Category: SHOWS

Kick Out The Jams: MC50 at the Observatory

Maggie St. Thomas October 14, 2018

Words and Photos by: Maggie St. Thomas The innovators of punk were the Motor City 5, known for their high energy live performances, being aggressive revolutionaries of the 1960’s and the house band of the White Panther Party. The MC5 recorded their first album Kick Out The Jams live on October 30th and 31st 1968 at Detroit’s Grande Ballroom. In May 2018, Brother Wayne Kramer announced the MC50 tour to celebrate the 50th anniversary of Kick Out the Jams across the world with a supergroup line-up including himself, and his partner of this guitar army Kim Thayil (Soundgarden), Billy Gould on bass (Faith No More), pounding drum beats by original MC5 drummer Dennis “Machine Gun” Thompson and joining him to his right was drummer Brendan Canty (Fugazi). Replacing Rob Tyner on vocals with the towering 6’7’’ frame and image reminiscent of the late lead singer stood Marcus Durant (Zen Guerrilla), and Billy Gould on bass lines (Faith No More). related content: Teen Angst Never Dies: Alkaline Trio At The Observatory Nearly 50 years to the date of recording, Saturday October 6th, 2018 in Santa Ana, we paid tribute to this all star line-up that sounded rude and unhinged as ever with domination firing off notes like rockets within the walls of the OC Observatory. Brother Wayne Kramer delivered

Don’t Slander Me: Roky Erickson at Teragram

Janky Smooth Central Command October 13, 2018

Photos by: Dillon Vaughn Very few performers have lived lives as hard as Roky Erickson. A godfather of psych rock and garage, Roky’s history is almost unbelievable. A musical prodigy from childhood to a genre defining songwriter at age 19, it’s hard to believe the scope and impact of his work hasn’t made him a staple among Venice Beach type stencil paintings and graphic tees at Urban Outfitters. (His story’s much cooler than that.) related content: Halloween At The Roxy With The Evil Ones: Roky Erikson & Death Valley Girls Finally having the chance to see a performance was something I made my heart drop the moment he walked on stage – not from anticipation, but from fear that the hints of mental illness and the very visible mark of time on this man would lead to a performance that would make it hard to listen to the music again. Sitting on stage in front of everyone was an older man that seemed somewhat lost and nearly puppeteered by his much younger backing band nearly hiding in the shadows. The moment the music began my fears were crushed; applause and screams from the audience fueled something in Roky. His eyes gained some

Return of the Old School: Kingdom Come at the Whisky

Rob Shepyer October 11, 2018

It’s my contention that if 80’s metal and grunge were to duke it out today, 80’s metal would come out victorious. I once read about a book called “The Pendulum” that theorized every forty years, people’s attitudes change from collectivist thinking to independent thinking. Grunge swung more like an axe, not a pendulum, to behead metal and change American rock music forever more. Now, in the Trump era, where collectivist notions don’t connect the same way they once did and hyper-masculinity seems to be the means to reclaim male identity, I think 80’s metal would prevail. We’ve had too many years of bands playing shoegaze without any charisma. We want spectacle. We want solos. And most of all, we want balls. You sense this when you see a great 80’s metal band live. I did when I saw Kingdom Come on their reunion tour where they celebrated their 30 year anniversary. related content: Soulfly And Nile: From The Amazon To The Whisky Kingdom Come were one of the original monsters of rock. Straight out of Germany, these guys had an incredibly powerful, soaring hard rock, metal sound that gained plenty of praise and comparison to Led Zeppelin. They were yesterday’s

Teen Angst Never Dies: Alkaline Trio at the Observatory

Dave Unbuckled October 11, 2018

There’s really no point in beating around the fact that the average age of attendees at the shows I look forward to has well surpassed their mid-20s hipster cred and are slowly blending in with the crowds of parents — most are looking for a safe night out that can reinvigorate some of their teenage angst. Tonight, however, was a culminating difference in the obviousness of this dilemma, made apparent by the leagues of mothers rushing outside in between sets, to call babysitters, and make sure everyone at home finished their homework and chores. On Thursday, October 4th, Alkaline Trio headlined their second sold out night at the Observatory OC, with openers Sharp/Shock and Together Pangea falling mostly onto deaf ears. Though there might have been a few in the audience who closely follow lead singer Matt Skiba’s personal endeavors to recognize Sharp/Shock as one of the few bands on Skiba’s Heart & Skull label, most waited patiently for the headliners to show their face on the main stage. related content: When We Were Young Festival’s Most Dominant Demographic: Mine Sharp/Shock held their own with Together Pangea, and have cemented a worthy ability to share the stage with many of

Goths Go Metal: Tribulation at the Lodge Room

Rob Shepyer October 10, 2018

You don’t usually see goth boys and girls embrace extreme metal but in the case of Swedish melodic death metal band, Tribulation, the goths have found a band that represents their heart and soul and lets their dark fantasies play out on a stage. Tribulation doesn’t really incorperate the sound of goth in their music though. It’s this melodic death metal monster combined with glam/hard rock rhythm and jamming that makes for a show any fan of rock and roll can understand. Solos of every stripe, virtuosity from every player, I see Tribulation as the Guns and Roses of death metal. I was lucky enough to meet the whole band before the show as I waited in line to get tacos across the street. All of them without their signature makeup, they were incredibly friendly and even gave me the compliment of calling me their groupie! The Lodge Room usually doesn’t host metal, with its regal interior and the delicious paintings that decorate its walls, the venue seems more inclined hosting jazz or you know, decent varieties of music. This show fit just fine in the Lodge Room though and I expect more metal there to come. related content: The

Cal Jam Blooms in 2018

Rob Shepyer October 10, 2018

The duality of Dave Grohl is something to ponder. Simultaneously Rock God and fan, perhaps the latter is a prerequisite to the former. After 30 years of piloting the Foo Fighters, not to mention a stint in a little band called Nirvana, his place in the annals of rock history are upon a throne similar to the one he once sat upon while touring with a broken leg. His festival, Cal Jam, is merely one example in hundreds as to how he’s still in love with music just like you and I. To revive a festival, one that is part of California’s rock and roll history, is very different than creating an original one. He wants to pay homage and not just push a brand. So, the festival that once hosted the likes of Deep Purple, Black Sabbath, Emerson, Lake, and Lake, and Ted Nugent, was revived for the second year to host Foo Fighters, Iggy Pop, and Greta Van Fleet. related content: Food For The Soul: Music Tastes Good 2018 My day at Cal Jam began with Greta Van Fleet, a band soaked in hype and wrought with criticism. This makes them a must-see just to judge for yourself.

Time Machine for Young and Old: Gary Numan at the Fonda

Audrey Kemp October 9, 2018

Gary Numan teleported his Los Angeles audience into his multidimensional universe for the final leg of his “Savage” tour on Saturday. It was 8:00 p.m. The venue, called the Fonda Theater, has a capacity of 1200. By the time the I got there, around six, a dense line of fans had circled the block, waiting for the door to open. They were mainly clad in leather jackets and Nine Inch Nails shirts, and with the exception of some millennials, almost all of them seemed to be older than 50. related content: Gary Numan Interview: Art In The Age Of Savages When the doors opened, a sea of veteran fans and first-time attendees flooded the floor. For 63-year-old Mike Sperks, who’s seen Gary Numan 10 times since 1979, he’s gotten better and better. “I like his music better now. There’s more energy. My all-time favorite song of his is ‘Prayer for the Unborn’ — a song dedicated to his unborn child,” he said. Among the older people was a group of 18-year-old University of Redlands students from a class called “Punk Rock DIY for Personal and Social Change.” Their professor held Mr. Numan in such high regard that he bought them

Food for the Soul: Music Tastes Good 2018

Aria Silva-Espinosa October 8, 2018

Long Beach has yet to disappoint. Whether it’s a tiny DIY show space with a local artist lineup like Midnight Mass or an R&B soul fest on the water’s edge like Smokin’ Grooves, shows in the LBC draw loads of live music fans at every possible opportunity. Blessed with a diverse demographic, Long Beach festival organizers get to take huge liberties when it comes to booking bands and artists that represent every quadrant of the musical matrix. Music Tastes Good was no exception. They brought new emerging artists, quintessential bands and even artists we didn’t know we were missing into one big block party-style show. related content: Black Is Beautiful: Smokin’ Grooves Festival At The Queen Mary We started out day one with Quintron & Miss Pussycat, husband-and-wife duo from New Orleans. Their performance is half something from a children’s television program and half sing-song drinking ballads. To the untrained eye, their performances are something of a spectacle but there certainly is something uniquely charming about their authenticity. Quintron & Miss Pussycat concluded their set with their cover of Polka Stars “In Heaven There Is No Beer” as the revolving stage gave way to the next act. On the complete

Cold Waves LA: Heaven For Industrial Kids

Rob Shepyer October 8, 2018

Photos by: Abraham Preciado In the 1980’s, Chicago was the epicenter of North America’s Industrial music explosion with Wax Trax records birthing some of the genre’s most iconic bands, namely Ministry. Chicago’s importance in the history of Industrial music cannot be overstated. That’s why when Cold Waves, the country’s premiere Industrial festival, announced it was bringing it’s cavalcade of musicians to Los Angeles, it was a big deal for the genre and our city. I still regret missing the first Cold Waves LA last year and so, made sure to attend this year’s. 1720 might seem like a hidden gem because of the surrounding debris and chaos of the area it resides in but after spending my weekend there, I can say it’s one of the better venues in Los Angeles. This is the case for a few reasons, the sound quality and stage being at the top of that list but also its comfortable, well air conditioned atmosphere and it’s smoking area, where bands and audience become one. Day 1 The festival began with a DJ set by legendary artist Rhys Fulber of Front Line Assembly. His set was moody and brooding, the sounds of circuity unnerving due to

Heavy Metal Parking Lot 2: Judas Priest and Deep Purple at FivePoint Amphitheatre

Dillon Vaughn October 5, 2018

Words and Photos by: Dillon Vaughn Judas Priest and Deep Purple: with a lineup including two legendary bands like this it’s nearly impossible to find a reason not to do whatever it takes to get to the show. Unique opportunities granted by commuting through a massive city for a gig like this are things I feel my parents dreamed of when they were living in a small town at my age. The drive from LA to Irvine during a weekday rush hour is awful but the anticipation for what’s truly an event multiplies each time you pass another car of people obviously making the trek for the same reason. Seeing other groups of unfamiliar familiar faces grin with shared excitement lends a sense of comfort not unlike the feeling of coming home: the euphoria of warm of acceptance and freedom to enjoy yourself for who you really are. related content: The Olive Branch Extends To Irvine: The Scorpions At Five Point Amphitheatre Firepower is somewhat of a return to form for Priest but the live show leaves the impression they never strayed from what they’ve always been. Despite unfortunate lineup changes in recent years the band has never made compromises in

Different Shades of Black: Adult. and Plack Blague at Soda Bar

Janky Smooth Central Command October 4, 2018

Words and Photos by: Rebecca DiGiglio What’s this? A San Diego show being covered by Janky Smooth, you say? No. It couldn’t be.But it is. The reaches of this esteemed publication are expanding— manifest destiny and shit. Allow me to be your photographic and lexical liaison, starting first with an electronic show featuring the impossibly-cool-looking-in-a-European-way ADULT., leather daddy duo Plack Blague, and the fog-drenched, one-man San Diego act, O/X. Opening act O/X started the night with trigger finger on the fog machine and a trance-like demeanor: all dreamy swaying and eyes-shut synth stroking. O/X is the solo project of Chris Oxendine, and the music is self-described as cold wave. Oxendine seemed to intentionally lull the crowd into a false sense of calm for the more beat-heavy, dance-centered night to come, eventually growing a little more rapid towards the end of the set, as if to briefly warn of sounds to come. The show was a release party for his latest cassette, “NEW LIFE”, released through record label Dream. Shortly after, the night turned naughty with the shock to the system that was Plack Blague: two leather-clad daddies bringing heavy, industrial beats and vocals that vacillate between sensual and aggressive singing.

The Final Final ACxDC Reunion at Resident

Rob Shepyer October 4, 2018

Antichrist Demoncore. ACxDC. Were one of the craziest power violence bands of all time. Few missed shows bug me as much as missing their final show at Union in 2017. I felt terrible for this, like I had betrayed everything I ever stood for. Then when ACxDC announced they were playing a show at The Resident presented by Church of the 8th Day, not only was I ready to go but I was ready to party, buy merch, drink beer, and get hurt. The lineup was stacked from top to bottom. Two beer bands, a reunion, and a straight edge hardcore band all the way from Amsterdam all brought together on a Monday. Work the next morning didn’t stop the die hards though. They were ready to get their excuse not to come in the next day get planted right across their faces. Skullcrack cracked open this can of whoop ass of a night with no remorse and a thirst for blood. One of the heaviest, most brutal, and rhythmic crossover bands I have ever seen. Their singer’s voice rips and their guitarist is a goddamn hardcore-thrash titan in the making, playing with Fireburn when he’s not with these three young

Category: SHOWS

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