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John C. Reilly

Josh Schwartz benefit at the Echoplex: L.A.’s Feel Good Moment

A few weeks ago I was in Highland Park and stopped by Brent Rademaker’s house. He gave me the low down on his new project, Gospel Beach but casually dropped that there was an unannounced benefit planned to aid an ailing local music legend, Josh Schwartz, who had been diagnosed with ALS. It was going to be a reunion of sorts, bands whose heyday had come and gone would perform just this one show to raise money for Josh’s out-­of­-the­-country treatments, an experimental hope that his debilitating condition could somehow be stopped, healed, cured or reversed. Several of these bands hadn’t played in years, but the names are familiar: Beachwood Sparks, Summer Hits w/ Ariel Pink, The Tyde. Josh had some hand in the creation or promotion of each one, was a mentor or added his guitar parts. In fact, Josh had been a magnet for several people and they would speak of him at the concert as “the only meaningful person they met in LA” or “the guy who recorded my first album” or “the best guitar player in Los Angeles.” There would also be a select few newer bands playing. Mostly very young garage types from Orange County;

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Allah-las at El Rey

Allah-Las in La La Land: A cold, rainy night and warm vibes inside The El Rey Theater

On the heels of an extended fall tour, the release of their second album, “Worship the Sun” and the upcoming birth of the new year, Allah-las must have quite the lofty visions of 2015 in their collective third eye. On Thursday, December 11th, the Allah-las made a stop at the El Rey in Los Angeles with Tashaki Miyaki. There was a mosaic of Burger Records alumni in attendance at this event.  There were also the usual caravan of beautiful women, chronic appreciators, an over flow of “man bun” hairstyles, retro-thrift store army’s of fashionable special forces and cocaine, Gucci attitudes that seem like permanent, fixed appendages to these types of L.A. shows. Burger stars such as Warren Thomas of The Abigails and Clementine Creevy of Cherry Glazerr were in the house as Burger roster mates usually are when their friends, mentors and influencers play local gigs.   The Allah-las took the stage to gaze upon a packed house. Almost instantly, a wave of good vibes washed over The El Rey Theater as the reverb hit our ears and the projected, live liquid visuals by Mad Alchemy hit our eyes. Lead Singer Miles Michaud cocked his head to the right, opened

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Jonny 2 Bags

Jonny 2 Bags and The Abigails at The Echo: Two Generations of Heartbreak Music

If you compare musical styles, the pairing of The Abigails opening for Jonny 2 Bags seems like a perfect match. Twangy 6 strings, pedal steel and gut wrenching lyrics serve to set the tone of the night. I’m almost positive that bookers at The Echo put this bill together with great care and intuition. But even with complimentary styles, the fans did not mix. Age, styles and dispositions were varied and most of The Abigails fans didn’t stick around for Jonny “2 Bags” Wickersham. Somehow, the room was still packed when he took the stage. I guess that means that fans of Jonny 2 Bags weren’t too interested in The Abigail’s, either. I can hear the insults in my imagination with one side calling the other “hipsters” in an accusatory tone and the other remarking on the age of those I’ve heard described as “chain danglers”. But really, who gives a shit? I enjoyed both bands immensely. The last time I saw The Abigails, lead singer, Warren Thomas was conspicuously absent and lead guitarist, Kyle Mullarky was filling in for him. We later found out that Thomas was drying out in rehab and he made mention of that during last

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All Hallow’s Melt: Halloween Meltdown 2022

Words by: Gloria Velez Photos by: Workhorse Studios Halloween Meltdown spin-off to its summer time counterpart, “Mosswood Meltdown” (Formally Burger Boogaloo), thrown by Total Trash Productions and hosted by the “Pope of Trash” him self, John Waters, returned to Oakland’s Mosswood Park to kick off October with some spooky punk festivities. related content: Glorious Leader, Kim John Kill: Mosswood Meltdown 2022 The two day music festival with a halloween twist and a D.I.Y. feel, served up a stellar line up with headlining acts like Amyl and the Sniffers, Shannon and The Clams, The Spits, Lydia Lunch and Kid Congo Powers. The festival also featured a Haunted House designed by local musician and horror artist, Rob Fletcher and costume contest where attendees got a chance to win a $500 prize. Keeping in the Halloween Meltdown spirit all weekend, festival-goers and local music lovers stayed busy with a series of perfectly curated afterparties that sold out night after night. The afterparties, lead by Bay Area lo-fi garage punk legends The Mummies, and thrown at Oakland’s historic dive The Stork Club, where the perfect add on to the already fun weekend of Halloween Meltdown. Excited to be back in Oakland with fellow music

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Beach House at FYF 2016

Desert Daze 2022: 10 Years In The Evolution Of A Music Scene

Walking into Lake Perris Recreational Center took on new meanings this year after last year’s Desert Daze served to exorcize the ghosts of a global pandemic, to teach us that “Nothing that has happened so far has been anything we could control” and heal our mind, body and souls with drum soul-os. While 2021’s pared down Desert Daze was a cautious delight in a sea of dreck on earth, Desert Daze 2022 was a perfectly curated reckless abandon of people having sex in the lake again and breathing all over each other- in through the nose, out through the mouth. The headliners captured 10 years in the evolution of a music scene, the ascent of previously buzzworthy bands into icons celebrating a decade of seminal albums and a new wave of artists that might also one day celebrate the recently released albums they are currently touring on. For some people, Iggy Pop pulling out of the festival before he could impregnate us with music was a deal breaker but luckily, I received so much Iggy sperm the last 6 years that I was ready to bear my Beach House baby. related: Desert Daze 2021- Music, Magick and Medicine  2022 was

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Glorious Leader, Kim John Kill: Mosswood Meltdown 2022

Warning: This article contains humor. A lost art among some, yet one cherished till the grave by this writer and self-professed fool. Jokes, gags and gut-busters bring us closer to some elusive human truth, even in the case of fart jokes. No one is safe, but you can subscribe to certain ideologies that will vaccinate you from this humor and gain you entry to the “no punks allowed” club. If you’re wondering what the name of this article is all about, it’s a merging of all three queens of Mosswood Meltdown into one radioactive mutant. I created this title after realizing the original title was not going to fly in 2022, if this was 2002 though and Jason Biggs was headlining, you better believe I would’ve went with my first choice. “Kim John Kill” does not by any means a suggest any relation between Bay Area punks and communists like Kim Jong Il, though I’m sure he’d do well if he was booked at Eli’s. I was so thrilled to be back at Mosswood Park. To me, this festival is more than just a gathering of bands and rad fellows. This is an annual tradition that brings me closer to

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The Flaming Lips

Silver Lake Perris: Desert Daze 2019

“Do you think Silver Lake is a ghost town right now?” I heard someone ask during my three day camping trip at Desert Daze. The thought made me laugh, I’m sure they meant it mockingly, as this festival is LA’s annual scenester oasis, still though, upon really thinking about it, even though I don’t consider myself a part of Los Angeles’ elite hipster psych and garage rock circle, I am an admirer. Those are the people that make East Los Angeles such a beautiful destination to bar hop and hear live music. And who knows what came first, the people or the music. If you really ask yourself that question, you’ll have to reflect on the importance of Moon Block and how they nurtured, fostered, and straight up created a scene, a sound, a fashion, a mode of thinking, and a state of being that is positively Los Angeles. related content: Janky Smooth Sessions – Deap Valley & Moon Block Family Part 1 Desert Daze celebrates musical diversity but emphasizes psych rock both sonically and visually.  Bands that aren’t psych can slide right into the mold with a little bit of liquid light and satisfy the needs of any tripper thirsty

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Blink 182

Sand in my Sax: Back to the Beach Festival

I voluntarily didn’t arrive to Saturday’s show until minutes before Reel Big Fish took the stage at around 4:00, which gave me plenty of time around town to observe the legions of bat wielding ANTI-FA members, as well as the brigades of MAGA hat wearing Trump supporters, that had gathered at the Huntington Beach Pier. I still haven’t found out if this was some coincidence or planned meet up or perhaps if some Ska against Racism club just showed up early with bandanas and baseball bats to walk around town, before going to skank to their favorite band. Regardless, the crowd inside seemed arguably worse, and considerably goofier than I had anticipated, but I suppose this should be expected when three of the four festival headliners (Aquabats, Reel Big Fish and Goldfinger) were nineties-era ska bands who’s music was more prevalent in between Nickelodeon and Disney Channel shows than they were on Punk Comps. related content: Offspring In The Air: Sabroso Taco & Music Fest I shamefully grew up listening to Goldfinger, Reel Big Fish and Blink 182. They were my gateway drugs into the underground as I entered adolescence, and YES there was a time in the mid-nineties, outside of

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Janky Smooth Top 10 SHOWS of 2018 Rated by Contributors

What a year for shows in Los Angeles 2018 was. This is undoubtably the best city in the world for live music, so consider each list by our contributors 10 reasons why. Reunion shows alone were off the chain, Burger Boogaloo featured two comeback sets, Devo and Le Shok. Both performances were wild and unforgettable, making much deserved appearances below. Lets not forget about Stray Cats reuniting at Viva Las Vegas or Helloween’s epic Pumpkins United at the Palladium or Bleeding Through at the Observatory or My Bloody Valentine at The Shrine either. related content: The De-Evolution of Burger Boogaloo So many promoters delivered the goods in 2018. Das Bunker brought Covenant to 1720, Part Time Punks gave us Jay Aston’s Gene Loves Jezebel at the Echoplex, Church of the 8th Day sold out the Teragram with Napalm Death, and Lethal Amounts sold sex at Sex Cells with Hercules and Love Affair. Each of these shows are among the many these promoters held that were rare highlights of the year. related content: Groveling Before The Gods Of Grind: Napalm Death At The Teragram Punk rock represented hard, especially out of the Latin sector of Angelino culture. Club Scum held an

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Janky Smooth Top 10 ALBUMS of 2018 Rated by Contributors

Many truths bubbled up to the surface during 2018. The once hidden greatness of certain artists revealed itself in the work they released this year. With streaming services diminishing the significance of full albums with every year that goes by, these artists were able to fight the good fight on behalf of “the album” and prove some things never change. All the work listed below is worthy of your record collection. related content: Janky Smooth Top 10 SHOWS of 2018 Rated By Contributors Kanye West, for all the controversy and political ignorance he was a part of, produced 5 albums beginning with Pusha T’s Daytona and ending with Teyana’s K.T.S.E. All 5 albums featured 7 tracks, pushed boundaries, and were in this humble editor’s opinion, brilliant. Kanye produced Nas’ best album, Nasir, since God’s Son in 2002. Expect to see more than one Kanye produced album on any blog’s year-end lists. 2018 was one of the most dramatic years hip hop has had in awhile with beef between Pusha T and Drake reaching a fever pitch that culminated in Pusha T’s check-mate move, “The Story of Adidon”. Eminem resurrected Slim Shady and dropped Kamikazi, an album that reminded people he wasn’t just

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