as a duo consisting of a mad-dog vocalist that duel wields microphones, one filtered, one not, and a live drummer. Opening his set with the command that all nazis get the fuck

The Queens Converge at Outside Lands 2018

Janky Smooth Central Command August 21, 2018

Admittedly, what brought me to Outside Lands Music Festival at the Golden Gate Park in San Francisco this year was LP, Florence + The Machine, and legendary pop star Janet Jackson. A first in the festival’s history: featuring a female fronted headliner, and this year we had two. Outside Lands featured a superb lineup of music and DJ’s to enjoy for all age groups. The art installations and props went above and beyond including a psychedelic wooded wonderland with glow-in-the-dark mushrooms, rugs, couches, and chairs creating the ultimate experience. With an accentuated vibe of relaxation, there were different flavors of tea served by the Mad Hatter himself. In addition to the ultimate in variety of excellent food choices, Outside Lands served up a large cannabis education section creatively called Grass Lands, beer, wine, and comedy, surrounded by luscious, towering forest greens all around. Outside Lands is massive, with over 200,000 concert goers during the 3-day weekend. The main stage displayed a massive Golden Gate Bridge made up of blue lights, while white lights pointed up, reaching to the high heavens when the sun went down, it was truly a sight to behold. related content: The Headliners Rule At Outside Lands 2016 Day 1 When I first arrived at the

Alison Wonderland Uplifts L.A. at the Shrine

Aria Silva-Espinosa August 20, 2018

Every EDM festival lineup, every mainstream festival EDM selection, year after year is an exhausting shirtless sausage fest. It’s totally true, look it up. Prior to 2014-ish, very few female acts graced the lineups of dance music-focused shows and festivals. Alison Wonderland was the woman who worked her way to the main stage of some of the largest festivals in the world and for the past three years she has toured the world bringing her unique blend of original vocals and electrifying dance music to her massive international fan base. Born Alexandra Sholler in New South Wales, she’s certainly come a long way from playing classical cello in the Sydney Youth Opera for those who want to argue that electronic artists aren’t real musicians. She played bass for a while too before being inspired to go in a different direction by Swedish avant garde electro-pop duo The Knife. The rest is kind of history. She began working as a mixer and began touring in her native Australia as Alison Wonderland in 2012 and released her debut single ‘Get Ready’ in 2013. related content: Overcoming Fear With Fever Ray At The Palladium Dance music festivals are big business for a lot

Jerry Lives Forever: Grateful Shred at Teragram

Rob Shepyer August 16, 2018

For half my life, I’ve been a diehard fan of the most hippie-slaying bands you could ever hear but throughout that time, working in contrast to that was my love of The Grateful Dead. The Grateful Dead were spawned out of Ken Kesey’s Acid Tests where they played as the house band and got so high that they had to improvise their sounds and obey the psychedelic flow running through them. It gave them the most original feel and song structure of any band from their era and garnered them the most cult following in the history of music. I’m sure had I been around at the time of the Grateful Dead, I would’ve been a “Dead Head” and if that undermines my punk credibility, allow me to share what I witnessed at a recent Dead and Company show at Dodgers Stadium: Dirty hippies, one wardrobe change away from crust punks, snorting cocaine right in front of sixty year old couples. Women flashing and everyone choosing their own seats with no care what was assigned to them on their tickets. Captured by The Dead’s music this month, seeing Grateful Shred perform at the Teragram Ballroom was my way of celebrating Jerry

Finally Admitting it’s Real: Portugal. The Man at The Shrine

Robert Cohen August 14, 2018

For everything pop culture as a whole has done to convince us that the best humanity has to offer comes out of relationships and love, outside of shitty rom coms, the weird and winding paths that people take to get into them often go unacknowledged. People often go months or years without expressing their true feelings; and when they do, the time and place is not always as cookie cutter perfect as it’s made out to be in the popular imagination. In my opinion, Portugal. The Man is characteristic of the many angles of this scenario in the context of a fan’s relationship with a band. Once upon a time, they were the new kid in school: a little band from Alaska whose songs would show up occasionally on a mix CD someone gave you of cool new music that had flown under the radar. A few years later after they’d earned more cred with the local kids, they start hanging out with one of the cool seniors who brings them to the next level: auteur producer Danger Mouse who produced their 2013 album Evil Friends. Their insider status secured, after a few years away they come home from college

From The Garage to The Forum, it’s Weezer and Pixies!

Rob Shepyer August 13, 2018

When you see a tour flyer for Pixies and Weezer, who do you expect to be headlining? At first thought, my money’s on Pixies, considering their contribution to creating the alternative genre, mixing low-key melody with bombastic explosions of noise. But then again, coming to find that Weezer was closing out the night, ultimately made sense. For anyone in their 30’s, Weezer IS their youth. If you’re anywhere between 30 and 40, think about how much you heard Weezer growing up. Whatever genre you gravitate towards, you know the lyrics to at least one Weezer song, probably a gang of them. You probably know their music videos and the faces of band members that aren’t the frontman. Their songs were catchy, anthemic, and genuinely powerful. All coming from four guys that exemplify American rock and roll, as both fan and musician. So hell, if Weezer and Metallica go on tour next, I could imagine Weezer going on last. This tour was all about paying homage to the bands and forces that shaped Weezer while also having enough fun on stage to prove they were masters of the craft in their own right. The audience was filled with people that had Weezer

Luna 13 G.O.A.T. Witch Record Release Party at the Viper Room

Janky Smooth Central Command August 11, 2018

Luna 13 had their G.O.A.T Witch record release party at the Viper Room last Sunday, Aug. 5, 2018. The album was put out by LA’s iconic post-punk label Cleopatra Records. The group consisted of Lilith Bathory and Dr. Luna, which together created a dark visual black-metal bass theatrical experience. Other bands playing as part of the record release party included; The Audio Virus, Artifact Corruption, and Midnight Nightmare. Words and Photos by: Abraham Preciado

Category: SHOWS

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