Category: SHOWS

PHOTO RECAP: Provoker and Boan at The Regent

Two stand out heavyweights of modern post punk have shown audiences new peaks of emotional pleasure and pain through their music. San Francisco’s Provoker and Los Angeles’ Boan put on one hell of a show for their fellow statesmen at The Regent. Formed by Jonathan Lopez to created scores to imaged horror movies, Provoker’s debut album Body Jumper let LA drown in synths and delicious depression. Our city’s goth scene is no stranger to Boan and they brought it too with powerful, retro cascades into emotional landscapes only empaths dare tread. Check out the photos from the show below. Photos by: Pedro Carrera Provoker Boan  

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The Pharaoh’s Favorite Death Metal Bands: Nile and Incantation at 1720

Lineup changes, signing to Napalm Records, taking Sanguisugabogg on tour, and combining forces with the almighty Incantation were just a few reasons I had to check out Nile‘s Los Angeles show at 1720. Nile is one of my favorite death metal bands, not just because they’re brutal, crushing and technically awesome, but with their use of Egyptian imagery, I’m able to bite into a more cohesive, fuller vision that harnesses a whole world of brutality beyond death metal–history and mythos. related content: Soulfly And Nile: From The Amazon To The Whiskey A guy dressed as King Tut, touting an Egyptian staff romped around the pit during each band, cursing the mosh pit to higher levels of violence it would’ve never reached otherwise. This made my first viewing of Sanguisugabogg all the more intriguing. What I appreciated most about this band, currently stirring up a bunch of hype in underground circles, was how dirty their sound was. I was just reminiscing the other day on how Chris Barnes era Cannibal Corpse created the superior death metal sound as every instrument added to a more rotten, decayed atmosphere. Sanguisugabogg doesn’t sound rotting as much as they sound filthy and gritty, but that’ll

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Ceremony Homesick 2022

Homesick 2022: Let the Ceremony Begin Anew at The Glass House

Homesick Festival returned to the Glass House last Friday night with a killer lineup including headliner Ceremony, Touche Amore, Show Me The Body, and more. Early on in the show the crowd was loosely scattered throughout the 800-capacity space when bands Laughing Matter and The Umbrellas opened the show. The energy picked up immensely with up-and-coming hardcore group Militarie Gun. Lead singer Ian Shelton got the band moving — jumping around on stage to crowd-favorite songs “Ain’t No Flowers” and “Big Disappointment.” The vibe drastically changed as the noisy-electronic Special Interest took the stage with singer Alli Logout getting up close and personal with fans at the barricade. Her brooding and aggressive stage-presence was hypnotic and I really enjoyed their performance even though their sound stood out on an otherwise punk and hardcore lineup. I was most excited to see Show Me The Body, who are known for their sludgy hardcore sound while incorporating elements of hip-hop and the electric banjo. The crowd had finally fully filled in the venue — leading to a huge pit for the final three sets. Their set was electric, but I was especially impressed by bass player Harlan Steed who was absolutely shredding on

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the spits by Albert licano janky smooth

The Spits Stain SoCal With Stops at Teragram and Alex’s Bar

What was the allure for The Spits to perform at Alex’s Bar last week? Did they have a message? A new album is what they’re performing, But what, if anything, were we giving them; I heard it muffled under the crash of flesh punctuated by cheers and laughter from the web of limbs clambering over each other seeking the sound. What they find inside is their own; I like to watch wild smiles form on their faces. Does the band see it? Do they feel it? I guess I can only wonder, from what I gather, its preservation of legacy not tempted into glorification. The Spits are just doing the damn thing. Related Content: The Spits and Surfbort at Alex’s Bar Opening Bands Shine as OFF! Plays Alex’s Bar 16 Year Anniversary Relentless as their tour schedule has to be. I was not surprised to see them looking so virile as they pushed past the crowd on their way to the stage, onto their part of the court. They came in with considerable brother energy, which as if to set the tempo for the evening was how the vibe was. I was inspired to come closer to the center. I

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20 Years of Background Music: American Nightmare at the Fonda

Words and Photos by: Veronika Reinert To kick off 2022, American Nightmare returned to Los Angeles to celebrate the 20th anniversary of their iconic debut record, Background Music. They brought along supporting up-and-comers from both coasts: Chemical Fix (Philadelphia), and Scowl (Santa Cruz). related content: Midnight Massacre: American Nightmare At The Echoplex American Nightmare’s long-anticipated return to Los Angeles was met with major enthusiasm, albeit sparse attendance. COVID rates had skyrocketed, leaving many laid up on the couch at home or wary of being in large, indoor crowds. Those who did make it to the show were respectful of the venue’s mask requirement, and the venue did offer a large outdoor lounge with the entire show projected onto a 20-ft wall. I’d been seeing Scowl’s name on a lot of big bills over the last several months and was excited to finally see them live. I’d have to wait a little longer though, as their start time kept getting pushed back that night. When the band finally took the stage, singer, Kat Moss, sauntered over to the mic fully glamorized in chic sunglasses and mid-length fur-lined coat. She crooned a slow, melodic introductory song to start the night off, then

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And You Will Know Us By The Trail of Death Valley Girls at Lodge Room

I discovered … and You Will Know Us by the Trail of Dead from their Relative Ways EP less than 30 days after the attacks on the World Trade Center and subsequently their first 2 releases on Interscope Records, in a newly, Post 9/11 world. As hard as the Source Tags and Codes album hit me, it was dwarfed by 2005’s Worlds Apart in how close to my heart a record could be. So when Trail of Dead played “Will You Smile Again?” toward the end of their set at the Lodge Room, I had quite the mixed emotional response of crying and headbanging. On top of all this, Death Valley Girls were opening for Trail of Dead on this tour and their 2020 album, Under the Spell of Joy got me through the dystopian days of a post quarantine, pre vaccine landscape. Death Valley Girls Glow in the Dark at The Echo Record Release Party So here I was, at the Lodge Room, about to intersect past trauma and current disillusioned malaise with the magick that helped me through them both. It also happened to be the first time I was seeing Death Valley Girls with a new battery.

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Desert Daze 2021: Music, Magick and Medicine

The road to Desert Daze 2021 was a long and winding way that spanned greater than the material distances of the 10, 60 and 215 highways between Lake Perris and Los Angeles. Everyone’s road was different, from festival organizers, Moonblock and co. and those in attendance. Not everyone’s road was paved with isolation and misery since the last installment of Desert Daze in 2019 but certainly everyone can agree that there has been a paradigm shift in the dynamic of living, or the collective consciousness, or whatever you want to call it, on Planet Earth. related content: Desert Daze 2016- Quantifying the Physics of a Good Time Music, Magick and Medicine beckoned far and wide but intimate attendance (low ticket sales) and a revamped vibe in the typical Desert Daze lineup brought only the most loyal and adventurous of past attendees and in my own conversations in the camp site, many first timers. It shrunk the festival grounds to a one stage operation on the banks of lovely lake Perris, in one of the most beautiful weekends to grace this Fall season in Southern California. Nevertheless, vibrations reverberated like signature sitar tones, like a butterflies wings, causing ripples across space

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Pixel Grip at Substance L.A.

Creatures of the Night: Substance LA 2021

Substance has always been Los Angeles’ premiere post-punk festival. Celebrating all things goth and clad in black, the scene wouldn’t be quite the same without it. No festival embodies the true spirit of “LA” more than Substance. There’s something urban and dreamy about the whole episode. You get such a range of feels, some bands appeal to your heart then others purely to the body. Spanning all night, the fest goes late into the evening to make you feel like the real nightcrawler that LA is supposed to make you feel like. I came to see Nitzer Ebb but my greatest takeaways were the smaller bands who’s performances left a mark. Here are my five favorites from each day. Day 1 Pixel Grip Chicago-based industrial dance music is a beast of its own breed. Pixel Grip began the festival for my gang and might’ve left the biggest impression of any band for the entire three nights. They commanded their audience with so much attitude, mystique and power, they could’ve headlined the day purely based on the merits of their charismatic performing. Listening to them on records, many of the songs expanded my idea of what an industrial band ought to

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The True Cutting Edge: A2B2 Night of Fire 2 w/Arca and Andy Morin at Catch One

Initially founded as a blog by Andy Morin, A2B2 has morphed and grown into an online magnet attracting a vast pool of young outsider artists hungry for representation not found in the “alternative” appeal of contemporary publications like Juxtapoz and Hi-Fructose. With limited print runs satisfying our tactile needs and a healthy online community providing a showcase for all things digital – Night of Fire 2 represents a first step into the physical realm for what I hope will continue to be an annual gathering + celebration of the true cutting edge. As the audio engineer of Death Grips there’s a certain (rabid) fanbase that follows Morin’s work – and anyone that’s ever seen any DG shitposting group knows that these people go absolutely apeshit for Kero Kero Bonito. Well worthy of sharing a bill (and surprisingly a perfect fit) Kero Kero Bonito set a high bar for the night and reminded me how exciting left field booking can be. The general public’s recent fascination with classic J-pop only furthered how stoked everyone in the crowd was to see someone carrying the torch and delivering near punishing positivity and -good vibes-, something the British trio was years ahead of the

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Photo Recap: Thundercat at The Shrine

Photos by: Nicole Roussin Thundercat brought a whole slew of homies out to an epic performance at the Shrine that included Channel Tres, Flying Lotus, Haim, and more to celebrate his newest music in his hometown. The stage setup was magnificent, a giant cat with lasers shooting out its eyes. Thundercat played a long and late set that spanned from his classics, to his new shit, to a lot of improvisational free-form jazz that blew minds and sent everyone at the Shrine on a trip through Thundercat’s multi-dimensional, musical-genius mind. The man’s fingers are each a force of nature, hitting notes on that bass with perfect precision and Godly speed. Check out these pics from the show by Nikki Roussin. Thundercat Flying Lotus Channel Tres

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Photo Recap: Beach Fossils and Wild Nothing at The Wiltern

Photos by: Pedro Carrera Beach Fossils joined their good friends Wild Nothing for one of the best indie/post punk tours of the years with support from The Red Pears. Packing the Wiltern for two nights in a row, the bands named their tour after one of their most popular songs, “Out in the Way” which they would perform together on stage as the show’s climax. We sent the skilled eye of Pedro Carrera to the show to snap all the night’s best moments for you and here they are. Beach Fossils Wild Nothing  

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Photo Recap: Wavves at The Lodge Room

Photos by: Taylor Wong Wavves at the Lodge Room is a whole different experience than just any show at the Lodge Room. You get a ticket to see these dudes and you’re bound for a raucous and rowdy punk rock banger where every member is just so loose and stoked that every rendition becomes memorable, somehow walking the line between incredible punk rock and sloppy, drunk shit show. We had Taylor Wong drop in for the show and document this show because there will never be another quite like it.   Wavves Harmless Cuffed Up  

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