Category: SHOWS

Magick Man: Killing Joke at the Regent

Rob Shepyer September 7, 2018

Killing Joke is a band that cannot be pigeon-holed. The moment you call them a post-punk band, they put out an industrial album. But within either camp, they were always the misfits of the bunch. Their post-punk was more rhythmic and off-kilter than their peers and their industrial was more lyrical and poetic than the average black leather electro act. Then you have a lead singer like Jaz Coleman, a true enigma. Most singers paint pictures from their own personal experiences but often times with Killing Joke, their songs take on the perspective of eternity. And what I mean by that is, Jaz would step out of his shoes and trousers and into the shoes of time itself, watching human history and making connections we can’t see through his lyrics. related content: The Growlers Reclaim Castle Beach Goth And All Is Right With The World Again One of the rarest acts you could ever see play in America, these English gentleman of the dark arts came out with an album called Pylon in 2015, which they planned to tour in the US, playing the Regent. As fate would have it though, Illness befell the band and they cancelled all their American

Long Live The Funk: George Clinton and Parliament Funkadelic at the Observatory

Jessica Moncrief September 6, 2018

George Clinton has come a long way since forming The Parliaments as a teenager in a barbershop in Plainfield. Since the beginning of his career, the legendary godfather of funk has been making music and inspiring young creatives for more than 6 generations. In April of this year, he announced that he would be bidding farewell to the stage with a world wide tour in 2018. While the news is saddening, hanging up his hat in style with around 50 golden years of touring seems more than appropriate. While walking up to The Observatory I heard a group of teenage girls chatting when one exclaimed, “This is the best ever, my heart is so full right now!” I’m sure it was the molly talking, but I couldn’t help but reminisce about my own first time seeing Parliament in 1998. Some shows change the course of your history much like Parliament has for the modern face of music, seeing George Clinton had a huge impact on my personal passion for live music as well and happened to actually be my very first show to be guest-listed. related content: Summertime In The LBC: Love Letter To A City That Doesn’t Always

Groveling Before the Gods of Grind: Napalm Death at Teragram

Rob Shepyer September 5, 2018

Of all the epic metal shows Church of the 8th Day has ever put on, Napalm Death at the Teragram has got to be my favorite. The creators and gods of Grindcore, Napalm Death, changed music forever by goofing on certain elements that other genres wouldn’t dare experiment with at the time in 1981. Partially a farce, Grindcore didn’t care about what lyrics their growls were actually belting out and whether they actually matched-up with what was written. They would also do something as absurd as write songs under 10 seconds long. This was so groundbreaking at the time that the band generated mainstream attention by people that were just curious about how such a strange and shocking art form could exist. related content: Satyricon’s Final Los Angeles Show At The Regent: A Night Too Blackened To Forget Underneath this musical insanity and humor, Napalm Death has always carried the most serious political messaging behind their extreme sound. Their first album Scum opens up just the same way their Teragram set did, with “Multinational Corporations” going into “Instinct of Survival” which is a very confrontational, diagnosis of the world’s disease. Greedy, self-serving, corporations making money off of people’s plight and dying.

The Daytona Experience: Pusha T at the Observatory

Rob Shepyer September 4, 2018

2018 has been an amazing year for rap. We’ve seen the return of Slim Shady, five Kanye West produced albums, and one of the most volatile rap beefs to ever occur in the game with Pusha T completely destroying Drake. Along with making a star fall, Pusha T created my favorite album of the year, the first of the five Kanye produced albums of 2018, Daytona. related content: Summertime In The LBC: This Is Your Dad’s Hip Hop From the very beginning, when the album cover was released and we saw Whitney Houston’s addiction exploited for art with a photograph of her drug strewn bathroom as the cover, Daytona garnered controversy and hype. Then with “Infared”, the last track on the short, seven song album taking shots at Drake, nucleur heat was generated between the two rap Gods. For the first time in a long while, traditional rap stabbed through trap’s control of hip hop media. Finally, there was a ray of hope that hip hop could rekindle its golden years when the metric of quality was lyricism and beef elevated everyone in the game. So Pusha took shots at Drake with “Infared” then Drake came back with “Duppy Freestyle” and Pusha

The Olive Branch Extends to Irvine: The Scorpions at FivePoint Amphitheatre

Rob Shepyer September 4, 2018

The Scorpions play everywhere, from Israel to Beirut, to Siberia to their Irvine show at FivePoint Amphitheatre for the Crazy World tour. And what an aptly named tour it is, having seen so much of the world’s diversity and political strife, what is unique to The Scorpions is that they are loved and respected as the hard rock ambassadors of world peace. This band represents the chance that we could all get along some day. related content: Slayer’s Final So-Cal Show At Five Point Amphitheater: The Most Insane Review I’ll Ever Write This string of North American dates were makeup shows from a tour the band had to cancel last year while touring with support from Megadeth. On this tour, they brought along classic prog-metal kings Queensryche to open. The band played every song you’d expect but “I Don’t Believe In Love” off their seminal concept album and sonic-action experience Operation: Mindcrime. Instrumentally, they had incredible precision and a soaring epic quality. Todd La Torre sings with a powerful, booming voice that makes the 80’s fucking cool again and honestly sounds just like original singer, Geoffe Tate. Original guitarist Michael Wilton is a powerhouse and you can hear that power in

A Super Rad Super Kickstarter for The Aquabats Super Show at El Rey

Rob Shepyer September 3, 2018

Saving the world is often a thankless job but for over twenty years this has not been the case for The Aquabats. This is a band of superheroes/musicians with a fan base so die hard they not only have their own uniform and vernacular but they pass down their love and admiration for the band to their children. For many kids, those who attend the shows with their parents and those that watch The Aquabats Super Show on television, this band is their introduction not only to punk rock, but to music in general. So how does this fan base show their appreciation to the band? The attendance numbers and longevity speak for themselves but if that’s not enough, the Super Kickstarter seems to be a good metric. Trying to crowd fund new episodes of the Super Show, The Aquabats threw a three hour party at El Rey Theatre that included a slew of amazing guests and bands. Before they even played, The Aquabats announced they had raised enough money to record a new album, so I set my hopes high for new episodes of the Super Show to be on their way. related content: The De-Evolution of Burger Boogaloo

A Calling for Club Shows: X at Marty’s on Newport

Maggie St. Thomas September 2, 2018

Word and Photos by: Maggie St. Thomas It was standing room only for punk rock legends X, featuring an all star line up of all original members Exene Cervenka, John Doe, Billy Zoom and DJ Bonebreak, and with Craig Packham on drums for two songs, allowing Billy Zoom to serenade us with his saxophone with DJ Bonebreak’s primal percussion and vibrating bars. related content: OC’s Alright If You Like Saxophones: Psychedelic Furs and X At The Pacific Amphitheatre Celebrating their 40th anniversary and wrapping up a tour with The Psychedelic Furs, X packed Marty’s Cocktails in Tustin to maximum capacity. Quite the change of scenery from when I last saw X at OC Fairgrounds. X seemed to be full of delight at being back in a packed small club. Their powerhouse performance, commanding power beats, and vocals blasted out of the amplifiers at an unapologetic volume while they belted out their hits like ‘Must Not Think Bad Thoughts,’ ‘Los Angeles,’ and ‘New World.’ John and Exene shared the spotlight while their harmonizing vocals playfully complimented each other and intensified the energy just as well as any of their studio albums. Billy Zoom shredded the chords of his guitar with his signature ear to

Photo Recap: The Smashing Pumpkins Oh So Shiny And Bright Tour at the Forum

Janky Smooth Central Command September 2, 2018

The Smashing Pumpkins have reformed with three of their original members (Billy Corgan, James Iha, Jimmy Chamberlain) for their Oh So Shiny and Bright Tour which took The Forum by storm for two consecutive nights. Metric opened for the legendary band and along with the classics, The Pumpkins played a set filled with oddities and covers like “Space Oddity” and “Stairway to Heaven”. With The Forum’s usual brand of epic stage production, The Pumpkins pulled out all the stops visually, to do something people have never seen before and can never forget. Photos by: Jessica Moncrief The Forum Metric The Smashing Pumpkins

Photo Recap: New Age Records 30th Anniversary at Garden Amphitheater

Janky Smooth Central Command August 31, 2018

Legendary Southern California hardcore record label New Age Records held their 30th anniversary show at Garden Amphitheatre where landmark alumni and current bands of the label played insane sets. Bands like Trial, Mouthpiece, Strife, and A Chorus of Disapproval played to name a few. New Age Records is what hardcore is all about, keeping it real, tried and true, for thirty fucking years. Here are some photos from the anniversary: Photos by: Albert Licano Trial Mouthpiece Strife Mean Season A Chorus of Disapproval Safe and Sound Countervail Drug Control Decline Crow Killer Last of the Believers One Choice Walk Proud Hellfire Trigger RedBait Collateral Damage

Dead Moon Night: A Tribute to Fred Cole at the Echo

Audrey Kemp August 31, 2018

Metal-heads, goths, rock-n-rollers and cowboys young and old packed in like sardines before a stage festooned in funerary flowers and a dead man in the moon under a dim red haze. The chemistry that bonded them? A common love and appreciation for Dead Moon and the late Frederick Lee Cole. Toody Cole, co-founder and bassist of DIY rock-n-roll band Dead Moon, hand-picked her entourage of unique L.A. musicians, including former guitarist of Cat Power Gregg Foreman, Warren Thomas of The Abigails, Zumi Rosow and Cole Alexander of the Black Lips, Cheap Tissue, Sons of the Southwest, Sharif Dumani of the Alice Bag band and others, for a special night at the Echo in Los Angeles to honor Fred Cole and to commemorate the release of the new Dead Moon art book on his would-have-been 70th birthday. related content: Berserktown II: Music Fringe Binge At The Observatory The groups covered some highlights from Fred’s vast repertoire of work, including that from bands such as The Lollipop Shoppe and Dead Moon. The festivities began with a screening of Kate Fix and Jason Summer’s documentary, Unknown Passage: the Dead Moon Story (2004), a story Warren Thomas of the satanic Outlaw Country band the

Unplugged and Undying: Six Organs of Admittance, Wino, and Xasthur at Resident

Rob Shepyer August 30, 2018

When Bob Dylan first plugged in and went electric at the Newport Folk Festival in 1963, he was harangued, mocked, and shit on by the same followers that professed their total devotion to him as a folk singer. Similarly, when metal goes acoustic, there are always detractors. Yet, with the talent exhibited by the artists Church of the 8th Day booked to play The Resident, Xasthur, Wino, and Six Organs of Admittance, the voices of those detractors seemed to shrink under the monumental weight of the emotions in these folk songs. Proving that Kansas can be just as dark as Darkthrone, Alhambra’s Xasthur was once a one-man black metal machine, pumping out the haziest, most brutal black metal in California. Having soaked in all of isolation’s inspiration, Scott Conner knew there were muses he had to follow beyond the boundaries of electric music. Startling the purist following he had garnered, Xasthur went acoustic and the fans that once battled his skeptics, became skeptics themselves. related content: Satyricon’s Final Los Angeles Show: A Night Too Blackened To Forget Taking the stage as a three-piece, all on acoustic guitars, Xashur wore a bandana to cover his face while Christopher sang his lyrics and

Ahead of his Timelessness: David Byrne at The Shrine Auditorium

Jessica Moncrief August 29, 2018

A lone brain sits on a fold out table complete with a wooden chair directly under a spotlight. This abstract scene of living art set the stage perfectly for a journey into the psyche and imagination of the legendary David Byrne. With bare feet, white disheveled hair, and a cool gray retro suit to boot, Byrne looked like a mad scientist or guru to a new age religious cult, the church of Byrne. He walked out onto the stage, sat in the chair and picked up the brain. While solemnly singing into his headpiece, a glittery beaded curtain raised from the floor. From there, the production went full psychedelic with a marching band of smiling, dancing, barefoot instrumentalists and back up singers, all uniformly dressed in the same retro grey suits. They gracefully emerged from the curtain in what would be the beginning of a fully choreographed spectacular production that was completely wireless. No amps on stage, no cords dangling from instruments to step over, the drums were attached to their player’s bodies instead of fixed on a kit. related content: Finally Admitting It’s Real: Portugal. The Man At The Shrine This had to be the most avant-garde concert tour

Category: SHOWS

Subscribe to the Janky Newsletter

ticket giveaways, exclusive content, breaking news and of course- Music, Art & Activism